Aus der Branche

RHEON LABS, a fast-growing materials technology company based in Battersea, London, has completed an extensive 6 month trial with FET, a world leader in laboratory and pilot meltspinning equipment. Backed by a £173,000 grant from Innovate UK for feasibility studies, RHEON LABS has further developed its RHEON™ technology, a reactive polymer that dynamically stiffens when subjected to force. The technology can control energy of any amplitude or frequency, from small vibrations to forces at ballistic-speeds and therefore has a wide range of applications.
 
This Innovate UK Smart Grant-backed project aims to develop a hyper viscoelastic fibre from RHEON™ which displays high strain-rate sensitive properties. Creating a fibre with unique strain-rate sensitive properties will be a world first. It will enable the creation of a 'breakthrough-generation' of stretch textiles that can actively absorb, dampen and control energy during movement, rather than simply acting as a spring.

For close-fitting activewear and sports bras, the ability to actively control muscle mass or soft tissue movement during exercise will be a game-changing advancement. It will allow brands to engineer garments that relax during everyday use but actively stiffen during exercise for improved support and performance.
The Innovate UK grant was awarded under the category of Hyper-Viscoelastic Fibre Extrusion for Textile Manufacture. Fibre Extrusion Technology Limited (FET) enabled the customer trials at its bespoke Fibre Development Centre in Leeds, England using its in-house FET-103 Monofilament meltspinning facilities, in harness with RHEON and FET technical operatives. The next phase will be to upscale the trials of preferred materials on RHEON’s own new FET-103 meltspinning line, with FET’s continued support and expertise on hand.
 
Creating a fibre with unique strain-rate sensitive characteristics could be as radical a change in the market as the initial introduction of stretch fibre with the launch of Lycra™. The textiles would have a multitude of beneficial properties and would provide significantly less compression in the garment than conventional materials, substantially improving user comfort, support and performance.

Die Master-Studentin Joline Kaumanns am Fachbereich Textil- und Bekleidungstechnik der Hochschule Niederrhein hat den Materialica Award 2022 in der Kategorie „Student“ gewonnen. Ihre Arbeit „S-Polarskin - Abundance of Light – Impulses of Sustainable Lightning“ wurde für das herausragende Design und die hohe Technologiekompetenz auf der eMove 360°-Messe in Berlin ausgezeichnet. Begleitet wurde die Arbeit von Professorin Marina-Elena Wachs.

Abundance of Light bedeutet Lichtfülle und impliziert damit differenzierte, sich ergänzende Materialeigenschaften. Materialien, wie Wolle, Papiergarn und recyceltes Zellophan werden unter dem Aspekt der Nachhaltigkeit verwendet. Diese Komponenten sind in einem Gewebe- und Gestrick-Gefüge als Sandwich-Material miteinander auf innovative Art verbunden. Die einzelnen Teile der Fläche greifen visuell ineinander.

Die locker gestrickte Ab-Seite verleiht dem Material eine voluminöse Haptik und sorgt für Lufteinschlüsse. Durch Lanolin ist es besonders wasserabweisend und erhält mit Dill, dem schwedischen Nationalgewürz, weitere multisinnliche Eigenschaften. Vorausgegangen war eine Forschungsstudie zu interkulturellen Design-Einflüssen aus Schweden.

Das Material lässt sich multifunktional und nachhaltigkeitsorientiert dem natürlichen Kreislauf zurückführen. Das Design – und die Designerin – hat den Anspruch an eine holistisch nachhaltige Lösung und wird sowohl für die Anwendung im Fashion als auch im Automotive Interior Design weitergedacht.

Der Materialica-Award wird im Rahmen der Messe eMove360° Europe vergeben. Sie ist die weltweit größte Fachmesse für die Mobilität 4.0. Die eMove360° Europe präsentiert die komplette Bandbreite zukunftsorientierter und nachhaltiger Mobilitätslösungen, von urbanem & mobilem Design, Material und Prozesslösungen, über automatisiertes Fahren und Elektronik bis hin zu Infotainment.

Coisne et Lambert, the group composed of the two companies TDV Industries and Klopman International, a leader in the production and marketing of technical fabrics for the professional clothing and PPE sector, announced the acquisition of TAD Teintures et Apprêts Danjoux.

TAD is specialized in the dyeing and finishing of knitted fabrics and has been in the market for over 30 years. Based in Le Coteau (France), the company has a production site of 9,000 m² and is a major player in the civil and administrative markets for technical textiles for professional clothing, medical, sport and apparel.

With a well equipped R&D laboratory, responsive and innovative sampling and production processes, TAD is ISO 14001 certified to manage its environmental performance.

TAD will extend the group's textile know-how adding expertise in knitwear finishing (dyeing, finishing and functionalities). The complimentary nature of their skillsets will allow the three companies to develop synergies for the benefit of their common and specific markets.

This integration will enable TAD to strengthen its specific business model and its services as a French finishing company over the long term, for the benefit of its historical and future customers.

The group, which is made up of the two companies TDV Industries and Klopman International, achieved a turnover of 185 million euros for the 2021-2022 financial year and employs more than 600 people. It also intends to expand its presence in new markets and geographical areas. Klopman International and TDV Industries want to offer markets more complete, flexible and competitive solutions for professional, civil and military clothing.

Exhibition: Karl Lagerfeld: A Line of Beauty
May 5 – July 16, 2023

The Costume Institute’s spring 2023 exhibition will examine the work of Karl Lagerfeld (1933–2019). Focusing on the designer’s stylistic vocabulary as expressed in aesthetic themes that appear time and again in his fashions from the 1950s to his final collection in 2019, the show will spotlight the German-born designer’s unique working methodology.

Most of the approximately 150 pieces on display will be accompanied by Lagerfeld’s sketches, which underscore his complex creative process and the collaborative relationships with his premières, or head seamstresses. Lagerfeld’s fluid lines united his designs for Balmain, Patou, Chloé, Fendi, Chanel, and his eponymous label, Karl Lagerfeld, creating a diverse and prolific body of work unparalleled in the history of fashion.

Within the scope of the United Nations Economic Commission for Europe (UNECE) initiative “The Sustainability Pledge”, to improve transparency and traceability for sustainable garment and footwear supply chains, the Swiss company Haelixa traces Egyptian cotton from the source up to premium shirts.

The UNECE and United Nations Centre for Trade Facilitation and Electronic Business (UN/CEFACT) has been developing over the period 2019-2022 policy recommendations, implementation guidelines, a call to action, and a traceability toolbox including blockchain and DNA tracing solutions, which has been implemented in few different textile supply chains. Haelixa is part of the group of experts that develops such policy recommendations and conducts projects with key industry players to set traceability benchmarks and later develop them into standards.

Fashion brands are often responsible for complex global value chains and traceability is the needed tool to enable trust, transparency and credible sustainability. The magnitude of the supply chain traceability challenge can be overwhelming for brands, but the UNECE initiative framework facilitates the alignment with suppliers, provides the necessary guidance and the needed tools, with Haelixa as physical traceability provider.

To make the premium shirts traceable, Haelixa has developed a DNA marker to label the raw material, premium Egyptian cotton. The DNA marker has been applied as fine spray to GIZA 96 lint cotton in Borg Al Arab, Egypt and used to produce the finest fabric by Swiss manufacturer Weba. Once applied to the fibers, Haelixa’s DNA markers stay safely embedded into the material and withstand the industrial processing, ensuring traceability from the source until the finished garment. Samples of lint cotton, yarn, and fabric at different steps were verified with a test based on PCR, and the correct DNA marker was detected, thereby enabling the identification of the premium product, of its origin and the specific supply chain. The forensic data obtained were recorded on a blockchain system provided by UNECE. The marked fabric was used to make Hugo Boss cotton dress shirts. As one of the leading premium fashion brands and partner to the UNECE project, Hugo Boss is responsible for a complex global value chain and strives for high sustainability standards and is looking at traceability options.

“In cases like this one, where the material is of the highest quality and the product is shipped from one facility to another for premium processing, adding physical traceability is critical to ensure that the origin, quality and processing claims can be backed up" says Gediminas Mikutis, CTO and co-founder at Haelixa.

Maria Teresa Pisani, Economic Affairs Officer and Project Lead at UNECE, emphasized: “Traceability and transparency are crucial elements to protect environmental, social, and human rights along global value chains. At UNECE, we aim to enhance traceability approaches by exploring new and innovative solutions that help identify and address negative impacts in the fashion industry.”

Der neue Stoff und das Tarnmuster wurden in Zusammenarbeit mit dem niederländischen Verteidigungsministerium und dessen Defensie Materieel Organisatie entwickelt. Es weist das neue niederländische Fraktalmuster auf und wird von mindestens 480.000 Soldaten weltweit verwendet werden.

Pincroft, größter Textilfärber, -drucker und -veredler im Vereinigten Königreich, hat für das niederländische Verteidigungsministerium ein neues Tarnmuster entwickelt, das Teil des “STRONG”-Programms der Defensie Materieel Organisatie (DMO) ist, und alle Militärangehörigen der Königlichen Niederländischen Marine, des Heeres, der Luftwaffe und der Marechaussee mit Kampfkleidung und Ausrüstung versorgen soll.

Pincroft folgte den Richtlinien des neuen niederländischen Fraktalmusters (NFP), um ein achtfarbiges Tarnmuster zu entwerfen, das einen hohen Störungsgrad bietet, damit die Soldaten im Bedarfsfall besser getarnt sind. Das neue NFP-Tarnmuster wird in grüner oder waldfarbener Ausführung für Heer, Luftwaffe, Marechaussee und Marineinfanterie hergestellt, während die Marine eine blaue oder marinefarbene Ausführung erhält.

Das Gewebe wurde von Carrington Textiles, Hersteller von Berufsbekleidung, speziell nach den Anforderungen des niederländischen Verteidigungsministeriums an Komfort und Schutz entwickelt. Das Ergebnis ist ein leichtes, aber dennoch strapazierfähiges Gewebe mit einer Grammatur von 210 g und einer Zusammensetzung aus 50 % Baumwolle, 50 % hochfestem Nylon und Ripstop für zusätzliche Festigkeit.

Der hohe Baumwollanteil des Gewebes sorgt für ein angenehmes Tragegefühl, da es sich weich anfühlt, atmungsaktiv ist und feuchtigkeitsableitende Eigenschaften aufweist – Schlüsselelemente für die harten Einsatzbedingungen der Soldaten. Die Beimischung von hochfestem Nylon sorgt für zusätzliche Festigkeit und Strapazierfähigkeit, wobei die Ripstop-Eigenschaften des Gewebes für Reißfestigkeit sorgen.

Rund 480.000 Hosen und Jacken werden an Offiziere der Königlichen Niederländischen Marine, des Heeres, der Luftwaffe und der Marechaussee im Rahmen des Uniformierungsprogramms “STRONG” des niederländischen Verteidigungsministeriums geliefert, mit dem die Streitkräfte in den nächsten 18 Monaten mit vielseitigen Uniformen und Ausrüstungen ausgestattet werden sollen, die je nach Einsatz angepasst werden können. Das Paket umfasst auch einen Regenmantel, ein Kampfhemd und eine Baseballkappe.

Monforts has installed and commissioned a new Montex finishing range at the Baltic Works of Halley Stevensons in Dundee, Scotland, to further boost the weatherproofing specialist’s highly flexible operations.

The range, with a working width of two metres, was built at the Montex assembly plant in Austria and consists of a Montex®Coat coating unit in knife execution for paste and foam coating and a Montex 8500 6F stenter.

Founded in 1864, Halley Stevensons has amassed unique technical know-how and manufacturing experience in the art of waxed cotton for weatherproofed fabrics and is able to provide international orders in custom colours and finishes to very low minimum quantities where required. The company exports worldwide and its premium brand customers include Belstaff, Barbours, Filson and J.Crew.

The range has replaced one of the company’s older stenter/coating lines and has already enabled Halley Stevensons to recreate various products with lower coating applications at higher speeds than was previously possible.

Waxed cotton was originally developed by sailors in the early 15th century when Scottish North Sea herring fleets began treating flax sailcloth with fish oils and grease in an attempt to waterproof their sails. Remnants of these sails were used by the sailors as capes to withstand the high winds and sea spray.

By the mid 1850s, sailcloth was being treated with linseed oil, but while initially highly effective, it would yellow and stiffen through weathering over time and eventually lose its waterproofing qualities.

In the years that followed, various treatments were applied to cottons in an attempt to find the most effective weatherproofing solution, and the combination of densely-woven cotton impregnated with a paraffin waxed coating proved most successful. For over 150 years, Halley Stevensons created many different variations of both woven constructions and finishing treatments and now supplies thousands of metres of waxed cotton every year, with each roll produced to custom specifications.

“The beauty of waxed cotton is its durability and longevity,” says Managing Director James Campbell. “The fabrics are breathable, with the wax adjusting to ambient temperatures to be softer and more breathable in warm weather and stiffer and more wind proof in cold conditions.”
While traditional waxes are petroleum or paraffin based, Halley Stevensons has always been comfortable about using a waste product from industry and reusing it to make products that last a lifetime.  

“We are always exploring different finishing techniques and one of our most popular finishes is our hybrid aero – an emulsified blend of waxes,” Campbell says. “This fabric is water repellent but has little wax in the mixture so the handle is much drier to touch than the traditional wet waxes.”

The company has also recently launched a new 100% plant-based wax – Ever Wax Olive – consisting of a blend of olive oil, rape seed and castor bean with comparable water repellence to petroleum and a far better rating than other natural waxes which have come before it.

“The high tradition of skills and fabric innovation imposed by our original guildsmen is still our benchmark standard of honest workmanship today,” Managing Director James Campbell concludes “We use responsibly sourced cotton fabrics and processes that are gentle to the product and low impact to the environment. Our dyeing methods use very low levels of water and our waxes are simply heated up for application and cooled down to store when not in use, meaning no waste discharges. Now, with this new Monforts line, we are also achieving running speeds two-to-three times faster than with the older stenter, combined with less gas usage. It’s proved a great partnership.”

In cooperation with Platte Berlin, deadHYPE, Visionary Services and the Fashion Council Germany, The Ground invited to the Studio2Retail block party in Mitte. 950 guests, including creatives, influencers and the young Gen-Z Berlin fashion scene, came together for the first time since The Ground premiered in July to exchange and celebrate change.

The community had the exclusive opportunity to buy the limited pieces of the MUST-HAVE PEACE charity collection, which the Premium Group team initiated to support the people suffering from the war in Ukraine.

The collection includes 22 special items of clothing and accessories from 11 brands and designers from the Premium Group cosmos, of which 100% of the proceeds go to Be an Angel.

Be an Angel e.V. is an initiative of people from creative industries who are committed to the sustainable integration of people with a refugee background. Under the direction of Chairman Andreas Tölke, the team has been working intensively for the people from Ukraine for weeks, organising trips to Germany for refugees from Moldova, activating a nationwide network for accommodation and supplying hospitals in Odessa, Kyiv and Lemberg with medicine.

Electronically conductive fibres are already in use in smart textiles, but in a recently published research article, ionically conductive fibres have proven to be of increasing interest. The so-called ionofibres achieve higher flexibility and durability and match the type of conduction our body uses. In the future, they may be used for such items as textile batteries, textile displays, and textile muscles.

The research project is being carried out by doctoral student Claude Huniade at the University of Borås and is a track within a larger project, Weafing, the goal of which is to develop novel, unprecedented garments for haptic stimulation comprising flexible and wearable textile actuators and sensors.

In Claude Huniade’s project, the goal is to produce conductive yarns without conductive metals.
"My research is about producing electrically conductive textile fibres, and ultimately yarns, by coating non-metals sustainably on commercial yarns. The biggest challenge is in the balance between keeping the textile properties and adding the conductive feature," said Claude Huniade.

Currenty, the uniqueness of his research leans towards the strategies employed when coating. These strategies expand to the processes and the materials used.

Uses ionic liquid
One of the tracks he investigates is about a new kind of material as textile coating, ionic liquids in combination with commercial textile fibres. Just like salt water, they conduct electricity but without water. Ionic liquid is a more stable electrolyte than salt water as nothing evaporates.

"The processable aspect is an important requirement since textile manufacturing can be harsh on textile fibres, especially when upscaling their use. The fibres can also be manufactured into woven or knitted without damaging them mechanically while retaining their conductivity. Surprisingly, they were even smoother to process into fabrics than the commercial yarns they are made from," explained Claude Huniade.

Ionofibres could be used as sensors since ionic liquids are sensitive to their environment. For example, humidity change can be sensed by the ionofibers, but also any stretch or pressure they are subjected to.

"Ionofibres could truly shine when they are combined with other materials or devices that require electrolytes. Ionofibres enable certain phenomena currently limited to happen in liquids to be feasible in air in a lightweight fashion. The applications are multiple and unique, for example for textile batteries, textile displays or textile muscles," said Claude Huniade.

Needs further research
Yet more research is needed to combine the ionofibres with other functional fibres and to produce the unique textile devices.

How do they stand out compared to common electronically conductive fibres?
"In comparison to electronically conductive fibres, ionofibers are different in how they conduct electricity. They are less conductive, but they bring other properties that electronically conductive fibers often lack. Ionofibres achieve higher flexibility and durability and match the type of conduction that our body uses. They actually match better than electronically conductive fibres with how electricity is present in nature," he concluded.

Der Schweizer Fashion Designer Yannik Zamboni hat es geschafft: Er gewinnt das Finale der Fashion-Wettbewerbs-Serie «Making the Cut» von Prime Video und damit eine Million US-Dollar für sein Fashion-Label maison blanche, die Möglichkeit, eine Kollektion exklusiv sowie eine Co-Brand mit Amazon Fashion unter dem Namen «rare/self» auf Amazon zu verkaufen. Für Yannik eröffnet sich damit die Chance seine Brand von lokal auf global auszubauen.

Während acht Episoden kann der Schweizer Yannik Zamboni und ehemalige Absolvent an der STF Schweizerischen Textilfachschule fast durchgehend die Judges mit seinen unkonventionellen, ikonischen und dekonstruierten Looks, die meisten davon in seiner Signature-Farbe Weiss, überzeugen. Er setzt sich damit gegen 9 Fashion-Designer aus der ganzen Welt durch.

In Episode 7 entscheidet Yannik das Halbfinale für sich. In dieser Folge wird das Business-Gespür getestet und es muss ein Pop-Up Store designt sowie gebaut werden. Zusätzlich zeigen er und die verbliebenen Designer in dieser Episode bei einer Business-Pitch-Präsentation, was sie mit einer Million Dollar Preisgeld anstellen würden und wie sie gedenken, ihr Business zu verkaufen.

Wie Yannik erläutert, war für ihn fast sicher, dass er nach dem Gewinn des Halbfinales und dem Einzug als erster Teilnehmer ins Finale, den letzten Triumph der Show höchstwahrscheinlich nicht mehr für sich entscheiden kann. Dennoch geht er am Ende, nach dem Final Runway in der Episode 8, als strahlender Sieger voller Emotionen, mit einer Million US-Dollar für sein Label, der Möglichkeit eine Kollektion für sein Label maison blanche exklusiv sowie eine Co-Brand unter dem Namen «rare/self» auf Amazon zu verkaufen, von der Bühne.

Aktuell bereitet sich Yannik auf die New York Fashion Week vor, auf der die Looks seines Labels maison blanche, am 14. September, um 21:00 Uhr (NYC Time), unter freiem Himmel gezeigt werden.

Yannik arbeitet hauptberuflich als Designer für seine im September 2020 gegründete Marke maison blanche, die verschiedene gesellschaftspolitische Themen zur Sprache bringt und Tabuthemen durch konzeptionelle Mode anspricht. Der subversive Inhalt seiner Marke spiegelt sich in dekonstruierten Designs wider und zielt darauf ab, die Verhaltensregeln zu erweitern. Yannik und seine Marke sind der Meinung, dass Nachhaltigkeit in vier wichtige Bereiche unterteilt ist: ethisch-moralisch, soziopolitisch, ökologisch und ökonomisch, die alle respektiert und eingehalten werden müssen.