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Marco Lucietti - Board Member C&S Photo by C&S
Marco Lucietti - Board Member C&S
16.07.2026

C&S strengthens its governance to support its evolution

Marco Lucietti joins the Board of Directors as the company advances its integrated model built on design, responsibility and Italian manufacturing excellence.

C&S announces the appointment of Marco Lucietti to its Board of Directors. With extensive international experience across the textile and denim industries, Lucietti will work alongside CEO Federico Corneli, contributing to the company’s managerial development, organizational structure and long-term strategic direction.

His appointment marks another step in C&S's ongoing transformation, as the company expands its role from a garment maker with deep roots in denim to a design-driven manufacturing partner for premium, luxury and urban fashion brands. The ambition is to build an integrated business model in which the experience gained through the company’s own brands and the expertise of its manufacturing services continuously strengthen one another.

Marco Lucietti joins the Board of Directors as the company advances its integrated model built on design, responsibility and Italian manufacturing excellence.

C&S announces the appointment of Marco Lucietti to its Board of Directors. With extensive international experience across the textile and denim industries, Lucietti will work alongside CEO Federico Corneli, contributing to the company’s managerial development, organizational structure and long-term strategic direction.

His appointment marks another step in C&S's ongoing transformation, as the company expands its role from a garment maker with deep roots in denim to a design-driven manufacturing partner for premium, luxury and urban fashion brands. The ambition is to build an integrated business model in which the experience gained through the company’s own brands and the expertise of its manufacturing services continuously strengthen one another.

This evolution is reflected in the company’s new brand statement, “Made by design, made to matter,” which embodies an approach where product culture, technological innovation and responsible growth come together. The company's vision is to transform creative ideas into scalable industrial realities through a short, fully integrated supply chain rooted in the historic textile districts of Central Italy.

Bringing this vision to life is the dialogue between the company's two strategic areas: on one side, research into trends, materials and consumer behavior – also fueled by firsthand retail experience – and on the other, the continuous evolution of the supply chain towards more transparent, efficient and responsible processes.

“Our ambition is to build an ecosystem where manufacturing, research, product culture and responsibility work together to create lasting value,” says Corneli. “Marco's appointment is an important milestone because it strengthens the organizational foundations of this vision and supports its long-term development. We want the experience generated by our brands and the expertise of our manufacturing services to reinforce one another, transforming creative ideas into relevant, scalable products designed to stand the test of time.”

Marco Lucietti brings more than twenty years of international experience in the textile industry, spanning strategy, corporate governance, sustainability, communications and organizational development. He will also continue his role as Adjunct Professor of Governance and Sustainability for Fashion at Sapienza University of Rome, while serving as Senior Advisor on selected international projects.

C&S is a garment maker and global partner for contemporary fashion brands. Since 1981, the company has supported brands in the development and manufacturing of collections by combining product culture, technical expertise and Italian manufacturing know-how across the textile districts of Central Italy. Building on its heritage in denim, C&S has expanded its expertise into the luxury and urban segments, developing an integrated model that combines product development, a short supply chain and responsible innovation. Made by design, made to matter captures the company's ambition: transforming creative visions into garments that combine quality, originality and lasting value.

Source:

C&S

ISKO FW 27-28 Photo: ISKO
ISKO FW 27-28
14.07.2026

ISKO: Conscious color, texture, and tactile evolution to Bluezone Munich

At Bluezone ISKO is debuting its FW 27–28 Collection, structured around a trio of core sensory pillars: color, texture, and touch. This season, the textile leader showcases a creative vision where emotional connection and advanced technical innovation come together. The entire range is anchored by a dedicated commitment to eco-conscious material creation, utilizing patented processing technologies and high-quality Next-Gen materials powered by RE&UP. 

ISKO FW27–28 collection: Supreme Colors and beyond 
Anchoring the new season is Supreme Colors, a concept that highlights ISKO’s deep mastery of color innovation through a broad and adaptable shade spectrum spanning various product lines. Enhanced by strong yarn character, fast fading properties, and laser-compatible finishing techniques, the range delivers a high-definition visual depth alongside authentic, vintage denim characteristics. 

At Bluezone ISKO is debuting its FW 27–28 Collection, structured around a trio of core sensory pillars: color, texture, and touch. This season, the textile leader showcases a creative vision where emotional connection and advanced technical innovation come together. The entire range is anchored by a dedicated commitment to eco-conscious material creation, utilizing patented processing technologies and high-quality Next-Gen materials powered by RE&UP. 

ISKO FW27–28 collection: Supreme Colors and beyond 
Anchoring the new season is Supreme Colors, a concept that highlights ISKO’s deep mastery of color innovation through a broad and adaptable shade spectrum spanning various product lines. Enhanced by strong yarn character, fast fading properties, and laser-compatible finishing techniques, the range delivers a high-definition visual depth alongside authentic, vintage denim characteristics. 

Building upon this color-focused story, Iconic Craft redefines fabric texture as a central design element. Bold surface treatments, multi-layered structures, and progressive finishes produce highly tactile textiles that fluidly shift from heritage authenticity to experimental, techno-inspired aesthetics. Completing the collection's sensory profile is ISKO™ Wondersoft, which prioritizes the physical hand-feel by introducing fluid, silky, and remarkably soft qualities that balance everyday durability with refined comfort. 

Capsule Collections: Four Creative Expressions 
This seasonal design philosophy comes to life across four distinct capsule collections, each exploring the overarching aesthetic theme through a unique point of view: 

  • City Glam 2.0: Explores the boundaries of denim through a polished, metropolitan lens. It introduces a balance of matte and glossy finishes to add subtle luminosity and elevated sophistication while respecting denim’s classic roots. 
  • D.Lite 2.0: Concentrates on lightweight fabric weights and fluid comfort. This capsule features flexible, exceptionally soft denim qualities designed for effortless movement and a relaxed aesthetic, meeting the modern demand for comfort-first apparel without losing a sleek edge. 
  • Chino’s Utility: Reimagines traditional chino archetypes with a contemporary, laid-back sensibility. Classic, seasonless navy and beige baselines are updated with progressive colorways, tactile surfaces, and technical weave constructions that blend functional wear with elegant style. 
  • Natural Meal: Presents an organic exploration focused on off-white and natural ecru palettes. Centered on raw authenticity, this capsule pairs clean tonal depth with distinct 
  • fabric textures, offering a softer, more organic take on denim culture that highlights material character and mindful engineering. 

“Our presence at Bluezone highlights a deep commitment to pushing the boundaries of what denim can be,” said Fatma Korkmaz, Product Development Manager at ISKO. “This season, we are shifting the conversation toward an immersive, sensory experience where color depth and intricate textures take center stage and blending it with the incredible circular capabilities of RE&UP, to show the industry that high-end design and environmental responsibility belong together.” 

ISKO™ Luxury by PG – H.A. HUMAN ART 
Running alongside the core range, ISKO™ Luxury by PG debuts H.A. HUMAN ART, a visionary project celebrating artisanal craftsmanship in the era of artificial intelligence. Created by Paolo Gnutti, this line returns the focus to analog, human creativity, emphasizing tactile experimentation and emotion-driven design. The concept explores eight distinct directions, spanning tailored denim structures and highly textured black surfaces to multi-colored weaves, faux-fur techniques, and innovative reverse-side prints, merging artisanal spirit with premium technical luxury

More information:
BLUEZONE Isko Munich Denim
Source:

ISKO

RE&UP now B Corp™ certified Photo RE&UP
14.07.2026

RE&UP now B Corp™ certified

The milestone solidifies the company’s commitment to transparent, textile-to-textile manufacturing across the global value chain. 

RE&UP, the circular-tech transforming global textile waste into high-volume Next-Gen materials, has officially become a Certified B Corporation™. 

The milestone establishes the industrial recycler among a select group of manufacturing infrastructure providers verified as meeting B Lab Standards for social and environmental performance, transparency, and accountability. 

"Today marks an important milestone for RE&UP as we become a Certified B Corporation™. This certification reflects our commitment to building an infrastructure where innovation, circularity, and operational responsibility operate in unison. It recognizes not only what we do, transforming textile waste into high-purity resources, but also how we do it: with transparency, accountability, and a long-term vision. This achievement is a testament to our team's collective effort, and we remain dedicated to driving systemic, meaningful change across the global value chain." Said Ebru Özküçük Güler, Chief Sustainability Officer, RE&UP 

The milestone solidifies the company’s commitment to transparent, textile-to-textile manufacturing across the global value chain. 

RE&UP, the circular-tech transforming global textile waste into high-volume Next-Gen materials, has officially become a Certified B Corporation™. 

The milestone establishes the industrial recycler among a select group of manufacturing infrastructure providers verified as meeting B Lab Standards for social and environmental performance, transparency, and accountability. 

"Today marks an important milestone for RE&UP as we become a Certified B Corporation™. This certification reflects our commitment to building an infrastructure where innovation, circularity, and operational responsibility operate in unison. It recognizes not only what we do, transforming textile waste into high-purity resources, but also how we do it: with transparency, accountability, and a long-term vision. This achievement is a testament to our team's collective effort, and we remain dedicated to driving systemic, meaningful change across the global value chain." Said Ebru Özküçük Güler, Chief Sustainability Officer, RE&UP 

This operational verification coincides with shifting commercial and regulatory requirements. Recent B Lab research indicates that 90.7% of global consumers assert that corporate directors should be held accountable for environmental and social impacts. Furthermore, 85% of consumers aware of the B Corp™ brand report that it directly influences their purchasing decisions, a trend led by consumers under 40. 

Utilizing its proprietary textile-to-textile (T2T) technology, RE&UP delivers high-quality Next-Gen Cotton fibers and Next-Gen Polyester chips engineered to integrate seamlessly into existing global value chains, bridging the gap between commercial volume and verified corporate governance.

Pelliot event lifestyle mountaineering Photo: eVent Fabrics & PELLIOT
14.07.2026

eVent Fabrics & PELLIOT: Lower-Impact Innovation in the Global Outdoor Market

In a big win for lower impact products, eVent Fabrics, a global leader in waterproof and breathable fabric technologies, is partnering with PELLIOT, one of China’s fastest-growing outdoor brands, to bring their flagship PFAS-free alpineST and windstormST laminates to the rapidly expanding China outdoor market. Founded in 2012, PELLIOT is a leading Chinese high-performance outdoor lifestyle brand. The company has a long history of supporting elite mountaineers and explorers in scaling the world’s highest peaks and conducting expeditions of significant scientific value.

PFAS in functional textiles has become a significant industry concern, making the transition to PFAS-free materials a clear market imperative. PELLIOT specializes in high-performance outdoor gear for mountaineering, travel, hiking, and skiing. Through this partnership with eVent Fabrics, PELLIOT is expanding its next-generation product range, further cementing its position as an industry benchmark for functional outdoor apparel.

In a big win for lower impact products, eVent Fabrics, a global leader in waterproof and breathable fabric technologies, is partnering with PELLIOT, one of China’s fastest-growing outdoor brands, to bring their flagship PFAS-free alpineST and windstormST laminates to the rapidly expanding China outdoor market. Founded in 2012, PELLIOT is a leading Chinese high-performance outdoor lifestyle brand. The company has a long history of supporting elite mountaineers and explorers in scaling the world’s highest peaks and conducting expeditions of significant scientific value.

PFAS in functional textiles has become a significant industry concern, making the transition to PFAS-free materials a clear market imperative. PELLIOT specializes in high-performance outdoor gear for mountaineering, travel, hiking, and skiing. Through this partnership with eVent Fabrics, PELLIOT is expanding its next-generation product range, further cementing its position as an industry benchmark for functional outdoor apparel.

“This partnership with PELLIOT represents a big step forward in the global reduction of PFAS in consumer apparel,” said Chad Kelly, Vice President of eVent Fabrics. “As one of the fastest growing outdoor apparel brands in China, PELLIOT is a volume leader, which means this partnership could have a real effect on attitudes towards PFAS in China’s explosive, multi-billion dollar outdoor sports market.”

"At PELLIOT, we are not only committed to crafting top-tier, versatile professional outdoor apparel for enthusiasts worldwide, but also to advancing material innovation and responsible product development," said Zhao Le, Vice President of PELLIOT. "The environmental hazards associated with traditional chemical materials, such as PFAS, have become a pressing concern for the entire outdoor industry. Driving the transition toward PFAS-free and low-carbon textiles is not only an inevitable industry trend but also a fundamental responsibility and mission for leading brands. We look forward to partnering with eVent to steer the industry away from its reliance on traditional PFAS-based fabrics while continuing to deliver the performance consumers expect."


Designed with the planet in mind, the PFAS-free alpineST membrane is laminated with performance face fabrics and backers, and finished with a C0 DWR finish. Ideal for demanding activities, alpineST provides the ultimate shield from the elements. The alpineST laminate can be found in the PELLIOT SS27 alpineST Hard Shell Jacket.

The windstormST laminate combines eVent’s plant-based membrane with recycled / low impact face and backer fabrics. Finished with a C0 DWR for sustainable performance, this softshell laminate completely blocks wind while repelling light rain and snow. Perfect for a wide-range of conditions, windstormST will be used in PELLIOT’S FW26 windstormST Soft Shell Jacket.

Source:

eVent Fabrics 

Kick-off meeting in Denkendorf. Photo: DITF
Kick-off meeting in Denkendorf.
12.07.2026

ALADIN: Circular and demand-driven textile production in Europe

Textile production can be organized sustainably by utilizing short supply chains and preventing overproduction. This can already be achieved today by intelligently connecting and efficiently utilizing existing infrastructure. At the same time, production becomes circular when innovative technologies and materials are used that enable high-quality recycling. The ALADIN research project, launched in May 2026 and co-funded with five million euros under the EU Horizon Europe program, is creating the conditions for this.

Under the coordination of the German Institutes of Textile and Fiber Research Denkendorf (DITF), ten European project partners are developing and integrating platforms, technologies, and viable business models for circular textile production over four years. ALADIN stands for Advanced LocAl and Digital Innovation Network for Circular Garments and aims to establish viable business models for circular textile production.

The concept is based on four pillars:

Textile production can be organized sustainably by utilizing short supply chains and preventing overproduction. This can already be achieved today by intelligently connecting and efficiently utilizing existing infrastructure. At the same time, production becomes circular when innovative technologies and materials are used that enable high-quality recycling. The ALADIN research project, launched in May 2026 and co-funded with five million euros under the EU Horizon Europe program, is creating the conditions for this.

Under the coordination of the German Institutes of Textile and Fiber Research Denkendorf (DITF), ten European project partners are developing and integrating platforms, technologies, and viable business models for circular textile production over four years. ALADIN stands for Advanced LocAl and Digital Innovation Network for Circular Garments and aims to establish viable business models for circular textile production.

The concept is based on four pillars:

  • A digital platform for services provided by small and medium-sized enterprises (SMEs)
  • Regional cooperation to promote local production
  • Technologies for recycling strategies
  • Local and renewable raw materials

The project partners come from six different countries (Germany, Romania, Belgium, France, Czechia, Italy) and bring a wide range of expertise to the table, for example in the areas of design, embroidery, printing, digitalization, recycling, AI, and microfactory production.

This diverse range of experiences enables a high-performance digital infrastructure for B2B and B2B2C relationships. The partners will develop innovative technologies such as a Digital Product Passport module, or an AI-supported ecodesign assistant and apparel textiles including ring-spun recycled cotton yarns, while ensuring a broad transfer of project results to make a lasting impact. This will result in a network that jointly utilizes the infrastructure - from design and production to customer service and recycling.

To validate the approach, three specific use cases are being implemented: a semi-automated T-shirt, a smart parka, and a circular, versatile blazer dress. These products use sustainable materials such as bio-based fibers and recycled textiles, which are processed in a way that makes them easier to recycle at the end of their life cycle. Production takes place locally in microfactories, and the products are custom-made according to customer specifications.

In addition, small and medium-sized enterprises (SMEs), startups and further stakeholders will be actively involved in two Open Calls. Innovations within the ecosystem are also promoted, for example in the areas of automation, production technologies, and digital services.

In the long term, the project aims to establish a Europe-wide network of microfactories, create new jobs, and significantly increase the use of sustainable materials. At the same time, the project intends to reduce waste and strengthen regional value creation.

To this end, ALADIN brings together industry, customers, policymakers, and academia - to promote sustainable, circular textile production. In this way, ALADIN will also serve as a model for similar networks, thereby multiplying the positive effects on the market and the environment.

This project has received funding from the European Union’s Horizon Europe research and innovation programme under grant agreement No 101294463. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Health and Digital Executive Agency (HADEA). Neither the European Union nor the granting authority can be held responsible for them.

Source:

Deutsche Institute für Textil- und Faserforschung Denkendorf DITF

SOARIN Photo SOARIN
08.07.2026

CHINA WAVE at Pitti Uomo 110

With its fifth participation at Pitti Uomo, CHINA WAVE once again underscored the dynamic rise of Chinese designer brands on the international stage. The showcased collections demonstrated how Chinese labels are increasingly defining themselves through distinctive design languages, technological innovation and cultural authenticity, attracting growing attention from the global fashion industry. 

As the flagship brand of the collective presentation, SEPTWOLVES impressed visitors with a collection combining functionality, sustainability and Chinese cultural heritage. Alongside its further enhanced Business Travel Jacket featuring advanced technical innovations, the Wulin World Heritage Collection and the sustainable polo line crafted from natural fibres attracted particular interest. International buyers praised SEPTWOLVES for translating traditional Chinese craftsmanship and intangible cultural heritage into a contemporary design language with global appeal. The collections led to intensive discussions with buyers and distributors from Europe, South America, the Middle East and Central Asia, reaffirming the brand's growing international potential. 

With its fifth participation at Pitti Uomo, CHINA WAVE once again underscored the dynamic rise of Chinese designer brands on the international stage. The showcased collections demonstrated how Chinese labels are increasingly defining themselves through distinctive design languages, technological innovation and cultural authenticity, attracting growing attention from the global fashion industry. 

As the flagship brand of the collective presentation, SEPTWOLVES impressed visitors with a collection combining functionality, sustainability and Chinese cultural heritage. Alongside its further enhanced Business Travel Jacket featuring advanced technical innovations, the Wulin World Heritage Collection and the sustainable polo line crafted from natural fibres attracted particular interest. International buyers praised SEPTWOLVES for translating traditional Chinese craftsmanship and intangible cultural heritage into a contemporary design language with global appeal. The collections led to intensive discussions with buyers and distributors from Europe, South America, the Middle East and Central Asia, reaffirming the brand's growing international potential. 

For SWOF CARE, the hat wear brand, direct engagement with the international market was the central focus. The new SUPER SWOF "SS Super Classic" collection and the handcrafted BLACK LABEL line successfully combined traditional Chinese millinery with a contemporary design aesthetic. Particularly valuable for the brand was the immediate feedback received from international buyers and industry professionals, providing important inspiration for future collection development. At the same time, numerous concrete business opportunities emerged, with buyers expressing interest in sourcing solutions, product customization, long-term distribution partnerships and agency collaborations. Establishing new partnerships to further accelerate the brand's international expansion also ranks among the lasting achievements of its participation. 

With its distinctive interpretation of contemporary Oriental aesthetics, ZIFEI WANG became one of the creative highlights of CHINA WAVE. Combining artistic expression with premium ready-to-wear fashion, the collection impressed international buyers as well as renowned showrooms and premium boutiques. Particular praise was given to its successful balance between avant-garde creativity and commercial relevance. The successful presentation in Florence further strengthened the brand's international positioning while paving the way for future presentations across Europe like the forthcoming Milan Fashion Week in September.  

SOARIN presented its unique design philosophy under the guiding concept "I Become." Through plant-based dyeing techniques, innovative material research and the fusion of traditional craftsmanship with contemporary design, the brand developed a distinctive creative signature. International buyers and industry professionals particularly appreciated its creative originality and innovative use of materials. Discussions during the fair generated promising prospects for future collaborations and international showcases. 

SOARIN WORLD, the pioneering Chinese label under the SOARIN brand, presented a collection rooted in an Eastern interpretation of beauty while embracing a forward-looking design philosophy. Drawing inspiration from ethnic cultures, nature and humanity, the brand reinterprets traditional Chinese aesthetics through a contemporary lens, creating garments that bridge heritage and modernity. International buyers and industry professionals praised the collection's distinctive cultural identity and sophisticated craftsmanship, recognising its strong potential for premium retail and concept stores. The presentation in Florence further strengthened SOARIN WORLD's international visibility and opened promising opportunities for future collaborations and market expansion. 

For KIMUSSO, Pitti Uomo represented far more than a platform for presenting a collection. The avant-garde womenswear label used the direct exchange with international buyers to further refine its positioning in the global market. Immediate feedback confirmed the brand's particular strength within the progressive concept store and curated premium boutique segment. The exhibition therefore marked an important milestone in reflecting on the brand's identity from an international perspective and further sharpening its future strategic direction. 

Under this year's theme, "The Pitti Pool," Pitti Uomo 110 once again proved to be a meeting point for the ideas, perspectives and partnerships shaping the future of the global fashion industry. Through its fifth participation, CHINA WAVE demonstrated how naturally Chinese designer brands have become part of this international creative ecosystem. From technological innovation and sustainable material concepts to a confident expression of cultural identity, the participating labels presented their own distinctive visions for the future of fashion, attracting significant interest from international buyers and key industry decision-makers. 

CHINA WAVE has long evolved into far more than a collective exhibition. The platform connects Chinese designer brands with international business partners, creates new market opportunities and fosters creative dialogue between East and West. The successful presentation in Florence clearly demonstrated that Chinese brands are increasingly recognised as drivers of innovation, design excellence and cross-cultural exchange. Following this milestone edition, attention is already turning to the next chapter: from January 12 to 15, 2027, CHINA WAVE will return to Pitti Uomo 111 in Florence, bringing a new wave of Chinese creativity to the international stage. 

More information:
Pitti Uomo CHINA WAVE
Source:

JANDALI MODE.MEDIEN.MESSEN

08.07.2026

USColorworks: Digital Platform with Kornit Atlas MATRIX and Atlas MAX PLUS Solutions

Kornit Digital Ltd., a pioneer in sustainable, on-demand digital fashion and textile production, announced that USColorworks, a North Carolina-based apparel decoration and fulfillment company specializing in custom and on-demand printing for retail and promotional markets, has expanded its Kornit digital production platform with the addition of Atlas MATRIX and Atlas MAX PLUS systems to deliver high-quality, on-demand apparel across cotton, blended fabrics and polyester. 

Kornit Digital Ltd., a pioneer in sustainable, on-demand digital fashion and textile production, announced that USColorworks, a North Carolina-based apparel decoration and fulfillment company specializing in custom and on-demand printing for retail and promotional markets, has expanded its Kornit digital production platform with the addition of Atlas MATRIX and Atlas MAX PLUS systems to deliver high-quality, on-demand apparel across cotton, blended fabrics and polyester. 

Among the first companies to adopt Kornit's new Atlas MATRIX direct-to-garment (DTG) solution, USColorworks is leveraging its ability to deliver the highest quality output across all fabric types, including polyester, projecting a 30% increase in apparel and textile production for all on-demand orders. By reducing operational complexity and opening new revenue streams, Atlas MATRIX enables true on-demand manufacturing without compromising quality, durability, or efficiency. The scalable platform also allows USColorworks to bypass large inventory stocking in favor of fast, direct-to-customer shipping, producing high-definition, high-quality prints on demand across a boundless range of fabrics and colors. 

USColorworks is replacing its legacy production systems with Atlas MATRIX, unifying custom order production—whether for 1 piece or 1,000—to accelerate turnaround times, reduce labor costs, eliminate pre-treatment, and deliver a superior hand feel.  At the same time, USColorworks is reducing its reliance on the more labor-intensive direct-to-film (DTF) workflow, previously its method for short-run polyester print-on demand jobs, by transitioning those volumes to Kornit infrastructure. 

“Digital production has dramatically increased our competitiveness and revenue," said Rodney McDonald, President of USColorworks. "I don't believe you can win a national program now without having the ability to handle both bulk items and on-demand orders. Digital is the only way to do it all right—managing both large and small orders in the same process. As speed, accuracy, and consistency are critical, the Atlas MATRIX system is the right solution at the right time, and it has led to an immediate and significant increase in volume from retail customers. We see this new platform leading the way for print-on-demand across our entire business." 

“When we officially unveiled the Atlas MATRIX system at Kornit Konnections this past April, our intent was clear – enable brands and producers to embrace digital production for what has now become the on-demand era. Kornit is delivering on that promise with the new Atlas MATRIX system, which is already producing tangible results at some of our leading customers,” said Chris Carson, Vice President of Sales at Kornit North America. “We’re proud USColorworks has chosen to expand their digital production capabilities with Atlas MATRIX, thus removing production limitations and firmly embracing digital as the new standard for apparel production.” 

Photo Catalyst Club
03.07.2026

Florence: Where Conversations Become Catalysts for Change

The first chapter of Catalyst Club debuted in Florence, bringing together creative directors, entrepreneurs, manufacturers, journalists and innovators from across the fashion and textile industry for an evening of dialogue, exchange and connection.

Hosted at the Soko Innovation Hub and developed in partnership with Pioneer Denim, the gathering took place around a single long table, bringing guests together in an informal and convivial setting designed to encourage open conversation and the sharing of ideas.

During his opening speech at the dinner, Matteo Urbini, MD of Soko Chimica, expressed his enthusiasm for the initiative: "It’s a real pleasure to host an evening where we can finally move past virtual networking and connect in person. Getting together live is still the best way to build authentic relationships and make real things happen."

The first chapter of Catalyst Club debuted in Florence, bringing together creative directors, entrepreneurs, manufacturers, journalists and innovators from across the fashion and textile industry for an evening of dialogue, exchange and connection.

Hosted at the Soko Innovation Hub and developed in partnership with Pioneer Denim, the gathering took place around a single long table, bringing guests together in an informal and convivial setting designed to encourage open conversation and the sharing of ideas.

During his opening speech at the dinner, Matteo Urbini, MD of Soko Chimica, expressed his enthusiasm for the initiative: "It’s a real pleasure to host an evening where we can finally move past virtual networking and connect in person. Getting together live is still the best way to build authentic relationships and make real things happen."

Set within a relaxed and convivial environment, free from presentations, panels and formal agendas, the evening encouraged guests to engage openly, allowing ideas, perspectives and future visions to flow naturally. Conversations touched on sustainability, creativity, manufacturing and innovation, generating valuable connections and opportunities for collaboration while introducing the purpose of Catalyst Club: a community designed to bring together the people shaping the future of fashion, denim and innovation through dialogue, exchange and shared inspiration.

The first chapter was realized with the support of Pioneer Denim, whose commitment to innovation and industry collaboration reflects the values at the heart of the initiative.

The Florence gathering represents the beginning of a journey that will continue through future chapters, expanding a network of professionals united by the belief that meaningful change starts with connection.

About Catalyst Club Catalyst Club is a curated community that brings together the people shaping the future of fashion, denim and innovation. Through intimate gatherings and meaningful conversations, it creates opportunities for ideas, perspectives and collaborations to emerge and evolve.

About Soko Soko is an innovation-driven chemical company serving the global fashion and textile industry. Through research, partnerships and its Soko Innovation Hub, the company promotes collaboration, sustainability and knowledge-sharing across the supply chain. Soko is the creator and organizer of Catalyst Club.

About Pioneer Denim Pioneer Denim is a leading denim manufacturer recognized for its commitment to innovation, quality and responsible production, supporting global brands through advanced technologies and sustainable practices.

Iluna Group Photo Iluna Group
02.07.2026

ROICA: A New Phase at Milano Unica

ROICA™ by Asahi Kasei returns to Milano Unica, entering a new phase in its evolution as a global premium stretch fiber brand.
Following the launch of its renewed global brand identity under the message “STRETCH YOUR FUTURE,” ROICA™ brings a strengthened focus on advanced stretch expertise and collaborative development, offering solutions designed to reduce environmental impact.

At the upcoming Milano Unica, ten selected European partners — Brugnoli, Eusebio, Iluna Group, Innova Fabrics, Inter Jersey Milano, Maglificio Ripa, Reda, Sitip, Tessitura Colombo Antonio and Tiba Tricot, — will present their latest collections integrating ROICA™ across a diverse range of textile applications.
Rather than standing alone, ROICA™ expresses its value through each partner’s creation — offering refined comfort, reliable stretch performance, and thoughtful material solutions that respond to the evolving needs of the apparel industry.

ROICA™ by Asahi Kasei returns to Milano Unica, entering a new phase in its evolution as a global premium stretch fiber brand.
Following the launch of its renewed global brand identity under the message “STRETCH YOUR FUTURE,” ROICA™ brings a strengthened focus on advanced stretch expertise and collaborative development, offering solutions designed to reduce environmental impact.

At the upcoming Milano Unica, ten selected European partners — Brugnoli, Eusebio, Iluna Group, Innova Fabrics, Inter Jersey Milano, Maglificio Ripa, Reda, Sitip, Tessitura Colombo Antonio and Tiba Tricot, — will present their latest collections integrating ROICA™ across a diverse range of textile applications.
Rather than standing alone, ROICA™ expresses its value through each partner’s creation — offering refined comfort, reliable stretch performance, and thoughtful material solutions that respond to the evolving needs of the apparel industry.

Iluna Group brings its distinctive vision of stretch lace to Milano Unica, where creativity, craftsmanship, and responsible material choices come to-gether to shape contemporary textile expressions. Building on its expertise in Jacquardtronic lace, the company presents a refined selection of ul-tralight developments designed to combine visual delicacy with technical performance. This season’s highlights include ultralight Jacquardtronic laces enriched with luminous LUREX™ color effects from ILUNA’s Green Label line. These creations offer a sophisticated interplay of lightness, tex-ture, and subtle brilliance, expanding the expressive potential of lace across lingerie, fashion, and ready-to-wear applications. The collection also incorporates Evo™, a bio-based polyamide yarn by Fulgar, further enhancing the material approach with innovative fiber solutions. Combined with degradable ROICA™ V550, these textiles deliver refined stretch, softness, and versatility, supporting designs that balance aesthetics with thoughtful material choices for contemporary apparel.

Source:

Asahi Kasei 

The Mallard gilet Photo The Mallard gilet. Ponda.
The Mallard gilet
30.06.2026

New Imperial-branded clothing line with BioPuff®

Ponda, a UK-based biomaterials company with roots at Imperial College London, has partnered with the university to make branded clothing from wetland-grown plants.

The first products in this collaboration – a Mallard gilet and a Fern cap – are insulated with BioPuff®, a material made from bulrush grown on restored wetlands rather than oil or animal products. The clothing will be on sale exclusively at the Imperial College Union campus shop and online store this autumn.

Full circle collaboration
The world produces around 92 million tonnes of textile waste every year. That is the equivalent of a bin lorry of clothing burned or landfilled every second. Branded merchandise sits at a difficult intersection of this problem: it often relies on conventional materials with significant environmental impacts, yet is discarded long before the end of its useful life. BioPuff® offers an alternative approach, using plant-based insulation designed to connect product manufacturing with wetland restoration, and lower-impact material systems. Importantly, it also outperforms premium synthetics on warmth.

Ponda, a UK-based biomaterials company with roots at Imperial College London, has partnered with the university to make branded clothing from wetland-grown plants.

The first products in this collaboration – a Mallard gilet and a Fern cap – are insulated with BioPuff®, a material made from bulrush grown on restored wetlands rather than oil or animal products. The clothing will be on sale exclusively at the Imperial College Union campus shop and online store this autumn.

Full circle collaboration
The world produces around 92 million tonnes of textile waste every year. That is the equivalent of a bin lorry of clothing burned or landfilled every second. Branded merchandise sits at a difficult intersection of this problem: it often relies on conventional materials with significant environmental impacts, yet is discarded long before the end of its useful life. BioPuff® offers an alternative approach, using plant-based insulation designed to connect product manufacturing with wetland restoration, and lower-impact material systems. Importantly, it also outperforms premium synthetics on warmth.

The collaboration between Ponda and Imperial is part of Sustainable Imperial, the university’s commitment to lead on climate change, biodiversity loss and pollution through research, education, operations and community action. But the ambition runs wider than one campus.

Professor Anna Korre, Imperial’s Associate Provost (Sustainability), said: "This partnership will give Imperial's community the chance to directly back climate friendly fashion innovation. We're proud to celebrate this collaboration as part of our strategy launch. Ponda's story is a powerful example of how Imperial aims to maximise its positive impact on people and planet by giving our students and innovators the tools they need to find solutions to some of the world's most pressing challenges."

About the innovative insulation
Ponda’s BioPuff® has already been used by fashion companies Stella McCartney, Berghaus, Ahluwalia and Sheep Inc. The team exhibited at the Sustainable Markets Initiative CEO Summit at Hampton Court Palace, where they met King Charles III and were recognised by the King’s Terra Carta Design Lab.
The first-of-its-kind insulation, which outperforms premium synthetics on warmth, is made from Typha (bulrush) and grown through paludiculture, the farming of wetland crops on rewetted peatlands.

Each BioPuff®-insulated gilet has the equivalent impact of restoring four square metres of healthy wetland. That represents approximately:

  • 9kg of CO2e in avoided emissions each year
  • 800 litres of water stored
  • three times the bird density of drained land

Wetlands hold more than twice the carbon of all the world’s trees combined. The millions of hectares of drained peatlands emit approximately 1.9 gigatonnes of CO2 a year, roughly twice the total emissions of the global fashion industry.

Source:

Imperial College London; Andrew Youngson, Simon Levey

Photo Myyaz Studio
30.06.2026

New Designers Bringing Fresh Perspectives to Scoop

As Scoop returns to Olympia National from 19–21 July 2026, Founder and Creative Director Karen Radley introduces a new cohort of international designers making their debut at the show, each bringing a distinctive perspective on how fashion, accessories and lifestyle are evolving.

As Scoop returns to Olympia National from 19–21 July 2026, Founder and Creative Director Karen Radley introduces a new cohort of international designers making their debut at the show, each bringing a distinctive perspective on how fashion, accessories and lifestyle are evolving.

Carefully selected from across Europe and beyond, the latest additions to the Scoop line-up reflect a growing movement away from fast-moving trends and towards collections rooted in craftsmanship, creativity and individuality. Spanning footwear, accessories, resortwear and contemporary fashion, the designers share a common desire to create products with purpose, personality and a strong sense of identity.
 
Among the strongest themes emerging from this season's new arrivals is a renewed appreciation for craftsmanship and the human touch. Italian designer XIWIKJ combines European creativity with traditional artisan techniques from Jaipur, creating richly detailed collections that celebrate the beauty of handmade production. A similar philosophy underpins London-based Myyaz Studio, where handcrafted footwear and accessories place making and experimentation at the heart of the design process. Together, they represent a growing appreciation for collections that value artistry, authenticity and the stories behind the finished product.
 
Alongside craftsmanship comes a commitment to more thoughtful production. French designer LO NEEL demonstrates how contemporary luxury and responsible design can work hand in hand through collections crafted from innovative ethical materials, while Korè Collections embraces limited production runs, organic fabrics and hand-painted prints inspired by Mediterranean living. Their arrival at Scoop reflects the increasing demand for collections that balance creativity with conscious decision-making, without compromising on design appeal.
 
Elsewhere, personality and self-expression take centre stage. Never A Wallflower brings a vibrant approach to contemporary dressing through bold colour, confident silhouettes and an unapologetically optimistic aesthetic. Footwear designer Good News similarly challenges convention through a fresh approach to trainer design, reflecting a wider appetite for products that offer individuality and character in an increasingly crowded marketplace.
 
Fresh perspectives also emerge through a diverse mix of accessories, footwear and lifestyle designers, each responding to the growing consumer appetite for products with both purpose and personality. From Hindbag's considered approach to everyday accessories and Gondolina's commitment to craftsmanship, to Hagase's refined detailing and Cacatoès' playful interpretation of contemporary summer style, the collections bring a distinctive energy to the show floor. Together with Alessandra Salvatore and MRP Star, they demonstrate how functionality, creativity and individuality are increasingly shaping modern retail. 

For Karen Radley, these designers represent exactly the kind of discovery that has always defined Scoop.  Karen said: “What excites me most is finding designers who bring something genuinely different to the conversation. Buyers today are looking for collections with a strong identity and a story behind them. They want products that feel considered, authentic and distinctive.

“When I look at this season's new arrivals, what I see is a group of designers who are approaching fashion in very different ways, but who share a commitment to creativity, quality and individuality. They are creating collections with personality, and I think that resonates strongly with both retailers and consumers today.”

As retailers continue to seek differentiation in an increasingly competitive market, Scoop's newest arrivals offer a timely reminder that innovation does not always come from scale. Whether through artisanal craftsmanship, responsible production, bold creativity or a fresh approach to design, these debut designers demonstrate the breadth of talent emerging across the international fashion and lifestyle landscape.

Together, they reinforce Scoop's reputation as a destination for discovery, providing buyers with access to fresh perspectives, exciting new talent and the collections shaping the next chapter of contemporary retail.

Source:

Scoop

17.06.2026

ECHA: Collaborative Platform on Alternatives to Animal Testing

The European Chemicals Agency (ECHA) has hosted the first meeting of its Collaborative Platform on Alternatives to Animal Testing (CP-AAT).
The event brought together Member States, the European Commission, EU agencies, industry and public-private partnerships to define priorities and strengthen cooperation on the use of alternatives to animal testing.

The members of the platform discussed the wide range of ongoing alternative methods initiatives across Europe, as well as shared challenges in advancing and applying them. They emphasised the importance of structured and continuous information exchange to support progress and avoid duplication of efforts.

Four priority areas were identified for the platform’s initial two-year work programme:

The European Chemicals Agency (ECHA) has hosted the first meeting of its Collaborative Platform on Alternatives to Animal Testing (CP-AAT).
The event brought together Member States, the European Commission, EU agencies, industry and public-private partnerships to define priorities and strengthen cooperation on the use of alternatives to animal testing.

The members of the platform discussed the wide range of ongoing alternative methods initiatives across Europe, as well as shared challenges in advancing and applying them. They emphasised the importance of structured and continuous information exchange to support progress and avoid duplication of efforts.

Four priority areas were identified for the platform’s initial two-year work programme:

  • QSARs: promote regulatory use of in silico methods, starting with acute oral toxicity, by showing practical use and setting clear performance criteria for hazard assessment;
  • In vitro toxicokinetics: develop harmonised approaches for using in vitro toxicokinetic data and align scientific and regulatory expectations;
  • Omics: Support use of omics technologies (e.g. transcriptomics, metabolomics) in hazard identification and grouping through guidance and case studies; and
  • New approach methodologies (NAMs) for nano- and advanced materials: create regulatory approaches to assess nanomaterials’ specific properties and enable their inclusion in non-animal testing strategies.

These priorities reflect areas where further collaboration and alignment are needed to support regulatory uptake. Their scope will now be developed in more detail, with work expected to begin shortly. 

Background
The Collaborative Platform on Alternatives to Animal Testing is an informal and non-binding forum meeting twice a year focusing on scientific exchange, capacity building and development of a common understanding on the regulatory use of alternative methods. The platform is ECHA’s first contribution to the European Commission’s roadmap towards phasing out animal testing, which was published on 1 June 2026. 

Source:

European Chemicals Agency

ROICA™: New Global Brand Identity and Digital Experience (c) ROICA™, Asahi Kasei
17.06.2026

ROICA™: New Global Brand Identity and Digital Experience

ROICA™, the premium stretch fiber developed by Asahi Kasei, today announced the launch of its new global brand identity, including a new key visual and a fully redesigned website. 

This milestone initiative marks the beginning of a new phase in ROICA™’s evolution as a global brand. 

“This brand update marks an important step as ROICA™ enters its next phase of evolution,” said Takaaki Kondo, Senior Executive Manager of the ROICA™ Division at Asahi Kasei. 

“Building on over 50 years of expertise, we are strengthening our technologies while enhancing collaboration across the supply chain. 
Through our new visual identity and digital platform, we aim to clearly communicate ROICA™’s core values—premium quality, continuous innovation, and solutions designed to reduce environmental impact.” 

A New Brand Expression for the Next Phase 
The new brand identity is designed to reflect ROICA™’s next stage as a global brand under the message “STRETCH YOUR FUTURE.” 

At its core, the visual concept focuses on the human body, capturing the dynamism of movement and stretch to express the functionality of ROICA™. 

ROICA™, the premium stretch fiber developed by Asahi Kasei, today announced the launch of its new global brand identity, including a new key visual and a fully redesigned website. 

This milestone initiative marks the beginning of a new phase in ROICA™’s evolution as a global brand. 

“This brand update marks an important step as ROICA™ enters its next phase of evolution,” said Takaaki Kondo, Senior Executive Manager of the ROICA™ Division at Asahi Kasei. 

“Building on over 50 years of expertise, we are strengthening our technologies while enhancing collaboration across the supply chain. 
Through our new visual identity and digital platform, we aim to clearly communicate ROICA™’s core values—premium quality, continuous innovation, and solutions designed to reduce environmental impact.” 

A New Brand Expression for the Next Phase 
The new brand identity is designed to reflect ROICA™’s next stage as a global brand under the message “STRETCH YOUR FUTURE.” 

At its core, the visual concept focuses on the human body, capturing the dynamism of movement and stretch to express the functionality of ROICA™. 

Layered graphical elements inspired by extending threads highlight the presence of the premium stretch fiber, while bold composition and the brand’s signature blue create a refined and distinctive visual language. 
As part of this update, ROICA™ has launched a fully redesigned website aimed at delivering a more intuitive and engaging user experience. 

The platform integrates design and content under a consistent direction, supporting stakeholders in gaining a deeper understanding of the brand’s philosophy, technologies, and initiatives. 

It is designed to present a clearer view of ROICA™’s approach to quality, functionality, and innovation with environmental considerations. 

Responding to Market Transformation and Strengthening Value 
The stretch materials market is undergoing significant change, driven by increasing expectations for respon-sible production and value creation across the supply chain. 

In this ever-changing environment, ROICA™ continues to strengthen its product quality, functionality, and service, while advancing developments that contribute to solutions designed to deliver less environmental impact. 

Leveraging its proprietary technologies and global network, the brand aims to advance co-creation, working closely with partners to address emerging needs. Guided by its core philosophy and four perspectives—WITH COMFORT, WITH AWARENESS, WITH UTILITY, and WITH ENDURANCE—ROICA™ is aligning its development, partnerships, and communication under a unified global direction. 

Driving Growth through “One ROICA™” 
This brand update represents the first step in ROICA™’s next phase of growth. Looking ahead, ROICA™ will continue to explore new approaches beyond conventional thinking, advancing materials and solutions to help meet changing market demands. Under the banner of “One ROICA™,” the brand brings together its accumulated expertise and collaborative spirit to expand the possibilities of premium stretch fiber alongside partners around the world.

Source:

ROICA™, Asahi Kasei

Presidency Team Photo (c) European Apparel and Textile Confederation EURATEX
Presidency Team
12.06.2026

Mario Jorge Machado re-elected President of EURATEX

The EURATEX General Assembly has re-elected Mario Jorge Machado as President of EURATEX, renewing its confidence in his leadership at a crucial moment for the European textile and clothing industry. The sector is facing rising costs, global competitive pressure and an increasingly challenging transition towards sustainability and digitalisation. 

With a degree in Production Polymer Engineering from the University of Minho, Mario Jorge Machado brings extensive industrial experience and a strong commitment to innovation, competitiveness and sustainable transformation. 

Upon his re-election, Mario Jorge Machado said:
“My priority for this new mandate is clear: to strengthen the competitiveness of our industry, ensure that the same rules apply to all products sold in Europe, and support our companies through the green and digital transition. Europe must decarbonise its industry, not deindustrialise it.” 

Three priorities for the new mandate

The EURATEX General Assembly has re-elected Mario Jorge Machado as President of EURATEX, renewing its confidence in his leadership at a crucial moment for the European textile and clothing industry. The sector is facing rising costs, global competitive pressure and an increasingly challenging transition towards sustainability and digitalisation. 

With a degree in Production Polymer Engineering from the University of Minho, Mario Jorge Machado brings extensive industrial experience and a strong commitment to innovation, competitiveness and sustainable transformation. 

Upon his re-election, Mario Jorge Machado said:
“My priority for this new mandate is clear: to strengthen the competitiveness of our industry, ensure that the same rules apply to all products sold in Europe, and support our companies through the green and digital transition. Europe must decarbonise its industry, not deindustrialise it.” 

Three priorities for the new mandate

1. Competitiveness as the foundation
Mario Jorge Machado has made clear that competitiveness must be the starting point for any successful industrial policy. In his recent Brussels address, he stressed that without competitiveness there can be no investment, no innovation, no sustainability and no strategic autonomy. He will therefore continue to push for a stronger business environment for textile companies, with support for investment in automation, digitalisation, artificial intelligence, skills and innovation, especially for SMEs. 

2. A genuine level playing field
A second key priority is to ensure that the same rules apply to everything sold in Europe, not only to what is made in Europe. Mario Jorge Machado has repeatedly called for stronger market surveillance, better border enforcement and more effective control of imports sold through digital platforms, so that European companies are not put at a disadvantage against products that bypass EU safety, environmental and consumer rules. EURATEX will continue to advocate for equal enforcement, fair competition and a market where compliance is rewarded. 

3. Supporting industry through the transition
Mario Jorge Machado also wants to ensure that the green and digital transition strengthens European industry rather than weakening it. He has underlined that sustainability must become a source of competitiveness, not a burden, and that companies need realistic rules, affordable energy, workable implementation and targeted support to adapt successfully. He has also stressed the importance of stimulating demand for sustainable European-made textiles, including through public procurement and transparency tools that are feasible for companies. 

Presidency Team
The General Assembly also confirmed the composition of the EURATEX Presidency Team, which will support the President in steering the organisation’s strategic direction:

  • Mr. Franz Peter Falke, T+M, Germany
  • Ms. Barbara Cimmino, Confindustria Moda, Italy
  • Mr. Ismail Kolunsag, IHKIB, Türkiye 
  • Mr. Grégory Marchand, UIT, France 
Source:

European Apparel and Textile Confederation EURATEX

Huieun Do, M.A. ’25, a member of the Performance Apparel Design Lab, works with a prototype of the redesigned fire gear the lab is developing in coordination with professional firefighters. (c) Jason Koski/Cornell University
Huieun Do, M.A. ’25, a member of the Performance Apparel Design Lab, works with a prototype of the redesigned fire gear the lab is developing in coordination with professional firefighters.
11.06.2026

Redesigned fire gear offers potentially more cooling, less toxicity

A Cornell researcher’s bold new redesign of firefighter gear – which hasn’t significantly changed in decades – is more versatile and better adapted to their actual work, only a small fraction of which involves actually fighting structure fires.

Heeju Terry Park, the Vincent V.C. Woo Professor in the Department of Human Centered Design in the College of Human Ecology, and his lab developed the new two-piece, Velcro- and zipper-equipped suits after interviewing more than 50 firefighters. 

“I was asked to design new turnout gear for better thermal management and work efficiency,” Park said. “Current turnout gear has been used for decades with modest changes of design and materials despite increasing fire service roles for handling more wildland fires and emergency rescue operations.”

Huieun Do, M.A. ’25, a member of the Performance Apparel Design Lab, works with a prototype of the redesigned fire gear the lab is developing in coordination with professional firefighters.

A Cornell researcher’s bold new redesign of firefighter gear – which hasn’t significantly changed in decades – is more versatile and better adapted to their actual work, only a small fraction of which involves actually fighting structure fires.

Heeju Terry Park, the Vincent V.C. Woo Professor in the Department of Human Centered Design in the College of Human Ecology, and his lab developed the new two-piece, Velcro- and zipper-equipped suits after interviewing more than 50 firefighters. 

“I was asked to design new turnout gear for better thermal management and work efficiency,” Park said. “Current turnout gear has been used for decades with modest changes of design and materials despite increasing fire service roles for handling more wildland fires and emergency rescue operations.”

Huieun Do, M.A. ’25, a member of the Performance Apparel Design Lab, works with a prototype of the redesigned fire gear the lab is developing in coordination with professional firefighters.

Park’s yearlong redesign project – which included Huieun Do, M.A. ’25; Albert Lin, M.A. ’23; and Kim Phung Nguyen, all doctoral students in apparel design – was supported by a grant from the Federal Emergency Management Agency.

The project was in collaboration with International Personnel Protection Inc., a private consulting company, as a subcontractor to the International Association of Fire Fighters (IAFF), the union representing more than 360,000 professional firefighters and paramedics in North America. This work was undertaken as part of a Department of Homeland Security grant to the IAFF.

The term “firefighter,” while technically accurate, doesn’t paint the full picture of what these men and women do on a daily basis. In fact, according to the U.S. Fire Administration, more than 60% of fire department responses are for medical aid calls. Firefighters respond more to false alarms (8%) than to actual fires (3.9%).

Firefighters don’t always need their bulky turnout gear, which creates additional physiological stress due to heat and restricted movement. Additionally, some of the materials these protective suits contain or are treated with PFAS (per- and polyfluoroalkyl substances), known carcinogens dubbed “forever chemicals.”

Park’s Performance Apparel Design Lab’s modernized gear, inspired by the suits worn by Formula 1 racecar drivers, can be adapted to the task at hand, and uses noncarcinogenic materials.

In interviews, the researchers identified three primary problems with firefighter suits:
•    These suits are designed mainly for thermal protection – understandable, but since less than 4% of firefighter calls are for fires, firefighters are often overdressed. According to the U.S. Fire Administration, the main cause of on-duty firefighter death is cardiovascular in nature, triggered by heat stress;
•    A growing number of firefighters are women (approximately 9% of all firefighters, paid and volunteer), and clothing generally designed for men don’t always work if they’re just made smaller; and
•    The PFAS chemicals used to treat suits pose a significant health risk. According to the Firefighter Cancer Support Network, firefighters are 9% more likely than the general public to be diagnosed with cancer, and 14% more likely to die from it.

Traditional fire suits are multilayer, heavy-duty coats and pants featuring three layers of material – a flame- and puncture-resistant outer shell, made from a blend of Kevlar (Para-aramid) and polybenzimidazole (PBI) or Nomex fibers; a moisture barrier, typically made from heat-resistant breathable film material laminated to an aramid substrate; and a thermal barrier to provide additional thermal insulation. 

The main difference between current firefighter clothing and the Park lab’s redesign is versatility. The new clothing strikes a balance between a one-piece coverall concept and the more traditional two-piece design. Lin said that in interviews with firefighters, a one-piece coverall wasn’t well received.

“The firefighters were very hesitant to accept a coverall design,” Lin said, “so we had to navigate creating something that has the level of protection that a coverall provides, but in a design where firefighters will be more accepting of it.”

The new design is two pieces, which can be connected with zippers and Velcro to function as a coverall. The protective outer layer of the top can be unzipped and secured around the waist or completely removed when not needed, a feature similar to the suits worn by F1 racers.

“This unique design feature will enable firefighters to quickly cool down their body in non-firefighting situations,” Park said. In particular, the upper portion of the redesigned gear promotes effective heat release; more than 60% of perspiration occurs in the head and torso.

Additionally, the top features dual vertical zippers, for ease of donning and removal; a detachable front panel, convenient for bathroom breaks; two-way zippers to allow for ventilation; and a lower collar to reduce skin irritation and improve breathability.

The detachable front pocket of the redesigned fire suit features compartments so tools can be custom-organized by the firefighter. 

Another improvement is the front pocket, which typically stores the tools a firefighter needs. To facilitate quick access, the new design’s pocket features compartments so the tools can be custom-organized by the firefighter for ease of access in stressful situations.

The pocket is also detachable, and can be secured in front to accommodate either right- or left-handed people, and so access is not restricted, for example, by the straps of an oxygen tank.

Considering the significant concern over PFAS chemicals, the new gear Park’s team designed were prototyped using PFAS-free fabrics for the outer shell and moisture barrier. Recently, some U.S. states have moved toward banning turnout gear with PFAS; Canada and the European Union have moved toward banning PFAS in all goods, including turnout gear.

In the U.S., PFAS bans are mostly enacted at the local and state level; what few federal proposals there are only fund research into PFAS replacements, but not regulation. State-level bans have been enacted, but are not yet in effect, in Connecticut, Massachusetts, New York, Florida, Illinois, and California; disclosure laws also have been enacted in Rhode Island.

Most state-level PFAS bans restrict buying of turnout gear with PFAS; however, they do not fund the replacement or purchase of new turnout gear.

Park is hoping to secure additional funding to enable further testing of the updated fire suits, with firefighters in Ithaca as well as at the New York City Fire Department training facility on Randall’s Island.

“I want to test whether this is really better designed to handle all the stressful tasks,” he said. “We want to see how quickly they can put it on and take it off, and how quickly they can reach the tools without dexterity issues, and how they feel about the new design aesthetically, culturally, psychologically, and whether it works for men, women, tall people, small people. That’s the next step.”

Source Fashion January 2026 Photo (c) Source Fashion
Source Fashion January 2026
11.06.2026

Source Fashion Partners with Neuthread

Neuthread has been named as Source Fashion's Charity and Design Partner in a new 12-month collaboration designed to champion circular fashion, inclusion and industry innovation.

Created by autism and neurodiversity charity Daisy Chain, Neuthread has gained industry recognition for transforming textile waste into high-quality fashion collections and became the first charity-led fashion brand to present a scheduled runway show at London Fashion Week in 2024. Through the new partnership, Source Fashion and Neuthread will work together to raise awareness of circular fashion, promote innovative approaches to tackling textile waste and encourage greater collaboration between brands, manufacturers, retailers and sustainability leaders.

Neuthread has been named as Source Fashion's Charity and Design Partner in a new 12-month collaboration designed to champion circular fashion, inclusion and industry innovation.

Created by autism and neurodiversity charity Daisy Chain, Neuthread has gained industry recognition for transforming textile waste into high-quality fashion collections and became the first charity-led fashion brand to present a scheduled runway show at London Fashion Week in 2024. Through the new partnership, Source Fashion and Neuthread will work together to raise awareness of circular fashion, promote innovative approaches to tackling textile waste and encourage greater collaboration between brands, manufacturers, retailers and sustainability leaders.

Founded to challenge the perception that textile waste has reached the end of its life, Neuthread transforms donated, surplus and reclaimed textiles into contemporary fashion collections that combine environmental sustainability with social impact. The brand has rapidly gained recognition for its innovative approach to circular fashion, demonstrating how waste materials can be repurposed into desirable, commercially viable products while creating opportunities for autistic and neurodivergent people to develop skills and access employment pathways within the fashion and textiles sector.

Building on its London Fashion Week success, the organisation has since secured £1.5 million in investment from The National Lottery Community Fund to establish a pioneering circular fashion manufacturing facility in the North East of England, designed to reduce textile waste while creating training, volunteering and employment opportunities through its linked skills academy programme, Mend It Don't Rag It (MIDRI).

Over the next 12 months, the partnership will focus on building an eco-system of brands, manufacturers and retailers with innovative circular solutions, encouraging collaboration across the supply chain and creating new opportunities to repurpose surplus materials and textile waste.

As Design Partner, Neuthread will headline the Source Catwalk throughout the July edition, presenting its collections three times a day alongside trend-led showcases from Source Fashion exhibitors and bringing circular fashion to the forefront of the show's content programme. The partnership will provide a platform to demonstrate how surplus, reclaimed and donated textiles can be transformed into commercially relevant fashion collections, while highlighting the opportunities that circular design presents for the wider industry.

The catwalk showcases will also support Neuthread's ambition to build new relationships with brands, manufacturers and retailers looking for innovative solutions for surplus fabrics, deadstock materials and textile waste streams. Through the partnership, Neuthread hopes to encourage greater collaboration across the industry and demonstrate practical alternatives to landfill and low-value textile recycling.

Johnathon Pickard, Director of Business Development & Income Generation, Neuthread commented: "We are incredibly proud to be partnering with Source Fashion as both Charity Partner and Design Partner for the July show. Source Fashion has established itself as one of the most influential platforms driving conversations around responsible sourcing, sustainability and the future of fashion. Those are conversations that sit at the very heart of what Neuthread is seeking to achieve.

Neuthread was created to challenge the perception that textile waste has reached the end of its life. Through innovative design, circular manufacturing and the talents of autistic and neurodivergent people, we are demonstrating how fashion can create environmental, social and economic impact simultaneously.

Following our journey from becoming the first charity to showcase a scheduled fashion brand collection at London Fashion Week through to securing £1.5 million to establish a pioneering circular fashion manufacturing facility, we are now entering an exciting period of growth. Working alongside Source Fashion provides an opportunity to share that vision with a wider industry audience and inspire new ways of thinking about sustainability, creativity and inclusion.

We are excited about what this partnership can achieve over the next 12 months and look forward to collaborating with the Source Fashion team to demonstrate that fashion can be a force for positive change.”

Suzanne Ellingham, Event Director of Source Fashion, added: “Neuthread is a natural fit for Source Fashion because they bring together creativity, circular innovation and practical action in a way that genuinely resonates with the challenges facing our industry today.

"As our Charity and Design Partner, they will play a central role in the July edition, headlining the Source Catwalk with showcases that demonstrate how surplus, reclaimed and donated textiles can be transformed into commercially relevant fashion collections. Their ambition to build new partnerships across the industry also aligns closely with our mission to connect businesses, encourage collaboration and drive meaningful change.

"From their pioneering manufacturing facility in the North East of England to the Source Fashion catwalk in London, Neuthread showcases the incredible innovation taking place across the UK fashion and textiles sector. We are proud to provide a platform that helps bring those stories to a wider audience and look forward to working together over the next 12 months."

Visitors to Source Fashion's July 2026 edition will be able to experience Neuthread's catwalk collections, engage directly with the team throughout the show and learn more about the organisation's pioneering approach to circular manufacturing, textile waste reduction and inclusive employment.

Source:

Source Fashion

Signal 08 - CHLOROLIRIUM — Charlie Moon; Messe Frankfurt
09.06.2026

Autopsy: New trend book by Texworld Apparel Sourcing Paris

Autopsy, the new trend book by Texworld Apparel Sourcing Paris, deciphers the fractures of our time through 12 creative signals. Materials, colors, shapes, and narratives come together to create a forward-looking map for the Autumn-Winter 2027-2028 season. 
 
Presented during Texworld Apparel Sourcing Paris, from August 31 to September 2, 2026, at the Paris-Le Bourget Exhibition Center, Autopsy offers a reinterpretation of the contours of fashion in a world undergoing profound transformation, balancing radical introspection and sensitive renewal. 
 
Designed under the artistic direction of Louis Gérin and Grégory Lamaud by the Texworld Apparel Sourcing Paris Trends Table, this new edition marks a major evolution in the way trend forecasting is presented: replacing the four major narrative worlds that structured previous editions, Autopsy introduces this year a broader and more instinctive approach. Twelve emerging signals now shape a sensitive mapping of the cultural, social, aesthetic, and emotional tensions defining our era. 
 
A tool for decoding and creative insight. 

Autopsy, the new trend book by Texworld Apparel Sourcing Paris, deciphers the fractures of our time through 12 creative signals. Materials, colors, shapes, and narratives come together to create a forward-looking map for the Autumn-Winter 2027-2028 season. 
 
Presented during Texworld Apparel Sourcing Paris, from August 31 to September 2, 2026, at the Paris-Le Bourget Exhibition Center, Autopsy offers a reinterpretation of the contours of fashion in a world undergoing profound transformation, balancing radical introspection and sensitive renewal. 
 
Designed under the artistic direction of Louis Gérin and Grégory Lamaud by the Texworld Apparel Sourcing Paris Trends Table, this new edition marks a major evolution in the way trend forecasting is presented: replacing the four major narrative worlds that structured previous editions, Autopsy introduces this year a broader and more instinctive approach. Twelve emerging signals now shape a sensitive mapping of the cultural, social, aesthetic, and emotional tensions defining our era. 
 
A tool for decoding and creative insight. 
Conceived as a tool for decoding and creative monitoring, this trend book explores a society at a turning point: technological saturation, loss of meaning, exhaustion of dominant narratives, but also a return to nature, a need for humility, and a desire to reconnect with reality. Far beyond a purely stylistic reading, Autopsy questions the place of the body, nature, memory, and intelligence within a changing civilization. The twelve themes it presents, built around a selection of inspiring colors and materials, combine sociological reflection with creative proposals. 
 
Signal #1 – Normskin 
In a world where algorithms dictate behaviors, Normskin questions the standardization of bodies, tastes, and identities. Silhouettes become uniform, materials repetitive, and aesthetics cloned. This apparent perfection conceals the silent tension of a society that increasingly rejects singularity. Modular textures, calibrated layering, and geometric patterns, expressed through a rather neutral color palette, reflect this silent dictatorship of sameness and conformity. 
 
Signal #2 – Florabiote 
This theme celebrates the proliferation of living organisms as a response to the exhaustion of human systems. Nature, like a jungle, becomes invasive and abundant. Organic colors, artificial blooms, velvety materials, and spontaneous compositions create a hybrid landscape where textiles transform into an emotional biotope: cocoon coats, floral jacquards, mossy velvets, and botanical embroideries shape a generous and instinctive atmosphere driven by the idea that diversity is the true condition for survival. 
 
Signal #3 – Decarnation 
This proposal questions the distancing of the physical body in a hyperconnected world. Clothing becomes a shell, a relic, or the trace of an absent presence. Textures appear altered and weathered, colors faded and sometimes almost ghostly. Between symbolic flesh, worn surfaces, and disembodied volumes — bodies as showcases — this signal presents a suspended and fragile fashion, illustrating the programmed disappearance of physical embodiment. 
 
Signal #4 – Fusionary 
This theme sketches a world in recomposition, where forms, materials, and functions combine freely. Structures intersect, hybridize, and mutate according to an organic logic inspired by living systems. Textiles play with assembly, networks, and graphic tensions through a warm color palette. Creativity here is driven by the blending of disciplines, cultures, and craftsmanship. 
  
Signal #5 – Vitaminoid 
A reflection of an extinct civilization where individuals become caricatures of themselves. Colors are explosive and contrasting, volumes inflated with fluffy materials: colorful faux furs, oversized shapes, cartoon-like silhouettes. The forms express a society where spectacle is permanent. Between pop culture, digital avatars, and the cult of symbols — people become characters — this signal explores a simplified humanity where identity becomes performative and instantly consumable. 
 
Signal #6 – Evinescence 
This theme stages the remnants of a humanity fascinated by its own image. Pigmented transparencies, altered reflections, fragmented textures, and historical traces shape a visual expression of disappearance. Like leaves covering the ground, cultural signs remain, yet already seem fossilized. Garments appear worn down by time and memory. This signal reflects the fragile beauty of an environment aware of its own exhaustion. 
 
Signal #7 – Paleogreen 
This theme celebrates the return of vegetation over the ruins of human systems. A future where materials appear eroded, marked by time, and crossed by organic and mineral traces. Muted greens, accidental effects, and layered surfaces depict an ecosystem where nature silently reclaims space. An archaeological and contemplative aesthetic, quiet and introspective, between memory and disappearance. 
 
Signal #8 – Chlorolirium 
This direction places nature as the ultimate model. Forms sprout, stretch, and proliferate within a vegetal universe that has become a culture in itself. Chlorophyll-inspired colors, fluffy supports, plant-like silhouettes, and livingfabric effects create a sensory language inspired by biology. This signal celebrates an instinctive reconnection with nature and a poetic vision of a postanthropocentric future. 
 
Signal #9 – Aquamorphosis 
Inspired by aquatic, fluid, and adaptable volumes, this proposal highlights translucent, moving, and polymorphic materials, as though shaped by currents. Reflective effects, liquid surfaces, wet-look finishes, and organic constructions express a fashion capable of evolving with its environment. This signal develops an immersive and primal visual proposal, where clothing acts like a flexible and evolving second skin. 
 
Signal #10 – Wondermeil 
When beauty emerges after exhaustion: certainties collapse, colors burst, patterns vibrate, and sensations multiply. Compositions are naïve, joyful, and almost psychedelic. Between raw emotion and euphoria, this signal celebrates, through an explosion of color, the ability of sensations to re-enchant the way we see the world. 
 
Signal #11 - Urbicéa 
Cet axe convoque les traces laissées par les civilisations : architectures résiduelles, objets techniques, structures survivantes. Les matières minérales, les gris bétonnés, sourds, et les lignes brutalistes composent un paysage urbain devenu vestige. Entre rigidité industrielle et poésie des ruines, ce signal interroge la mémoire des objets et la permanence des constructions face à la disparition des idées. 
 
Signal #12 – Epiternel 
The story of Autopsy concludes with an aesthetic of sedimentation and rediscovered humility. Burnt wood, carbon residues, marbled textures, and animal traces express a world returned to essentials. This signal favors deep, enveloping, and silent structures — almost monastic — like the remnants of a truth finally laid bare. A peaceful and lucid vision of “the aftermath.” 
 
An immersive scenography at the heart of the trade show 
The Autopsy trend book will be unveiled and presented by Louis Gérin during the show at a conference held on the Agora stage. From August 31 to September 2, 2026, visitors will be able to discover in Hall 2 a selection of materials, color proposals, and silhouettes directly inspired by the twelve signals of the trend book, within an immersive journey designed as a forward-looking exploration of the Autumn-Winter 2027-2028 season.

Source:

Messe Frankfurt

Photo (c) Neo.Fashion.
08.06.2026

Neo.Fashion. Berlin: Emerging Fashion Talent Chart a New Course

More than 620 talents, nine editions, one milestone: Neo.Fashion. celebrates its 10th edition this July and announces a new organizational structure — a clear statement of commitment to the long-term development of emerging talent in the German fashion industry. 

More than 620 talents, nine editions, one milestone: Neo.Fashion. celebrates its 10th edition this July and announces a new organizational structure — a clear statement of commitment to the long-term development of emerging talent in the German fashion industry. 

Germany’s most versatile platform for emerging fashion talent marks its 10th anniversary with a strategic repositioning and a new venue: For its 10th edition, Neo.Fashion. will take place during Berlin Fashion Week from July 2 to 4, 2026, in a former industrial hall at “Neues Ufer 13” in Berlin-Moabit. The program includes the Best Graduates Shows and Aspiring Designer Shows, alongside the presentation of the Neo.Fashion. Award and the Digital Fashion Award. To date, ten universities from Germany, Austria, Switzerland, and Ukraine have confirmed their participation. A strong emphasis on sustainability defines this year’s collections. With the establishment of the non-profit Neo.Fashion. e.V. in 2025, the initiative has further professionalized its organizational structure, creating a more robust foundation for the long-term promotion of emerging design talent. 
 
What started in 2017 as a vision has since become a defining fixture for young fashion designers across Germany: Neo.Fashion. is celebrating its 10th edition this year. Since the inaugural graduate show in the fall of 2017 at Motorwerk Weißensee in Berlin, more than 620 graduates from across the country have presented their final collections on the Neo.Fashion. stage. In 2019, the platform became an official part of Berlin Fashion Week, cementing its place in the international fashion calendar. With the Best Graduates Shows, the Aspiring Designer Shows, the Neo.Fashion. Award, and the Digital Fashion Award — launched for the first time last year — Neo.Fashion. has grown into a unique ecosystem that goes far beyond a pure presentation platform. 

The founding of the nonprofit Neo.Fashion. e.V. in 2025 marks a pivotal step toward sustained, structured talent development. A newly expanded organizational team now manages the full range of Neo.Fashion. activities — from university coordination and communications to technical production, industry partnerships, textile research, and startup outreach. Workshops, competitions, mentoring programs, and international collaborations will be part of the platform’s expanded offering going forward. 

Neo.Fashion. is also making a geographic move. From July 2 through 4, 2026 — as always, in sync with Berlin Fashion Week — the event relocates to “Neues Ufer 13” (“New Shore 13”) in the Berlin district of Moabit: a former industrial hall whose raw, urban aesthetic provides an authentic backdrop for young, uncharted fashion voices. “We see ‘Neues Ufer’ as a metaphor — for us as a format that has reinvented itself time and again over ten years, and for the talents who show their collections here with a new shore as their destination,” says Jens Zander, CEO of brand experience agency S49, founder of Neo.Fashion., and director of the new Neo.Fashion. e.V., where he oversees production and strategic development. 

More than ten professional runway shows are planned, featuring selected graduates from nearly all German fashion schools presenting their collections. Each show will spotlight six to eight emerging designers. In total, up to 80 participants will take the stage in July, presenting their work to a broad public audience—well beyond the industry itself. This open and inclusive approach sets Neo.Fashion apart from other formats. 
Ten universities have already confirmed their participation: Hochschule Pforzheim (Pforzheim), Hochschule Niederrhein (Krefeld, Mönchengladbach), AMD Akademie Mode & Design (Berlin, Hamburg, Düsseldorf, Wiesbaden, Munich), Hochschule Reutlingen (Reutlingen), Hochschule Hannover (Hannover), Hochschule Bielefeld (Bielefeld), Hochschule für Technik und Wirtschaft Berlin – HTW Berlin (Berlin), Hochschule Macromedia (Berlin), Burg Giebichenstein Kunsthochschule Halle (Halle/Saale), and HAW Hamburg – University of Applied Sciences (Hamburg). On the international side: the University of Art and Design Linz (Linz, Austria), the Academy of Art and Design Basel – HGK FHNW (Basel, Switzerland), Fashion Art Toronto (Toronto, Canada), and the Kyiv National University of Technologies and Design – KNUTD (Kyiv, Ukraine). 

One theme runs through nearly every collection shown at Neo.Fashion.: sustainability. What was a niche concern a decade ago is now a core driver of young designers’ creative work. From material sourcing and production processes to circular design principles, Neo.Fashion. graduates are rethinking fashion from the ground up — and setting new standards for a responsible future in the industry. Neo.Fashion. actively supports this shift, providing space for innovative, sustainable approaches. 

Nurturing Talent as an Investment in the Future 
Germany’s fashion economy — including retail, startups, and FashionTech — contributes approximately €70 billion to the country’s GDP and supports around one million jobs, according to research by Oxford Economics commissioned by the Fashion Council Germany (FCG) and the Federal Ministry for Economic Affairs and Climate Action (BMWK). The German textile and apparel industry generates around €32 billion in annual revenue and employs more than 120,000 people across approximately 1,400 companies. The German apparel market as a whole recorded revenues of around €67.7 billion in 2025. 

Maintaining and growing that position demands a consistent pipeline of new talent. Platforms like Neo.Fashion. play a central role in bridging the gap between education and professional entry — giving emerging designers the visibility and industry connections they need to launch their careers. 

Success Stories and International Partnerships 
The impact of Neo.Fashion. as a launchpad for young designers is evident in the careers that have followed: many alumni who showed their first collections on the Neo.Fashion. runway have since returned with their own labels — and are now fixtures in the Berlin Fashion Week calendar. 

Particularly noteworthy is the partnership with Ukrainian Fashion Week, established in 2022, which gives Ukrainian design talent an international platform despite the difficult situation in their home country. Strategic partners including the Fashion Council Germany (FCG) and the German Textile and Fashion Federation (Gesamtverband textil+mode) support Neo.Fashion. in broadening its reach and opening doors into the industry for emerging designers. 

Neo.Fashion. — The Ecosystem 
Best Graduates Show: The flagship show of Neo.Fashion. during Berlin Fashion Week, in which the best final collections from fashion design students across Germany are presented in professional runway shows. 

Neo.Fashion. Award: An award recognizing outstanding emerging talent distinguished by exceptional creativity, innovation, or sustainability in their collections — designers who are setting the agenda for the future of the industry. 

Aspiring Designer Shows: A platform for young designers who have already taken their first steps toward independence and are building their own labels — giving them the opportunity to present their current collections to a broad professional audience. 

Digital Fashion Award: Launched in 2025, this award signals a shift in how fashion engages with the digital world — treating it not just as a tool, but as a creative space in its own right. For Neo.Fashion., it marks a key step in the evolution of the format and opens a new chapter in supporting digital emerging talent. 

Neste RE is produced from ISCC certified and traceable renewable raw materials, such as waste and residues like used cooking oil. Source: Neste
Neste RE is produced from ISCC certified and traceable renewable raw materials, such as waste and residues like used cooking oil.
04.06.2026

Renewable nylon fiber for THE NORTH FACE brand

Goldwin Inc., Neste, Idemitsu Kosan Co., Ltd., and Toray Industries, Inc. have established a supply chain for nylon fiber made from renewable raw materials. Neste supplies Neste RE™, a renewable raw material that enables the production of high-performance renewable nylon fiber and reduces the reliance on fossil feedstocks. The nylon fiber produced through this project is scheduled to be used by Goldwin for a part of THE NORTH FACE products in August 2026. 

Renewable naphtha, or Neste RE, is made from bio-based raw materials such as used cooking oil and other renewable raw materials. It is a lower-GHG-emission alternative to conventional fossil feedstocks. With the use of neat (i.e., unblended) renewable Neste RE, over 85%* of the greenhouse gas (GHG) emissions of the raw material are reduced compared to the use of virgin fossil raw materials. Bio-based plastics derived from Neste RE are of identical quality to those made from virgin fossil feedstocks and can be turned into exactly the same products and used for the same applications.

Goldwin Inc., Neste, Idemitsu Kosan Co., Ltd., and Toray Industries, Inc. have established a supply chain for nylon fiber made from renewable raw materials. Neste supplies Neste RE™, a renewable raw material that enables the production of high-performance renewable nylon fiber and reduces the reliance on fossil feedstocks. The nylon fiber produced through this project is scheduled to be used by Goldwin for a part of THE NORTH FACE products in August 2026. 

Renewable naphtha, or Neste RE, is made from bio-based raw materials such as used cooking oil and other renewable raw materials. It is a lower-GHG-emission alternative to conventional fossil feedstocks. With the use of neat (i.e., unblended) renewable Neste RE, over 85%* of the greenhouse gas (GHG) emissions of the raw material are reduced compared to the use of virgin fossil raw materials. Bio-based plastics derived from Neste RE are of identical quality to those made from virgin fossil feedstocks and can be turned into exactly the same products and used for the same applications.

“Renewable materials made from Neste RE meet the performance standards of global brands like THE NORTH FACE operated by Goldwin Inc. This project with Goldwin, Idemitsu, and Toray shows how the fashion industry's dependence on fossil resources can also be reduced for high-performance products. It demonstrates how our drop-in solutions can rapidly transform complex value chains to help brands work towards their climate targets,” says Maiju Helin, Director of Polymers and Chemicals at Neste.

Fossil-based feedstocks, like naphtha, can be replaced with Neste RE without changes to the polymers and chemicals manufacturing infrastructure or processes; it is a seamless drop-in solution. In building this supply chain, the participating companies utilized existing facilities and applied the mass balance** approach.

Mitsubishi Corporation coordinated the participating companies in establishing the supply chain for renewable nylon fiber in Goldwin's products.

This collaboration marks Neste’s second supply chain collaboration for THE NORTH FACE products, following a similar partnership in July 2024.

Source:

Neste Corporation

24.05.2026

Scoop: Landmark Collaboration with the Italian Trade Association (ICE)

Scoop announced a new collaboration with the Italian Trade Agency (ICE), bringing an exclusive collective of 32 contemporary Italian designers to the upcoming July edition of the show.

Carefully curated exclusively for Scoop, the showcase will present a distinctive edit of Made in Italy fashion, accessories and lifestyle collections spanning ready-to-wear, knitwear, jewellery, handbags, footwear, umbrellas and homeware. None of the participating designers have previously exhibited at Scoop or within the UK market, making the showcase a truly exclusive opportunity for buyers to discover a new wave of contemporary Italian talent. 

The collaboration marks a significant moment for Scoop and further reinforces its position as the UK’s leading premium womenswear and lifestyle trade show, recognised internationally for its highly curated designer mix and influential buyer audience.

Scoop announced a new collaboration with the Italian Trade Agency (ICE), bringing an exclusive collective of 32 contemporary Italian designers to the upcoming July edition of the show.

Carefully curated exclusively for Scoop, the showcase will present a distinctive edit of Made in Italy fashion, accessories and lifestyle collections spanning ready-to-wear, knitwear, jewellery, handbags, footwear, umbrellas and homeware. None of the participating designers have previously exhibited at Scoop or within the UK market, making the showcase a truly exclusive opportunity for buyers to discover a new wave of contemporary Italian talent. 

The collaboration marks a significant moment for Scoop and further reinforces its position as the UK’s leading premium womenswear and lifestyle trade show, recognised internationally for its highly curated designer mix and influential buyer audience.

Selected for their strong design identities, craftsmanship and heritage, the participating designers represent the breadth and diversity of contemporary Italian creativity. The curated edit includes names such as contemporary womenswear label Feel O, luxury accessories collection Hibourama, womenswear designer Nina e Luca, jewellery label Ornella Bijoux, heritage leather goods house Ripani, iconic umbrella maker Pasotti Ombrelli and artisanal accessories designer Polina Firenze, alongside a wider collective of emerging and established Made in Italy collections. Many are family-owned businesses with generations of artisanal expertise, while several continue to manufacture their collections in-house within their own Italian factories, preserving the authenticity and quality synonymous with Made in Italy production.

Karen Radley, Founder and Creative Director of Scoop, comments: “We are absolutely delighted to welcome this exceptional collective of Italian designers to Scoop for the July edition. This collaboration will introduce a completely new dimension to the show, bringing together brands with a distinct point of view, exceptional craftsmanship and a strong sense of heritage.

“What makes this showcase particularly exciting is the authenticity behind the collections. Many of the designers are family-owned businesses with generations of manufacturing expertise and a deep commitment to Made in Italy production. Buyers visiting Scoop this season will discover collections that feel fresh, directional and entirely new to both Scoop and the UK market.”

The collaboration also reflects ICE’s continued commitment to supporting Italian excellence internationally and strengthening relationships with key global fashion markets. Giovanni Saachi  Direttore Ufficio ICE Agenzia Londra adds: “ICE is proud to partner with Scoop to present this carefully curated selection of contemporary Italian designers to the UK market. We are delighted to support both emerging and established companies as they introduce their collections to Scoop’s highly influential audience of buyers and industry professionals. The UK remains an important market for Italian fashion and lifestyle companies, and Scoop provides an ideal platform to foster new commercial opportunities and long-term international growth.”

The partnership with ICE reflects growing confidence in the UK market and recognises Scoop as the ideal platform through which to introduce a new wave of Italian design talent to British and international buyers.

Alongside the designer showcase, Scoop and ICE will host a private invitation-only event on the Tuesday morning of the show, celebrating Italian creativity, craftsmanship and contemporary design. The July edition will also feature a dedicated immersive installation created in collaboration with renowned Italian knitwear label Avant Toi, incorporating curated interiors, textiles and furnishings sourced from Milan to create a distinctive Italian design environment within the show.

Scoop takes place at Olympia National Kensington, London, from 19-21 July 2026. Scoop International is a celebration of exceptional design in the heart of London.

Scoop is recognised by designers, fashion buyers and industry experts as one of the UK’s leading fashion and lifestyle trade shows. Scoop's unique buying environment - carefully curated to reflect retail trends - sets it apart in the industry.

Launched in February 2011 by industry veteran Karen Radley, Scoop has since developed from exclusively womenswear-only to encompassing luxury homewares, beauty, and lifestyle collections.