From the Sector

Textile solutions provider SHIMA SEIKI MFG., LTD. of Wakayama, Japan will participate in the Future Fabrics Expo 2025 exhibition in London, England, 24th – 25th June. Held during London Climate Action Week, Future Fabrics Expo showcases sustainably and responsibly produced materials to the textile industry, and is considered a platform for exchange of knowledge and sourcing of sustainable textiles, materials and leading innovations for fashion, home and interior brands. 
 
SHIMA SEIKI is showcasing just such an innovation in the form of its APEXFiz® subscription-based design software. APEXFiz® supports the creative side of fashion from planning and design to colorway evaluation, realistic fabric simulation and 3D virtual sampling for various textiles including flat knitting, circular knitting, weaving, pile weave, socks, embroidery and print. Virtual samples are a digitized version of sample making that are accurate enough to be used effectively as prototypes, replacing physical sampling and consequently reducing time, cost and material that otherwise go to waste. Virtual samples can furthermore be used in e-commerce to gauge consumer demand before production begins, allowing production to be adjusted to optimize inventory and minimize leftover waste. Virtual sampling on APEXFiz® thereby helps to realize sustainability and digitally transform the fashion supply chain. 
 
SHIMA SEIKI will be displaying virtual sample swatches at both the Curated Textiles Area and the SHIMA SEIKI booth to demonstrate just how real and expressive digital simulations can be. Virtual sampling is not limited in use for product planning and design by visitors, but is perfect for consideration by fellow exhibitors as well, as it gives them the opportunity to consider a truly sustainable method of planning, designing and evaluating their sustainable fabrics made from sustainable materials. 

Bringing together India’s textile community under one roof, with a special focus on textile and garment manufacturing machinery and technology and innovations in fabrics, digital screen print, accessories, and trims, the Gartex Texprocess India Mumbai 2025 edition presents industry advancements.

With over 125 exhibitors from India, China, Italy, Japan, Korea, Singapore and Taiwan - the show features strong international participation and highlights from India’s growing role in the global textiles industry.

Addressing the gathering, Chief Guest, Shri Sanjay Savkare, Hon’ble Minister of Textiles, Government of Maharashtra stated: “Denims have become a major fashion trend, and the government has announced relief on import duty for machinery. However, the central government, in an endeavour to encourage local manufacturing in the country, has announced the Technical Textile Mission, which empowers companies to receive subsidies and start manufacturing. Maharashtra has launched its textile policy, which operates in a zonal format. Zone 1 can help you gain a 45% subsidy, Zone 2 offers 40%, Zone 3 provides 35%, and so on. We have announced Zero-Waste Fashion, which aims to control textile waste by recycling it and converting it into usable materials like carpets. For this, the private sector can benefit from an electricity subsidy of Rs 2 per unit, and Rs 3 per unit for co-operative societies, in addition to the previously mentioned subsidies. In Amravati, the PM Mitra Park will be launched soon, as most of the work is complete, with only final touch-ups pending. I thank the organisers for having me here and wish you all the very best.”

Shri Shashank Chaudhary (IAS), Additional CEO, Invest UP informed: “Under the PM Mitra Scheme, we are developing a mega-integrated textile park near Lucknow, covering 1,000 acres of land. It will be set up under the PPP model, which offers a great opportunity for investors. The state of Uttar Pradesh has been developing new portals for single-window clearance and approvals. We have successfully managed to attract good investors.”

Mr Gaurav Juneja, Director of MEX Exhibitions Pvt Ltd, shared: “Gartex Texprocess India as a show has only evolved consistently. This is reflected in our Mumbai and New Delhi editions each year. As India strengthens its position in global textile manufacturing, I believe that this show has become a platform to shape conversations and update the industry with innovations that will drive the next phase of growth for India’s textiles and fashion ecosystem. We are honoured to have Invest Uttar Pradesh as our State Partners at this edition and with the kind of innovations on the show floor in denim, fabrics, machinery and more - I am sure visitors have tremendous business opportunities through our platform.”

Similar sentiments were shared by Mr Raj Manek, Executive Director & Board Member, Messe Frankfurt Asia Holdings Ltd, expressed: “This show goes beyond exhibition; it is about enabling industry transformation. At a time when global supply chains are realigning, platforms like Gartex Texprocess India become crucial to connecting industry stakeholders. This also bridges Indian expertise with international demand and we are pleased to welcome the textile fraternity to the show and see the scale of innovations from the industry.”  

The expo is jointly organised by MEX Exhibitions Pvt Ltd and Messe Frankfurt Trade Fair India Pvt Ltd. Gartex Texprocess India Mumbai is scheduled from 22 – 24 May 2025 at Jio World Convention Centre, Mumbai, Maharashtra.

As the Indian textile and apparel sector embraces digitisation, sustainability, smarter production and responsible manufacturing, Gartex Texprocess India emerges as a critical node in this narrative bringing together the textile and garment machinery manufacturers, denim mill owners, digital textile printing technology solution providers, as well as manufacturers of apparel fabrics, textile and textile processing machinery and more, who are set to unfold innovations. With 125+ participating companies, representing 300+ brands and growing participation from international countries, this edition will offer a panoramic view of the sectors next chapter.

India’s textile industry often referred to as the lifeblood of nations manufacturing economy, is on the cusp of a technology-led transformation. Leading this evolution is Gartex Texprocess India – Mumbai organised by Messe Frankfurt Trade Fairs India Pvt Ltd and MEX Exhibitions Pvt Ltd. The expo is a definitive sourcing and innovation platform growing with global participation and solutions for the future.

What sets this edition apart is its focused attention on technology integration, automation and responsible manufacturing – themes that are redefining how India produces, sources and innovates on the global textile map through its product showcase as well as curated knowledge sessions.

A global showcase:
Making headlines this year is the strong international participation especially from China, Italy, Japan, Korea, Singapore and a dedicated pavilion for Taiwan, along with the leading Indian companies on board. Displaying a wide range of products for the garment and textile manufacturing industry. A few international names include: EPSON, Kornit and MACPI International among others. Some will participate directly and some through their partners and distributors. This global representation is matched with a stellar Indian line-up featuring names such as Balaji Sewing Machines, DCC, EH Turel, Mexum, Pantone and Sky Enterprises amongst others.

Denim Takes Centre Stage:
With the backing of Denim Manufacturers Association, the Denim Show at Gartex Texprocess India is expected to bring together all the major denim manufacturers and mill owners from India under one roof. As Indian denim exports steadily rise and demand for eco-conscious denim production grows, the show provides a much-needed window into how this resilient segment is re-inventing itself with sustainability and style at its core.

Trims & Accessories:
Beyond denim, this edition places a sharp focus on innovative fabric solutions, trims, digital screen printing and accessories – with dedicated zones for the Fabrics and Trims shows and Screen-Print India - Textile.

With 25+ new entrants and expanding categories, the Mumbai edition will be a hotspot for denim designers, boutique owners, apparel brands and labels, garment manufacturers, dyeing and finishing companies, distributors and agents of textile and garment machinery and accessories, merchandisers and sourcing heads scouting for the latest in material and design and more.

As India marches towards becoming a global textile powerhouse, Gartex Texprocess India – Mumbai 2025 will serve as the ultimate confluence of technology, talent and trade, weaving together a stronger future for the Indian textile industry.

Gartex Texprocess India is a leading exhibition in the textile manufacturing technology with collocated show: The Denim Show’ and dedicated featured zones of ‘Fabrics and Trims Show’ and ‘Screen Print India – Textile’ making this a one-stop destination for the textile manufacturing.

The expo is jointly organised by MEX Exhibitions Pvt Ltd and Messe Frankfurt Trade Fair India Pvt Ltd. Gartex Texprocess India Mumbai and is scheduled from 22 – 24 May 2025 at Jio World Convention Centre, Mumbai, Maharashtra.

With the Fraunhofer Innovation Platform for Fibers, Processing and Recycling Solutions at Innovative Composite Center FIP-MIRAI@ICC, the Fraunhofer Institute for Casting, Composite and Processing Technology IGCV and the Innovative Composite Center (ICC), Kanazawa Institute of Technology (KIT) in Kanazawa area are setting new standards in the circular economy. With a total budget of 2 million euros - half funded by the Fraunhofer-Society and half by the ICC - the platform aims to develop solutions to global challenges in the field of composite recycling. A Fraunhofer Innovation Platform (FIP) is a temporary research unit hosted and operated by a research institution abroad, which is set up in close cooperation with one or more Fraunhofer Institutes in Germany. With “Mirai”, the Japanese word for “future”, the FIP-MIRAI@ICC sends out a clear signal: Waste is seen as a valuable resource and reused through new technologies. The aim is to create a forward-looking circular economy that guarantees sustainability for future generations. At the heart of the five-year cooperation (2025-2029) is a central location in Kanazawa area, which brings together researchers from the Fraunhofer IGCV and the ICC with companies, universities and customers.

Global challenges as an opportunity for innovation
The increasing use of composite materials in industries such as aerospace, wind energy and sports is leading to rising volumes of hard-to-recycle waste. As early as 2023, 75 kilotons of carbon fiber waste were produced worldwide, and 350 kilotons are expected by 2028 in aviation alone. The growing use of hydrogen technologies in mobility and transportation will further exacerbate this problem.

Technological innovations for sustainability
The German-Japanese collaboration pools technological expertise: the Fraunhofer IGCV contributes its expertise in fiber-matrix separation, quality assurance of recyclates and the wet-laid process, while the ICC contributes its pressing processes and continuous double-belt press technology. Together, this creates a unique “one-stop-shop” offering for companies looking for solutions for the recycling of composite materials.

Appearance at the JEC World 2025
A first insight into the work of FIP-MIRAI@ICC will be provided at JEC World 2025 in Paris, where the platform will be represented at the Japan Pavilion. Companies, researchers and industry experts are invited to visit the stand and discuss the latest developments.

A boost for the circular economy
FIP-MIRAI@ICC aims to act as a catalyst for sustainable technologies and transform waste streams into valuable resources. The close partnership between German and Japanese players paves the way for a sustainable and future-proof industry. With this initiative, science and industry are joining forces to turn global challenges into opportunities. With the vision of promoting ecological and economic sustainability, FIP-MIRAI@ICC is setting new standards in international cooperation.

Japanese computerized flat knitting technologist SHIMA SEIKI MFG., LTD. of Wakayama, Japan, together with its Indian sales representative Universal MEP Projects & Engineering Services, Ltd., will participate in the upcoming Garments Machinery Manufacturers & Suppliers Association (GMMSA) Expo India 2025 exhibition to be held in Ludhiana, India next month.

N.SVR®183
SHIMA SEIKI will be exhibiting its WHOLEGARMENT® knitting technology whereby an item can be produced in one entire piece on the machine without linking or sewing. Its N.SVR®183 WHOLEGARMENT® knitting machine produces WHOLEGARMENT® knitwear using every other needle in fine gauge. N.SVR®183 is equipped with the R2CARRIAGE® system and a compact, lightweight carriage for high productivity. Shown in 21G at the GMMSA Expo, N.SVR®183 is an ideal machine for flexible, entry-level WHOLEGARMENT® production, with the versatility to respond to fluctuating market demand.

N.SSR®112
Meanwhile the N.SSR®112 is a computerized flat knitting machine that offers leading technology in an economical yet reliable package. Featuring industry-leading innovations such as the R2CARRIAGE® that yields quicker carriage returns for greater efficiency, spring-type moveable sinker, DSCS® Digital Stitch Control System, stitch presser and takedown comb, Made-in-Japan quality, reliability and productivity, as well as user-friendliness and cost-performance combine to satisfy the high expectations of the world’s, and India’s, fashion industry. N.SSR®112 is even capable of WideGauge® knitting whereby a number of different gauges can be knit into a single garment.

SDS®-ONE APEX4 and APEXFiz®
SDS®-ONE APEX4 3D design system and APEXFiz® subscription-based design software support the creative side of fashion from planning and design to colorway evaluation, realistic fabric simulation and 3D virtual sampling. Virtual samples are a digitized version of sample making that are accurate enough to be used effectively as prototypes, replacing physical sampling and consequently reducing time, cost and material that otherwise go to waste. When a design is approved for production, knitting data which is automatically generated can be converted easily to machine data, allowing smooth communication for digitally bridging the gap between design studio and factory. SDS®-ONE APEX4 and APEXFiz® help to realize sustainability while digitally transforming the fashion supply chain.

The return of Texworld Apparel Sourcing Paris to the Paris-Le-Bourget exhibition centre from 10 to 12 February will see a number of innovations both in terms of the products on offer and the visitor itineraries.

More than 1,200 weavers and garment makers are expected in Halls 2, 3 and 4 of the exhibition centre for this first edition in 2025. This return to a redesigned space marks a new chapter in the visitor experience. This session will also offer a true reflection of the diversity of global sourcing, with creative ranges at competitive prices for the fashion industries.

New sourcing destinations for Texworld
Alongside the Top 5 weaving nations loyal to Texworld - China, Türkiye with its 70 manufacturers grouped together under the pavilion of the Istanbul Chamber of Commerce, India, Korea and Taiwan - alternative sourcing zones such as Malaysia, Singapore, the United Kingdom, Vietnam, the Netherlands and Egypt are enriching the show's offering. Dutch exhibitors Quality Textile, Nooteboom and Verhees Textiles are also back in the cotton sector, with cutting-edge and particularly creative catalogues. In the knitwear sector, we can also note the participation of the Koreans O.N.K, specialists in circular knitting, W-Tex, whose polyester blends produce remarkable fancy fabrics, or specialists in silky aspects such as JK Tex or TL Corporation. The Denim sector is growing this year, with around thirty exhibitors, including some of the world's leading names such as Winwin Textile from China and Bangladeshi supplier NZ Denim.

Innovations, initiatives and sustainability
The new “Initiatives” zone at the entrance of Hall 4 will be showcasing inspiring and sustainable solutions, such as that of Vietnamese company Bao Lan Textile with its range of silk and fabrics made from pineapple leaf fibre. These products, developed with Ecofa Vietnam, have natural antibacterial properties and offer natural UV protection up to 50+ UPF. This area will also host the China Textile Information Centre's trends forum, as well as the Econogy Hub, which brings together Messe Frankfurt's expertise on sustainability-related initiatives in the textile sector. Also to be discovered in the activewear sector is the range from Japan's Toyoshima, known for its streetwear collections, its ‘non-denim’ fabrics that consume very little water, and its astonishing wagami fabrics, produced from blends of very fine yarns made to order from cotton, linen and wool.

Apparel Sourcing: focus on Africa and near sourcing
Apparel Sourcing also has a great session in store. With more than 500 exhibitors expected - up on February 2024 - the show's rich offering of finished products, clothing and fashion accessories will be on full display over the three days. Especially when it comes to local sourcing. Alongside the major manufacturing nations - led by China and India, and Pakistan and Bangladesh, both of which have grouped their exhibitors under their national pavilions - visitors will have access to products from the Africa zone, with a hub of companies from Ethiopia, Rwanda (Pink Mango) and the Arise Integrated Industrial Platform, which brings together the expertise of garment manufacturers based in Togo, Benin and Gabon. Ukraine, back with 5 companies supported by its national textile association, will be adding to the Euromed offering from Foursource, Messe Frankfurt's near sourcing partner, which will be presenting catalogues from companies in Eastern Europe, Portugal and Morocco.

An optimised sourcing experience
The return to Paris-Le Bourget Exhibition Centre has been accompanied by an overhaul of the organisation of visitor areas. The layout of sectors and services has been reviewed to create new synergies between raw materials and finished products. Women's wear areas (All about her, Embrodery & Lace, Silky aspect...) have been set up in Hall 4 - dedicated to knitwear, silk and lace - and a large area will be devoted to the outdoor - sportswear - casualwear offer in Hall 3. Hall 2 will be a focal point for relaxation, catering and networking, as well as a place for inspiration and exchange, with trend forums, product presentations, services and the Agora for conferences and round tables.

Econogy, Small Quantity & Hand Made: themed itineraries
Three exhibitor itineraries have been designed by the Messe Frankfurt France team to meet visitors' needs. The Econogy Finder trail, for example, enables visitors to find more than 80 suppliers of sustainable textiles, listed in the show app and indicated by the Econogy logos visible on the corresponding booths. The Small Quantity itinerary then highlights the more than 200 suppliers able to offer small quantity production (less than 300 pieces for garments or less than 100 metres for fabrics). A plus for buyers looking for limited editions or small orders for capsule collections. Finally, the Hand Made itinerary identifies the more than 130 exhibitors whose catalogues feature authentic, handmade products or unique skills. These manufacturers can also be found directly on the fair's online directory.

Die Aizome Collection ist eine Hommage an die Kunst des Färbens und die Geschichten, die Textilien erzählen können. Sie verbindet Claudia Caviezel's gestalterische Neugier mit jahrhundertealten Techniken, die ohne synthetische Chemikalien auskommen und so eine nachhaltige Alternative zur Massenproduktion bieten. In jedem Stück spiegelt sich die Hingabe wider, mit der die Textilkünstlerin während ihres Japan-Aufenthaltes die Traditionen des Indigofärbens erlernte. Die Aizome Collection wird aus den für Japan typischen Tüchern aus doppelseitigem Frottiergewebe und aus vierlagigem Musselin hergestellt. Sie umfasst Küchentücher, Servietten sowie Hand- und Duschtücher und ist ab Dezember 2024 erhältlich.

Lavie ist eine Marke von Balsiger Textil AG aus Langenthal. Sie deckt das gesamte Heimtextil-Spektrum in den Bereichen Bett, Bad und Wohnen ab: Bettwäsche, Fixleintücher, Frottierwäsche und Accessoires wie Plaids oder Zierkissen. Die Marke steht für Heimtextilien aus Leinen, Bio-Baumwolle und Hanf, nachhaltig und fair produziert in Portugal und Italien.

Eintauchen in die japanische Textilkunst
«Ich wollte nicht mit einer fixen Idee starten und etwas machen, was die Technik gar nicht zulässt», erklärt Claudia Caviezel über den Ursprung der Aizome Collection. Fernab der Schweiz, in der Gifu-Präfektur Japans, nahm die Idee schliesslich Gestalt an, als Caviezel mit beiden Händen tief in den Bottichen voll blauer Indigofarbe steckte.

"Aizome» hat eine poetische Doppelbedeutung im Japanischen: Es steht für Indigo und bedeutet gleichzeitig «mit Liebe gefärbt". Die Liebe zur Farbe ist es auch, was Claudia Caviezels Schaffen seit vielen Jahren prägt. Mit großen Gesten und feinem Gespür erforscht sie, wie Farben auf Stoffen wirken. Ihre vielseitige Arbeit reicht von Haute-Couture-Stoffen über Rauminstallationen bis hin zu Alltagsdesigns.

In Japan wurde die Schweizer Designerin mit offenen Armen empfangen und sie konnte das Handwerk des Indigofärbens in der renommierten Färberei Watanabe selbst erlernen. "Die Großzügigkeit, mit der die japanischen Handwerker ihr Wissen teilten, war berührend", so Caviezel.

Das Team von Watanabe baut Indigo auf eigenen Feldern an, die Ernte wird über Wochen hinweg getrocknet und anschliessend fermentiert. Nach jahrhundertealten Methoden wird daraus schliesslich der Indigofarbstoff gewonnen, womit Textilien das charakteristische «Japan-Blau» erhalten.

Okawa und Onsen – typsch japanisches, doppelseitiges Frottiergewebe
Die Japaner:innen nutzen das Textil tagtäglich, sei es im öffentlichen Bad gefaltet auf dem Kopf oder an heissen Tagen als Schweisstuch um den Nacken. Okawa und Onsen sind auf den ersten Blick schlichte Hand- und Duschtücher, jedoch bieten sie zwei verschiedene Texturen: weiches, saugfähiges Frottiergewebe auf der einen Seite, feiner Musselin auf der anderen. Ein Gewebe, wie es nur auf speziellen, japanischen Webstühlen gefertigt wird.
   
Suno und Sanuki – japanische Tücher aus vierlagigem Musselin
Die Allzwecktücher Suno und Sanuki bestehen aus vierlagigem Musselin-Gewebe. Sie sind weich, luftig und dabei robust und saugfähig. Sie werden aus 100% Baumwolle in Japan gewoben und von Hand gefärbt. Suno ist die unifarbene Variante, erhältlich in white, light indigo und dark indigo. Sanuki ist die zweifarbige Variante mit kreisrunden Aussparungen auf blauem Grund. Die Allzweck-Küchentücher sind im Format 32 x 60 cm erhältlich.

Sami und Sora – Servietten aus vierlagigem Musselin
Die Servietten Sami und Sora ergänzen Suno und Sanuki, sie sind aus demselben, vierlagigen Musselin-Gewebe gefertigt. Die luftige, weiche Baumwollqualität hat eine natürlich texturierte Oberfläche, die jedes Tischgedeck noch schöner macht.

One piece at a time - work with precision, grow with wisdom: Luciano Vivolo unveils the strategy that has enabled his company to navigate these challenging years for the world of luxury and, particularly, leather: technological investments, diversification of supply and markets, sustainable innovation, and hope for the future, without ever conceding on quality.

In a demanding and competitive field such as haute couture, achieving nearly fifty years of success does not happen by chance. It requires consistently staying one step ahead, designing the future in its most elegant details while safeguarding the identity and uniqueness that form the foundation of a company’s heritage. What distinguishes Vivolo, for example, is its refined and original designs, the ability to develop prototypes in just 24 hours, and the capacity to produce over 8 million articles a year, all adhering to the company’s high-quality standards.

These founding values of Vivolo are rooted in the prestigious manufacturing tradition of Made in Italy. However, as founder and president Luciano Vivolo explains, while these values remain essential, they are no longer sufficient to guarantee success for Italian companies. "In recent years, we have faced all sorts of variables, unpredictable or, worse, unforeseen. The belief of luxury, like many cornerstones of our society and industry, is no longer as firmly established as it once was. The sector is experiencing a crisis with deeper roots than many might imagine. At Vivolo, we are tackling this situation as we always have, by working patiently, designing, cutting, sewing, and creating one piece at a time, but always looking towards the horizon to recognize new opportunities and needs."

In 2024, just one year after inaugurating its efficient and modern headquarters in Bologna (San Lazzaro), Vivolo announced the expansion of its production department. This 1,000 square-meter addition of machines, dedicated to footwear and leather goods, complements the company’s existing 10,000 square-meter production facility. The strategic decision to invest more than one million euros in these segments materialized not only in the purchase of advanced machinery but also in the hiring of highly qualified personnel and structural improvements that enabled the company to increase production volumes.

In addition to this vertical growth, Vivolo has also pursued horizontal expansion by strengthening its network of sales agents in Northern Europe, particularly Germany, Holland, and Scandinavia, and the Far East, focusing on South Korea and Japan. These regions, especially important for Vivolo’s denim sector, value the company’s iconic leather labels, which are hot-printed, high-frequency (HF) or digitally produced, making each garment unique. Vivolo’s innovative capabilities are further enhanced by a state-of-the-art 3D machine, which eliminates the need for die-casting facilities, significantly optimizing costs, time, and resources. A prototype can now be produced in just a few hours.

However, the range of Vivolo’s accessories extends far beyond this. Each season brings dozens of new themes that explore sustainable materials, innovative processes, original designs, and unique techniques to anticipate fashion trends and offer unexpected, inimitable solutions to luxury brands. At the heart of Vivolo's business is environmental ethics, a vision that embraces the product in all its dimensions while integrating both working and human processes and relationships.

"As rhetorical as it may sound, our corporate culture is built on the idea of leaving a better world, or the best possible world, for future generations. For me, this need is closely and pragmatically tied to my four children. From the first patches I created to mend my son Salvatore’s trousers in the 1970s to the investments in our new headquarters and the recent production expansion, every decision has been driven by the desire to build a better future for the Vivolo family and company, and for generations to come," adds Luciano Vivolo.

Looking ahead, the company, which prides itself on maintaining up-to-date certifications, including the recently added OEKO-TEX® LEATHER STANDARD, and transparent communication, is currently in the preparatory stage of drafting its first sustainability report. This milestone will provide an opportunity to reflect on objectives achieved and set goals for the future. "The Sustainability Report 2025 is a goal we have set for ourselves as a concrete demonstration of our commitment to creating and sharing value for all stakeholders," says Luciano Vivolo. "We expect 2024 to close on a positive note for our company, even though it is difficult to define precise figures at this time. Certainly, our goal for 2025 is to raise our standards even higher while hoping for a recovery in the luxury market, to which we have been connected for decades."

In recent years, Vietnam has rapidly transformed into one of the world’s key textile producers, solidifying its position as the world’s third-ranked exporter behind China and Bangladesh. With a history rooted in silk textile craftsmanship and currently embracing wide ranging modern textile production, the country’s thriving sector offers tremendous growth prospects for both domestic and international businesses. In a bid to harness the potential in Vietnam and Southeast Asia, the Vietnam International Trade Fair for Apparel, Textiles and Textile Technologies (VIATT) will return from 26 – 28 February 2025, with a renewed focus on promoting sustainability and digital transformation.

Vietnam's textile and apparel sector comprises approximately 7,000 companies and employs over three million workers, with 80% of production capacity used for export and 20% for domestic consumption. Progress is aided by well-developed logistics networks, skilled labour and a stable political environment. As its textile industry evolves, several key trends are influencing its future direction, reflecting a growing emphasis on sustainability and technological advancement, and leading to new opportunities for exhibitors and buyers across the value chain at Vietnam’s comprehensive textile showcase.

Major trends shaping Vietnam's textile market reflected at VIATT
More Vietnamese enterprises are adopting eco-friendly materials, including organic cotton, recycled polyester, and Tencel, while numerous global brands manufacture in Vietnam, and have committed to the "Fashion Industry Charter on Climate Action", aiming to achieve net-zero carbon emissions by 2050.

To further advance sustainable initiatives in the domestic and international textile industry, VIATT 2025 will introduce Econogy Hub, a dedicated platform for innovative, eco-friendly suppliers and service providers to connect with like-minded visitors. The show’s other new Texpertise Econogy features will include the Econogy Finder, an independent verification tool to help sustainable exhibitors effectively communicate their green credentials, and Econogy Talks, the overarching category for eco-focused seminars, forums, and product presentations.

Apart from sustainability, the Vietnamese textile industry is also embracing advanced technologies in design and manufacturing. The launch of the fair’s Innovation & Digital Solutions Zone will provide a centralised platform for exhibitors to showcase innovations such as 3D printing, AI-driven design, and digital printing, which enable manufacturers to boost efficiency and customise products to meet specific market demands.

As well as the introduction of two new product zones, the India Pavilion, organised by The Cotton Textiles Export Promotion Council (TEXPROCIL), will also make its debut at VIATT 2025. Additionally, the Japan and Taiwan Pavilions have confirmed their return, with the Japan Pavilion recognised by VIATT’s visitors as a standout showcase within Southeast Asia's textile fair landscape. Overall, the fair will feature a diverse range of exhibitors across apparel, home textiles, and technical textiles, with many showcasing innovative and sustainable products.

The Vietnam International Trade Fair for Apparel, Textiles and Textile Technologies (VIATT) is organised by Messe Frankfurt (HK) Ltd and the Vietnam Trade Promotion Agency (VIETRADE), covering the entire textile industry value chain.

Flat knitting technology company SHIMA SEIKI MFG., LTD. of Wakayama, Japan, is participating in the ITMA Asia + CITME 2024 exhibition in Shanghai, China. In line with its exhibition concept at ITMA 2023 and ITMA Asia + CITME 2022 held last year, SHIMA SEIKI continues the concept for this year’s exhibition: “SHIMA SEIKI Reborn".

SHIMA SEIKI Reborn represents a return to origin, for the company and for its products, and a renewal of passion and commitment toward innovation. The concept is manifested in physical form as the long-awaited production version of the SWG-XR® next-generation WHOLEGARMENT® machine, introduced to much acclaim as prototypes at ITMA 2023 in Milan, Italy and ITMA Asia + CITME 2022 exhibits last year.

Of the 5 knitting machines SHIMA SEIKI is exhibiting at its 350 sq. meter booth in Hall 4, Stand F01, 4 are WHOLEGARMENT® knitting machines, 2 of which are the new SWG-XR® machines, shown. 2 other WHOLEGARMENT® knitting machines and 1 prototype computerized flat knitting machine round out the machine exhibit. Approximately 270 knit items are on display as proposals for knitted applications in various fields ranging from fashion to shoes, bags and accessories.

In addition to machine technology, SHIMA SEIKI's computer graphic design system and software are shown with their latest software upgrades that feature significant improvements in knit programming, 3D functions and speed, as well as generative AI functions. Demonstrations are available for a comprehensive fashion tech solutions package based on realistic virtual sampling and supported by various digital solutions and web services.

Based on customer feedback as well as industry and media response at ITMA 2023 and ITMA Asia + CITME 2022, SHIMA SEIKI's exhibit is likely to garner much attention at ITMA Asia + CITME 2024 as well.