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Design software APEXFiz® Photo Shima Seiki
Design software APEXFiz®
13.06.2025

SHIMA SEIKI to Exhibit at Future Fabrics Expo

Textile solutions provider SHIMA SEIKI MFG., LTD. of Wakayama, Japan will participate in the Future Fabrics Expo 2025 exhibition in London, England, 24th – 25th June. Held during London Climate Action Week, Future Fabrics Expo showcases sustainably and responsibly produced materials to the textile industry, and is considered a platform for exchange of knowledge and sourcing of sustainable textiles, materials and leading innovations for fashion, home and interior brands. 
 

Textile solutions provider SHIMA SEIKI MFG., LTD. of Wakayama, Japan will participate in the Future Fabrics Expo 2025 exhibition in London, England, 24th – 25th June. Held during London Climate Action Week, Future Fabrics Expo showcases sustainably and responsibly produced materials to the textile industry, and is considered a platform for exchange of knowledge and sourcing of sustainable textiles, materials and leading innovations for fashion, home and interior brands. 
 
SHIMA SEIKI is showcasing just such an innovation in the form of its APEXFiz® subscription-based design software. APEXFiz® supports the creative side of fashion from planning and design to colorway evaluation, realistic fabric simulation and 3D virtual sampling for various textiles including flat knitting, circular knitting, weaving, pile weave, socks, embroidery and print. Virtual samples are a digitized version of sample making that are accurate enough to be used effectively as prototypes, replacing physical sampling and consequently reducing time, cost and material that otherwise go to waste. Virtual samples can furthermore be used in e-commerce to gauge consumer demand before production begins, allowing production to be adjusted to optimize inventory and minimize leftover waste. Virtual sampling on APEXFiz® thereby helps to realize sustainability and digitally transform the fashion supply chain. 
 
SHIMA SEIKI will be displaying virtual sample swatches at both the Curated Textiles Area and the SHIMA SEIKI booth to demonstrate just how real and expressive digital simulations can be. Virtual sampling is not limited in use for product planning and design by visitors, but is perfect for consideration by fellow exhibitors as well, as it gives them the opportunity to consider a truly sustainable method of planning, designing and evaluating their sustainable fabrics made from sustainable materials. 

Source:

Shima Seiki

Portuguese Textile Industry at Expo 2025 Osaka with “TEXTILE LIVE” Installation ATP – Associação Têxtil e Vestuário de Portugal
03.06.2025

Portuguese Textile Industry at Expo 2025 Osaka with “TEXTILE LIVE” Installation

The Portuguese Textile and Apparel Association (ATP) is promoting the national textile industry at Expo 2025 Osaka with the installation TEXTILE LIVE – Draping with Sustainable Materials, made in Portugal, featured in the Portugal Pavilion under the theme Ocean, The Blue Dialogue.

This international initiative celebrates innovation, environmental responsibility, and the heritage of the Portuguese textile and clothing industry, highlighting materials and processes developed in Portugal that respect ecosystems and place sustainability at the heart of creative practice.

From 12 to 15 June, the thousands of visitors of the Portuguese Pavilion everyday, namely the Multiuse Room (with doors opening directly onto the Expo grounds), will be able to watch and witness an unprecedented live work action by 15 young Japanese designers and one Portuguese designer, on textile materials made in Portugal based on the pillars of sustainability and environmental responsibility.

The Portuguese Textile and Apparel Association (ATP) is promoting the national textile industry at Expo 2025 Osaka with the installation TEXTILE LIVE – Draping with Sustainable Materials, made in Portugal, featured in the Portugal Pavilion under the theme Ocean, The Blue Dialogue.

This international initiative celebrates innovation, environmental responsibility, and the heritage of the Portuguese textile and clothing industry, highlighting materials and processes developed in Portugal that respect ecosystems and place sustainability at the heart of creative practice.

From 12 to 15 June, the thousands of visitors of the Portuguese Pavilion everyday, namely the Multiuse Room (with doors opening directly onto the Expo grounds), will be able to watch and witness an unprecedented live work action by 15 young Japanese designers and one Portuguese designer, on textile materials made in Portugal based on the pillars of sustainability and environmental responsibility.

In collaboration with three Japanese fashion schools - Osaka Institute of Fashion, Marronnier College of Fashion Design and Kobe Bunka Fashion College - art, tradition and innovation, in the form of draping work on busts also made from sustainable materials, will show the world the creative potential of our most eco-friendly materials.

This live draping performance will take place twice a day, one in the morning and another in the afternoon. In addition, visitors will also be able to see a photo exhibition in which Portuguese textiles materials are “interpreted” through the beauty and talent of top Portuguese models from past generations. The experience is further enriched by a miniature doll’s installation, the Marias Paperdolls by Cláudia Oliveira and an informative video that explains the sustainable processes behind the materials on display

Altogether, these elements offer more than enough reason for high anticipation around the event, which aims to reaffirm the active role that Portugal’s textile and clothing industry is playing in positioning itself at the forefront of the Circular Economy.

Curated by Paulo Gomes, the installation highlights textile solutions made in Portugal with:

  • Natural wool and linen, responsibly sourced and rooted in traditional craftsmanship.
  • Bio-based artificial fibers, derived from food industry by-products.
  • Recycled synthetic fibers, including polyester from PET bottle waste.
  • Seaweed-based finishes, which reduce water consumption and create unique effects.
  • Natural and eco-friendly dyes, with environmentally conscious processes.

The result is a living dialogue between tradition and innovation, Portugal and Japan — where textiles become a medium of artistic expression and a symbol of an industry in transformation.

ATP extends its gratitude to all those who made this installation possible — especially the Portuguese companies Albano Morgado, Burel Factory, Lemar, Positive Materials e Trimalhas; the curator Paulo Gomes; the designer Renato Luiz; and the 15 Japanese fashion students from the Osaka Institute of Fashion, Marronnier College of Fashion Design, and Kobe Bunka Fashion College and AICEP.

ATP further acknowledges the valuable contributions of Cláudia Oliveira (Marias Paperdolls); the volunteer interpreters Kazuha Toriyama and Ayu Adachi; photographer Sorin Opait; models Elsa Correia, Isabel Sousa, Milene Veiga, and Telma Santos; Rui Guimarães (graphic materials); Liliana Alves (video production); and the team from Saiunion Co., Ltd (mannequins), as well as the support of our sponsors, Aquitex and Mind.pt. With this action, ATP reinforces the positioning of the Portuguese Textile and Apparel Industry as a global benchmark in sustainable innovation, presenting itself to the world through art, design, and the matter that defines them: textiles made in Portugal – FOR A BETTER WOLRD.

Source:

ATP – Associação Têxtil e Vestuário de Portugal

Gartex Texprocess India Mumbai: Inaugural ceremony May, 22 Photo Messe Frankfurt Trade Fairs India
Gartex Texprocess India Mumbai: Inaugural ceremony May, 22
23.05.2025

Gartex Texprocess India Mumbai: Inaugural ceremony May, 22

Bringing together India’s textile community under one roof, with a special focus on textile and garment manufacturing machinery and technology and innovations in fabrics, digital screen print, accessories, and trims, the Gartex Texprocess India Mumbai 2025 edition presents industry advancements.

With over 125 exhibitors from India, China, Italy, Japan, Korea, Singapore and Taiwan - the show features strong international participation and highlights from India’s growing role in the global textiles industry.

Bringing together India’s textile community under one roof, with a special focus on textile and garment manufacturing machinery and technology and innovations in fabrics, digital screen print, accessories, and trims, the Gartex Texprocess India Mumbai 2025 edition presents industry advancements.

With over 125 exhibitors from India, China, Italy, Japan, Korea, Singapore and Taiwan - the show features strong international participation and highlights from India’s growing role in the global textiles industry.

Addressing the gathering, Chief Guest, Shri Sanjay Savkare, Hon’ble Minister of Textiles, Government of Maharashtra stated: “Denims have become a major fashion trend, and the government has announced relief on import duty for machinery. However, the central government, in an endeavour to encourage local manufacturing in the country, has announced the Technical Textile Mission, which empowers companies to receive subsidies and start manufacturing. Maharashtra has launched its textile policy, which operates in a zonal format. Zone 1 can help you gain a 45% subsidy, Zone 2 offers 40%, Zone 3 provides 35%, and so on. We have announced Zero-Waste Fashion, which aims to control textile waste by recycling it and converting it into usable materials like carpets. For this, the private sector can benefit from an electricity subsidy of Rs 2 per unit, and Rs 3 per unit for co-operative societies, in addition to the previously mentioned subsidies. In Amravati, the PM Mitra Park will be launched soon, as most of the work is complete, with only final touch-ups pending. I thank the organisers for having me here and wish you all the very best.”

Shri Shashank Chaudhary (IAS), Additional CEO, Invest UP informed: “Under the PM Mitra Scheme, we are developing a mega-integrated textile park near Lucknow, covering 1,000 acres of land. It will be set up under the PPP model, which offers a great opportunity for investors. The state of Uttar Pradesh has been developing new portals for single-window clearance and approvals. We have successfully managed to attract good investors.”

Mr Gaurav Juneja, Director of MEX Exhibitions Pvt Ltd, shared: “Gartex Texprocess India as a show has only evolved consistently. This is reflected in our Mumbai and New Delhi editions each year. As India strengthens its position in global textile manufacturing, I believe that this show has become a platform to shape conversations and update the industry with innovations that will drive the next phase of growth for India’s textiles and fashion ecosystem. We are honoured to have Invest Uttar Pradesh as our State Partners at this edition and with the kind of innovations on the show floor in denim, fabrics, machinery and more - I am sure visitors have tremendous business opportunities through our platform.”

Similar sentiments were shared by Mr Raj Manek, Executive Director & Board Member, Messe Frankfurt Asia Holdings Ltd, expressed: “This show goes beyond exhibition; it is about enabling industry transformation. At a time when global supply chains are realigning, platforms like Gartex Texprocess India become crucial to connecting industry stakeholders. This also bridges Indian expertise with international demand and we are pleased to welcome the textile fraternity to the show and see the scale of innovations from the industry.”  

The expo is jointly organised by MEX Exhibitions Pvt Ltd and Messe Frankfurt Trade Fair India Pvt Ltd. Gartex Texprocess India Mumbai is scheduled from 22 – 24 May 2025 at Jio World Convention Centre, Mumbai, Maharashtra.

Source:

Messe Frankfurt Trade Fairs India

Workflow (c) Graphic Shima Seiki
12.05.2025

SHIMA SEIKI Announces Partnership with Lonati

Leading computerized flat knitting innovator SHIMA SEIKI MFG., LTD. of Wakayama, Japan is collaborating with Lonati S.p.A. of Brescia, Italy to promote digitalization and sustainable product development within the sock industry.

The partnership forms a synergy by leveraging software solutions offered by each company—APEXFiz® design software developed and sold by SHIMA SEIKI and ORION programming software developed and sold by Lonati. Together, they aim to help the industry shed ist dependence on traditional physical sample creation processes.

In the fashion industry, particularly in the sock sector, it is common practice to create physical samples for design consideration and production decisions. However, this process presents numerous challenges, including waste of resources and labor, economic burdens such as sampling costs and material expenses, as well as delays due to lead times before market launch.

Leading computerized flat knitting innovator SHIMA SEIKI MFG., LTD. of Wakayama, Japan is collaborating with Lonati S.p.A. of Brescia, Italy to promote digitalization and sustainable product development within the sock industry.

The partnership forms a synergy by leveraging software solutions offered by each company—APEXFiz® design software developed and sold by SHIMA SEIKI and ORION programming software developed and sold by Lonati. Together, they aim to help the industry shed ist dependence on traditional physical sample creation processes.

In the fashion industry, particularly in the sock sector, it is common practice to create physical samples for design consideration and production decisions. However, this process presents numerous challenges, including waste of resources and labor, economic burdens such as sampling costs and material expenses, as well as delays due to lead times before market launch.

To address these challenges, “3D Virtual Sampling” has gained attention as an effective method. This approach allows for design consideration without physical samples and enables rapid and efficient prototyping. As a result, companies can significantly reduce costs and time while minimizing their environmental impact. Additionally, developing products that meet market needs enhances competitiveness.

SHIMA SEIKI’s APEXFiz® is design software that is available with 3D virtual sampling capabilities for knitted products and has been adopted by many companies in the sock industry to high acclaim. By using this tool, designers can visualize sock designs in real-time and receive quick feedback. Moreover, specialized software dedicated to sock design—APEXFiz® Design-Sox—is in the works for future release. Meanwhile, ORION is Lonati's innovative programming software that is part of the UNLIMITEX® suite, and allows users to proactively verify data in 3D from a technical perspective, identifying and resolving potential issues in advance at each stage from programming to manufacturing. ORION and APEXFiz® Design-Sox are both scheduled for release in June of 2025.

Together, APEXFiz® and ORION further streamline virtual sampling by integrating the workflow from design to production. This integrated process enables companies to shorten time-to-market while efficiently delivering high-quality products. The innovative workflow developed through the partnership between SHIMA SEIKI and Lonati are set to revolutionize the sock industry and serve as a key driver for creating new business opportunities and competitive advantage.

Gartex Texprocess India Photo by Gartex Texprocess India
28.04.2025

Gartex Texprocess India – Global Innovations and Rise in Advanced Manufacturing

As the Indian textile and apparel sector embraces digitisation, sustainability, smarter production and responsible manufacturing, Gartex Texprocess India emerges as a critical node in this narrative bringing together the textile and garment machinery manufacturers, denim mill owners, digital textile printing technology solution providers, as well as manufacturers of apparel fabrics, textile and textile processing machinery and more, who are set to unfold innovations. With 125+ participating companies, representing 300+ brands and growing participation from international countries, this edition will offer a panoramic view of the sectors next chapter.

India’s textile industry often referred to as the lifeblood of nations manufacturing economy, is on the cusp of a technology-led transformation. Leading this evolution is Gartex Texprocess India – Mumbai organised by Messe Frankfurt Trade Fairs India Pvt Ltd and MEX Exhibitions Pvt Ltd. The expo is a definitive sourcing and innovation platform growing with global participation and solutions for the future.

As the Indian textile and apparel sector embraces digitisation, sustainability, smarter production and responsible manufacturing, Gartex Texprocess India emerges as a critical node in this narrative bringing together the textile and garment machinery manufacturers, denim mill owners, digital textile printing technology solution providers, as well as manufacturers of apparel fabrics, textile and textile processing machinery and more, who are set to unfold innovations. With 125+ participating companies, representing 300+ brands and growing participation from international countries, this edition will offer a panoramic view of the sectors next chapter.

India’s textile industry often referred to as the lifeblood of nations manufacturing economy, is on the cusp of a technology-led transformation. Leading this evolution is Gartex Texprocess India – Mumbai organised by Messe Frankfurt Trade Fairs India Pvt Ltd and MEX Exhibitions Pvt Ltd. The expo is a definitive sourcing and innovation platform growing with global participation and solutions for the future.

What sets this edition apart is its focused attention on technology integration, automation and responsible manufacturing – themes that are redefining how India produces, sources and innovates on the global textile map through its product showcase as well as curated knowledge sessions.

A global showcase:
Making headlines this year is the strong international participation especially from China, Italy, Japan, Korea, Singapore and a dedicated pavilion for Taiwan, along with the leading Indian companies on board. Displaying a wide range of products for the garment and textile manufacturing industry. A few international names include: EPSON, Kornit and MACPI International among others. Some will participate directly and some through their partners and distributors. This global representation is matched with a stellar Indian line-up featuring names such as Balaji Sewing Machines, DCC, EH Turel, Mexum, Pantone and Sky Enterprises amongst others.

Denim Takes Centre Stage:
With the backing of Denim Manufacturers Association, the Denim Show at Gartex Texprocess India is expected to bring together all the major denim manufacturers and mill owners from India under one roof. As Indian denim exports steadily rise and demand for eco-conscious denim production grows, the show provides a much-needed window into how this resilient segment is re-inventing itself with sustainability and style at its core.

Trims & Accessories:
Beyond denim, this edition places a sharp focus on innovative fabric solutions, trims, digital screen printing and accessories – with dedicated zones for the Fabrics and Trims shows and Screen-Print India - Textile.

With 25+ new entrants and expanding categories, the Mumbai edition will be a hotspot for denim designers, boutique owners, apparel brands and labels, garment manufacturers, dyeing and finishing companies, distributors and agents of textile and garment machinery and accessories, merchandisers and sourcing heads scouting for the latest in material and design and more.

As India marches towards becoming a global textile powerhouse, Gartex Texprocess India – Mumbai 2025 will serve as the ultimate confluence of technology, talent and trade, weaving together a stronger future for the Indian textile industry.

Gartex Texprocess India is a leading exhibition in the textile manufacturing technology with collocated show: The Denim Show’ and dedicated featured zones of ‘Fabrics and Trims Show’ and ‘Screen Print India – Textile’ making this a one-stop destination for the textile manufacturing.

The expo is jointly organised by MEX Exhibitions Pvt Ltd and Messe Frankfurt Trade Fair India Pvt Ltd. Gartex Texprocess India Mumbai and is scheduled from 22 – 24 May 2025 at Jio World Convention Centre, Mumbai, Maharashtra.

Source:

Gartex Texprocess India

Bodice collection Photo Bodice
16.04.2025

Bemberg™ collaborates with Indian fashion label BODICE

BODICE, a contemporary Indian fashion label unveiled its much-anticipated collection as a runway show at the BODICE flagship store in New Delhi. Rooted in the idea of self-discovery, the collection embraces evolving identity through artisan-collaborations and intuitive design. The garments of this collection are made with fabrics using Bemberg™ yarn, which are produced in Surat and Varanasi, prominent textile centers in India.

The roots of this partnership between Bemberg™ and BODICE traces back to an inspiring journey that began in last November. Asahi Kasei invited BODICE’s founder & creative director, Ruchika Sachdeva, to Japan such as Kyoto, and Nobeoka city in Miyazaki prefecture where Bemberg plant is located. This immersive trip allowed her to gain a deeper understanding of not only the local craftmanship which has supported Japanese textile industry, but also Bemberg™’s heritage and its commitment to sustainability.

The next phase of the journey took Ruchika and BODICE’s team to two of India’s most renowned textile centers—Surat and Varanasi. In these bustling markets, they handpicked a curated selection of fabrics using Bemberg™ fiber.

BODICE, a contemporary Indian fashion label unveiled its much-anticipated collection as a runway show at the BODICE flagship store in New Delhi. Rooted in the idea of self-discovery, the collection embraces evolving identity through artisan-collaborations and intuitive design. The garments of this collection are made with fabrics using Bemberg™ yarn, which are produced in Surat and Varanasi, prominent textile centers in India.

The roots of this partnership between Bemberg™ and BODICE traces back to an inspiring journey that began in last November. Asahi Kasei invited BODICE’s founder & creative director, Ruchika Sachdeva, to Japan such as Kyoto, and Nobeoka city in Miyazaki prefecture where Bemberg plant is located. This immersive trip allowed her to gain a deeper understanding of not only the local craftmanship which has supported Japanese textile industry, but also Bemberg™’s heritage and its commitment to sustainability.

The next phase of the journey took Ruchika and BODICE’s team to two of India’s most renowned textile centers—Surat and Varanasi. In these bustling markets, they handpicked a curated selection of fabrics using Bemberg™ fiber.

Returning to the runway after a significant hiatus, BODICE’s latest collection is an ode to transformation—a narrative brought to life through an immersive experience that brings together textures, techniques, and silhouettes.

At the heart of the collection is a deep reverence for material and technique, drawing inspiration from Japan’s refined approach to craftsmanship. It features Bemberg™ by Asahi Kasei, a regenerated cellulose fiber that resonates with BODICE’s commitment to sustainability and responsible design. BODICE’s signature brush-printing technique created with Jaipur’s block-printing artisans, adds depth and texture, reinforcing the brand’s commitment to innovation. The collection also embraces upcycling through colour-blocking techniques, where fabric scraps are repurposed into dynamic, structured silhouettes. With a focus on longevity and wearability, each piece is designed to stay relevant and be timeless, while making way for a more responsible approach to fashion.

Takeshi Iitaka, General Manger, Bemberg Division of Asahi Kasei Corporation, Japan says” Bemberg™ has been operating its business with an eye toward coexistence with the environment since 1931, and is committed to collaborating with partners whose business philosophy aligns with this. From that perspective, this collaboration with BODICE is aligned with our business philosophy, and we are extremely honored that so many people will be able to learn about this collaborative event between our two companies, two countries, two cultures. We believe this collection which has innovative way of using fabrics made from Bemberg™ yarn will be exciting for all. “

The showcase unfolds as a refined interplay of movement and form. Set to evocative sounds in a lush spring landscape, the presentation reflects the collection’s core theme—transformation, balance, and evolving identity.

Source:

C.L.A.S.S. Eco Hub

Japanese and German scientists cooperating in the Fraunhofer Innovation Platform for Fibers, Processing and Recycling Solutions at Innovative Composite Center © Innovative Composite Center
Japanese and German scientists cooperating in the Fraunhofer Innovation Platform for Fibers, Processing and Recycling Solutions at Innovative Composite Center
26.02.2025

FIP-MIRAI@ICC: International cooperation sets course for the circular composite economy

With the Fraunhofer Innovation Platform for Fibers, Processing and Recycling Solutions at Innovative Composite Center FIP-MIRAI@ICC, the Fraunhofer Institute for Casting, Composite and Processing Technology IGCV and the Innovative Composite Center (ICC), Kanazawa Institute of Technology (KIT) in Kanazawa area are setting new standards in the circular economy. With a total budget of 2 million euros - half funded by the Fraunhofer-Society and half by the ICC - the platform aims to develop solutions to global challenges in the field of composite recycling. A Fraunhofer Innovation Platform (FIP) is a temporary research unit hosted and operated by a research institution abroad, which is set up in close cooperation with one or more Fraunhofer Institutes in Germany. With “Mirai”, the Japanese word for “future”, the FIP-MIRAI@ICC sends out a clear signal: Waste is seen as a valuable resource and reused through new technologies. The aim is to create a forward-looking circular economy that guarantees sustainability for future generations.

With the Fraunhofer Innovation Platform for Fibers, Processing and Recycling Solutions at Innovative Composite Center FIP-MIRAI@ICC, the Fraunhofer Institute for Casting, Composite and Processing Technology IGCV and the Innovative Composite Center (ICC), Kanazawa Institute of Technology (KIT) in Kanazawa area are setting new standards in the circular economy. With a total budget of 2 million euros - half funded by the Fraunhofer-Society and half by the ICC - the platform aims to develop solutions to global challenges in the field of composite recycling. A Fraunhofer Innovation Platform (FIP) is a temporary research unit hosted and operated by a research institution abroad, which is set up in close cooperation with one or more Fraunhofer Institutes in Germany. With “Mirai”, the Japanese word for “future”, the FIP-MIRAI@ICC sends out a clear signal: Waste is seen as a valuable resource and reused through new technologies. The aim is to create a forward-looking circular economy that guarantees sustainability for future generations. At the heart of the five-year cooperation (2025-2029) is a central location in Kanazawa area, which brings together researchers from the Fraunhofer IGCV and the ICC with companies, universities and customers.

Global challenges as an opportunity for innovation
The increasing use of composite materials in industries such as aerospace, wind energy and sports is leading to rising volumes of hard-to-recycle waste. As early as 2023, 75 kilotons of carbon fiber waste were produced worldwide, and 350 kilotons are expected by 2028 in aviation alone. The growing use of hydrogen technologies in mobility and transportation will further exacerbate this problem.

Technological innovations for sustainability
The German-Japanese collaboration pools technological expertise: the Fraunhofer IGCV contributes its expertise in fiber-matrix separation, quality assurance of recyclates and the wet-laid process, while the ICC contributes its pressing processes and continuous double-belt press technology. Together, this creates a unique “one-stop-shop” offering for companies looking for solutions for the recycling of composite materials.

Appearance at the JEC World 2025
A first insight into the work of FIP-MIRAI@ICC will be provided at JEC World 2025 in Paris, where the platform will be represented at the Japan Pavilion. Companies, researchers and industry experts are invited to visit the stand and discuss the latest developments.

A boost for the circular economy
FIP-MIRAI@ICC aims to act as a catalyst for sustainable technologies and transform waste streams into valuable resources. The close partnership between German and Japanese players paves the way for a sustainable and future-proof industry. With this initiative, science and industry are joining forces to turn global challenges into opportunities. With the vision of promoting ecological and economic sustainability, FIP-MIRAI@ICC is setting new standards in international cooperation.

Source:

Fraunhofer IGCV

N.SVR122
N.SVR122
12.02.2025

SHIMA SEIKI to Exhibit at DTG 2025

Leading computerized flat knitting innovator SHIMA SEIKI MFG., LTD. of Wakayama, Japan is exhibiting at the 19th Dhaka International Textile & Garment Machinery Exhibition (DTG 2025) in Dhaka, Bangladesh, in cooperation with its partner Pacific Associates Ltd. Operating in Bangladesh since 1996, this is the fifteenth time the Japanese manufacturer is participating in DTG.

As the second-largest textile exporter in the world, Bangladesh is looking to upgrade its textile industry through innovation, digitalization and sustainable production. The market is therefore keen to establish effective business models that support such production. In response, SHIMA SEIKI continues its strong presence within the market through its lineup at DTG, emphasizing its core strength in cutting-edge WHOLEGARMENT® knitting technology.#

Leading computerized flat knitting innovator SHIMA SEIKI MFG., LTD. of Wakayama, Japan is exhibiting at the 19th Dhaka International Textile & Garment Machinery Exhibition (DTG 2025) in Dhaka, Bangladesh, in cooperation with its partner Pacific Associates Ltd. Operating in Bangladesh since 1996, this is the fifteenth time the Japanese manufacturer is participating in DTG.

As the second-largest textile exporter in the world, Bangladesh is looking to upgrade its textile industry through innovation, digitalization and sustainable production. The market is therefore keen to establish effective business models that support such production. In response, SHIMA SEIKI continues its strong presence within the market through its lineup at DTG, emphasizing its core strength in cutting-edge WHOLEGARMENT® knitting technology.#

Capable of knitting an entire garment in one piece without the need for linking or sewing while using only the material required to knit one garment at a time, WHOLEGARMENT® knitting is well-known for promoting sustainability in the knit factory. The company is showing its MACH2®XS153 WHOLEGARMENT® knitting machine in 15L gauge which features 4 needle beds and SHIMA SEIKI's original SlideNeedle™, capable of producing high-quality fine gauge WHOLEGARMENT® knitwear in all needles. SWG®091N2 “Mini”
WHOLEGARMENT® knitting machine shown in 15 gauge provides opportunities in WHOLEGARMENT® knitting across a wide range of items in a compact, economical package. A different approach to WHOLEGARMENT® knitting is also presented in the form of the N.SVR®183 machine. SHIMA SEIKI’s global standard in shaped knitting, the N.SVR® series, features a special model for producing WHOLEGARMENT® knitwear using every other needle. Shown in 21 gauge at DTG, N.SVR®183 is the ideal machine for flexible, entry-level WHOLEGARMENT® production of 12-gauge items. A conventional version of the N. SVR® series will also be shown in the form of the N.SVR®122 shaping machine in 14 gauge.

Demonstrations are available on SHIMA SEIKI’s SDS®-ONE APEX4 3D design system, which supports the creative side of fashion from planning and design to colorway evaluation, realistic fabric simulation and 3D virtual sampling. Virtual samples are a digitized version of sample making that are accurate enough to be used effectively as prototypes, replacing physical sampling and consequently reducing time, cost and material that otherwise go to waste. When a design is approved for production, knitting data which is automatically generated can be converted easily to machine data, allowing smooth communication for digitally bridging the gap between design studio and factory. SDS®-ONE APEX4 help to realize sustainability while digitally transforming the fashion supply chain.

NSVR183 Photo SHIMA SEIKI MFG., LTD
NSVR183
30.01.2025

SHIMA SEIKI at GMMSA Expo India

Japanese computerized flat knitting technologist SHIMA SEIKI MFG., LTD. of Wakayama, Japan, together with its Indian sales representative Universal MEP Projects & Engineering Services, Ltd., will participate in the upcoming Garments Machinery Manufacturers & Suppliers Association (GMMSA) Expo India 2025 exhibition to be held in Ludhiana, India next month.

N.SVR®183
SHIMA SEIKI will be exhibiting its WHOLEGARMENT® knitting technology whereby an item can be produced in one entire piece on the machine without linking or sewing. Its N.SVR®183 WHOLEGARMENT® knitting machine produces WHOLEGARMENT® knitwear using every other needle in fine gauge. N.SVR®183 is equipped with the R2CARRIAGE® system and a compact, lightweight carriage for high productivity. Shown in 21G at the GMMSA Expo, N.SVR®183 is an ideal machine for flexible, entry-level WHOLEGARMENT® production, with the versatility to respond to fluctuating market demand.

Japanese computerized flat knitting technologist SHIMA SEIKI MFG., LTD. of Wakayama, Japan, together with its Indian sales representative Universal MEP Projects & Engineering Services, Ltd., will participate in the upcoming Garments Machinery Manufacturers & Suppliers Association (GMMSA) Expo India 2025 exhibition to be held in Ludhiana, India next month.

N.SVR®183
SHIMA SEIKI will be exhibiting its WHOLEGARMENT® knitting technology whereby an item can be produced in one entire piece on the machine without linking or sewing. Its N.SVR®183 WHOLEGARMENT® knitting machine produces WHOLEGARMENT® knitwear using every other needle in fine gauge. N.SVR®183 is equipped with the R2CARRIAGE® system and a compact, lightweight carriage for high productivity. Shown in 21G at the GMMSA Expo, N.SVR®183 is an ideal machine for flexible, entry-level WHOLEGARMENT® production, with the versatility to respond to fluctuating market demand.

N.SSR®112
Meanwhile the N.SSR®112 is a computerized flat knitting machine that offers leading technology in an economical yet reliable package. Featuring industry-leading innovations such as the R2CARRIAGE® that yields quicker carriage returns for greater efficiency, spring-type moveable sinker, DSCS® Digital Stitch Control System, stitch presser and takedown comb, Made-in-Japan quality, reliability and productivity, as well as user-friendliness and cost-performance combine to satisfy the high expectations of the world’s, and India’s, fashion industry. N.SSR®112 is even capable of WideGauge® knitting whereby a number of different gauges can be knit into a single garment.

SDS®-ONE APEX4 and APEXFiz®
SDS®-ONE APEX4 3D design system and APEXFiz® subscription-based design software support the creative side of fashion from planning and design to colorway evaluation, realistic fabric simulation and 3D virtual sampling. Virtual samples are a digitized version of sample making that are accurate enough to be used effectively as prototypes, replacing physical sampling and consequently reducing time, cost and material that otherwise go to waste. When a design is approved for production, knitting data which is automatically generated can be converted easily to machine data, allowing smooth communication for digitally bridging the gap between design studio and factory. SDS®-ONE APEX4 and APEXFiz® help to realize sustainability while digitally transforming the fashion supply chain.

23.01.2025

Autoneum: Again Revenue Growth in the 2024

In the 2024 financial year, the global automotive industry recorded a slight decline in produc-tion of –1.1%* compared to the previous year. In this weakening environment, Autoneum in-creased its consolidated revenue in Swiss francs by CHF 36.4 million to CHF 2 338.7 million. Excluding translational effects from the conversion of local currencies into Swiss francs, revenue rose by CHF 96.1 million or 4.2% to CHF 2 398.5 million, which is in the middle of the guidance of CHF 2.3 billion to CHF 2.5 billion. Based on the preliminary figures, Autoneum expects an EBIT margin of over 5% and free cash flow of just over CHF 100 million for the 2024 financial year, thus fully confirming the guidance.

In the 2024 financial year, the global automotive industry recorded a slight decline in produc-tion of –1.1%* compared to the previous year. In this weakening environment, Autoneum in-creased its consolidated revenue in Swiss francs by CHF 36.4 million to CHF 2 338.7 million. Excluding translational effects from the conversion of local currencies into Swiss francs, revenue rose by CHF 96.1 million or 4.2% to CHF 2 398.5 million, which is in the middle of the guidance of CHF 2.3 billion to CHF 2.5 billion. Based on the preliminary figures, Autoneum expects an EBIT margin of over 5% and free cash flow of just over CHF 100 million for the 2024 financial year, thus fully confirming the guidance.

Business Group Europe achieved revenue of CHF 1 152.4 million in the 2024 financial year, an increase of CHF 78.5 million compared to CHF 1 073.9 million in the previous year. In local curren-cies, revenue grew by 9.8%. The first-time consolidation of four instead of three quarters of Borgers Automotive, which was acquired in 2023, resulted in an inorganic increase of 13.0%. Organically, revenue in local currencies declined by 3.2%, outperforming the market, which recorded a decline of 4.6%*.

Business Group North America outperformed the market in local currencies: while vehicle pro-duction fell by 1.4%* overall, Business Group North America recorded a slight increase of 1.3% in revenue. Borgers Automotive made a positive contribution of 3.0% to inorganic growth, while the organic revenue change was –1.7%. Consolidated revenue in Swiss francs amounted to CHF 884.6 million. (2023: CHF 895.9 million).

Business Group Asia generated revenue of CHF 198.3 million in Swiss francs, which was CHF 44.5 million below the previous year (2023: CHF 242.8 million). In local currencies, revenue shrank by 15.3% overall. The organic decline in revenue amounted to 16.6%, while the additional first quarter of Borgers Automotive, which was acquired in 2023, had a positive impact of 1.3% in the reporting year. The market in Asia remained stable with a growth of 0.1%*. In 2024, local Chinese vehicle manufacturers continued to gain market share in China at the expense of Japanese and European producers, which was clearly reflected in the revenue development of Business Group Asia. This trend underlines the importance of the acquisition of the Chinese Jiangsu Huanyu Group, announced on November 19, 2024, which generates over 90% of its reve-nue with Chinese car manufacturers in China and will significantly strengthen Autoneum's market position.

Business Group SAMEA (South America, Middle East and Africa) achieved revenue growth of 14.4% in local currencies, mainly due to inflation-related price increases. In Swiss francs, revenue amounted to CHF 121.4 million. This corresponds to an increase of CHF 12.4 million or 11.3% compared to the previous year.

Source:

Autoneum Management AG

(c) Messe Frankfurt France
09.01.2025

Texworld Apparel Sourcing Paris returns to the Paris-Le-Bourget Exhibition Center

The return of Texworld Apparel Sourcing Paris to the Paris-Le-Bourget exhibition centre from 10 to 12 February will see a number of innovations both in terms of the products on offer and the visitor itineraries.

More than 1,200 weavers and garment makers are expected in Halls 2, 3 and 4 of the exhibition centre for this first edition in 2025. This return to a redesigned space marks a new chapter in the visitor experience. This session will also offer a true reflection of the diversity of global sourcing, with creative ranges at competitive prices for the fashion industries.

The return of Texworld Apparel Sourcing Paris to the Paris-Le-Bourget exhibition centre from 10 to 12 February will see a number of innovations both in terms of the products on offer and the visitor itineraries.

More than 1,200 weavers and garment makers are expected in Halls 2, 3 and 4 of the exhibition centre for this first edition in 2025. This return to a redesigned space marks a new chapter in the visitor experience. This session will also offer a true reflection of the diversity of global sourcing, with creative ranges at competitive prices for the fashion industries.

New sourcing destinations for Texworld
Alongside the Top 5 weaving nations loyal to Texworld - China, Türkiye with its 70 manufacturers grouped together under the pavilion of the Istanbul Chamber of Commerce, India, Korea and Taiwan - alternative sourcing zones such as Malaysia, Singapore, the United Kingdom, Vietnam, the Netherlands and Egypt are enriching the show's offering. Dutch exhibitors Quality Textile, Nooteboom and Verhees Textiles are also back in the cotton sector, with cutting-edge and particularly creative catalogues. In the knitwear sector, we can also note the participation of the Koreans O.N.K, specialists in circular knitting, W-Tex, whose polyester blends produce remarkable fancy fabrics, or specialists in silky aspects such as JK Tex or TL Corporation. The Denim sector is growing this year, with around thirty exhibitors, including some of the world's leading names such as Winwin Textile from China and Bangladeshi supplier NZ Denim.

Innovations, initiatives and sustainability
The new “Initiatives” zone at the entrance of Hall 4 will be showcasing inspiring and sustainable solutions, such as that of Vietnamese company Bao Lan Textile with its range of silk and fabrics made from pineapple leaf fibre. These products, developed with Ecofa Vietnam, have natural antibacterial properties and offer natural UV protection up to 50+ UPF. This area will also host the China Textile Information Centre's trends forum, as well as the Econogy Hub, which brings together Messe Frankfurt's expertise on sustainability-related initiatives in the textile sector. Also to be discovered in the activewear sector is the range from Japan's Toyoshima, known for its streetwear collections, its ‘non-denim’ fabrics that consume very little water, and its astonishing wagami fabrics, produced from blends of very fine yarns made to order from cotton, linen and wool.

Apparel Sourcing: focus on Africa and near sourcing
Apparel Sourcing also has a great session in store. With more than 500 exhibitors expected - up on February 2024 - the show's rich offering of finished products, clothing and fashion accessories will be on full display over the three days. Especially when it comes to local sourcing. Alongside the major manufacturing nations - led by China and India, and Pakistan and Bangladesh, both of which have grouped their exhibitors under their national pavilions - visitors will have access to products from the Africa zone, with a hub of companies from Ethiopia, Rwanda (Pink Mango) and the Arise Integrated Industrial Platform, which brings together the expertise of garment manufacturers based in Togo, Benin and Gabon. Ukraine, back with 5 companies supported by its national textile association, will be adding to the Euromed offering from Foursource, Messe Frankfurt's near sourcing partner, which will be presenting catalogues from companies in Eastern Europe, Portugal and Morocco.

An optimised sourcing experience
The return to Paris-Le Bourget Exhibition Centre has been accompanied by an overhaul of the organisation of visitor areas. The layout of sectors and services has been reviewed to create new synergies between raw materials and finished products. Women's wear areas (All about her, Embrodery & Lace, Silky aspect...) have been set up in Hall 4 - dedicated to knitwear, silk and lace - and a large area will be devoted to the outdoor - sportswear - casualwear offer in Hall 3. Hall 2 will be a focal point for relaxation, catering and networking, as well as a place for inspiration and exchange, with trend forums, product presentations, services and the Agora for conferences and round tables.

Econogy, Small Quantity & Hand Made: themed itineraries
Three exhibitor itineraries have been designed by the Messe Frankfurt France team to meet visitors' needs. The Econogy Finder trail, for example, enables visitors to find more than 80 suppliers of sustainable textiles, listed in the show app and indicated by the Econogy logos visible on the corresponding booths. The Small Quantity itinerary then highlights the more than 200 suppliers able to offer small quantity production (less than 300 pieces for garments or less than 100 metres for fabrics). A plus for buyers looking for limited editions or small orders for capsule collections. Finally, the Hand Made itinerary identifies the more than 130 exhibitors whose catalogues feature authentic, handmade products or unique skills. These manufacturers can also be found directly on the fair's online directory.

Source:

Messe Frankfurt France

30.12.2024

Eurasian textile leaders at VIATT 2025

Despite global challenges, Vietnam's textile industry is poised for robust growth. This year, the country’s textile and garment exports are projected to reach USD 44 billion, reflecting an impressive increase of over 11% compared to the previous year.

Despite global challenges, Vietnam's textile industry is poised for robust growth. This year, the country’s textile and garment exports are projected to reach USD 44 billion, reflecting an impressive increase of over 11% compared to the previous year.

With more than 42% of local firms anticipating improved business performance in the fourth quarter, the Vietnam International Trade Fair for Apparel, Textiles and Textile Technologies (VIATT) stands out as a crucial event for the industry to continue its momentum. Scheduled for 26 – 28 February 2025 at the Saigon Exhibition and Convention Center (SECC), the fair will leverage Vietnam’s position as a leading textile and apparel manufacturing hub and provide opportunities to textile players from across ASEAN, Europe and beyond.
 
Spanning 15,000 sqm of exhibition space across Halls A and B1, VIATT will showcase a comprehensive range of products and solutions that encompass the full textile spectrum, including apparel fabrics and accessories; yarns and fibres; garments; home and contract textiles; technical textiles, nonwovens and equipment; and various certifiers and solutions providers. This edition will place a strong emphasis on ‘what’s next’ in the industry, by introducing Econogy Hub and the Innovation & Digital Solutions Zone, respectively highlighting the industry’s movement towards sustainability and technological innovation.

The fair will feature robust international exhibitor participation, especially in the dedicated country / region pavilions and zones from India, Japan, Korea, Pakistan, Taiwan, and Thailand, as well as the inaugural European Zone.
 
VIATT 2025 will also serve as a vital platform to provide Vietnamese and international buyers with access to innovative textiles and technologies from leading exhibitors across Asia. While Japan remains the second-largest destination for Vietnam’s apparel exports[3], the country is also a steady supplier in many textile categories.
 
With VIATT 2025 welcoming exhibitors from across Europe and Asia’s diverse textile sectors, the fair is set to enhance its status as a top sourcing destination for the ASEAN region, and buyer delegations from Malaysia, Myanmar, Thailand, and beyond have already confirmed their participation next year.
 
VIATT will be held from 26 – 28 February 2025.

More information:
VIATT Vietnam
Source:

Messe Frankfurt (HK) Ltd

Duschtuch Foto lavie
05.12.2024

Japanische Textilkunst: Die AIZOME Collection – lavie x Claudia Caviezel

Die Aizome Collection ist eine Hommage an die Kunst des Färbens und die Geschichten, die Textilien erzählen können. Sie verbindet Claudia Caviezel's gestalterische Neugier mit jahrhundertealten Techniken, die ohne synthetische Chemikalien auskommen und so eine nachhaltige Alternative zur Massenproduktion bieten. In jedem Stück spiegelt sich die Hingabe wider, mit der die Textilkünstlerin während ihres Japan-Aufenthaltes die Traditionen des Indigofärbens erlernte. Die Aizome Collection wird aus den für Japan typischen Tüchern aus doppelseitigem Frottiergewebe und aus vierlagigem Musselin hergestellt. Sie umfasst Küchentücher, Servietten sowie Hand- und Duschtücher und ist ab Dezember 2024 erhältlich.

Lavie ist eine Marke von Balsiger Textil AG aus Langenthal. Sie deckt das gesamte Heimtextil-Spektrum in den Bereichen Bett, Bad und Wohnen ab: Bettwäsche, Fixleintücher, Frottierwäsche und Accessoires wie Plaids oder Zierkissen. Die Marke steht für Heimtextilien aus Leinen, Bio-Baumwolle und Hanf, nachhaltig und fair produziert in Portugal und Italien.

Die Aizome Collection ist eine Hommage an die Kunst des Färbens und die Geschichten, die Textilien erzählen können. Sie verbindet Claudia Caviezel's gestalterische Neugier mit jahrhundertealten Techniken, die ohne synthetische Chemikalien auskommen und so eine nachhaltige Alternative zur Massenproduktion bieten. In jedem Stück spiegelt sich die Hingabe wider, mit der die Textilkünstlerin während ihres Japan-Aufenthaltes die Traditionen des Indigofärbens erlernte. Die Aizome Collection wird aus den für Japan typischen Tüchern aus doppelseitigem Frottiergewebe und aus vierlagigem Musselin hergestellt. Sie umfasst Küchentücher, Servietten sowie Hand- und Duschtücher und ist ab Dezember 2024 erhältlich.

Lavie ist eine Marke von Balsiger Textil AG aus Langenthal. Sie deckt das gesamte Heimtextil-Spektrum in den Bereichen Bett, Bad und Wohnen ab: Bettwäsche, Fixleintücher, Frottierwäsche und Accessoires wie Plaids oder Zierkissen. Die Marke steht für Heimtextilien aus Leinen, Bio-Baumwolle und Hanf, nachhaltig und fair produziert in Portugal und Italien.

Eintauchen in die japanische Textilkunst
«Ich wollte nicht mit einer fixen Idee starten und etwas machen, was die Technik gar nicht zulässt», erklärt Claudia Caviezel über den Ursprung der Aizome Collection. Fernab der Schweiz, in der Gifu-Präfektur Japans, nahm die Idee schliesslich Gestalt an, als Caviezel mit beiden Händen tief in den Bottichen voll blauer Indigofarbe steckte.

"Aizome» hat eine poetische Doppelbedeutung im Japanischen: Es steht für Indigo und bedeutet gleichzeitig «mit Liebe gefärbt". Die Liebe zur Farbe ist es auch, was Claudia Caviezels Schaffen seit vielen Jahren prägt. Mit großen Gesten und feinem Gespür erforscht sie, wie Farben auf Stoffen wirken. Ihre vielseitige Arbeit reicht von Haute-Couture-Stoffen über Rauminstallationen bis hin zu Alltagsdesigns.

In Japan wurde die Schweizer Designerin mit offenen Armen empfangen und sie konnte das Handwerk des Indigofärbens in der renommierten Färberei Watanabe selbst erlernen. "Die Großzügigkeit, mit der die japanischen Handwerker ihr Wissen teilten, war berührend", so Caviezel.

Das Team von Watanabe baut Indigo auf eigenen Feldern an, die Ernte wird über Wochen hinweg getrocknet und anschliessend fermentiert. Nach jahrhundertealten Methoden wird daraus schliesslich der Indigofarbstoff gewonnen, womit Textilien das charakteristische «Japan-Blau» erhalten.

Okawa und Onsen – typsch japanisches, doppelseitiges Frottiergewebe
Die Japaner:innen nutzen das Textil tagtäglich, sei es im öffentlichen Bad gefaltet auf dem Kopf oder an heissen Tagen als Schweisstuch um den Nacken. Okawa und Onsen sind auf den ersten Blick schlichte Hand- und Duschtücher, jedoch bieten sie zwei verschiedene Texturen: weiches, saugfähiges Frottiergewebe auf der einen Seite, feiner Musselin auf der anderen. Ein Gewebe, wie es nur auf speziellen, japanischen Webstühlen gefertigt wird.
   
Suno und Sanuki – japanische Tücher aus vierlagigem Musselin
Die Allzwecktücher Suno und Sanuki bestehen aus vierlagigem Musselin-Gewebe. Sie sind weich, luftig und dabei robust und saugfähig. Sie werden aus 100% Baumwolle in Japan gewoben und von Hand gefärbt. Suno ist die unifarbene Variante, erhältlich in white, light indigo und dark indigo. Sanuki ist die zweifarbige Variante mit kreisrunden Aussparungen auf blauem Grund. Die Allzweck-Küchentücher sind im Format 32 x 60 cm erhältlich.

Sami und Sora – Servietten aus vierlagigem Musselin
Die Servietten Sami und Sora ergänzen Suno und Sanuki, sie sind aus demselben, vierlagigen Musselin-Gewebe gefertigt. Die luftige, weiche Baumwollqualität hat eine natürlich texturierte Oberfläche, die jedes Tischgedeck noch schöner macht.

Source:

Merlo Communications GmbH für lavie

soil quality, cotton farming (c) Bremer Baumwollbörse mit Firefly
04.12.2024

Traditional composting methods fora more productive, climate-friendly cotton farming

In cotton cultivation, soil quality and the associated fertility and health of the soil play a key role. For this reason, the International Cotton Advisory Committee (ICAC) in Washington has carried out an ambitious research project on this topic in collaboration with various international partner organisations – with promising results.

In cotton cultivation, soil quality and the associated fertility and health of the soil play a key role. For this reason, the International Cotton Advisory Committee (ICAC) in Washington has carried out an ambitious research project on this topic in collaboration with various international partner organisations – with promising results.

New and old methods
Soil health has long been the focus of agriculture and therefore also of cotton cultivation. The International Cotton Advisory Committee has repeatedly emphasised the importance of soil health for cotton farming in the past. The focus was particularly on the situation in developing countries, where yields are still low compared to those in developed countries. An ICAC team has now developed a special programme to improve soil health, based on studies by international research teams and practical experience. The aim is to help cotton producers to achieve better, higher quality crop yields in healthy soil and, at the same time, contribute to climate protection with traditional, sustainable agricultural methods for soil cultivation that have been used for years. Valuable biomaterials are produced using various composting and fermentation methods.

The building blocks of soil improvement
Biochar, bokashi and jeevamrit are important components of proven methods for soil improvement. All three are seen as beneficial products for promoting sustainable agricultural practices. They are inexpensive to produce and, when combined and mixed, they offer effective solutions for restoring degraded, i.e. quality-reduced soils of varying consistency. This is a constant challenge, especially in African regions.

Biochar
Following the recommendations of the ICAC, biochar is produced using the ‘Cone Pit Open-Earth Kiln’ technique. This involves burning the cotton stalks left over from the harvest.
The production of biochar is rooted in history: evidence shows that indigenous peoples in the Amazon used a form called ‘terra preta’ to enrich the soil over 1,000 years ago. In modern-day agriculture, the use of biochar has been rapidly gaining momentum over the last ten years. Africa in particular has seen a significant increase. The ICAC team discovered that biochar is particularly useful for improving acidic soils due to its high pH value (8.0 to 11.0). However, in neutral and alkaline soils, biochar can increase the pH of the soil, potentially leading to lower yields. To counteract this, the ICAC team recommends mixing biochar with bokashi compost.

Bokashi
Bokashi is a type of compost originating from Japan that is traditionally produced through a fermentation process using kitchen waste, agricultural residues and effective microorganisms. Bokashi has a highly acidic pH value of 3.5, which makes it an ideal material for balancing the alkalinity of biochar. According to the ICAC, combining biochar with bokashi compost in the right ratios can result in a balanced soil pH of around 6.5, which is ideal for most plants. This method not only neutralises the pH value of the biochar, but also provides essential nutrients for soil organisms and plants.

Jeevamrit
To further improve soil quality where necessary, the ICAC team introduced jeevamrit. Jeevamrit is a traditional Indian method that provides soils with a variety of microorganisms. The production of jeevamrit, which involves processing cow dung and sugarcane molasses, provides a rich source of beneficial microbes that improve nutrient availability and promote soil regeneration.

When biochar, bokashi and jeevamrit are combined, they form the basis for regenerative agriculture. Studies show that biochar improves soil structure, bokashi provides nutrients and jeevamrit promotes microbial diversity, leading to healthier soils, increased productivity and sustainability in agriculture.

Training initiatives promote knowledge
Over the past three years, training courses on regenerative agriculture have been held in Africa, India and Bangladesh. A total of 16 organisations were involved. The training focused on three main technologies: bokashi composting, the ICAC practices for biochar production and jeevamrit for inoculating soils with a variety of soil microbes. The programmes have made the production techniques accessible to smallholder farmers in particular, leading to widespread adoption and improved soil quality.

Source:

Bremer Baumwollbörse

Fine craftsmanship Photo Vivolo
03.12.2024

OEKO-TEX® LEATHER STANDARD for Vivolo

One piece at a time - work with precision, grow with wisdom: Luciano Vivolo unveils the strategy that has enabled his company to navigate these challenging years for the world of luxury and, particularly, leather: technological investments, diversification of supply and markets, sustainable innovation, and hope for the future, without ever conceding on quality.

In a demanding and competitive field such as haute couture, achieving nearly fifty years of success does not happen by chance. It requires consistently staying one step ahead, designing the future in its most elegant details while safeguarding the identity and uniqueness that form the foundation of a company’s heritage. What distinguishes Vivolo, for example, is its refined and original designs, the ability to develop prototypes in just 24 hours, and the capacity to produce over 8 million articles a year, all adhering to the company’s high-quality standards.

One piece at a time - work with precision, grow with wisdom: Luciano Vivolo unveils the strategy that has enabled his company to navigate these challenging years for the world of luxury and, particularly, leather: technological investments, diversification of supply and markets, sustainable innovation, and hope for the future, without ever conceding on quality.

In a demanding and competitive field such as haute couture, achieving nearly fifty years of success does not happen by chance. It requires consistently staying one step ahead, designing the future in its most elegant details while safeguarding the identity and uniqueness that form the foundation of a company’s heritage. What distinguishes Vivolo, for example, is its refined and original designs, the ability to develop prototypes in just 24 hours, and the capacity to produce over 8 million articles a year, all adhering to the company’s high-quality standards.

These founding values of Vivolo are rooted in the prestigious manufacturing tradition of Made in Italy. However, as founder and president Luciano Vivolo explains, while these values remain essential, they are no longer sufficient to guarantee success for Italian companies. "In recent years, we have faced all sorts of variables, unpredictable or, worse, unforeseen. The belief of luxury, like many cornerstones of our society and industry, is no longer as firmly established as it once was. The sector is experiencing a crisis with deeper roots than many might imagine. At Vivolo, we are tackling this situation as we always have, by working patiently, designing, cutting, sewing, and creating one piece at a time, but always looking towards the horizon to recognize new opportunities and needs."

In 2024, just one year after inaugurating its efficient and modern headquarters in Bologna (San Lazzaro), Vivolo announced the expansion of its production department. This 1,000 square-meter addition of machines, dedicated to footwear and leather goods, complements the company’s existing 10,000 square-meter production facility. The strategic decision to invest more than one million euros in these segments materialized not only in the purchase of advanced machinery but also in the hiring of highly qualified personnel and structural improvements that enabled the company to increase production volumes.

In addition to this vertical growth, Vivolo has also pursued horizontal expansion by strengthening its network of sales agents in Northern Europe, particularly Germany, Holland, and Scandinavia, and the Far East, focusing on South Korea and Japan. These regions, especially important for Vivolo’s denim sector, value the company’s iconic leather labels, which are hot-printed, high-frequency (HF) or digitally produced, making each garment unique. Vivolo’s innovative capabilities are further enhanced by a state-of-the-art 3D machine, which eliminates the need for die-casting facilities, significantly optimizing costs, time, and resources. A prototype can now be produced in just a few hours.

However, the range of Vivolo’s accessories extends far beyond this. Each season brings dozens of new themes that explore sustainable materials, innovative processes, original designs, and unique techniques to anticipate fashion trends and offer unexpected, inimitable solutions to luxury brands. At the heart of Vivolo's business is environmental ethics, a vision that embraces the product in all its dimensions while integrating both working and human processes and relationships.

"As rhetorical as it may sound, our corporate culture is built on the idea of leaving a better world, or the best possible world, for future generations. For me, this need is closely and pragmatically tied to my four children. From the first patches I created to mend my son Salvatore’s trousers in the 1970s to the investments in our new headquarters and the recent production expansion, every decision has been driven by the desire to build a better future for the Vivolo family and company, and for generations to come," adds Luciano Vivolo.

Looking ahead, the company, which prides itself on maintaining up-to-date certifications, including the recently added OEKO-TEX® LEATHER STANDARD, and transparent communication, is currently in the preparatory stage of drafting its first sustainability report. This milestone will provide an opportunity to reflect on objectives achieved and set goals for the future. "The Sustainability Report 2025 is a goal we have set for ourselves as a concrete demonstration of our commitment to creating and sharing value for all stakeholders," says Luciano Vivolo. "We expect 2024 to close on a positive note for our company, even though it is difficult to define precise figures at this time. Certainly, our goal for 2025 is to raise our standards even higher while hoping for a recovery in the luxury market, to which we have been connected for decades."

Source:

Vivolo

1000 Fill Power ExpeDRY Insulated Down Jacket Photo ALLIED Feather + Down
1000 Fill Power ExpeDRY Insulated Down Jacket
20.11.2024

2024 ISPO Award for 1000 Fill Power ExpeDRY Insulated Down Jacket

ALLIED Feather + Down (AF+D), a leader in high performance, ethically sourced, and recycled down, announced that their new 1000 Fill Power ExpeDRY down jacket is a 2024 ISPO Award winner.

Created in partnership with Japanese-based textile trading company MN Inter-Fashion, the jacket is made from an extremely rare, traceable 1000 fill power down treated with ALLIED's industry-first ExpeDRY water-resistant, chemical-free technology that more effectively speeds drying via FUZE® Technology’s proprietary gold microparticle treatment. The fabric by Pertex, one of the lightest textiles available, makes up the shell and liner.

With the exceptional lightness of the 1000-fill power down and extremely light weight 5d Pertex fabric, AF+D has succeeded in creating a parka that feels like wearing a cloud. The ExpeDRY technology, which is quickly replacing other water resistant treatments as the industry standard for extreme performance in down insulation, ensures this jacket will remain lofty in any urban or mountain setting, no matter the conditions.

ALLIED Feather + Down (AF+D), a leader in high performance, ethically sourced, and recycled down, announced that their new 1000 Fill Power ExpeDRY down jacket is a 2024 ISPO Award winner.

Created in partnership with Japanese-based textile trading company MN Inter-Fashion, the jacket is made from an extremely rare, traceable 1000 fill power down treated with ALLIED's industry-first ExpeDRY water-resistant, chemical-free technology that more effectively speeds drying via FUZE® Technology’s proprietary gold microparticle treatment. The fabric by Pertex, one of the lightest textiles available, makes up the shell and liner.

With the exceptional lightness of the 1000-fill power down and extremely light weight 5d Pertex fabric, AF+D has succeeded in creating a parka that feels like wearing a cloud. The ExpeDRY technology, which is quickly replacing other water resistant treatments as the industry standard for extreme performance in down insulation, ensures this jacket will remain lofty in any urban or mountain setting, no matter the conditions.

The award-winning 1000 Fill Power jacket joins a growing line of ALLIED apparel that is specifically designed with a look to the future, where the lines between fashion and performance outerwear continue to blur. The complete ALLIED collection is currently available for sale in Japan and Europe. 

Source:

ALLIED Feather + Down

23.10.2024

Pushing sustainability and digitalisation in Vietnam’s textile industry

In recent years, Vietnam has rapidly transformed into one of the world’s key textile producers, solidifying its position as the world’s third-ranked exporter behind China and Bangladesh. With a history rooted in silk textile craftsmanship and currently embracing wide ranging modern textile production, the country’s thriving sector offers tremendous growth prospects for both domestic and international businesses. In a bid to harness the potential in Vietnam and Southeast Asia, the Vietnam International Trade Fair for Apparel, Textiles and Textile Technologies (VIATT) will return from 26 – 28 February 2025, with a renewed focus on promoting sustainability and digital transformation.

In recent years, Vietnam has rapidly transformed into one of the world’s key textile producers, solidifying its position as the world’s third-ranked exporter behind China and Bangladesh. With a history rooted in silk textile craftsmanship and currently embracing wide ranging modern textile production, the country’s thriving sector offers tremendous growth prospects for both domestic and international businesses. In a bid to harness the potential in Vietnam and Southeast Asia, the Vietnam International Trade Fair for Apparel, Textiles and Textile Technologies (VIATT) will return from 26 – 28 February 2025, with a renewed focus on promoting sustainability and digital transformation.

Vietnam's textile and apparel sector comprises approximately 7,000 companies and employs over three million workers, with 80% of production capacity used for export and 20% for domestic consumption. Progress is aided by well-developed logistics networks, skilled labour and a stable political environment. As its textile industry evolves, several key trends are influencing its future direction, reflecting a growing emphasis on sustainability and technological advancement, and leading to new opportunities for exhibitors and buyers across the value chain at Vietnam’s comprehensive textile showcase.

Major trends shaping Vietnam's textile market reflected at VIATT
More Vietnamese enterprises are adopting eco-friendly materials, including organic cotton, recycled polyester, and Tencel, while numerous global brands manufacture in Vietnam, and have committed to the "Fashion Industry Charter on Climate Action", aiming to achieve net-zero carbon emissions by 2050.

To further advance sustainable initiatives in the domestic and international textile industry, VIATT 2025 will introduce Econogy Hub, a dedicated platform for innovative, eco-friendly suppliers and service providers to connect with like-minded visitors. The show’s other new Texpertise Econogy features will include the Econogy Finder, an independent verification tool to help sustainable exhibitors effectively communicate their green credentials, and Econogy Talks, the overarching category for eco-focused seminars, forums, and product presentations.

Apart from sustainability, the Vietnamese textile industry is also embracing advanced technologies in design and manufacturing. The launch of the fair’s Innovation & Digital Solutions Zone will provide a centralised platform for exhibitors to showcase innovations such as 3D printing, AI-driven design, and digital printing, which enable manufacturers to boost efficiency and customise products to meet specific market demands.

As well as the introduction of two new product zones, the India Pavilion, organised by The Cotton Textiles Export Promotion Council (TEXPROCIL), will also make its debut at VIATT 2025. Additionally, the Japan and Taiwan Pavilions have confirmed their return, with the Japan Pavilion recognised by VIATT’s visitors as a standout showcase within Southeast Asia's textile fair landscape. Overall, the fair will feature a diverse range of exhibitors across apparel, home textiles, and technical textiles, with many showcasing innovative and sustainable products.

The Vietnam International Trade Fair for Apparel, Textiles and Textile Technologies (VIATT) is organised by Messe Frankfurt (HK) Ltd and the Vietnam Trade Promotion Agency (VIETRADE), covering the entire textile industry value chain.

More information:
Vietnam VIATT
Source:

Messe Frankfurt (HK) Ltd

21.10.2024

Italian textile machinery industry ready for the green transition

Maintaining a focus on innovation despite the uncertainties that characterize the current international scenario was emphasized during the General Assembly of ACIMIT, the Italian Textile Machinery Manufacturers Association, held in Milan on July 9. ACIMIT president, Marco Salvadè, showcased the data of the Italian textile machinery industry. In 2023, production decreased by 16%, settling at a value of 2.3 billion euros, as did exports, which also fell by 16% (2 billion euros).

China, Turkey, India, and the United States remain the main destinations for Italian textile machinery manufacturers. In 2023, demand for machinery in these markets was weak, but some positive signals emerged in the first quarter of the current year, especially from the Chinese market and again from Egypt, Pakistan, Brazil, and Japan. “2024 will still be a year characterized by many uncertainties,” commented Salvadè, “mainly due to the uncertainty of the geopolitical situation and fluctuations in final demand”.

Maintaining a focus on innovation despite the uncertainties that characterize the current international scenario was emphasized during the General Assembly of ACIMIT, the Italian Textile Machinery Manufacturers Association, held in Milan on July 9. ACIMIT president, Marco Salvadè, showcased the data of the Italian textile machinery industry. In 2023, production decreased by 16%, settling at a value of 2.3 billion euros, as did exports, which also fell by 16% (2 billion euros).

China, Turkey, India, and the United States remain the main destinations for Italian textile machinery manufacturers. In 2023, demand for machinery in these markets was weak, but some positive signals emerged in the first quarter of the current year, especially from the Chinese market and again from Egypt, Pakistan, Brazil, and Japan. “2024 will still be a year characterized by many uncertainties,” commented Salvadè, “mainly due to the uncertainty of the geopolitical situation and fluctuations in final demand”.

In an especially difficult international scenario and with a still sluggish market, the Italian textile machinery sector remains a leader alongside a few other Countries, such as China, Germany and Japan. Accelerating innovation remains crucial, particularly to meet the challenges that await Italian manufacturers in supporting textile companies on their sustainable transition journey.

To highlight the opportunities that the European green transition opens up for technology suppliers, the public section of the ACIMIT General Assembly addressed a very current issue: textile recycling. The EU’s legislative guidelines aim to accelerate the green and circular transition of the textile sector with various actions: from ecodesign to EPR, from waste export regulation to green claims. Meanwhile, there is a growing demand for recycled textile fibers driven by the sustainable policies of brands that should not be underestimated.

Source:

ACIMIT – Association of Italian Textile Machinery Manufacturers

Shima Seiki Datamill Graphics by Shima Seiki
15.10.2024

SHIMA SEIKI at ITMA Asia + CITME 2024

Flat knitting technology company SHIMA SEIKI MFG., LTD. of Wakayama, Japan, is participating in the ITMA Asia + CITME 2024 exhibition in Shanghai, China. In line with its exhibition concept at ITMA 2023 and ITMA Asia + CITME 2022 held last year, SHIMA SEIKI continues the concept for this year’s exhibition: “SHIMA SEIKI Reborn".

SHIMA SEIKI Reborn represents a return to origin, for the company and for its products, and a renewal of passion and commitment toward innovation. The concept is manifested in physical form as the long-awaited production version of the SWG-XR® next-generation WHOLEGARMENT® machine, introduced to much acclaim as prototypes at ITMA 2023 in Milan, Italy and ITMA Asia + CITME 2022 exhibits last year.

Flat knitting technology company SHIMA SEIKI MFG., LTD. of Wakayama, Japan, is participating in the ITMA Asia + CITME 2024 exhibition in Shanghai, China. In line with its exhibition concept at ITMA 2023 and ITMA Asia + CITME 2022 held last year, SHIMA SEIKI continues the concept for this year’s exhibition: “SHIMA SEIKI Reborn".

SHIMA SEIKI Reborn represents a return to origin, for the company and for its products, and a renewal of passion and commitment toward innovation. The concept is manifested in physical form as the long-awaited production version of the SWG-XR® next-generation WHOLEGARMENT® machine, introduced to much acclaim as prototypes at ITMA 2023 in Milan, Italy and ITMA Asia + CITME 2022 exhibits last year.

Of the 5 knitting machines SHIMA SEIKI is exhibiting at its 350 sq. meter booth in Hall 4, Stand F01, 4 are WHOLEGARMENT® knitting machines, 2 of which are the new SWG-XR® machines, shown. 2 other WHOLEGARMENT® knitting machines and 1 prototype computerized flat knitting machine round out the machine exhibit. Approximately 270 knit items are on display as proposals for knitted applications in various fields ranging from fashion to shoes, bags and accessories.

In addition to machine technology, SHIMA SEIKI's computer graphic design system and software are shown with their latest software upgrades that feature significant improvements in knit programming, 3D functions and speed, as well as generative AI functions. Demonstrations are available for a comprehensive fashion tech solutions package based on realistic virtual sampling and supported by various digital solutions and web services.

Based on customer feedback as well as industry and media response at ITMA 2023 and ITMA Asia + CITME 2022, SHIMA SEIKI's exhibit is likely to garner much attention at ITMA Asia + CITME 2024 as well.

Source:

Shima Seiki

Dress for Venice
Dress for Venice
14.10.2024

Bemberg™ by Asahi Kasei lands at Smart Closet initiative with “A Dress For Venice”

Smart Closet is an innovative event dedicated to new generation fashion where C.L.A.S.S and Equipe International, through the InsideOut approach by C.L.A.S.S., come together to represent a smart wardrobe - beautiful, innovative, responsible - together with a new language of values with the aim to share the fully transparent journey behind each product and company, to show their outer and inner values. All values and concepts that are part of Bemberg™ identity.

Bemberg™ is the brand name of the regenerated cellulose fiber cupro, produced only by Asahi Kasei in Japan. It is a special fiber with a circular economy footprint thanks to the fact that it is made from a regenerated cellulose obtained from the manufacturing process of cottonseed oil with a closed-loop process. It guarantees certified sustainability credentials through its transparent and traceable approach. It delivers high quality and versatile applications, comfortable whatever the season: its blissful sensation glides on linings, outerwear, underwear, sportswear and even couture pieces. All perfect characteristics that fit in Smart Closet initiative.

Smart Closet is an innovative event dedicated to new generation fashion where C.L.A.S.S and Equipe International, through the InsideOut approach by C.L.A.S.S., come together to represent a smart wardrobe - beautiful, innovative, responsible - together with a new language of values with the aim to share the fully transparent journey behind each product and company, to show their outer and inner values. All values and concepts that are part of Bemberg™ identity.

Bemberg™ is the brand name of the regenerated cellulose fiber cupro, produced only by Asahi Kasei in Japan. It is a special fiber with a circular economy footprint thanks to the fact that it is made from a regenerated cellulose obtained from the manufacturing process of cottonseed oil with a closed-loop process. It guarantees certified sustainability credentials through its transparent and traceable approach. It delivers high quality and versatile applications, comfortable whatever the season: its blissful sensation glides on linings, outerwear, underwear, sportswear and even couture pieces. All perfect characteristics that fit in Smart Closet initiative.

The project chosen to participate with is the incredible capsule collection A Dress For Venice designed by eco-designer Tiziano Guardini, illustrated by artist Jacopo Ascari, and produced by Martina Vidal Venezia, a Venetian brand that has enriched the garments with some elements in Burano lace, an ancient art candidate to enter the UNESCO list of Intangible Cultural Heritage of Humanity!
 
Inspired by the city of water, it’s made with Bemberg™ fabrics created by Infinity Srl with the textile printing done by Creazioni Digitali, which with the CreŌ | project  printed on Bemberg™ fabrics with low-water pigment inks technology . This collection truly represents and includes all the values of beauty, innovation and supply chain partnerships, all elements.

More information:
Bemberg™ Dress for Venice
Source:

C.L.A.S.S. Eco Hub