From the Sector

Thermore, a pioneer in responsible thermal insulation, introduces Ecodown Fibers Sync — a free fiber inspired by the physics of stellar fusion. This new development represents a perfect balance between high performance, luxurious touch, and mindful design. At the core of Ecodown Fibers Sync lies the power of dual-performance fibers, engineered to offer exceptional ultra-lofty softness and resilience. The result is a next-generation insulation with a cloud-like handfeel that resists clumping — a rare combination that ensures lasting volume, even after multiple washes.

This highly flexible insulation offers unmatched versatility, making it ideal for both streamlined for technical outerwear and voluminous for fashion silhouettes. Faithful to Thermore’s legacy, Ecodown Fibers Sync also marks a step forward in sustainable progress. Crafted entirely from 100% recycled fibers sourced from post-consumer PET bottles, it reflects the brand’s enduring commitment to a more responsible design. Every fiber tells a story of transformation — from waste to warmth, from plastic to purpose.

In line with Thermore’s quality standards, Ecodown Fibers Sync is certified GRS (Global Recycled Standard), confirming the authenticity of its recycled content and traceability throughout the production chain. Ecodown Fibers Sync is bluesign® and OEKO-TEX® Standard 100 certified, ensuring that the product is free from harmful substances and meets the highest criteria for environmental and human safety. With this launch, Thermore redefines what thermal insulation can be — not just a functional layer, but a core element of a garment’s identity.

As the Indian textile and apparel sector embraces digitisation, sustainability, smarter production and responsible manufacturing, Gartex Texprocess India emerges as a critical node in this narrative bringing together the textile and garment machinery manufacturers, denim mill owners, digital textile printing technology solution providers, as well as manufacturers of apparel fabrics, textile and textile processing machinery and more, who are set to unfold innovations. With 125+ participating companies, representing 300+ brands and growing participation from international countries, this edition will offer a panoramic view of the sectors next chapter.

India’s textile industry often referred to as the lifeblood of nations manufacturing economy, is on the cusp of a technology-led transformation. Leading this evolution is Gartex Texprocess India – Mumbai organised by Messe Frankfurt Trade Fairs India Pvt Ltd and MEX Exhibitions Pvt Ltd. The expo is a definitive sourcing and innovation platform growing with global participation and solutions for the future.

What sets this edition apart is its focused attention on technology integration, automation and responsible manufacturing – themes that are redefining how India produces, sources and innovates on the global textile map through its product showcase as well as curated knowledge sessions.

A global showcase:
Making headlines this year is the strong international participation especially from China, Italy, Japan, Korea, Singapore and a dedicated pavilion for Taiwan, along with the leading Indian companies on board. Displaying a wide range of products for the garment and textile manufacturing industry. A few international names include: EPSON, Kornit and MACPI International among others. Some will participate directly and some through their partners and distributors. This global representation is matched with a stellar Indian line-up featuring names such as Balaji Sewing Machines, DCC, EH Turel, Mexum, Pantone and Sky Enterprises amongst others.

Denim Takes Centre Stage:
With the backing of Denim Manufacturers Association, the Denim Show at Gartex Texprocess India is expected to bring together all the major denim manufacturers and mill owners from India under one roof. As Indian denim exports steadily rise and demand for eco-conscious denim production grows, the show provides a much-needed window into how this resilient segment is re-inventing itself with sustainability and style at its core.

Trims & Accessories:
Beyond denim, this edition places a sharp focus on innovative fabric solutions, trims, digital screen printing and accessories – with dedicated zones for the Fabrics and Trims shows and Screen-Print India - Textile.

With 25+ new entrants and expanding categories, the Mumbai edition will be a hotspot for denim designers, boutique owners, apparel brands and labels, garment manufacturers, dyeing and finishing companies, distributors and agents of textile and garment machinery and accessories, merchandisers and sourcing heads scouting for the latest in material and design and more.

As India marches towards becoming a global textile powerhouse, Gartex Texprocess India – Mumbai 2025 will serve as the ultimate confluence of technology, talent and trade, weaving together a stronger future for the Indian textile industry.

Gartex Texprocess India is a leading exhibition in the textile manufacturing technology with collocated show: The Denim Show’ and dedicated featured zones of ‘Fabrics and Trims Show’ and ‘Screen Print India – Textile’ making this a one-stop destination for the textile manufacturing.

The expo is jointly organised by MEX Exhibitions Pvt Ltd and Messe Frankfurt Trade Fair India Pvt Ltd. Gartex Texprocess India Mumbai and is scheduled from 22 – 24 May 2025 at Jio World Convention Centre, Mumbai, Maharashtra.

Denim is timeless. From casual Fridays to nights out, from factory floors to fashion runways - jeans have become an essential part of modern life. But there's one thing even the most loyal denim lovers can't deny: on warm days, they can make you sweat. Outlast Technologies GmbH is changing that - by making denim that helps you sweat less and feel more comfortable throughout the day.

After intensive research and development, Outlast introduces its temperature regulation technology into denim fabrics - without compromising the rugged authenticity and durability denim is known for. The result is a smarter, more comfortable denim that adapts to the body's temperature, no matter the season or activity.

“Jeans are the undisputed icon of modern fashion - they work for every occasion,” says Volker Schuster, director of R&D at Outlast Technologies GmbH. “But when the temperature rises, they can become uncomfortable. That’s exactly the problem we wanted to solve. Our solution is a denim fabric that works with your body, not against it.”

The innovation lies in embedding natural wax directly into the fibers before the denim is woven - creating intelligent fabrics that interact with your body. When it’s warm, these fibers absorb excess body heat and store it, helping to reduce sweating and keep you feeling comfortably balanced. As temperatures cool or your activity level decreases, the stored warmth is gradually released - helping to prevent chills. The result? Jeans that intuitively adapt to your body’s needs, so you stay comfortable, whatever the day brings.

Achieving this level of functionality, however, was no easy task. The challenge was to ensure that the temperature-regulating effect could withstand the intense wash and finish treatments typical in denim production - all while preserving the look, feel, and durability expected of high-quality jeans.

To meet these demands, Outlast found the perfect partner in AGI, the renowned denim producer from Pakistan. With its deep expertise in denim manufacturing, AGI played a key role in refining the integration of temperature regulation technology - resulting in denim products that are highly attractive to both brands and end consumers alike.

Equally appealing to end users is the lasting performance of the innovation: the natural wax is embedded inside the fiber itself. This means the temperature-regulating function does not wash out or diminish over time. Unlike surface treatments, the technology remains effective throughout the entire life cycle of the garment.

With this development, Outlast reaffirms its position as a pioneer in temperature regulation textiles - bringing comfort, performance, and innovation to one of the world’s most beloved fabrics.

In celebration of Earth Day, Global Fashion Agenda (GFA) announced the development of a new film series produced by BBC StoryWorks, the award-winning commercial content division of BBC Studios.
 
GFA launched Fashion Redressed in 2023, a series showcasing innovations that aim to advance sustainability in fashion and the inspiring stories of the changemakers behind them. Launched on BBC.com, the series spotlighted creative solutions driving social and environmental progress – from silk-inspired scientists in Helsinki to cultural appreciation in Arizona.

With over five million video views and record-breaking engagement on social media, the series resonated globally. Showcased at Global Fashion Summits in Copenhagen and Boston, it sparked vital conversations on fashion's future, blending storytelling with industry innovation.

Now, as the highly-anticipated forum for sustainability in fashion, Global Fashion Summit, approaches, a new season is set to explore an industry amid transformation, as it moves from commitments to urgent implementation and adaptation.

With education and awareness of current barriers at the core, the series will bring to screen the stories of organisations and trailblazers working to close the loop on the circular economy, drive greater social equity through collective courage or seek to redesign fashion futures with new technologies and innovations.
 
BBC StoryWorks’ creative teams will work directly with selected partners to produce vivid, human-centric pieces of branded content for the campaign, and partners will be supported by BBC StoryWorks and the Global Fashion Agenda to promote the content through a variety of platforms.

The new series will go live on a dynamic, branded microsite on BBC.com in early 2026, engaging BBC.com’s 175 million monthly browsers, further amplified by GFA channels and its network.
GFA is calling on its ecosystem to share their stories for potential inclusion in the commercial series. If your organisation has a story to share, please submit your expression of interest by filling in the short form at www.bbcstudios.com/fashionredressed by 9th May 2025.

BODICE, a contemporary Indian fashion label unveiled its much-anticipated collection as a runway show at the BODICE flagship store in New Delhi. Rooted in the idea of self-discovery, the collection embraces evolving identity through artisan-collaborations and intuitive design. The garments of this collection are made with fabrics using Bemberg™ yarn, which are produced in Surat and Varanasi, prominent textile centers in India.

The roots of this partnership between Bemberg™ and BODICE traces back to an inspiring journey that began in last November. Asahi Kasei invited BODICE’s founder & creative director, Ruchika Sachdeva, to Japan such as Kyoto, and Nobeoka city in Miyazaki prefecture where Bemberg plant is located. This immersive trip allowed her to gain a deeper understanding of not only the local craftmanship which has supported Japanese textile industry, but also Bemberg™’s heritage and its commitment to sustainability.

The next phase of the journey took Ruchika and BODICE’s team to two of India’s most renowned textile centers—Surat and Varanasi. In these bustling markets, they handpicked a curated selection of fabrics using Bemberg™ fiber.

Returning to the runway after a significant hiatus, BODICE’s latest collection is an ode to transformation—a narrative brought to life through an immersive experience that brings together textures, techniques, and silhouettes.

At the heart of the collection is a deep reverence for material and technique, drawing inspiration from Japan’s refined approach to craftsmanship. It features Bemberg™ by Asahi Kasei, a regenerated cellulose fiber that resonates with BODICE’s commitment to sustainability and responsible design. BODICE’s signature brush-printing technique created with Jaipur’s block-printing artisans, adds depth and texture, reinforcing the brand’s commitment to innovation. The collection also embraces upcycling through colour-blocking techniques, where fabric scraps are repurposed into dynamic, structured silhouettes. With a focus on longevity and wearability, each piece is designed to stay relevant and be timeless, while making way for a more responsible approach to fashion.

Takeshi Iitaka, General Manger, Bemberg Division of Asahi Kasei Corporation, Japan says” Bemberg™ has been operating its business with an eye toward coexistence with the environment since 1931, and is committed to collaborating with partners whose business philosophy aligns with this. From that perspective, this collaboration with BODICE is aligned with our business philosophy, and we are extremely honored that so many people will be able to learn about this collaborative event between our two companies, two countries, two cultures. We believe this collection which has innovative way of using fabrics made from Bemberg™ yarn will be exciting for all. “

The showcase unfolds as a refined interplay of movement and form. Set to evocative sounds in a lush spring landscape, the presentation reflects the collection’s core theme—transformation, balance, and evolving identity.

Messe Frankfurt Trade Fairs India Pvt Ltd and Concept N Strategies has announced partnership to introduce ‘Sporttech pavilion’ – a dedicated area showcasing sports and activewear textiles and accessories under Techtextil India 2025. It is a premier platform dedicated to the rapidly expanding sports and fitness textiles at Techtextil India 2025. This strategic alliance aims to provide a major boost to the segment aiming to showcase innovations in speciality fabrics, yarns, sportswear and gear, high-performance textiles and sustainable materials, generating remarkable opportunities for the entire textile universe, especially, for sportswear brands.

The Indian sports and fitness textiles sector are transforming remarkably, driven by the evolving consumer lifestyles, advanced material innovations and growing government support. Amidst this backdrop, this partnership marks a significant leap of growth for the specialised textiles segment, which is envisioned as a game-changer in the Indian sports and activewear market.

The demand for cutting-edge moisture-wicking fabrics, compression wear, breathable textiles and sustainable sports and fitness fabrics are at an all-time high. Rising health consciousness consumers and increasing appetite for high-performance sportswear, are also contributing to the growing demand. This makes Techtextil India 2025 the perfect launchpad for this specialised segment. This collaboration seamlessly aligns with the growing push for self-reliance in textile manufacturing, bundled with the Indian government’s focus on technical textile innovations and expanding domestic production capabilities. Industry leaders are recognising this as the perfect time to showcase national innovations in fitness textiles on the global stage of Techtextil India.

Industry figures highlight growth of this segment:

• The Indian sportswear market: valued at USD 10.2 million in 2024
• Expected to reach USD 16.6 million by 2033 at a CAGR of 5.1% during 2025-2033*1 according to a recent report by IMARC Group.
• Global sportswear market size was valued at USD 206.64 billion in 2024.
• Expected to reach USD 350.45 billion by 2032, exhibiting a CAGR of 7.84% during the forecast period.

This segment will see an expansion of the exhibitor profile with inclusion of:

• Sports textile material producers including compression fabrics, breathable textiles, suppliers of sustainable and recycled textiles suitable for sports equipment and gear manufacturers
• Producers of sports and fitness equipment with an emphasis on textile-based products like: yoga mats, fitness bands, straps, & etc
• Accessories and footwear manufacturers for products like gloves, bands headgear and socks using innovative materials; manufacturers and brands showcasing new textile technologies in sports footwear and performance shoes
• Smart textile manufacturers producing materials embedded with sensors for fitness tracking; chemical suppliers for sports textiles
• Producers of finishing chemicals that enhance performance e.g. anti-odour, UV protection, water-repellent coatings
• Manufacturers of various fitness textiles and activewear materials and textile machinery manufacturers, equipment suppliers, suppliers of technology for fabric testing, dyeing, and finishing for sportswear and more.

With such an extensive product showcase, the expo aims to attract visitors from major sportswear retailers and distributors, product developers, fitness enthusiasts, fashion designers, research and development professionals, textile institutes, sourcing specialists and other professionals from the textile spectrum looking for the next big breakthrough in the segment. The dedicated space for Sporttech Pavilion will serve as a powerful business catalyst connecting material innovators, sportswear brands and textile manufacturers with national and international sourcing leaders.

Researchers at Cornell have developed a new type of smart clothing that can track a person’s posture and exercise routine but looks, wears – and washes – just like a regular shirt.

The new technology, called SeamFit, uses flexible conductive threads sewn into the neck, arm and side seams of a standard short-sleeved T-shirt. The user does not need to manually log their workout, because an artificial intelligence pipeline detects movements, identifies the exercise and counts reps. Afterward, the user simply removes a circuit board at the back neckline, and tosses the sweaty shirt into the washing machine.

The team envisions that SeamFit could be useful for athletes, fitness enthusiasts and patients engaged in physical therapy.

Most existing body-tracking clothing is tight and restrictive or embedded with chunky sensors, according to Catherine Yu, a doctoral student in the field of information science and lead researcher on the project.

“We were interested in how we can make clothing smart without making it bulky or unusable,” Yu said, “and to push the practicality, so that people can treat it the way they would usually treat their clothing.”

Alternatively, athletes can choose fitness trackers, like smartwatches or rings, but these are extra devices that people may not want to wear while exercising, and can’t track movement across the entire body.

“Not everyone is willing to try out a new wearable form factor, but people will have clothes on,” said co-author Cheng Zhang, assistant professor of information science in the Cornell Ann S. Bowers College of Computing and Information Science. “We provide a very neat form factor that is always on you.”

Their study,“SeamFit: Towards Practical Smart Clothing for Automatic Exercise Logging,” published in March in the Proceedings of the ACM on Interactive, Mobile, Wearable and Ubiquitous Technologies, and will be presented at the UbiComp/ISWC 2025 meeting in October.

Most mass-produced clothing has seams, which Yu realized could be exploited to make a comfortable, affordable piece of smart clothing. She constructed three SeamFit shirts – in small, medium and large – using a home sewing machine to attach conductive threads on top of the seams. The three sizes allowed users to choose a looser or tighter fit, but did complicate the process of interpreting each user’s movements.

To test the shirts’ performance, the team recruited 15 volunteers, who did a series of 14 exercises – including lunges, sit-ups and biceps curls – while wearing SeamFit. Without any calibration or training for each user, SeamFit’s model classified the exercises with 93.4% accuracy and successfully counted reps, with counts that, on average, were off by less than one.

SeamFit works because when people exercise, the threads’ capacitance – their ability to store charge – changes as the threads move, deform and interact with the human body. The circuit board at the back neckline measures the capacitances and transmits them through a Bluetooth connection to a computer. A customized, lightweight signal-processing and machine-learning pipeline then deciphers the movements.

After the workouts, Yu washed and dried the shirts at home.

The project is a new iteration of SeamPose, a previous effort to track body postures using conductive threads in eight seams of a long-sleeve T-shirt.

The team envisions that this type of unobtrusive smart clothing could be especially useful for athletes logging their exercise routines and for physical therapists monitoring the progress of patients at home.

More broadly, this type of technology could assist with human-AI interaction, because by tracking human movements and activities, AI can better understand when to interact and when to wait – such as when someone is eating or sleeping.

Enabling AI to understand human activity is the main focus of Zhang’s Smart Computer Interfaces for Future Interactions (SciFi) Lab, which develops new, AI-powered wearable sensing systems, to enable AI to comprehend human activities and intentions in everyday settings and provide support when needed.

“While this paper demonstrated the approach for a simple garment, we believe it can easily be adapted to a wide range of garments and could take advantage of the complex seam patterns of advanced sportswear,” said co-author François Guimbretière, professor of information science in Cornell Bowers CIS and the multicollege Department of Design Tech.

To create SeamFit, Yu set up a “little sewing factory” in the lab. However, she is currently exploring how the manufacturing process could be affordably scaled up, using industrial serger machines – which sew and make seams using three or four threads simultaneously – and more robust conductive threads.

“By just replacing a single thread in this mass manufacturing process, all of the clothing could easily become smart and be able to have this motion tracking capability,” Yu said. “I’m imagining one day, you open your closet and there’s really no difference between smart and nonsmart clothing.”

Additional authors on the study include Manru Mary Zhang ’25 and Luis Miguel Malenab ’25; Chi-Jung Lee and Ruidong Zhang, both doctoral students in the field of information science; and Jacky Hao Jiang, a visiting undergraduate from Rice University.

Funding for this work came from the National Science Foundation.

EIM (Environmental Impact Measuring), the leading global platform for measuring the environmental impact of garment finishing—trusted by the world's top brands and textile production centers—presents the "Innovations and Challenges in Denim Finishing: 2024 Report." This pioneering report provides an analysis based on accurate, objective data from over 115,000 denim finishing processes collected through the EIM platform, setting new benchmarks for sustainability in the industry.

The report reveals that 63% of the analyzed processes are already classified as low environmental impact, reflecting a positive shift toward more responsible practices. However, it also highlights critical challenges, such as the high use of hazardous chemicals (24% of processes), particularly pumice stones and potassium permanganate—practices that urgently require safer and more sustainable alternatives due to their negative effects on both the environment and worker health.

Progress in water consumption management is also considered, as this remains one of the key environmental challenges for the textile sector. The report shows that the current average water usage in denim finishing is 30 liters per garment—still above the recommended benchmark of 22.5 liters per garment. Effective strategies for reducing water consumption include optimizing rinsing processes, selecting fabrics that require less aggressive treatments, and implementing technologies such as ozone, e-flow, and smart foam systems.

Among the proposed improvements are also the adoption of advanced technologies to reduce chemical use and protect worker health, such as the strategic selection of ZDHC-certified chemicals and the automation and digitalization of manual processes.

Begoña García, creator of the EIM platform and co-author of the report, states: “For years, the textile industry has lacked reliable tools to measure its environmental impact, making data-driven decisions difficult. This report marks a crucial step toward transparency and continuous improvement, showing that technology is key to measuring and reducing environmental impact.”

The report aims to support informed decision-making based on verifiable data, positioning EIM as a global standard essential for transparency and ongoing sustainability improvements in the textile industry.
The full report is available for download and will be updated annually, serving as a vital tool for brands and suppliers to collaborate in reducing their environmental footprint and advancing toward a more responsible and sustainable production model.

The capacity crowd at the 41st annual Cornell Fashion Collective (CFC) Runway Show saw the mother of all fashion shows.

The annual event, held March 22 in Barton Hall, had one common thread – and it was not necessarily by design: Three designers asked their mothers to wear their designs on the runway. Several more designers’ mothers traveled to Ithaca to see the show, put on by the student-led organization; other designers were inspired by their grandparents.

“It’s unusual to have multiple mothers walk in one show,” said Kim Phoenix, senior lecturer in Human Centered Design in the College of Human Ecology and adviser to CFC. “Historically, a lot of moms pitch in behind the scenes to help with the sewing.”

After traveling five hours to model the collection of her son, Drew Brown ’25, Adria Brown was immediately pressed into service, practically pulling an all-nighter to help him get his design just right. Drew thanked his mom: “It was only through experiencing your embodiment of womanhood that I could produce this collection.”

Brown’s “Jadine” collection was inspired by the movement of water and used symbols from artists and intellectuals from Western Europe, West Africa and America.

Zoe Alvarez ’25 was inspired by the Flower Festival in Medellin, Colombia, where her father lives; her mother, Karen Lopez, modeled the final look in her collection. “Aflora” explored the beauty of flowers, as well as the important function they serve to support pollinators and sustain ecosystems. Each of the pieces in the collection has hidden adjustable features, like a tiered red ruffled skirt that can be unzipped to choose a mini, midi, tea length or floor length to fit the occasion.
A model displays an ensemble designed by Maria Fernanda Serra Almeida Leite ’26. , Click to open gallery view
Credit: Sreang Hok/Cornell University

A model displays an ensemble designed by Maria Fernanda Serra Almeida Leite ’26.

Her red leather jacket has a zipper under the belt, so it can be worn as a longer jacket dress to mid-thigh, or as a cropped jacket. Another look, a floral dress, is fully adjustable within a size range using a lace-up and belt buckle back closure. It’s also reversible to a solid maroon dress, and the bra top separates from the skirt, so it can be worn six different ways and fully adjusted.

“I wanted each look to incorporate functionality in a different way,” Alvarez said. “I want people to be comfortable in their clothes, and to be able to wear them in different settings and for different events. These garments are meant to be worn, cherished over a lifetime, and even passed down.”

Alvarez said her interest in adjustable clothing came from watching her mother struggle to find clothes that fit comfortably after experiencing the natural body changes that come with aging.

“I always disliked the idea of having to buy an entirely new wardrobe every time someone gained or lost weight,” she said. “That constant battle with clothing can really limit self-confidence and self- expression. It’s also just not sustainable to keep buying one time use garments.”

Zada Stuart ’25 paid homage in her collection, “Mother of the World,” which examined the exploitation of nature and sought to honor both mothers and cows for their duty of motherhood. Her designs included two cow fetuses laser-carved out of wood.

Designer Gabrielle Moore ’25 works on her model’s hair prior to the show.

Maria Fernanda Serra Almeida Leite ’26, CFC’s creative director, said her collection was inspired by her mother, and by the song of the Kiskadee bird, called “bem-te-vi” in Brazil. Her collection explored her emotional and physical attachment to the sounds of the Kiskadee bird, to Brazil and to her mother.

Gabrielle Moore ’25 was inspired by her Haitian grandfather to create “Anbla Dlo,” which imagines an underwater city off the coast of Haiti where history, mythology and fashion intertwine.

Marcus McDermott’s mother, Heidi, recounted her son’s lifelong interest in fashion. Even as a preteen, she said, he sported an orange fedora as his signature piece. Now, the senior is designing timeless menswear with an eye toward sustainability, reflected in his collection, “Immutable Beauty.”

McDermott’s collection illustrates how while one’s sense of style can change over time, certain classic pieces have an heirloom quality that never goes out of style.

“His interest in sustainability grew exponentially after a trip to Manhattan with a class where they saw how garments were mass produced,” Heidi McDermott said. “He’s now totally into material development and using organic and biologically sourced materials to make fabrics and dyes. That was definitely a Cornell influence.”

Through a nationwide network of charity shops, donation centres and clothing banks the Salvation Army Trading Company (SATCoL) work with community groups, large organisations, local authorities, schools, colleges and individuals - all with a shared aim to help others and help protect our planet.

SATCoL work in partnership with brands and retailers to accept excess, returned and end-of- line stock of clothing and home-goods to be resold in its charity shops across the country.

This partnership opportunity for brands helps them to save on additional storage costs, create more room in their warehouse for new stock and divert more items away from disposal.

By extending the useful life of products, Salvation Army Trading Company and its partners make a positive contribution to reducing unnecessary waste, greenhouse gas emissions, and raising vital funds for charity work. In addition to this, SATCoL’s investment in modern processing centres and new technology means they can offer new ways of reusing and recycling textiles on a commercial scale, never seen in the UK. The trading arm of the charity also support businesses to amplify the message around their sustainable collaboration by making the public aware of their partnership goals and aspirations to create lasting change.

As a call to action, SATCoL produced a photoshoot with leading fashion industry photographer Camille Sanson and Fashion Stylist Karl Willett whose work includes styling celebrities for The Grammy’s, The Met Gala, Vanity Fair magazine and more.

Karl shared “It was a pleasure to be part of the Corporate Donations shoot, a scheme that is contributing to positive change and sustainability for the planet by diverting more everyday items away from landfill.”

The stylish images demonstrate the potential of second-hand fashion, electronic devices and home-goods, all of which the organisation is keen to receive. The Salvation Army Trading Company has received industry wide recognition for their efforts to support brand and retailers to meet their sustainability goals and encourage second-hand shopping.

Shaunacy Burne, Corporate Partnerships Manager at Salvation Army Trading Company shared: “We are partnering with businesses to receive their obsolete, end of line and faulty stock to be reused or repurposed. Not only are we helping brands to meet their CSR goals with our sustainable solutions, but the donations we receive are sold in our retail outlets to help raise vital funds for our parent charity. We’re keen to explore partnership opportunities with retailers, together we can reduce waste and divert more items away from landfill. Please get in touch, we want to hear from you.”