From the Sector

Reconomy, a leading international circular economy specialist, has published a new global strategy exploring the evolving global landscape of Extended Producer Responsibility (EPR) for textiles, outlining how businesses can prepare for upcoming changes and detailing Reconomy’s strategic initiatives to support businesses across Europe and worldwide.

The textile industry is approaching a period of significant regulatory and operational transformation. Traditionally, one of the most resource-intensive sectors, textiles generate substantial waste and emissions throughout their lifecycle. 

New EPR legislation is driving a fundamental shift by making producers responsible for end-of-life management, including collection, reuse, recycling, and disposal. This structural change is intended to accelerate the transition towards circular business models and more sustainable production and consumption patterns.

Reconomy views this regulatory shift not as a compliance burden, but as a critical opportunity for innovation and competitive differentiation. By supporting stakeholders in turning regulatory requirements into strategic advantages, Reconomy aims to help businesses build more resilient and circular operations while meeting increasing expectations from consumers, retailers, and policymakers.

The new strategy paper, Textile EPR Strategy 2030, sets out a comprehensive five-year roadmap, providing an overview of anticipated policy timelines and evolving requirements. It also addresses key themes including eco-modulation, Digital Product Passports, and the growing need for robust data and supply chain transparency.

The document outlines Reconomy’s mission and specific initiatives over the next five years that will enable clients to navigate the complex textile EPR landscape effectively.

In the short term, during the “pre-EPR” phase, this includes helping clients understand the regulatory impact, preparing them operationally, building strong partnerships across the textile ecosystem — including with sorters, recyclers, and other key stakeholders — and investing in technology to enable advanced data management and material returns. 

In the longer term, once EPR legislation is established across all EU member states and additional global markets, Reconomy will continue to support clients with multi-jurisdictional compliance (including in regions such as North America), help them leverage product-level data insights to drive innovation and better product design, and accelerate their transition to circular business models.

The strategy follows the launch of Reconomy's Textile EPR Impact Assessment service – a new tailored service designed to help businesses prepare for the rapidly evolving landscape of textile regulations.

Lavi Aharon, Director of Reconomy’s Textile Programme and Business Development Director, said:
“Textile producers are facing an increasingly complex and fast-evolving regulatory landscape as EPR schemes roll out across the world, and especially in Europe. At the same time, they are under growing pressure to demonstrate real progress on sustainability to retailers and consumers.”

Carbitex – a leader in flexible carbon fiber composites focused on performance footwear, travel, and accessories – announces the appointment of Jen Hanna to the newly created role of Vice President of Sales for the U.S. market. 

Hanna brings over twelve years of experience in advanced materials and textile innovation, most recently as the Director of Innegra Sales at Quantum Materials, LLC, and previously as President at Innegra Technologies. Her unique path into materials innovation began with her background in sports—as a former LPGA professional golfer and NCAA Division I golf coach—combined with her degree in health and exercise science from Furman University. This athletic foundation sparked her curiosity about product development and performance optimization through materials innovation.

“Jen has the rare firsthand experience in successfully bringing new advanced materials to market,” says Junus Khan, President and Founder of Carbitex. "It's a challenge that demands curiosity, deep understanding, and drive. Moreover, her background as a former professional athlete and D1 coach adds a unique level of depth that’s truly exceptional. I’m honored and excited to have her join Carbitex as we continue accelerating our growth.”

Based in Greer, South Carolina, Hanna will lead U.S. sales and brand partner relations, joining Global Vice President of Sales Filippo Sarto to drive Carbitex’s continued expansion. 

Hanna’s commitment to excellence extends across all her ventures, reflecting the same drive and dedication that defined her professional athletic career and continues to fuel her success in advanced materials. In her entrepreneurial pursuits outside of materials innovation, Hanna owns two locations of luxury dog boarding facilities and founded a nonprofit dog rescue organization that trains therapy dogs. 

Jonni Friman, EVP, Transformation Management Office and a member of the Executive Management Team has decided to leave Suominen to pursue new opportunities outside the company.

“I want to extend my heartfelt thanks to Jonni for his exceptional leadership of the Transformation Management Office (TMO). As planned, the TMO will now be dissolved, with its responsibilities seamlessly integrated into various functions to maintain our strategic focus and ensure a smooth transition,” says Tommi Björnman, President & CEO.

Following this change, the composition of Suominen’s Executive Management Team will be as of August 1, 2025:

• Tommi Björnman, President & CEO
• Janne Silonsaari, CFO
• Darryl Fournier, COO
• Markku Koivisto, EVP, EMEA & CTO
• Mark Ushpol, EVP, Americas
• Minna Rouru, Chief People and Communications Officer

Last week, Girbau celebrated its 105th anniversary with a commemorative event at its headquarters in Vic, the place where it all began in 1920 with a small workshop for electromechanical equipment founded by Joan Girbau. Today, more than a century later, Girbau is a global brand with a presence in more than 100 countries, with a community of professionals who continue to uphold the core values it was founded on: innovation, closeness, commitment, and long-term vision. Girbau designs and supplies complete, sustainable, innovative solutions for textile care, with a positive impact on people and the planet.

The event brought together the headquarters team, their families, and the presidents of the group’s 16 international subsidiaries, who toured the production centers together to get a close look at the company’s technological evolution and its focus on sustainability and industrial innovation.

The event was also a celebration of creativity and team spirit. With Carles Pérez, FlaixBac radio host, as master of ceremonies, the event featured live musical performances, a rollerskating show, and a unique moment in which Girbau’s HS washers became moving works of art, symbolizing the fusion of industry and art that defines the company.

One of the most special moments was the arrival of a commemorative cake created by the master chocolatier and World Chocolate Masters winner Lluc Crusellas, who sent his personal congratulations to the company. A sweet ending to an emotional day.

During the ceremony, accompanied by Mercè Girbau and Pere Girbau — current leadership and third generation — as well as Toni Girbau and Teresa Girbau — second generation and key pillars in the company’s industrial and organizational consolidation — key moments from Girbau’s history were relived. Mercè Girbau emphasized the importance of continuity and collective commitment as the keys to reaching this milestone: “These 105 years are the result of a shared project sustained over time. Girbau’s strength lies in the people who have built it with effort, talent, and dedication.”

A special recognition was also given to Mike Floyd, President of Girbau North America, for his close connection to the company and his significant role in over 30 years of Girbau North America’s history.

As part of this anniversary, Girbau has launched a series of commemorative activities that will take place throughout the year. These include the planting of a cypress tree in memory of Pere Girbau, a key figure of the second generation, as a symbol of the company's roots and legacy. Additionally, each subsidiary of the group will celebrate the anniversary at their respective locations with local activities.

With this celebration, Girbau reaffirms its essence: an industrial company with a global vision, strong roots in its community, and a constant commitment to the people who drive it forward day by day.

Infinited Fiber Company announces that Petri Alava, co-founder and CEO since the company’s founding in 2016, will step down from his role on May 31, 2025. Chief Operating Officer Sahil Kaushik will serve as acting CEO from June 1, 2025. Petri Alava will continue supporting the company as Senior Advisor through the end of November. The Board of Directors has initiated the search for a permanent successor.

While circularity and sustainability remain essential, competitiveness is now front and center in the next phase of Infinited Fiber’s industrial scale-up. The company’s strategy is evolving accordingly, with an intensified focus on operational excellence and readiness for large-scale industrial investment.

“Our product has been validated by the market — the value is now established,” said Andreas Tallberg, Chairman of the Board of Directors. “The next strategic priority is to turn that value into profitable industrial scale, by optimizing cost and capital efficiency. We’re grateful for the work Petri and the team have done and excited to begin the next chapter — with Sahil, who brings deep experience in scaling industrial production and driving efficiency in the chemical industry, now leading the transition.”

“Infinna is a breakthrough innovation that’s more relevant than ever,” said Kaushik. “It’s a privilege to lead this talented team, together with world-leading brands supporting us as investors. We have a clear path forward and a solid foundation for the next phase.”

Over the past decade, Petri Alava has played a central role in shaping Infinited Fiber into a global front-runner in textile-to-textile recycling of cotton. Under his leadership, the company’s circular fiber Infinna™ has achieved strong market traction, backed by long-term offtake agreements with leading fashion brands, underscoring Infinna’s unique value and laying the groundwork for scaling a profitable business.

“Ten years is a long time to lead a growth company — and a natural point for change,” said Petri Alava. “I’m incredibly proud of the journey we’ve made as a team: we’ve built something truly valuable — a recycled cotton-like fiber with exceptional market fit, proven demand, and long-term partnerships. Now, with market dynamics shifting and Infinited Fiber entering a new strategic phase, it’s the right time to pass the baton — from creating value to scaling it. I’m happy to support the team during the transition.”

Combining sustainability and individual personal protective equipment - ITA PhD student Roxana Ley achieved this with her demonstrator surgical goggles. In her master's thesis at Institut für Textiltechnik (ITA) of RWTH Aachen University, she presented a method that combines Tailor Fibre Placement (TFP) with fused deposition modelling 3D printing. At the same time, she developed a system that customises personal protective equipment (PPE) and demonstrated this with a pair of surgical goggles. The combination of the two processes enables fast and flexible customisation in terms of size and shape.

Roxana Ley was awarded the Wilhelm Lorch Award 2025 in the field of technology for this development on 15 May. The prize was awarded on the occasion of “TextilWirtschaftforum” (Textile Industry Forum) at the “Palmengarten” in Frankfurt am Main, Germany.

“Our graduates are regular winners of the Wilhelm Lorch Foundation Awards, “ says ITA Director Prof Dr Thomas Gries enthusiastically. “We are very pleased about their potential and that the Wilhelm Lorch Foundation supports creative minds.“

The Wilhelm Lorch Foundation has been supporting talented young people for 37 years and awarded ten sponsorship prizes of €5,000 each to a total of twelve young people in 2025 (two award-winning works were produced by teams of two).

ReHubs, the European textile recycling alliance, is announcing today a change in its daily leadership: Robert van de Kerkhof is taking over as interim CEO from Chris Deloof, who returns to Ghent University after 2 years of successful engagement with the organisation.
 
ReHubs chairman, Alain Poincheval thanked Chris for bringing the organisation up to speed, which now includes over 30 member companies, including European brands, textile manufacturers, collectors and recyclers. Robert brings 30 years of experience from the textile industry, and has shown commitment to build a circular textile value chain in Europe through his earlier assignments. His engagement secures the continuity of ReHubs to scale up textile recycling capacity in Europe.

Rosemary Moore, inventor of the original and ground-breaking 4 way stretch and crinkle fabric, together with Graduate Fashion Foundation has announced the shortlisted 3 finalists in an international fashion design competition.

Students from the leading fashion and design universities across the UK and internationally were challenged to design a trend led womenswear S/S 2026 capsule collection utilising the famous MAXXAM® fabrics. Celebrating the fabric’s history the range had to be timeless, multi-purpose and include a minimum of one piece of swimwear.  

Judged by Rosemary and the team at Graduate Fashion Foundation, a shortlist of 3 winners has been announced.

• Ivo Gomes - Solent University, Fashion Design
• Ella Brooks-Birkett - Manchester Fashion Institute @ The Manchester Metropolitan University, BA (Hons) Fashion Design and Technology
• Paballo Mafokate - STADIO School of Fashion, Honours in Fashion

Rosemary said, “It has been incredibly exciting to work on this project with Graduate Fashion Foundation and all the leading universities across the country and abroad. I have been absolutely overwhelmed with the number of entries we received and the passion and talent that the students have demonstrated. It has been really difficult to narrow down more than 40 entries to a shortlist of 10 students, who I was lucky enough to meet in person, and even harder to get to our 3 finalists, Ivo, Ella and Paballo.

All the applicants for the competition displayed a very high standard of creativity and imagination and in the end, we had to look at the finer details of the actual designs and the commerciality for carrying them forward.

Rosemary Moore invented the unique MAXXAM® fabric in the early 1980s which took the fashion world by storm and became renowned for its 4-way stretch, tactile characteristics, and one-size-fits-all seamless clothing used predominantly for adult clothing and swimwear

Ivo displayed a fresh approach using laser cutting concepts and the novelty for reusing the waste in other aspects of the design creation. His laser designs offered versatility when intermixing the separate parts to dress up or down for a week away. Paballo impressed with her collection theme and her creativity as it offered a real sincerity to the origins of her landscape combining the waste and traditional techniques of Artisans in South Africa. Ella gave a fresh youthful approach to the styling of her separates with well-considered use of our textiles to offer the freedom for intermixing from day into night and beach to trekking.

I’m thrilled to say the competition has showcased the best of our future fashion talent and we look forward to sharing the final winner at Graduate Fashion Week!”

The 3 finalists will showcase looks in the Graduate Fashion Week Gala Show and exhibition (13th- 16th June 2025 at the Truman Brewery, Shoreditch) where a final overall winner will be chosen to receive the coveted prize of working directly with Rosemary and her manufacturers on their designs with the chance of one of their pieces going into manufacture.  
Ivo Gomes commented, “Getting to this stage of the competition feels wonderful! To win the competition, I would feel like I had won in life! Regardless of the final result, it will have been a valuable learning experience and I value, learning above everything else.”

Ella Brooks-Birkett commented, “I’m super excited to get to this point in the competition, and I didn't expect it at all. It's such a great experience to come down to London for the live judging. I would be absolutely blown away if I won the competition because this is really out of my comfort zone, and I know to win would really get me started in the fashion industry.”

Paballo Mafokate said, “I'm truly honored to get to this stage of the competition and be recognised for my creativity.  To win a competition from a global fashion platform is not something that is familiar within the African continent, and I believe that it would be a beautiful moment and blessing for me and a jump start for my career in fashion.”

The students design journey can be followed on GFF social channels using the #GFFxMAXXAM.

The Austrian specialist in plastics recycling systems and components, EREMA, has appointed a long-time employee as Global Sales Director: Christoph Wöss, previously Business Development Manager for the Bottle division, will take over the newly created position within the EREMA management team on April 1, 2025.

Christoph Wöss has been part of the EREMA Group for 24 years and possesses in-depth market knowledge. With his extensive experience, he is well-versed in the international markets and the specific requirements of the plastic recycling industry. In his new role, he will manage EREMA’s global sales activities and drive the company’s strategic development in the global market. In this context, Christoph Wöss will lead the international sales team and work closely with EREMA's global subsidiaries to strengthen the company's market presence.

The capacity crowd at the 41st annual Cornell Fashion Collective (CFC) Runway Show saw the mother of all fashion shows.

The annual event, held March 22 in Barton Hall, had one common thread – and it was not necessarily by design: Three designers asked their mothers to wear their designs on the runway. Several more designers’ mothers traveled to Ithaca to see the show, put on by the student-led organization; other designers were inspired by their grandparents.

“It’s unusual to have multiple mothers walk in one show,” said Kim Phoenix, senior lecturer in Human Centered Design in the College of Human Ecology and adviser to CFC. “Historically, a lot of moms pitch in behind the scenes to help with the sewing.”

After traveling five hours to model the collection of her son, Drew Brown ’25, Adria Brown was immediately pressed into service, practically pulling an all-nighter to help him get his design just right. Drew thanked his mom: “It was only through experiencing your embodiment of womanhood that I could produce this collection.”

Brown’s “Jadine” collection was inspired by the movement of water and used symbols from artists and intellectuals from Western Europe, West Africa and America.

Zoe Alvarez ’25 was inspired by the Flower Festival in Medellin, Colombia, where her father lives; her mother, Karen Lopez, modeled the final look in her collection. “Aflora” explored the beauty of flowers, as well as the important function they serve to support pollinators and sustain ecosystems. Each of the pieces in the collection has hidden adjustable features, like a tiered red ruffled skirt that can be unzipped to choose a mini, midi, tea length or floor length to fit the occasion.
A model displays an ensemble designed by Maria Fernanda Serra Almeida Leite ’26. , Click to open gallery view
Credit: Sreang Hok/Cornell University

A model displays an ensemble designed by Maria Fernanda Serra Almeida Leite ’26.

Her red leather jacket has a zipper under the belt, so it can be worn as a longer jacket dress to mid-thigh, or as a cropped jacket. Another look, a floral dress, is fully adjustable within a size range using a lace-up and belt buckle back closure. It’s also reversible to a solid maroon dress, and the bra top separates from the skirt, so it can be worn six different ways and fully adjusted.

“I wanted each look to incorporate functionality in a different way,” Alvarez said. “I want people to be comfortable in their clothes, and to be able to wear them in different settings and for different events. These garments are meant to be worn, cherished over a lifetime, and even passed down.”

Alvarez said her interest in adjustable clothing came from watching her mother struggle to find clothes that fit comfortably after experiencing the natural body changes that come with aging.

“I always disliked the idea of having to buy an entirely new wardrobe every time someone gained or lost weight,” she said. “That constant battle with clothing can really limit self-confidence and self- expression. It’s also just not sustainable to keep buying one time use garments.”

Zada Stuart ’25 paid homage in her collection, “Mother of the World,” which examined the exploitation of nature and sought to honor both mothers and cows for their duty of motherhood. Her designs included two cow fetuses laser-carved out of wood.

Designer Gabrielle Moore ’25 works on her model’s hair prior to the show.

Maria Fernanda Serra Almeida Leite ’26, CFC’s creative director, said her collection was inspired by her mother, and by the song of the Kiskadee bird, called “bem-te-vi” in Brazil. Her collection explored her emotional and physical attachment to the sounds of the Kiskadee bird, to Brazil and to her mother.

Gabrielle Moore ’25 was inspired by her Haitian grandfather to create “Anbla Dlo,” which imagines an underwater city off the coast of Haiti where history, mythology and fashion intertwine.

Marcus McDermott’s mother, Heidi, recounted her son’s lifelong interest in fashion. Even as a preteen, she said, he sported an orange fedora as his signature piece. Now, the senior is designing timeless menswear with an eye toward sustainability, reflected in his collection, “Immutable Beauty.”

McDermott’s collection illustrates how while one’s sense of style can change over time, certain classic pieces have an heirloom quality that never goes out of style.

“His interest in sustainability grew exponentially after a trip to Manhattan with a class where they saw how garments were mass produced,” Heidi McDermott said. “He’s now totally into material development and using organic and biologically sourced materials to make fabrics and dyes. That was definitely a Cornell influence.”