From the Sector

Ruth Bader Ginsburg ’54 – a.k.a. RBG – was an influencer before it was even a profession, advocating for women’s equality. Her personal style, and the substance behind it, will be on display in the Human Ecology Building in an exhibit, “Fashioning Justice: Ruth Bader Ginsburg ’54 and the Power of Presence.”

One theme of the exhibit will be “The Politics of Lace,” and its ascension from accessory to a feature often worn by Ginsburg.

The exhibit – a collaboration between the Cornell Jeb E. Brooks School of Public Policy and the College of Human Ecology – will run March 16 to May 1, from 8 a.m. to 5 p.m. daily, in the Rachel Hope Doran ’19 and Terrace Level Display Cases in the Human Ecology Building. A celebration event on April 14 will feature remarks by Ginsburg’s granddaughter, Clara Spera, an attorney at Hecker Fink LLP who has worked on her grandmother’s defining issue, reproductive rights, with the National Women’s Law Center.

The exhibit will feature accessories, on loan from family members, from Ginsburg’s personal wardrobe, including her signature lacy judicial collars (among them her distinctive “Dissent” collars) along with gloves, COVID masks, handbags, jewelry and scarves. Cornellian yearbooks and a Class of 1954 Freshman Desk Book, from Cornell University Library, will also be displayed.

Pieces from the Cornell Fashion + Textile Collection (CF+TC) expand the narrative, with examples of fashion and justice influenced by Ginsburg’s legal legacy.

“This is a really exciting opportunity to talk about the intersections of fashion, law, freedom of expression, and clothing as symbolic speech” said exhibit curator Denise Green, Lau Family Associate Professor and director of graduate studies in the Department of Human Centered Design, in the College of Human Ecology (CHE).

Denise Green shows students around the Cornell Fashion + Textile Collection and highlights artifacts on loan from the family of Ruth Bader Ginsburg ’54. “Women have used fashion, historically and in the present day, as both voice and strategy to seek justice, navigate inequalities, and challenge some of the assumptions about how authority is defined and regulated through appearance,” said Green, director of the CF+TC.

Ginsburg, a College of Arts and Sciences alumna who died at age 87 in 2020, popularized lacy judicial collars alongside Justice Sandra Day O’Connor, the first female Supreme Court justice. Over time, Ginsburg’s collars developed more precise meanings and could signal whether she had written a majority opinion or, more famously, when she was dissenting.

“The judicial robe is itself a symbolic garment intended to convey authority, impartiality and uniformity,” Green said. “But because the judicial robe was designed for a man’s body, it left space at the neckline for a collar and tie, allowing for individual expression to peek through.”

The court’s only two female justices seized the opportunity.
“There was something both witty and bold in the way that they exaggerated this already-obvious difference with lace and other materials associated with femininity,” Green said.

One theme of the exhibit will be “The Politics of Lace,” and its ascension from accessory to a feature, Green said, with “symbolic meaning. It has often been dismissed as a delicate, decorative, frilly add-on, but lace represents labor, skill accumulated over generations, and economies made possible by women’s work.”
Other themes include “Carrying Rights: Handbags, Pockets, and Professional Dress”; “Campus Constraints: Fashion and Life at Cornell, 1950-1954”; “Clothing as Care: Connecting Family, Community, and Nation”; and “Signaling Dissent.”

Students in this semester’s Learning Where You Live (LWYL) course, “Fashioning Justice: RBG and the Arts,” taught in Ginsburg Hall, are each researching and writing a label for an artifact being displayed at the exhibition. The students will also create an original artwork relating to the intersection of fashion and justice and RBG’s legacy, which will be displayed in the nearby Jill Stuart Gallery as a companion show.

“Beyond learning about her landmark cases, the course also explores how fashion and law are more connected than most people realize,” said Samantha Alberts, M.A. ’24, a doctoral student in fiber science and apparel design. “Ruth Bader Ginsburg showed up every day to a room full of men who did not always agree with her, and she made her presence known through what she wore. Her collars, her gloves, her purses were never just accessories. They were statements.”

“The students all do recognize RBG, not only for her judicial work but also as an icon of social justice and civil rights,” said Kristen Underhill, professor at Cornell Law School and faculty-in-residence at Ginsburg Hall. Underhill and Green are co-teaching the LWYL course.

In addition to remarks from Spera, the April 14 event will feature a screening of the 15-minute short film, “Making the Case: A Supreme Court Justice and Her Bags,” with filmmaker Jennifer Callahan. The event will take place from 5-7 p.m. in Room G155 of Martha Van Rensselaer Hall; those wishing to attend can RSVP here.
Both the exhibit and the event were made possible by a gift to the Brooks School from Jeff ’79 and Christie Weiss P’11 and ’14.

In the German research project bioPEtex, BB Engineering (BBE) is working with other partners to develop textiles made from 100% bio-based polyethylene (PE). The aim is to make use of this polymer, which has hardly been used in the chemical fiber industry to date. BBE is contributing its spinning and texturizing expertise and developing the texturing process on an industrial scale. The first promising results are already available – opening up new opportunities for sustainable and economically attractive applications in the textile industry.

For years, the global chemical fiber market has been dominated by PET, a technically mature, versatile, and cost-effective polymer for textile applications. However, despite its advantages in terms of processability, strength, and economic availability, PET has come under criticism: its dependence on fossil raw materials, high CO2 emissions along the value chain, and challenges in recycling PET products are drawing the attention of researchers and industry to alternative materials that are both economical and sustainable.

Biopolymers are an important keyword in this context. However, PET cannot be produced on an industrial scale in a 100% bio-based manner. Clothing made from 100% other biopolymers only exists in studies, as it is too expensive for the mass market. In this context, the German research project bioPEtex is investigating a polymer that, due to its properties, has previously been considered unsuitable for chemical fiber production: polyethylene (PE). This is because bio-based PE is inexpensive to procure and environmentally friendly. However, it has not yet been developed for use in the textile industry.

BB Engineering (BBE) is one of the industrial partners working with RWTH Aachen University to implement the project funded by the German Federal Ministry of Research, Technology, and Space. The aim of the project is to develop textiles made from 100% bio-based polyethylene that are both environmentally friendly and economically viable. BBE is a supplier of spinning, texturizing, and recycling equipment as well as extrusion and filtration technology, and supplies customers all over the world. BBE therefore has extensive expertise in the manufacture of synthetic fibers and their return to the recycling cycle. The company is contributing this long-standing expertise to the bioPEtex project. On the one hand, BBE is providing consulting support for the development of the spinning process. On the other hand, BBE is responsible for the crucial process step of texturizing, which has a significant influence on the subsequent textile performance of the developed fibers. 

“With our participation in the bioPEtex project, we don’t just want to contribute to the development of sustainable solutions, we also want to focus on the economic benefits for our customers,” explains Dr. Klaus Schäfer, Managing Director of BBE. “Bio-PE textiles offer companies the opportunity to reduce their production costs while tapping into new market segments.”

PE and its role in the chemical fiber industry
PE is one of the most commonly produced polymers worldwide. Particularly durable, hydrophobic, lightweight, and chemically stable, it is used not only in its main area of application, the packaging industry, but also in various other areas such as building materials and consumer goods. However, PE has so far played hardly any role in textile fiber production. From a technical point of view, this is mainly due to processing challenges. PE crystallizes at low temperatures and therefore offers a narrow temperature window for spinning and texturing. In addition, the low polarity of PE makes it difficult to dye.

Today, PE is used exclusively as a functional component in composites, geosynthetics, or special high-performance fibers (e.g., UHMWPE)—but hardly ever in traditional clothing or home textile segments. Yet the material structure also offers properties that are highly attractive for certain textile applications:

• very low density resulting in extremely lightweight fibers,
• excellent chemical resistance,
• very good dimensional stability and abrasion resistance,
• potentially good recyclability due to clear polymer structure,
• water-repellent and quick-drying with a cool feel.

The issue of difficult dyeability could be resolved by spinning dyeing. 

As a result, PE could become relevant for applications where lightweight construction, hydrophobicity, robust performance, and recyclability are required—for example, in sports textiles, outdoor products, technical textiles, or hygienic disposable products. 

Bio-based PE – Economic and ecological potential for the textile industry
Unlike PET, bio-based PE is chemically identical to its fossil-based counterpart: both materials are completely identical in terms of structure and properties. The only difference lies in the origin of the monomers used. Bio-based PE is usually produced from fermented sugar (e.g. from sugar cane) or starch (e.g. from corn). 

Compared to fossil-based PE, it has a significantly better carbon footprint and opens up the possibility of a completely bio-based textile recycling cycle without any loss of quality. Since the low melting point reduces the energy required for processing and (bio)PE is widely available globally, energy and material costs are potentially lower. The textile industry can benefit here from the established raw material flows of the packaging and plastics industries. In addition, the introduction of PE fibers enables the development of new, highly specialized product segments and opens up additional differentiation opportunities for manufacturers through sustainable material alternatives. 

BB Engineering develops PE texturizing process
However, before PE can be used on an industrial scale as a material for the chemical fiber industry, it must first be systematically researched and tested. The bio-PEtex project is currently working on this. Within the consortium, BBE is responsible for developing and adapting the texturizing processes. This step is crucial, as it is the texturing that defines the subsequent haptic, functional, and mechanical properties of a fiber. The challenge lies in modifying PE under the novel process conditions in such a way that it becomes compatible with established textile applications. 

Overall, the project comprises several innovative steps:

1. Material development: Development and production of spinnable bio-PE compounds by TECNARO containing bio-based color pigments.
2. Prozess optimization: Melt spinning and false twist texturing processes, which are being scaled up for industrial use at the Institute for Textile Technology at RWTH Aachen University and at BBE.
3. Textile production: The partner FALKE is conducting initial knitting trials to validate the yarn in the form of demonstrator T-shirts.

The results so far show promising progress: the bio-PE yarns have suitable mechanical properties and are comfortable to wear with a cooling effect, which is desirable in sportswear, for example. At the same time, a design-for-recycling approach is being pursued in order to efficiently recycle the textiles at the end of their life cycle. A particular milestone in the project is the successful production of a first white t-shirt — a first step toward testing marketability. Further development steps and optimizations are of course still necessary here. 

“We are very positive about the results so far. They show that PE has real potential in textile value creation and can offer significant economic and ecological advantages for the industry in specific applications. We are delighted to be involved in this pioneering project. It is our aim to provide our customers with sustainable and profitable innovations,” says Dr. Klaus Schäfer. 

Sächsisches Textilforschungsinstitut e.V. (STFI) has been supporting companies in developing marketable innovations for over 30 years. With a clear focus on sustainability, the environment, health and protection, the STFI offers future-oriented research, textile testing for tailor-made solutions and certification of personal protective equipment. At Techtextil 2026, the institute will present ideas for the textile circular economy and showcase solutions for healthy and safe living.  

Highlights at Techtextil 2026: 
Sound booth – an oasis of calm amid the hustle and bustle of the trade fair 
Chemical recycling of mixed textile fractions produces textile residues that are currently not used as raw materials but are thermally recycled or disposed of. To enable further recycling, STFI is working with Refresh Global to investigate efficient treatment and processing methods for reusing these textile residues. These can be used in sound-absorbing design products, such as acoustic walls or furniture. Nonwoven forming processes are particularly suitable for processing these textile residues. At STFI, the recyclates are mechanically processed on pilot plants on a laboratory or semi-industrial scale before being laid into a non-woven fabric and consolidated. Through appropriate finishing, a visually matching top layer can also be integrated directly onto the nonwoven fabric. The finished nonwoven fabrics are processed into sound-absorbing design products by the project's industrial partner. 
 
Sports belt based on modulated medium frequencies for mobile applications for postnatal muscle building of the deep abdominal and pelvic floor muscles 
A team of companies and research institutions has developed a novel smart textile for stimulating and strengthening the deep abdominal and pelvic floor muscles using modulated medium frequencies (EMA), specifically for mobile use during and after childbirth. To this end, a textile belt was designed using knitting technology that covers the abdomen, thighs and buttocks and integrates electrodes at the relevant muscle zones. The electrodes are washable and fixed in the belt system, and the belt adapts to the user's decreasing body circumference thanks to its textile construction. The miniaturised, battery-powered control unit is attached to the belt and can be operated via a removable remote control. The system is easy to put on, comfortable, intuitive to use and does not restrict freedom of movement. This makes it particularly suitable for home use and everyday postnatal recovery.  
 
Protective trousers protect against stab and cut injuries and attacks by wild boar. 
In forestry and hunting in particular, workers are exposed to high risks of impact injuries resulting from attacks by wild boar. Conventional protective clothing often only offers protection against stab or cut injuries. The STFI has therefore developed a textile concept that adds impact protection to the existing level of protection, thus increasing the overall protection of users in practical working environments. In  tests, the impact of a blow was reduced by up to 20 per cent. We present an example of trousers in which the special impact protection fabric has been incorporated. Depending on requirements, the impact protection elements can also be designed to be recyclable. Specially woven hinges also increase the comfort of the work trousers.  

MC4 – Optimising recycling cycles for carbon and glass fibre composites 
High-performance fibre materials made of carbon and glass have a significant ecological footprint, and not just because of their energy-intensive production. High waste volumes in the manufacturing process and the reuse of raw materials at the end of the product life cycle offer enormous recycling potential for the future. MC4 (Multi-level Circular Process Chain for Carbon and Glass Fibre Composites) is a European project to promote circular approaches for carbon and glass fibre composites. These materials are indispensable in many technical applications due to their light weight and high mechanical properties. The project consortium is working until March 2025 to make the European value chains for carbon and glass fibres more ecologically and economically efficient and will present the development work carried out at the STFI stand as well as at its own stand and show what is technically feasible using selected demonstrators. 

IFCO – Istanbul Fashion Connection, convened the global fashion industry in Istanbul again at its ninth edition.

Bringing Türkiye’s design vision together with its strong manufacturing power onto the global fashion stage, IFCO hosted over 450 exhibitors across 6 halls and welcomed 29,746 professional visitors from 134 countries in Istanbul.

With international buying delegations, strong brand participation, and a highly qualified visitor profile, IFCO once again proved its position as one of the most strategic B2B meeting points in the global fashion calendar.

From womenswear, menswear and kidswear to eveningwear and designer collections extending across denim, activewear, lingerie, hosiery, leather, footwear and accessories  IFCO presented a fully integrated and business-focused sourcing platform for global buyers

Enhanced by fashion shows, curated trend areas, seminars and expert talks, the exhibition delivered forward-looking insights on trend forecasting, digital transformation, sustainability and emerging market opportunities, creating a dynamic content experience alongside strong commercial engagement.

Since 2015, Jeanologia has set the standard with laser, Light Bright and G2 Ozone technologies, achieving authentic vintage effects in denim without chemical spraying.

Potassium permanganate has officially entered the Chemical Watchlist of the ZDHC Foundation, signaling increased scrutiny and potential phase-out of one of the most hazardous chemicals still used in denim finishing. The inclusion confirms an industry shift that Jeanologia anticipated more than a decade ago.

For years, Jeanologia has called for the elimination of PP spray, warning about its impact on worker health, operational safety and the environment. Now, the industry is formally acknowledging what has been evident on factory floors worldwide.

PP spray is commonly used to create localized vintage effects in denim, but it exposes operators to chemical micro-particles and presents serious occupational risks. Despite growing awareness and available alternatives, this practice continues to be used in parts of the industry. According to Jeanologia, millions of workers globally are still affected by this process.

Jeanologia eliminated the need for PP spray in 2015, becoming the first technology provider to offer a scalable industrial alternative through laser-based finishing. Today, the company replaces PP spray through its laser technology with Light Bright tool and combined with G2 Ozone technology, delivering authentic vintage effects without chemical spraying. The solution offers full digital control, safer working conditions and reliable industrial performance.

This approach is reinforced by Jeanologia’s Environmental Impact Measuring (EIM) platform. In its Innovations and Challenges in Denim Finishing 2024 Report, EIM identifies potassium permanganate as one of the remaining high-risk processes in garment finishing and highlights the urgent need for safer technologies, reinforcing laser-based solutions as a low-impact alternative.

Over the past decade, Jeanologia has progressively replaced the most hazardous denim finishing processes with eco-efficient technologies, becoming the first company to eliminate sandblasting and to advance alternatives to stone washing, manual scraping and PP spray. Today, its laser and G2 Ozone technologies are implemented worldwide, enabling denim brands to achieve the same aesthetic results while improving worker safety, reducing chemical use and lowering water consumption, with measurable impact across global production.

As transparency requirements, ESG reporting frameworks and chemical management standards continue to evolve, early adoption of safer technologies is increasingly becoming a competitive advantage. Jeanologia calls on brands, laundries and manufacturers to accelerate the transition toward chemical-free finishing. The technology exists.

Global Fashion Agenda (GFA) has published a new insights paper, Unpacking Pay Equity in Fashion: Türkiye, examining the drivers of gender pay disparities in one of Europe’s most important fashion sourcing hubs. Launched during a closed-door industry roundtable at the OECD Forum on Due Diligence in the Garment and Footwear Sector in Paris, the insights paper explores how structural factors, including occupational segregation, care responsibilities, and limited data visibility, continue to shape pay outcomes for women in Türkiye’s textile and apparel sector, while highlighting opportunities for coordinated action across policy makers, brands, other buyers, and suppliers.

The insights paper draws on a facility-level survey of 43 Turkish textile and apparel manufacturers, interviews with trade unions and worker associations, and input from social sustainability experts including the Social & Labor Convergence Program (SLCP), the Fair Labor Association (FLA), and the Anker Research Institute (ARI). The findings offer a nuanced picture of pay equity in a sector that employs nearly one million formally registered workers and contributes approximately 7.8% of Türkiye’s national GDP.

Key Findings:
Unpacking Pay Equity in Fashion: Türkiye highlights several key insights into pay equity within the Turkish fashion manufacturing industry:

• Türkiye’s gender pay gap is estimated at between 15.6% and 17.4%. The EU average is around 12%. The insights paper cautions, however, that headline pay gap figures alone can mask deeper structural inequalities within the sector.
• Gender pay disparities are driven largely by structural factors rather than unequal pay for the same work, including occupational segregation, differences in career progression opportunities, cultural norms, access to training, and the distribution of care responsibilities.
• Women remain concentrated in lower-paid production, sewing and quality control roles, while men are more prevalent in higher-paid technical and supervisory positions – a key driver of persistent pay inequalities.
• The insights paper finds that limited measurement and disclosure of gender-disaggregated wage data continues to hinder companies’ ability to identify where inequality sits – and therefore to address it effectively.
• Ongoing economic pressures, including inflation and rising production costs, have placed sustained strain on the sector. Despite this, many manufacturers are making concerted efforts to maintain formal employment, comply with labour laws and protect jobs, demonstrating resilience in challenging conditions.

Closing gender pay gaps is not only a social imperative but a business one. Improving pay equity can strengthen workforce morale, retention and long-term resilience, while supporting alignment with evolving EU regulatory and buyer expectations. As EU pay transparency and due diligence requirements increasingly affect global supply chains, brands sourcing from Türkiye require greater visibility into wage practices across their supply chains.

Federica Marchionni, CEO of Global Fashion Agenda, says: “Pay equity is fundamental to build a fair and resilient fashion industry. This research shows that gender pay gaps in Türkiye’s fashion manufacturing sector are real, but they are also addressable. As progress depends on coordinated actions – from policymakers strengthening enabling frameworks, to brands adopting responsible purchasing practices, and suppliers embedding transparent, gender-responsive wage systems that reflect the realities of women’s working lives – GFA will continue to accelerate impact by mobilising the industry toward a more resilient future.”

The insights paper outlines practical recommendations for policymakers, brands, other buyers and suppliers. These include expanding access to childcare and parental support, strengthening formal employment and oversight of subcontracting, improving gender-disaggregated pay reporting, adopting responsible purchasing practices, and investing in women’s skills development and leadership pathways. Collectively, these actions can strengthen Türkiye’s manufacturing base, enhance women’s economic participation, and advance the fashion industry towards a net-positive future in which pay equity is a lived reality.

DIGEL AG is strengthening its national and international presence with two new, representative locations in Düsseldorf and Munich, set to open for the Spring/Summer 2027 order season. With these two showrooms, the menswear company is making a clear statement for growth, internationality, and brand strength in the premium segment.

The new showroom in Düsseldorf is located in one of Germany’s most prestigious menswear environments, in the immediate vicinity of brands such as Boss, Strellson, and PVH. Spanning 550 square meters—around 30% larger than before—the two brands Digel and Digel Move will in future offer an exclusive brand experience in an urban lifestyle setting. In addition to order activities, the location will also be used as an event venue, for the DIGEL Academy, and for VIP customer events. Thanks to Düsseldorf’s central location and international character, more than 60% of export customers can be optimally served here, with further growth potential.

The new showroom in Munich will also take the Digel and Digel Move brands to the next level. Located in Lodenfrey Park and surrounded by leading premium labels, a modern space with a loft character and industrial style is being created—perfect for presenting the Digel DNA in an authentic and inspiring environment. Munich will not only become an important order location, but also a venue for exclusive press events, academy formats, and customer experiences.

With these new showrooms, DIGEL underscores its ambition to further expand premium menswear internationally while simultaneously fostering creative and collaborative exchange with retail partners and the press.

“With Düsseldorf and Munich, we are creating two exceptional spaces that make our brand emotionally tangible. Both locations combine aesthetics, functionality, and inspiration—exactly what DIGEL stands for,” explains Jochen Digel, CEO of DIGEL AG.

Fibers made from bio-based plastics reduce dependence on fossil raw materials and promote the circular economy. The covalent bonding of flame-retardant additives can open the way for these fibers to enter the mass market.

The recent fire disaster in Switzerland has revealed how crucial the use of flame-retardant materials is in construction materials, insulation, and many other everyday objects. Textiles with flame-retardant properties fulfill a particularly important function here, as they are used in considerable quantities - not only in building materials, but also in safety and protective clothing, in vehicle interiors, and in home furnishings such as carpets and upholstered furniture.

Flame-retardant compounds have been used for synthetic fibers for decades. Inorganic, brominated, or organophosphorus compounds, which are particularly used in polyester fibers, have proven to be highly effective. Phosphorus compounds are slightly less harmful to the environment when released and are therefore often the first choice. Their effectiveness is based on the fact that they form a protective carbonization layer and intercept radicals, which reduces the flammability of the material. The release of toxic gases and further heat development is limited.

For several years now, there has been a shift in the use of synthetic fibers toward bio-based fibers. Although their market share is still small compared to established synthetic fibers such as polyethylene terephthalate or polypropylene, they are growing steadily. Bio-based fibers are gaining in importance because they reduce the demand for fossil raw materials. At the same time, their use supports the circular economy and reduces greenhouse gas emissions.

Persistent and effective flame retardancy in bio-based fibers that is also inexpensive and environmentally friendly could give bio-based textiles a boost in innovation and contribute to significant market expansion. This is where the DITF's “Polymers and Fiber Composites” research team comes in with the development of a flame-retardant, bio-based plastic called polyethylene furanoate (PEF). PEF is similar in many properties to the widely used polyethylene terephthalate (PET), but unlike PET, it is made from bio-based monomers. While PEF is already technologically advanced and on its way to the mass market, it currently lacks flame retardancy, which would enable its widespread use in the textile sector.

At the DITF, PEF is not only synthesized in in-house reactors. Extensive test series have also been conducted to evaluate the suitability of various phosphorus-based flame retardants in different concentrations. Two things are important to the researchers here: First, the flame retardant should be covalently bound to the polymer molecules to prevent bleeding. This is crucial for long-term fire protection of fibers because of their small diameter and high specific surface area. Second, the concentration of flame retardant should be as low as possible while still providing the best possible effect. Despite their good fire protection properties, all common additives share that they are potentially harmful to health and, when released into the environment, are difficult to degrade because they are chemically stable. In Denkendorf, they have not only succeeded in meeting these requirements. They have also been able to increase the molecular weight of the synthesized polymers by solid state polymerization to spin fibers with higher strength.

Further thermal and rheological investigations of the polymers with different flame-retardant concentrations identified the most suitable variant for the spinning process. In addition to the PEF variant containing five grams of phosphorus per kilogram of polymer in the form of copolymerized organophosphorus compounds, a flame retardant-free PEF reference was spun. The fibers obtained in the spinning laboratory were processed into textile fabrics, which were subjected to fire tests. The flame-retardant knitted fabrics showed significantly reduced flammability. The DITF will continue to study in flame-retardant, bio-based PEF fibers.

Kornit Digital Ltd., a global market leader in sustainable, on-demand digital fashion and textile production technologies, today announced the appointment of Andrew G. Backman as Chief Capital Markets Officer, effective January 13, 2026. In this role, Mr. Backman will support Kornit’s capital markets activities, investor relations, and corporate and business development initiatives. 

Mr. Backman, who will be based at the Company's U.S. Headquarters in Englewood, New Jersey, has extensive capital markets and investor relations experience, participating in more than $30 billion in capital markets transactions, and maintaining long-standing relationships with institutional investors, sell-side analysts, and global investment banking partners. He previously served as Kornit’s Global Head of Investor Relations from 2021 to 2023. 

Mr. Backman recently served as Global Head of Investor Relations at EMCOR Group, Inc. (NYSE: EME), with prior experiences including senior capital markets and investor relations roles across more than 14 industries. He holds a B.A. in Economics from Boston College and is a graduate of AT&T / Lucent Technologies’ Financial Leadership Program. 

EasyCut, a cutting-edge company focused on sign making software solutions, announced the official release of Easy Cut Studio 6.016, an upgrade of its sign design and vinyl cutting software. This updated version brings support for several new vinyl cutters, including Vevor Smart1, Vevor TT450, E-Cut TT-450, YOW! CraftY and Roland CM series cutters, and also brings a series of improvements aimed at enhancing the user experience and make your cutting machines run better.

Easy Cut Studio 6.016 builds on its set of functions and tools, while offering new features, improvements, and efficiency, elevates excellence and performance for signage and professional graphic designers. With the newly added cutter support, more users can now use the software to design, print, and cut. These enhancements allow beginners to get started quickly, while enabling seasoned experts to easily create more complex, technically advanced layouts with greater ease – and less time. 

"We are very proud that our software is compatible with more models of cutting plotters, helping our customers achieve outstanding results. EasyCut has always been dedicated to simplifying complex workflows and making professional printing and cutting accessible to everyone", says Eric Johnson, Director of Global Marketing and Sales, EasyCut. "We are confident that printing and cutting with Easy Cut Studio Version 6.016 is more efficient than ever before, with the guarantee of delivering better results no matter the application.”

Vevor Smart1 is a precise, versatile desktop vinyl cutter designed for creative and DIY projects. It features auto-adjusting blade pressure and auto-tracking for consistent, clean cuts. It supports over 100 materials (vinyl, cardstock, heat transfer, etc.) and various tools for cutting, writing, and fold lines, it’s ideal for stickers, decals, apparel, home decor, labels, and signage. User-friendly and efficient, it suits beginners to pros, helping turn ideas into high-quality projects with less setup and fewer errors. Now Vevor Smart1 users can fully control the Vevor Smart1 cutting machine with Easy Cut Studio, effortlessly handling printing and cutting projects.

The E-Cut TT-450 and Vevor TT-450 are compact, entry-level auto contour vinyl cutting plotters ideal for DIY crafts and small businesses. Both models are produced in China, and their appearance and functions are basically identical. Both machines feature automatic contour cutting (via camera or edge detection) for precise print-and-cut applications, delivering ±0.1mm accuracy at speeds up to 400mm/s. When using this machine with Easy Cut Studio, anyone can easily create custom stickers, labels, and signs.

In addition, Easy Cut Studio 6.016 also added support for the Roland CM series machines, including the CM-12, CM-24, and the older CM-300, CM-400, and CM-500. EasyCut is constantly updating Easy Cut Studio 6 to support new vinyl cutters as they are released and ensuring that old vinyl cutters remain supported, even when the manufacturer stops supporting these cutters.