From the Sector

Live panels, future talks, brand experiences, stories, entertainment: from July 5th to 9th, the protagonists of the fashion industry will meet digitally for the first time on a common platform, the FFW STUDIO. Launched by the makers of Frankfurt Fashion Week and Europe's largest fashion fairs, PREMIUM, SEEK & Neonyt, the new content hub at www.frankfurt.fashion offers an individually designed program as an alternative to the physical event.

And the classic trade fair business will also find a digital representation this summer: Together with long-term partner JOOR, Anita Tillmann and team are presenting the PREMIUM + SEEK Passport platform this season. Here retailers can discover and order the collections of over 12,500 brands online and be inspired by various content formats.

FFW STUDIO broadcasts live from the conferences of Frankfurt Fashion Week, the Frankfurt Fashion SDG Summit presented by Conscious Fashion Campaign in cooperation with the United Nations Office for Partnerships and the conference "The New European Bauhaus - Workshop of the Future", organized by the Fashion Council Germany in cooperation with the Frankfurt Fashion Week. Both will take place for the first time as part of the Frankfurt Fashion Week. With over 130 speakers, the Fashionsustain conference is also a central component of the FFW STUDIOS.

Outdoor apparel company Patagonia and circular fashion and textile technology group Infinited Fiber Company have signed a multiyear sales agreement for Infinited Fiber Company’s unique, premium-quality regenerated textile fiber Infinna™, which is created out of textile waste. The move marks a major milestone for both companies towards making textile circularity an everyday reality: The deal guarantees Patagonia access to the limited-supply fiber over the coming years and secures future sales income for Infinited Fiber Company as it ramps up production.

Infinna is a unique, virgin-quality regenerated textile fiber with the soft and natural look and feel of cotton. It is created from cotton-rich textile waste that is broken down at the molecular level and reborn as new fibers. Because it’s made of cellulose – a building block of all plants – Infinna is biodegradable and contains no microplastics to clog our seas. Clothes made with it can be recycled again in the same process together with other textile waste.

In April, Infinited Fiber Company announced plans to build a flagship factory in Finland to meet the growing demand for Infinna from global fashion brands. It is currently supplying customers from its R&D and pilot facilities in Espoo and Valkeakoski, Finland. The planned flagship factory will have an annual production capacity of 30,000 metric tons, which is enough fiber for roughly 100 million T-shirts made with 100% Infinna. Infinited Fiber Company expects to have sold the new factory’s entire output for several years during 2021.

More than 92 million metric tons of textile waste is produced globally every year and most of this ends up in landfills or incinerators. At the same time, textile fiber demand is increasing, with Textile Exchange estimating the global textile fiber market to grow 30% to 146 million metric tons by 2030 from 111 million metric tons in 2019. Infinited Fiber Company’s fiber regeneration technology, which uses cellulose-rich waste streams as its raw material, offers a solution both to stop waste from being wasted and to reduce the burden of the textile industry on the planet’s limited natural resources.

“LA FORMA”, a fashion film led by talented students from Istituto Secoli supported by exceptional companies such as Bemberg™ by Asahi Kasei who confirms once more its commitment toward education and valuable long-lasting relationship with Istituto Secoli.

From June 30th until July 2nd 2021, Pitti Uomo  returns physical and Bemberg™ shows up with 6 menswear outfits belonging to the cutting-edge collections created by young talents of Istituto Secoli.

100% Bemberg™ fabrics, produced by Tessitura Grisotto, has been used in printed version for the creation of these 6 looks comprising of shirts, padded outerwear, and quilted parts. Bemberg™ is a fiber that comes from the smart and technologically advanced transformation of cotton linter materials and converted through a traceable and transparent process. Its uniqueness comes from its exceptional qualitative characteristics such as the magnificent touch - which is soft and smooth as silk, like a second skin - brilliance and radiance. Bemberg™ also has antistatic and breathable performances and the fiber is biodegradable and compostable too.

Collaboration with fashion institute, such as Istituto Secoli, for Bemberg™ it is very important, especially in the name of the close and interconnected relationship between education and the world of Industry.  A support that is also important and continuous for Asahi Kasei as part of an intense commitment toward new generations.

SHIMA SEIKI ITALIA S.p.A., Italian subsidiary of a leading Japanese computerized knitting solutions provider SHIMA SEIKI MFG., LTD., will exhibit at the 89th edition of the Pitti Immagine Filati exhibition in Florence, Italy from the 28th till the 30th of June. Because this edition of Pitti Filati will be a fusion of physical venue and online exhibit via Pitti Connect, increased importance is sure to be placed upon digitalization in the presentation of yarn.

In order to further support efforts in DX in the fashion industry, SHIMA SEIKI is presenting new online services at Pitti Filati. APEXFiz™ is SHIMA SEIKI’s first subscription-based design software and yarnbank™ a digital yarn sourcing web service for the knitting industry.

APEXFiz™ is the latest addition to SHIMA SEIKI’s proven SDS®-onE APEX series design system lineup, but with a big departure from the past. Whereas previous APEX-series design systems were offered as an all-in-one hardware/software package, for the first time in its nearly 40 years of design system development, SHIMA SEIKI has released its new APEXFiz™ as subscription-based design software that can be installed on customers’ individual computers. Maintaining proven functions that have made the APEX series so popular with fashion designers, with APEXFiz™ those strengths are now enhanced with the added versatility to adapt to different work styles and business environments including teleworking and telecommuting. APEXFiz™ software supports the creative side of fashion from planning and design to colorway evaluation, realistic fabric simulation and 3D virtual sampling. Virtual samples are a digitized version of sample making that are accurate enough to be used effectively as prototypes, replacing physical sampling and consequently reducing time, cost and material that otherwise go to waste. APEXFiz™ thereby helps to realize sustainability and digitally transform the fashion supply chain. APEXFiz™ is furthermore available in 5 different product variations that can be selected according to the customer’s needs, from APEXFiz™ Design Jr. to APEXFiz™ Design Pro.

APEXFiz™ is supported by another web service to enhance its user experience even more. yarnbank™ is one of the world's first online platforms for searching and downloading digitized yarns, developed in cooperation with yarn companies from around the world. Registered users can download yarn data for free, for use in fabric simulation and virtual sampling on APEXFiz™, avoiding the need to scan yarn on their own.

The second C.L.A.S.S. ICON AWARD expands its vision embracing fashion streetwear with an attitude and bets on DUARTE, an emerging label committed to sustainability that shows a new way of being cool, yet responsible. “The C.L.A.S.S. ICON AWARD is much more than prize, it’s an open workshop with influential professionals that will support DUARTE in reaching the next level and being able to share my vision for responsible fashion”, comments Ana Duarte.

The designer (b.1991) launched her label DUARTE in 2016 just after graduation. Since then, the fresh, colourful and power-propelling brand has conquered both catwalks and cities’ streets with a responsible message. “Sustainability means durability, fair work practices, recycled materials and zero-waste,” is Ana’s mantra. Indeed, the collection is the result of a virtuous balance between production and locally-sourced, recyclable high-quality materials harnessed from factories’ deadstock. DUARTE also means circularity, the garments can be re-used and upcycled to create new collections.

The C.L.A.S.S. ICON AWARD is a project led by C.L.A.S.S. with the special support of IDEE BRAND PLATFORM which assists fashion brands in commercial activity, WHITE Milano, international fair supporting the new generations and independent brands with special projects since its inception and responsible shopping platform Renoon. Together they will all support DUARTE for a full year at 360°, from consultancy to communication.

• A library of 1’440 off-the-shelf color standards, adding to the already available 4’320 colors of the ‘Color Atlas’ for cotton
• Online and physical library of colors allowing increased speed-to market for sportswear and fashion designers, brands, retailers and manufacturers.

Archroma announced the launch of its new Color Atlas by Archroma® Polyester Library, with 1’440 colors for sportswear, athleisure, swimwear, children's clothing, shoes, fashion and home textiles.

This original Color Atlas Cotton Library contains 4’320 colors, almost double compared to similar tools available to textile and fashion specialists, with options for purer ingredients and lighter resource usage for brands exploring more sustainable collections.

The new Color Atlas by Archroma® Polyester Library brings together colors in line with current trends, from the most neutral tones to the most vivid hues to fluorescent colors.

Bremen-based Statex Produktions- und Vertriebs GmbH, a company founded in 1978 and currently in its 3rd generation of family management, is reinventing itself. One of the leading manufacturers in the field of silvered and metallised textiles has focused on the field of technical textiles and will in future place its brand name Shiledex at the centre of its corporate identity.

In accordance with the principle "Metallised Textiles for Challenges that matter", the new website is to transport the company's know-how in the areas of technical textiles, automotive, intelligence and military, medicine as well as fashion and design with a clear structure.

The sorting of the different application areas such as sensor technology, heating and lighting, EMC shielding, wellness and lifestyle as well as health and hygiene simplifies the access to the Shieldex product worlds.

From 7 to 9 November 2021, the world of apparel and textiles will meet in Antwerp, Belgium, for a double convention: the 36th World Fashion Convention on 7-8 November, hosted by IAF, and the 9th European Textiles and Apparel Convention on 8-9 November, hosted by EURATEX.

Delegates can choose to register for the IAF’s 36th World Fashion Convention, for EURATEX’s 9th European Textiles and Apparel Convention or for a combination of both, which the organisers of course recommend. The IAF Convention, carrying the theme ‘Transition of the Global Fashion System’ focusses on global industry developments whereas the EURATEX convention, themed “A new paradigm for the European Textiles and Clothing Industry”, has a strong European focus. Therefore, the two conventions are perfectly complementary.

The Antwerp Convention will be the first ‘live’ meeting for the industry in nearly two years’ time. That’s why the convention will combine knowledge with social events, notably the IAF and EURATEX joint networking dinner on 8 November in the Antwerp Fashion Museum.

Previous speakers at the EURATEX and IAF conventions came from PVH, Hugo Boss, Zegna, as well as European Commission, McKinsey, OECD, and London College of Fashion. About 150 delegates at each event, from over 20 countries are expected.

For more information click here.

Combining expertise for more sustainable fashion
Ever wonder how much water was used to make your favorite cotton T-shirt? About 2,700 liters, or roughly three years of drinking water. What first comes to mind is probably the water that was essential to growing the cotton crop. Surprisingly, cotton is a drought-tolerant plant, and often less recognized is the strain that can be put on water resources to dye cotton textiles.

Progress is being made across the industry to lessen the strain on our precious water resources. Over the past several years, Dow collaborated with Cotton Incorporated to research and validate their product, ECOFAST™ Pure Sustainable Textile Treatment, that can help drastically reduce water and chemical use during the dyeing process. Major fashion brands are integrating it into their supply chain to dye more sustainably, without sacrificing color or quality.

Problem
Cotton dyeing is very resource-intensive and puts strain on local waterways. A large amount of water is used in the dyeing process – up to 5 trillion liters a year, or nearly enough to supply all of humanity with drinking water. Significant amounts of chemicals and dye are needed to get the desired colors consumers expect too. This is part of the reason textile mills account for 20% of industrial water pollution globally. Wastewater from the dyeing process can be polluting and require costly treatment and these challenges are found in regions that already face water scarcity.

Solution
Reforming processes in an industry as established as textiles is no easy feat. Collaboration across the sector is needed to bring about sustainable change. With that in mind, Cotton Incorporated approached Dow. They wanted help scaling a cotton technology to support more sustainable textile dyeing.Leveraging Cotton Incorporated’s industry expertise and Dow’s material science knowledge, they worked together to understand and validate the benefits of our patented ECOFAST™ Pure Sustainable Textile Treatment.

How can colors be more responsible?  
ECOFAST™ Pure is a pretreatment applied before the dyeing process to produce cationic cotton. This means the charge of cotton is permanently changed from negative to positive, so it acts like a magnet to attract negatively charged dye to the material. How does that benefit the textile mill? It significantly decreases the amount of water, chemicals, dye and energy needed to color cotton. A third party reviewed and validated life cycle assessment, available by request, helped further prove the benefits.

• Frankfurt Fashion Week lanciert digitales FFW Studio
• Keine physische Veranstaltung im Sommer 2021

Dafür haben die initiierenden, die Messe Frankfurt und die Premium Group, das FFW STUDIO entwickelt. Die Tradeshows Premium, Seek, Neonyt und The Ground sowie die Runwaypräsentationen werden aufgrund der andauernden pandemischen Situation auf 19. bis 21. Januar 2022 verschoben.

Ausschließlich digital – die andauernd volatile Covid-19 Situation in Deutschland und die bundesweite Beschlusslage seitens der Bundesregierung gebieten den Initiierenden der Frankfurt Fashion Week, sich für die erste Frankfurt Fashion Week vom 5. bis 9. Juli 2021 auf größtenteils digitale Formate zu konzentrieren. Als zentraler, digitaler Raum dafür wird das FFW STUDIO lanciert. Die Messen Premium, Seek, Neonyt und The Ground sowie die Runwaypräsentationen werden für den Sommer 2021 abgesagt und dann erstmals im Januar 2022 in der Mainmetropole ausgerichtet.

Neben den pandemischen Rahmenbedingungen ist vor allem die partnerschaftliche Verantwortung gegenüber allen Stakeholder*innen ausschlaggebender Punkt für diese Entscheidung – schließlich würde ein unverändertes Festhalten an den bisherigen Planungen das finanzielle Risiko für eine physische Durchführung der Frankfurt Fashion Week auf die Schultern der Austeller*innen, Besucher*innen und Partner*innen verlagern. Die Prognosen hinsichtlich des Impffortschritts stimmen aktuell grundsätzlich positiv. Dennoch müssen Tradeshows und Präsentationen, die auf der physischen Präsenz eines internationalen Besucher*innen- und Aussteller*innenportfolios aufbauen, den zum jetzigen Zeitpunkt maßgeblichen Entscheidungsfaktoren Rechnung tragen. Zu diesen zählen insbesondere sowohl externe Kriterien, wie andauernde Einschränkungen im Reiseverkehr sowie umfangreiche Quarantänebestimmungen als auch unternehmensinterne Aspekte wie Reiserestriktionen oder auch Kurzarbeitsregelungen, die Stakeholder*innen eine Zusage der physischen Teilnahme an der Frankfurt Fashion Week Anfang Juli 2021 momentan unmöglich machen.

Digital Impulse für die Transformation der Fashionbranche setzen
„Jetzt heißt es, nach vorne blicken. Wir sind angetreten, um die Frankfurt Fashion Week mit ihrem Ecosystem zum Taktgeber der Mode- und Textilbranche zu machen und relevante Zukunftsthemen auf der Agenda der Industrie zu setzen. An diesem Anspruch halten wir fest. Beispielsweise der neue Frankfurt Fashion SDG Summit presented by der Conscious Fashion Campaign in Zusammenarbeit mit dem United Nations Office for Partnerships und die durch die "New European Bauhaus"-Initiative der Europäischen Union inspirierte Konferenz „The New European Bauhaus – Werkstatt der Zukunft“, organisiert vom Fashion Council Germany in Kooperation mit der Frankfurt Fashion Week, versprechen einen hochkarätigen digitalen Aufschlag. Unserer Intention, in Frankfurt eine Fashion Week gänzlich neu zu interpretieren und einen international Impact entwickelnden Impuls zu setzen, wie die Zukunft der Modeindustrie transformativ zu gestalten ist, werden wir somit auch unter diesen herausfordernden Umständen gerecht!“, sagt Detlef Braun, Geschäftsführer der Messe Frankfurt.

„Es bricht mir das Herz, zum dritten Mal in Folge unsere Tradeshows, Konferenzen und Events, ebenso die geplanten Kollektionspräsentationen und Showen abzusagen. Machen wir uns nichts vor, für die Fashionbranche ist das dramatisch. Uns bleibt nichts anderes übrig, als den Tatsachen ins Auge zu sehen, die Konsequenzen zu ziehen und die physischen Elemente einer Frankfurt Fashion Week – auf die wir uns alle so sehr freuen – für den Januar 2022 zu planen. Für den Juli werden wir nun alle Kräfte bündeln, um auch ohne persönliches Get-together unserer Verantwortung der Branche gegenüber digital gerecht zu werden: Im FFW STUDIO werden wir Inspiration bieten, vor allem aber die Themen zu Sustainability und Digitisation vorstellen und auf höchstem Niveau in entsprechenden Formaten diskutieren. Es geht darum, eine Art Pre-Season unserer Vision einer neuen Frankfurt Fashion Week, trotz Corona, Realität werden lassen“, sagt Anita Tillmann, Managing Director der Premium Group. "Jetzt erst recht!"

Das FFW STUDIO entsteht auf der Website www.frankfurt.fashion und wird der zentrale Anlaufpunkt für alle Textil- und Modeprofis, Fashion People und Interessierte. In einem professionell kuratierten Live-Stream wird während der Frankfurt Fashion Week eine ganzheitliche User Experience entstehen, die mit den vier Kanälen Trade Show, Conference, Experience sowie Arts & Entertainment die vier Säulen des Frankfurt Fashion Week Ökosystems abbildet und dabei stets die Leitmotive Sustainability und Digitisation in Szene setzt. Die Inhalte werden im Anschluss an die Liveübertragung in Form einer Video-on-Demand-Serie allen Stakeholdern für die Interimssaison zur Verfügung stehen. So entsteht eine konzentrierte und hochqualitative Essenz der zukunftsorientierten Themenfelder der Frankfurt Fashion Week.
Das Programm ist State-of-the-Art und wird gemeinsam mit Partner*innen aus Politik, Handel, Industrie und Medien entwickelt: In exklusiven Future Talks internationaler Leitmedien werden zukunftsrelevante Fragestellungen mit führenden Entscheidungsträger*innen der Branche diskutiert. Weitere Programmhighlights sind Deep Dives und Einblicke in die beiden Leit-Konferenzen der neuen Frankfurt Fashion Week, der Frankfurt Fashion SDG Summit sowie die Konferenz „The New European Bauhaus – Werkstatt der Zukunft“, die beide erstmals im Rahmen der Frankfurt Fashion Week ausgerichtet werden. Die Programmdetails werden zeitnah bekanntgegeben.