From the Sector

Die Frankfurt Fashion Week geht im Januar mit Konferenzformaten, Panels, Diskussionsforen und dem digitalen FFW Studio an den Start. Im Fokus: der Wandel in Richtung Nachhaltigkeit und Digitalisierung der Branche. Vom 17. bis 21. Januar 2022 zeigt die FFW, wie dieser Wandel gelingen kann. Einen umfangreichen Einblick in den State of the Art der Industrie geben die dreitägigen Leit-Konferenzen Fashionsustain und Fashiontech sowie das Programm des digitalen FFW Studios.

Der Content der multidisziplinären Konferenzen, Panels und Diskussionsrunden der Frankfurt Fashion Week richtet sich komplett an den Leitthemen der FFW – Sustainability und Digitisation – aus. Die beiden Konferenzformate Fashionsustain, veranstaltet von der Messe Frankfurt, und Fashiontech, organisiert von der Premium Group, zeigen drei Tage lang, wie die Branche den notwendigen Wandel in Richtung Nachhaltigkeit und technologischer Innovation bestreiten kann. Vom 18. bis 20. Januar 2022 treffen Branchenexpert*innen, Modeenthusiast*innen, Brands sowie Vertreter und Vertreterinnen aus Wissenschaft und Politik für die beiden Konferenzen auf dem Gelände der Messe Frankfurt aufeinander, um sich gegenseitig zu inspirieren und auszutauschen.

Wir freuen uns unglaublich darauf, die Branche nach so einer langen Zeit bei uns in Frankurt zu begrüßen, um gemeinsam nachhaltige Alternativen für die Fashion- und Textilbranche zu erarbeiten und neue Impulse zu setzen. Unser Programm ist inspirierend – Vertreterinnen und Vertreter der Politik, Wissenschaft und Wirtschaft nehmen ebenso teil wie Gründer*innen nachhaltiger Start-Ups. Die FFW wird zur Plattform des Austauschs, zugänglich für die gesamte Branche“, sagt Olaf Schmidt, Vice President Textiles & Textile Technologies der Messe Frankfurt.

Fashionsustain – Digitale Lösungen für einen nachhaltigen Transformationsprozess
Change the set-up – unter diesem Motto vereint die Fashionsustain, das internationale und multidisziplinäre Konferenzformat der Neonyt, die Mode- und Lifestylebranche vom 18. bis 20. Januar 2022 in Halle 3.0 des Frankfurter Messegeländes. Technologische Innovationen, neue Geschäftsmodelle, Ansätze für den Modehandel, Konsumverhalten, Gaming und Nudging for Good stehen auf der Agenda. Der erste Konferenztag nimmt die Konsument*innen in den Fokus. Neurowissenschaftlerin und Professorin für Medienpsychologie Prof. Dr. Maren Urner spricht unter anderem mit NGO-Vertreter*innen und Branchenexpert*innen darüber, wie die Lücke zwischen Einstellungen und Kaufverhalten geschlossen werden kann und welche Verantwortung dabei Brands und Vertreter*innen der Industrie tragen.

Tag zwei der Konferenz steht ganz im Namen der Digitalisierung. Unter dem Titel „Digitization. How to make use of it to create sustainable fashion“ tauscht sich eine diverse Runde darüber aus, wie digitale Tools dabei helfen, nachhaltige Mode zu kreieren. Mit dabei sind das dänische Kreativnetzwerk Creative Denmark, das Label Son of a tailor und die Circularity App Create2stay. Der letzte Tag der Fashionsustain thematisiert den Handel. Unter anderem vertiefen die Startups Yook und Keepoala in einem Interview, wie sie ihre Konsument*innen über Apps mit positiven Anreizen dazu motivieren, nachhaltiger zu shoppen.

Fashiontech – Die Content-Plattform für Mode, Technologie und Lifestyle
Am Puls der Zeit: Auf der Bühne der Fashiontech werden im Januar die Themen in den Fokus gerückt, die nicht nur die Modeindustrie, sondern die gesamte Gesellschaft bewegen. Sustainability, Diversity & Inclusion, Digital Fashion & Metaverse – das sind die Themen der Konferenz, die vom 18. bis 20. Januar 2022 von der Premium Group in Halle 3.1 ausgerichtet wird. Edutainment at its best: Keynotes und Paneltalks führender Branchenepert*innen geben Einblicke in die Zukunft der Branche. Den Start der Konferenz macht am Dienstag um 12 Uhr die Textilwirtschaft Trend-Info Womens- & Menswear. Als Highlight gibt die Premium Group eine Preview auf das neue Fashion Festival THE GROUND, das erstmalig im Sommer stattfinden wird.

FFW Studio – gebündelter Content, zugänglich für alle
Im FFW Studio dreht sich in der kommenden Saison alles um digitale Lösungen für nachhaltige Innovationen. Virtuelle Anproben, ressourcenschonenderer Handel, digitale Ausstellungen: Das Kölner Unternehmen 3MBASSY erschafft virtuelle Bekleidungskonstruktionen und erstellt 3DDesigns. In der Kategorie Game Changer des FFW Studios zeigt die Brand, wie die digitale Modewelt sich zukünftig entwickeln wird und welche Chancen daraus abzuleiten sind. Ebenfalls mit dabei ist die Digital Fashion Brand Republique. Das Label kreiert virtuelle Mode, die Kund*innen über ihren eigenen Avatar anprobieren und perfekt auf sich zuschneiden lassen können. Erst nach der Bestellung beginnt die Produktion – ressourcenschonend und fair. Im FFW Studio gibt die Brand aus England Insights in die Prozesse hinter der digitalen Revolution. Das britische Label Broken Planet Market präsentiert im FFW Studio seine neue Kollektion und beweist, wie gut Mode und Nachhaltigkeit zusammenpassen.

On 27 November 2021, the Scientific Award for International Sustainable Aviation and Energy Society (SARES Award) was awarded to Professor Dr Thomas Gries from the Institut für Textiltechnik of RWTH Aachen University. The award ceremony took place during the closing ceremony of the International Symposium on Sustainable Aviation (ISSA) in a hybrid format online and simultaneously at Kasetsart University, Bangkok, Thailand.
 
With the award, the committee recognised the ongoing contribution of Pro-fessor Gries and the Institut für Textiltechnik to the digitisation and bio-transformation of the textile sector, as well as the Institute as a place of innovation for sustainable aviation.

Examples of this include the development of 3D braided ceramic matrix composite components for aircraft engines, which were researched together with partners in a Horizon 2020 project (EU project AllOxITD). The ongoing Chrysomallos research project as another example, funded under the national aeronautics research programme in Germany, aims to develop a completely new and sustainable high-performance insulator for aircraft cabins based on aerogels. These have a significantly lower weight than the glass fibre mats used up to now, while providing the same insulation performance, and solve the problem of the previously high manufacturing costs of aerogels. The aim of the project is to develop an insulation material with reduced density (reduction of more than 20 percent). To this end, a new type of insulation material based on aerogel is to be developed. The basis is an aerogel fleece (0.06 W/mK at 28 kg/m³), which has already been developed as part of a dissertation at the Institut für Textiltechnik of RWTH Aachen University (Mroszczok, J.: 2019).

The aviation industry is one of the fastest growing industries in the world. Due to this fact and its importance for society and the global economy, it needs to make special efforts towards sustainability. The ISSA, an international multi-disciplinary symposium, aims to address current issues in aviation such as improving aircraft fuel efficiency, promoting the use of biofuels, minimising environmental impact, mitigating greenhouse gas emissions and reducing engine and aircraft noise. ^

Through the award, SARES honours scientists and researchers whose work on sustainable aviation issues has made an important contribution at the international level. The selection is based on the scientific publications of the applicant or nominee, the h-index, i.e. the key figure for the worldwide perception of a scientist in professional circles, the project topics and the project results.

As the demand for recycled plastics grows, so does the size of the machines. This applies to the processing of polyolefins as well as to PET recycling. With its unique dimensions and production capacity, this new size of plant features a screw diameter of 280 mm, implemented for the first time in a VACUREMA® Basic 2628 T large-scale project for producing rPET pellets. EREMA has just shipped the plant to a customer in Brazil.

Up to 40,000 tonnes per year of rPET meeting the highest quality standards can now be produced. "For this purpose, we installed a screw with a length of ten meters, a diameter of 280 millimetres and a weight of 3.5 tonnes, which is the largest ever used in one of our recycling machines," explains Managing Director Michael Heitzinger. The screw was manufactured by 3S, a subsidiary of EREMA GmbH. No less impressive is the reactor of this recycling system, which, with a height of around 10 metres, is also unique and almost reaches the roof of the new production hall. 500 tonnes of input material were recycled during the test phase, which was subject to strict quality control. "The entire project was a great team effort," Heitzinger said, thanking everyone involved.

EREMA as a partner for large-scale projects
Just four years ago, the largest extrusion line supplied by EREMA was designed for a throughput of 15,000 tonnes per year. This size of plant was ordered by customers once or twice a year. In the meantime, machines like this leave the production site in Ansfelden every month. As early as 2020, EREMA proved to be a pioneer and reliable partner for implementing unique large-scale projects. That was when the food and beverage packaging manufacturer Envases Universales Mexico commissioned two VACUREMA® Basic 2625 T machines, each with a screw diameter of 250 mm and a capacity of 30,000 tonnes per year.

Das Technologieunternehmen Epson hat mit der italienischen Luxusmodemarke Brunello Cucinelli eine Partnerschaft geschlossen, um das PaperLab von Epson einzusetzen. Das PaperLab ist ein innovatives und nachhaltiges Papierrecyclingsystem, das es Unternehmen ermöglicht, den Ressourcenkreislauf zu schließen und die Kreislaufpapierwirtschaft auf ihrem Weg zur Nachhaltigkeit vollständig zu nutzen.  

Mit dem PaperLab von Epson können Unternehmen Papier in einem Prozess recyceln und upcyceln – eine zirkuläre Lösung, die Papier, Abfall und Energieverschwendung erheblich reduziert. So kann Brunello Cucinelli sein Papier in einem einzigen Prozess nicht nur recyceln, sondern auch upcyceln.

Epson hat sich im Rahmen seiner Unternehmensvision „Epson 25“ verpflichtet, die Emissionen in der Lieferkette bis 2030 um mehr als zwei Millionen Tonnen zu reduzieren. Die Strategie ebnet Unternehmen den Weg, ihre Geschäftsmodelle anzupassen. Ein Beispiel hierfür ist ein funktionierender Recyclingkreislauf in Büros. Etwa die Hälfte des gesamten Abfallaufkommens im Büro ist Papier, mit entsprechenden CO2-Fußabdruck. Es wird geschätzt, dass Papier mehr als ein Viertel des gesamten Abfalls auf Deponien ausmacht und ursächlich für rund 42 Prozent der weltweiten Holzernte ist.

Das PaperLab fungiert als Katalysator für ein zirkuläres Büro-Ökosystem, indem es gleichzeitig Wasser und Holz spart und CO2-Emissionen reduziert. Basierend auf der innovativen Dry Fiber-Technologie von Epson kann das PaperLab stündlich bis zu 720 A4- oder 360 A3-Blatt Papier produzieren. Neben Umweltaspekten ist das PaperLab auch unter Sicherheitsgesichtspunkten interessant, denn das Papier wird so zerstört, dass sensible Inhalte nicht wiederhergestellt werden können.

Microplastic pollution is a global challenge across many industries and sectors – one of critical importance being textiles.

A 2021 study by the California Ocean Science Trust and a group of interdisciplinary scientists acknowledges that microfibres from textiles are among the most common microplastic materials found in the marine environment. Every time synthetic clothes are manufactured, worn, washed, or disposed of, they release microplastics into terrestrial and marine environments, including human food chains. Synthetic fibres represent over two-thirds (69%) of all materials used in textiles, a proportion that is expected to rise to 73% by 2030. The production of synthetic fibres has fuelled a 40-year trend of increased per capita clothing consumption.

Global textile consumption has become:

• more reliant on non-renewable resources,
• less biodegradable, and
• increasingly prone to releasing microplastics.

The increased consumption is also discretionary, driven by consumer desire and remains unchecked. Thus, the long-term trend in the textile industry parallels the intentional addition of microplastics to products such as cosmetics. The contrast is that the European Chemicals Agency (ECHA) has recommended such intentional additions be restricted, whereas the over-consumption of synthetic fibres continues unchecked. One way for the EU to account for and mitigate microplastic pollution is through an EU-backed methodology measuring and reporting microplastic emissions, so that consumers and procurement officers have the information needed to minimise microplastic pollution resulting from their purchasing decisions.

There is a critical opportunity to address microplastic pollution in the fashion textile industry through the EU Product Environmental Footprint (PEF) methodology. To meet the environmental objectives of the Circular Economy Action Plan, the EU is proposing that companies substantiate their products’ environmental credentials using this harmonised methodology. However, microplastic pollution is not accounted for in the PEF methodology. This omission has the effect of assigning a zero score to microplastic pollution and would undermine the efforts of the European Green Deal, which aim “to address the unintentional release of microplastics in the environment.”

The incorporation of microplastic pollution as an indicator would increase the legitimacy of the PEF method as well as better inform consumer purchasing decisions, especially as the European Green Deal seeks to “further develop and harmonise methods for measuring unintentionally released microplastics, especially from tyres and textiles, and delivering harmonised data on microplastics concentrations in seawater.”

Whilst we continue to learn about the damage of microplastics and there is new knowledge emerging on the toxic impacts along the food chain, there is sufficient information on the rate of microplastic leakage into the environment to implement a basic, inventory level indicator in the PEF now. This is consistent with the recommendations of a review of microplastic pollution originating from the life cycle of apparel and home textiles. There are precedents in PEF for basic level (e.g., ‘resource use, fossils’) and largely untested (e.g. land occupation and toxicity indicators) indicators, and therefore an opportunity for the EU to promote research and development in the measurement and modelling of microplastic pollution by including such emissions in the PEF methodology. For such an indicator, the long and complex supply chains of the apparel and footwear industry would be a test case with high-impact and a global reach.

The Lenzing Group, a world-leading provider of wood-based specialty fibers, has been recognized for leadership in corporate sustainability by global environmental non-profit organization CDP, securing a place on its prestigious “A List” for tackling climate change as well as acting to protect water security and forests. Lenzing is one of 14 companies worldwide that were recognized with an outstanding triple “A” for environmental leadership in climate change, water security and forests. Through significant demonstrable action on climate, water security risks and deforestation, Lenzing is leading on corporate environmental ambition, action and transparency worldwide.

The world’s economy looks to CDP as the gold standard of environmental reporting with the richest and most comprehensive dataset on corporate and city action. In 2021, over 590 investors with over USD 110 trillion in assets and 200 major purchasers with USD 5.5 trillion in procurement spend requested companies to disclose data on environmental impacts, risks and opportunities through CDP’s platform. 13,000 companies responded.

Sateri’s Lyocell facility in Rizhao, Shandong Province, has been awarded the Sustainable Textile Production (STeP) certification for responsible production, making it the first Lyocell producer in China to be certified to the rigorous standards set by independent Swiss-based certification organisation OEKO-TEX®. Sateri’s Lyocell facility has also obtained the highest ranking of level three in the certification assessment scoring for exemplary implementation of best manufacturing practices.

Together with its earlier achievement of the STANDARD 100 by OEKO-TEX® certification that confirms its Lyocell fibre is free from any harmful substances and complies with European standards, Sateri’s lyocell products are qualified to carry the MADE IN GREEN by OEKO-TEX® product label. This label not only attests to Sateri’s Lyocell fibre as safe and manufactured in environmentally-friendly, socially responsible and safe facility, but also the Group’s commitment to higher levels of transparency and accountability through the product traceability feature of the label.

The STeP by OEKO-TEX® certification comprises three levels describing the extent to which a company has achieved sustainable production and working conditions of factories in the textile industry. The areas of assessment include chemicals management, environmental performance, environmental management, social responsibility, quality management, as well as occupational health and safety.

Sateri’s Lyocell fiber factory in Rizhao commenced operation in May 2020, with an annual output of 20,000 tonnes of Lyocell fiber. The same site houses a 5,000 tonne Lyocell pilot production line dedicated for the development of Lyocell application technology. In March 2021, the Group announced plans to expand its Lyocell annual production capacity in China up to 500,000 tonnes by 2025.

A natural and biodegradable fibre, Sateri’s Lyocell is made from wood pulp sourced from certified and sustainable plantations. It is manufactured using closed-loop technology, requiring minimal chemical input during the production process, and utilising an organic solvent that can be almost fully (99.7%) recovered and recycled.

Sateri’s Lyocell is used to produce high quality textiles and personal hygiene materials. Using a unique high technology manufacturing process, it has outstanding dry and wet strength, high uniformity and consistency, and superior quality. It blends well with various textile fibres to create different fabric styles and characteristics for wide downstream applications.

• RadiciGroup and DKB introduce the first “circular” ski suit
• A garment made of yarn obtained from recycled materials and designed with end-of-life recyclability in mind, without compromising style, design and technical performance.
• RadiciGroup Ski Club athletes will be the first ambassadors of this sustainability project

The first truly sustainable ski suit, featuring Italian style and design and a zero-kilometre supply chain, is finally here. Two Bergamo companies of excellence played the leading roles in the conception and realization of this highly innovative fashion-sport garment: RadiciGroup, a world leading producer of chemical intermediates, polyamide polymers, high-performance engineering polymers and advanced textile solutions, and DKB, a company specializing in technical sportswear with the same brand name.

The ski suit, consisting of jacket and trousers, is fashioned with a fabric made of RENYCLE, a RadiciGroup yarn obtained from mechanically recycled polyamide (nylon), which affords notable savings in energy and water consumption, as well as lower CO2 emissions. In addition, the suit’s padding and numerous accessories, such as zippers, Velcro, buttons and thread, are also made of polyamide.

This achievement was made possible by the great teamwork of RadiciGroup and DKB on the research and development of chemically compatible materials that can be used in special applications requiring high technical performance. The end result is an almost mono-material garment that significantly facilitates end-of-life recycling. It can be more easily converted into polymers for use in the manufacture of ski boot components and bindings, in addition to applications in the automotive and furnishing industries, or in any other sector requiring the characteristics of high performance polyamides.

The ski suit by RadiciGroup is thus an all-round application of ecodesign and circular economy principles to fashion and garment making, which justifies the claim “Una sostenibilità all’altezza delle nostre montagne” [Sustainability worthy of our mountains] written in a logo patch on the inside of the jacket.

“I am particularly proud of this achievement, a synthesis of my passion and effort,” said Angelo Radici, president of RadiciGroup. “I’ve always loved mountaineering and skiing, and, together with my collaborators, I work hard at our company day in and day out to find innovative solutions that improve the sustainability of our industry. This ski suit is concrete proof of the fact that textiles and apparel can be made sustainable without compromising on comfort, design, looks or performance. I will never get tired of repeating that collaboration among the firms along the production chain is crucial to manufacturing goods with an ecodesign approach, considering their end-of-life recyclability and, thus, potentially giving them unlimited durability. Upstream producers, like us, gladly share our know-how in materials chemistry and experience in recycling with our downstream partners, so that, together, we can find sustainable and viable solutions in the various sectors where we operate.”

• Maßnahmen und Zielerreichung
• "Unser oberstes Ziel ist es, unseren Kunden die besten nachhaltigen Technologien zu liefern", sagt Yoshiro Nagafusa, Präsident von Epson für Europa, dem Nahen Osten und Afrika (EMEAR).

Bereits zum vierten Mal publiziert Epson seinen Nachhaltigkeitsbericht für den europäischen Raum. Der Technologiekonzern gibt mit dem Bericht einen Überblick über seine Maßnahmen und Fortschritte in den Bereichen Umwelt, Soziales und Unternehmensführung für das Jahr 2020/21.

„Wir setzen uns Ziele und sprechen klar über Erreichtes, die nächsten Schritte und wo wir noch mehr tun müssen“, sagt Henning Ohlsson, Direktor für Nachhaltigkeit bei Epson in EMEAR und Geschäftsführer der Epson Deutschland GmbH. „Der Bericht ist keine Auflistung von Aktivitäten und Planungen. Es geht darum, nachhaltiges Wirtschaften aktiv voranzutreiben, Fortschritte zu kommunizieren aber auch die Wege und Ideen dorthin breit zu diskutieren und für nachhaltiges Handeln zu motivieren“, so Ohlsson weiter. „Der Report soll dazu einladen, selbst aktiv zu werden und sich mit unseren, aber auch den eigenen Ideen auseinanderzusetzen.“

Inhalte und Schwerpunkte

Den europäischen Nachhaltigkeitsbericht „The Green Choice“ erstellt Epson jährlich seit 2017 – auf freiwilliger Basis. Er bietet allen Interessierten einen strukturierten Einblick in die Nachhaltigkeitsaktivitäten des Unternehmens und macht Handeln mit dem anderer Unternehmen vergleichbar, indem er sich an der Methodik der allgemeinen CSR-Berichtspflicht – konkret dem Vorschlag für eine europäische Richtlinie zur Nachhaltigkeitsberichterstattung von Unternehmen (COM 2021) – orientiert. Die Daten im Bericht beziehen sich hauptsächlich auf die europäischen Epson-Niederlassungen in Frankreich, Deutschland, Italien, den Niederlanden, Spanien und im Vereinigten Königreich.

Inhaltlich bilden die Bereiche Umwelt, Soziales und Unternehmensführung (Environment, Social und Governance / ESG) die Richtschnur für den Report. Eine ausführliche Materialitätsanalyse, der Status der Treibhausgasemissionen, Informationen zu Recycling und Lieferkette sind genauso Bestandteil des Berichts wie aktuelle Zertifizierungen, Epson-eigene Technologien und Innovationen wie z.B. die Heat-Free Drucktechnologie und das PaperLab (Papier-Recyclingmaschine) sowie soziale Projekte und Maßnahmen für Mitarbeitende.

Umweltvision 2050 – Ziele bis 2050

Epson stellte im März 2021 seine überarbeitete Umweltvision 2050 vor, in der wesentliche globale Meilensteine des Unternehmens festgelegt sind. Langfristige Ziele sind eine negative CO2-Bilanz sowie der Verzicht auf nicht-erneuerbare Rohstoffe[1] bis zum Jahr 2050.

Zur Erreichung dieser Ziele hat Epson verschiedene Zwischenschritte definiert. So soll:

• Bis 2023 in allen Werken und Niederlassungen weltweit 100 Prozent Strom aus erneuerbaren Energien genutzt werden.
• Bis 2025 eine Reduktion der direkten Emissionen, Scope 1 und 2, um 19 Prozent sowie der indirekten Emissionen, Scope 3, um 44 Prozent angestrebt (anerkannt von der Science Based Target Initiative) werden.
• Bis 2030 die Gesamtemission gemäß dem Szenario einer Erderwärumung von nicht mehr als 1,5[2] verringert werden.

Um diese Ziele zu erreichen, setzt Epson auf vier wesentliche Bereiche: die Nutzung von erneuerbaren Energien (Dekarbonisierung), einen geschlossenen Ressourcenkreislauf, die Entwicklung von spezifischen Umwelttechnologien und den Einsatz nachhaltiger Produkte und Dienstleistungen im Unternehmen, in Lieferketten und beim Kunden. Zur Umsetzung dieser Maßnahmen plant Epson etwa 770 Millionen Euro (100 Milliarden Yen) in den nächsten zehn Jahren ein.

Huntsman Textile Effects is bringing its complete end-to-end suite of high-performance solutions for sports apparel to Performance Days Digital Fair from December 1 to 2, 2021 virtually.

Driven by growing consumer interest in active and healthy lifestyles, coupled with the growing number of national sports participation programs that promote healthy living, the global sportwear market shows no signs of slowing. Brands that aim to satisfy this high-growth market need to be able to produce performance apparel that not only delivers sought-after functional capabilities and desirable aesthetics, but also comes with low environmental impact.

Huntsman will introduce the latest addition to the third generation of its revolutionary AVITERA® SE polyreactive dye range at Performance Days. AVITERA® ROSE SE delivers bluish-red shades while reducing the water and energy required for production by up to 50% and increasing mill output by up to 25% or more. It also significantly outperforms available dyeing technologies for cellulosic fibers and blends in terms of value, reducing recipe costs, minimizing processing costs and eliminating reprocessing.

Also in the spotlight are eco-friendly solutions for the challenges of achieving full whites and consistent shades on recycled polyester (rPET) with right-first-time quality. Huntsman’s rPET processing solutions include pre-treatment chemicals, fluorescent whitening agents, state-of-the-art washfast dyes, and finishing solutions for high-performance protection and comfort.

In partnership with Sciessent, Huntsman is also bringing revolutionary antimicrobial and odor-control solutions to Performance Days. These include Sciessent’s Agion Active® X2, a next-generation odor-control solution that combines advanced technologies to both capture and fight odor-causing bacteria for garments that smell fresh for longer and need less frequent washing. The partners are also previewing a new solution: Sciessent’s NOBO™, a cost-effective odor adsorber that provides odor control on virtually any fabric.

Other featured innovations include Teflon Eco Dry with Zelan™ R2 Plus technology. A breakthrough in sustainable water repellency, it contains 30% renewably sourced plant-based raw materials and meets or exceeds performance levels possible with traditional fluorinated technologies. Another exciting Huntsman solution is the new PHOBOL® Extender UXN – a product that optimizes water-repellent finishes for long-lasting fabric protection. It is free from butanone oxime, which has recently been re-classified in Europe and restricted above certain limits in products by bluesign®.