From the Sector

Trevira CS is exhibiting for the first time at CSI Miami (Cruise Ship Interiors Design Expo Americas). Taking place on 6 – 7 June, 2023 at the Miami Beach Convention Center, CSI will bring together buyers and suppliers involved in cruise ship interiors, including interior designers, architects, outfitters, shipyards and suppliers.
 
On the Trevira CS stand, visitors can get an idea of the wide range of flame retardant fabrics suitable for use on board cruise ships. 53 fabrics from 20 Trevira CS customers will be on display that either have IMO certification and/or have been tested to the fire safety standards (FTP Code) required in the marine sector. Trevira CS fabrics are inherently flame retardant, meaning that their flame retardant properties cannot be washed out or lost through aging or use. This is due to the chemical structure of the polyester fiber: the flame retardant properties are firmly anchored in the fiber and cannot be altered by external influences. A surface-applied flame retardant finish is therefore not necessary.

In the marine sector, the demands placed on textiles are not only high in terms of fire protection, but also with regards to light resistance and durability. This is particularly true for textiles used in outdoor applications. These must be extremely robust, as they are exposed to moisture and sunlight. To meet these requirements, Trevira CS has launched a range of 30 new spun-dyed, UV-stable filament yarns. Besides color depth and durability, spun-dyed yarns offer another advantage: They are more sustainable because the fabrics made from them can be produced in a more environmentally friendly way than textiles that are dyed in one piece or consist of brightly colored yarns. In fabric production, a large share of resource consumption goes to the dyeing and finishing of fabrics as well as the use of chemicals and water. However, with spun-dyed yarns, these processing steps are unnecessary – the yarn immediately comes out of the spinneret in the desired color, reducing the products’ environmental impact.

The topic of sustainability is also taken up in other Trevira CS products. For example, Trevira CS fabrics are available in recycled versions. They consist of fiber and filament yarns obtained in different recycling processes. Filament yarns are produced using recycled PET bottles, they contain 50% post-consumer recycled material. Recycled fibers are obtained using an agglomeration plant and in further processing steps from residual pre-consumer waste from production. They consist of 100% recycled material (pre-consumer recycling). All flame retardant recycled Trevira® products are GRS (Global Recycled Standard) certified.
Fabrics made from these yarns are marked with the Trevira CS eco trademark. The prerequisite for this is a recycled content of at least 50%. Among the fabrics presented at the Trevira CS trade fair stand are 8 fabrics bearing the Trevira CS eco brand.

The long-term goal in developing sustainable products is undoubtedly to enter a circular economy. For this new path, an innovative Trevira CS product development was launched, producing flame retardant fibers and filament yarns from chemically recycled raw material. In this case, the basic raw material for the chemical recycling was PET bottles, but essentially it could be most any other PET recyclables, such as packaging material or even textiles. Chemical recycling involves depolymerization, a sequence of chemical reactions in which the polymer chains are broken down again into their original components, i. e. the monomers. In a further processing step, impurities are removed. Before the polymerization process is initiated, a small amount of MEG (mono ethylene glycol) is added.

The same technology used to produce the original (virgin) raw material for Trevira CS is also used here. The flame retardant modification is added during polymerization. In this way, the flame retardant properties are indelibly anchored in the polymer.

By recycling valuable materials such as packaging material, waste can be avoided. The raw material obtained from the recycling process is comparable to the original material can be used again in high-quality products.

With many trade fairs restarting their event schedules worldwide, and China notably relaxing border restrictions for travellers entering the country, global industry players are looking forward to the return of the Asian home textile show.

The Autumn Edition, which is more targeted towards international participants, will take place at the National Exhibition and Convention Center (Shanghai) from 16 – 18 August 2023. Due to easing travel restrictions and the promising home textiles market, the organisers expect to welcome more overseas exhibitors and visitors to the upcoming show.  

With China’s reopened borders the latest step in the global home textiles industry getting back on track, international suppliers have been actively seeking ways to reinvigorate business growth stunted by the pandemic, and participating in reputable trade fairs is a common choice.

According to TexPro, the global home textiles market is expected to grow at an annual rate of 3.5% between 2020 and 2025, with the market size to reach over USD 151 billion by the end of the forecast period. Regionally, China is expected to remain the world’s largest home textiles market with a share of over 28%.

As an important sector for the home textiles industry and the global economy in general, China has announced several policies to facilitate business and trading activities that involve foreign companies. One of the most important is the ease of the travel regulations when entering the country.

735 exhibitors and over 20,000 buyers joined the previous edition, and participants can expect a comprehensive platform in autumn. The fair will comprise a wide range of home textile products, including bedding & towelling, rugs, table & kitchen linen, upholstery & curtain fabrics, editors, home textile technologies and textile design. Intertextile Shanghai Home Textiles – Autumn Edition is organised by Messe Frankfurt (HK) Ltd; the Sub-Council of Textile Industry, CCPIT; and the China Home Textile Association (CHTA).

Kornit Digital is collaborating with furniture start-up Cozmo and London design studio Raw-Edges to showcase the unlimited creativity made possible by digitally produced custom sofa jacket designs at the London Design Festival, September 17th -25th. Dubbed “Cheek Prints,” the collection was created sustainably, quickly, and on-demand with Kornit’s digital fashion and textile production solutions. Each unique cover features visually designs intended to transform plain, standard sofas into custom creations with an entirely fresh look and feel. The collection was designed by Raw-Edges at their London design studio.

The sofa collection was produced using Kornit’s Presto direct-to-fabric digital production system. With the on-demand technology, designers can easily and rapidly embrace new possibilities to transform mere concepts into custom fabrics. Digital production removes typical limitations of one fabric, one design at a time – whether it’s a single sofa or many sofas – and at the same cost. For industries ranging from fashion and home décor to other advanced textile applications, the Kornit solution consistently unlocks unlimited creativity – producing garments and fabrics with a high quality and a soft feel.

Ferien in historischen, denkmalgeschützten Häusern liegen im Trend. Studierende an der Hochschule Luzern zum Bachelor Textildesign ließen sich von den altehrwürdigen Bauten der Stiftung «Ferien im Baudenkmal» inspirieren und gestalteten dafür Teppiche, Wohndecken und Küchentextilien.

Das Haus Tannen in Morschach, Baujahr 1341, ist eines der ältesten Häuser der Schweiz. Schon immer beherbergte es Reisende. Waren es einst vorab Handelsleute, die zwischen dem Urnerland und dem Gotthard unterwegs waren, sind es heute Feriengäste. Textildesign-Studentin Stephanie Meier von der Hochschule Luzern besuchte das Haus ebenfalls, allerdings zu Studienzwecken.

Der mittelalterliche Blockbau inspirierte die Luzernerin zur Realisierung einer Textilkollektion, die Prototypen für Geschirrtücher, Teppiche und Decken umfasst. Die Kollektion entstand im Rahmen des Studierendenprojekts «Destination Heritage» in Kooperation mit der Stiftung «Ferien im Baudenkmal». Die Stiftung verwaltet das Haus Tannen sowie rund 50 weitere historische Schweizer Bauten in allen Landesteilen und bietet sie als Ferienunterkünfte an.

«Die roten Fellläden des Hauses, die roh gehauenen Steine im Eingangsbereich, die von einem Brand gezeichneten Holzbalken, das tiefe Blau des Vierwaldstättersees – ich habe versucht, alle Facetten dieses Ortes mit meinen Entwürfen aufzugreifen», sagt Stephanie Meier. Sie verwendete für ihre Prototypen natürliche Materialien wie Leinen, Wolle und sogar Textilreste aus der Weberei. «Im Mittelalter hatten die meisten Menschen keine edlen Stoffe zur Verfügung, sondern mussten auf das zurückgreifen, was grad da war», erläutert sie. «Meine Materialwahl spiegelt diesen Umstand wider.»

Neben der Luzernerin kreierten drei weitere Bachelorstudentinnen Kollektionen für «Destination Heritage»; jede setzte sich dafür anhand eines historischen Ferienhauses mit der Baukultur ihrer jeweiligen Heimatregion auseinander: Die Thurgauerin Jana-Sophie Rehman entwarf und webte für das Fischerhaus in Romanshorn (TG), Estelle Ruedin aus der Walliser Gemeinde Venthône für das Château de Réchy in Réchy (VS) und die Flimserin Lara Grünenfelder für das Türalihus in Valendas (GR).

Als Industriepartner für die Realisierung der Küchentextilien konnte die Rigotex AG gewonnen werden. «Projekte mit Partnern aus Wirtschaft und Kultur sind ein fester Bestandteil unseres Studiums», erläutert Textildesign-Dozentin Marion Becella Neff, die das Projekt initiiert hat. Für den späteren Einstieg ins Berufsleben seien solche Kooperationen von unschätzbarem Wert, weil Studentinnen und Studenten ihre Ideen und Fähigkeiten «an der Realität spiegeln können», sagt sie. «Im Projekt treffen handwerkliche Raffinesse und industrielle Produktionsbedingungen aufeinander.»

Seitens der Stiftung begleitete Claudia Thommen, Verantwortliche Architektur und Baukultur, die vier Studentinnen und begutachtete ihre Vorschläge: «Es ist unglaublich spannend zu sehen, wie die Studentinnen die unterschiedlichen Materialitäten und baukulturellen Eigenschaften unserer Baudenkmäler in eine Textilsprache übersetzt haben.» Thommen hofft, dass sie den Studentinnen die Vielfalt der Schweizer Baukultur vermitteln konnte, wie sie sagt. «Obwohl die Schweiz klein ist, verfügt sie über ein enorm breites architektonisches Erbe. Das wissen viele Menschen nicht.»

Ihren ersten öffentlichen Auftritt hatten die Textilien Mitte August auf der Retail-Messe Ornaris in Bern – das Projekt stiess laut HSLU-Dozentin Marion Becella Neff beim Publikum auf reges Interesse. Die Stiftung «Ferien im Baudenkmal» prüft in den kommenden Monaten zudem, ob sie Geschirrtücher aus «Destination Heritage» im nächsten Jahr als limitierte Serie für die Ausstattung der Ferienhäuser auflegen kann.

At Heimtextil Frankfurt 2022, Devan, will launch novel technologies to the Home Textiles market. The first innovation is a range of bio-based and biodegradable microcapsules. With increased sustainability and circularity requirements in Europe and beyond, Devan is pushing the limits further of its encapsulation methods, also in terms of wash durability. The capsules are biodegradable and hence no harm for risk of microplastics. The new R-Vital NTL range includes evergreen Aloe Vera, waste-material based avocado seed oil with very high hydration abilities! and Vitamine E.

Devan, as part of the Pulcra Chemicals Group, co-launches the new Pulcra TEC-SU, a new biobased C0 DWR. This hydrophobic agent has a bio-content above 60% and contains no APEO or formaldehyde. It keeps performing very good after multiple washings.

The Devan bio-based thermoregulation range, like Tones of Cool Bio which is already several years on the market, is having a positive effect on carbon footprint. Devan is now expanding its cooling range with a specific foam-solution. In the Home Textile industry new (bio)foam types are introduced the last 1,5 years to comply with the EU GreenDeal and circularity / recycling requirements. A good enough reason for Devan to develop a foam-specific cooling system. After all, research shows that our bedroom interiors get warmer every year, partly due to better insulation but also due to global warming. On top of that Devan thermoregulation solutions can save Energy and Water during application: low curing solutions are available next to cooling products to that can be applied, using less water.

Huntsman Textile Effects has introduced NOVACRON® Atlantic EC-NC, one of the the industry’s first blue elements that delivers chlorine- and nitrogen oxide (NOx)-fastness alongside lightfastness for textiles, ensuring garments to look as good as new for longer.

The NOVACRON® Atlantic EC-NC blue element completes Huntsman Textile Effects’ Non-Contrasting Concept and addresses the challenges faced by mills to deliver:

• Improved light-, perspiration- and chlorine-fastness
  Ideal for the production of light-medium shades of towels and bedding and T-shirts, shirts and trousers, the dye meets the most stringent home laundering program requirements of US and Japanese brands, and also performs well in other markets where chlorine is added to water supplies.
• High NOx resistance
  NOx present in the air makes textile products more susceptible to fading during transportation, storage and retail display. The high NOx resistance of NOVACRON® Atlantic EC-NC enables mills and brands to achieve positive differentiation with textiles that are less likely to fade.
• Operational excellence
  With unique application properties for both exhaust and pad processes, and outstanding compatibility with all other trichromatic dyes, NOVACRON® Atlantic EC-NC is a breakthrough in right first-time production.

The innovative IP-protected NOVACRON® Atlantic EC-NC dye is also a great addition to the successful NOVACRON® NC concept for earth tone colors. The earth tones – from sand to brown, olive, beige, khaki and grey – are popular in casual wear and sports apparel, as well as for home and hospitality textile products such as furnishing, towels and bedding.

The Trevira CS brand will be presented at Heimtextil 2022. This year the trade fair will be held as a one-time Summer Special from 21 to 24 June in Frankfurt am Main, Germany. The booth will feature more than 200 fascinating, versatile, flame retardant Trevira CS fabrics.

These will be displayed in the Long Stay Apartment installation. Changing lifestyles, living and working arrangements as well as the housing shortage in countless large cities mean the Long Stay Apartment segment of the hospitality sector has experienced exponential growth, becoming ever more important. For this reason, it is the focus of this year’s Trevira CS booth. The presentation of the “Long Stay Apartment by Trevira CS” is intended to familiarise visitors – particularly interior architects, designers and furnishers – with the trendsetting, innovative uses of Trevira CS fabrics in the contract sector.

For the design of the apartment installation, the traditional Trevira CS Fabric Competition 2022 was announced at the end of 2021 and invited all customers to submit their latest Trevira CS products according to certain specifications. The winning fabrics will be announced at the trade fair and specially exhibited at the Trevira CS booth.

Director Marketing & Business Development Anke Vollenbröker: “Our exhibition gives exciting new insights into the modern concept of the Long Stay Apartment, presenting the live application of our customers’ Trevira CS innovations. An apartment designed for Long Stayers is a special challenge since it has to provide more than a hotel room or even an ordinary rental apartment: It needs to be an attractive temporary home while also offering the services and advantages of a hotel. We have made the Long Stay Apartment particularly “textile” and included submissions from all participants of our Trevira CS Fabric Competition 2022.”

• The vaccine pass will no longer be required for your fair
• March 24 – 28, ­­­­­2022   Paris ­­­­­­­

The French government has announced the suspension of the vaccine pass starting on March 14, in addition to the end of the mask requirement indoors (except for on public transport).Only one requirement remains...as always, you must have your badge with you to enter the fair.

So don’t wait: get ready for your visit to the fair, and prepare to rediscover the joy of spotting the season’s future must-have products.

Intertextile Shanghai Home Textiles – Autumn Edition is scheduled to hold its 28th edition at the National Exhibition and Convention Center from 15 – 17 August 2022. This leading international trade fair in Asia for home and contract textiles will continue to provide an essential business platform for the industry to meet global sourcing demands. Suppliers can now apply for a booth with an early-bird discount to showcase their trending products.
 
Ms Wendy Wen, Senior General Manager of Messe Frankfurt (HK) Ltd commented: “We were pleased that both the Spring & Autumn editions could go ahead in 2021 to provide a strong platform for exhibitors and buyers to do business and network in person during these challenging times. To allow for global participation in the show, we will continue to offer value-adding digital solutions in the coming Autumn Edition to help international participants to stay connected with their Chinese business counterparts and open up new possibilities into the growing Chinese market. Interactive webinars, live streaming product presentations, plus the featured Online Business Matching platform, will all be featured again in the hybrid fair, along with a variety of concurrent onsite events for in-person visitors.”

The August fair is preceded by the Spring Edition which will be held from 14 – 16 April. It will take place concurrently with Intertextile Shanghai Apparel Fabrics, Yarn Expo, CHIC and PH Value at the same venue.

A place for the entire home textile industry to connect
The 2021 Autumn Edition welcomed 20,106 trade buyers from 41 countries & regions and 749 exhibitors from 10 countries & regions during the three-day fair. The show also saw the return of the Belgium Pavilion, where it once again introduced a selection of high-end and premium products in its 10th consecutive year of participation.

In order to allow buyers to benefit from a time-saving and effortless sourcing experience, Intertextile Shanghai Home Textiles 2022 will once again serve as a hub for an array of home textile product categories, including:

• Bedding, Bath, Kitchen & Table
• Upholstery & Sofa Fabrics
• Curtains & Curtain Fabrics
• Carpets & Rugs
• Wall
• Design & Technics
• Whole Home
• Editors
• Contract Business

• The Green Revolution: How Microfactories Can Change the Face of Fashion by Mark Sollman, Product Manager EMEA, Mimaki Europe

With the all-important COP26 Climate Change Conference having taken centre stage in November, there is no time like the present for the fashion world to rally together in stepping up sustainability efforts and getting carbon emissions under control. Globally, the fashion industry is now estimated to account for around 10 percent of greenhouse gas emissions and 20 percent of wastewater , making the pursuit of greener production methods more pertinent than ever before. Thankfully, we are seeing a new era of production enter the fashion arena, with the increasing emergence of technologically advanced, highly automated microfactories.

Along with reducing unnecessary waste through on-demand production, microfactories have a smaller ecological footprint than traditional garment production and require no water use during the production process, making it not only a faster solution, but a greener one too.

Last year’s FESPA saw Mimaki team up with fashion designer Carolina Guzman to bring her designs to life in real time at the show, setting up its own working microfactory live on-site to take her designs from screen to garment within just a day. Guzman’s designs were created using Mimaki’s TS100-1600 Sublimation Printer, before being transferred to textile, digitally cut and finally pieced together. Devised with a string of ethical and environmental objectives threaded throughout, the microfactory also exclusively utilised eco-friendly Greentex fabric, and any remaining material was donated to Sheltersuit: a wind- and waterproof coat that can be transformed into a sleeping bag, which is provided free of charge to homeless people and refugees.

Through working with a number of strategic partners – including transfer printing expert, Klieverik; paper solutions specialist, Neenah Coldenhove; and digital cutting equipment provider, Summa – Mimaki was able to produce a collection of unique, high-quality garments live on the stand during the tradeshow, demonstrating to visitors from more than 100 countries some of the key reasons that microfactories seem set to change the future of fashion…

Unparalleled speed and versatility
Where traditionally, apparel manufacturing has centred on a production chain model of sourcing materials and producing garments in bulk, microfactories are now enabling on-demand, on-location production, making it possible to create everything from unique, one-off pieces and samples right through to entire product lines – all at unprecedented speeds. This means greater flexibility and customisation, enabling designers to modify or update designs and respond to market trends as they occur.

Simplified supply chains and minimised risk
The microfactory setup brings production in-house and on-demand, minimising the cost of not only storing stock, but also of shipping it and responsibly disposing of unsold items. Where recent geopolitical events have highlighted the fragility of global supply chains, microfactories offer a unique independence from these systems, empowering garment manufacturers to future-proof their businesses, become less reliant on external systems and suppliers, and reduce the risk of disruptions.

A boosted bottom line and a greener future
Facilitating savings in a whole line of resources, from physical storage and production space to time and energy, microfactories ultimately have the potential to significantly increase profitability for garment manufacturers, with the additional benefit of being easily scalable as production increases. Perhaps even more compelling, however, are the environmental considerations. Demonstrated on a small scale through Mimaki’s recent project, the environmental benefits inherent to microfactory production will have an even greater impact as it becomes more prolific and commonplace throughout the fashion world, with the potential to effect meaningful environmental change as adoption increases in the years to come.