From the Sector

From April 21 to 24, 2026, the Trützschler Group will present its future‑ready solutions at Techtextil in Frankfurt, Germany. Trützschler Nonwovens will showcase its latest developments for efficient nonwovens production, including comprehensive service and consulting solutions. Highlights include the fully upgraded X‑Series nonwoven cards suitable for spunlace, needle‑punching and air‑through bonding (ATB) processes, as well as the T‑ONE digital working environment enhanced with new features. Trützschler Card Clothing will complement the presentation with a new card wire designed with a specially engineered surface for high‑performance nonwoven applications. Visitors can also take a closer look at Trützschler’s complete solution for the recycling of textile waste, TRUECYCLED. 

Trützschler Nonwovens
The T-SUPREMA needle punching line has proven its performance in the market, with lines successfully operating at two customer sites since early this year. It demonstrates the exceptional versatility of needle-punched nonwovens, covering basis weights from below 50 gsm to above 2,000 gsm. New streamlined configurations featuring the compact NC-Xe card further reduce the footprint while ensuring high process stability and consistent product quality.

Beyond complete line solutions, Trützschler Nonwovens will showcase upgrades to its single machine portfolio, including the X-Series nonwovens cards (the high-speed card NCT-X, the versatile NC-X and the compact NC-Xe), the MPD high-performance dryer and the new compact AquaJet-X. These developments are designed to combine compact machine concepts with high operational reliability and outstanding performance.

At Techtextil 2026, Trützschler Nonwovens will also highlight its advanced ATB technology for hygiene applications. The process enables the reliable processing of ultra fine fibers down to 0.4 dtex, producing exceptionally soft nonwovens that meet the highest requirements for softness and performance in baby diaper applications.

T‑ONE, Trützschler Nonwovens’ digital working environment, serves as a powerful digital backbone for any nonwoven line. New enhancements include an energy management function for real‑time monitoring of electricity and gas consumption and CO₂ footprint calculation per time unit, roll or order, as well as camera‑based anomaly detection that identifies fiber migration and accumulations at an early stage. This helps to prevent unplanned downtime while improving process stability and production transparency.

With tailored modernization and development solutions, Trützschler Nonwovens supports manufacturers in optimizing existing installations and translating new product ideas into stable, industrial scale production. Application-specific consulting enables higher efficiency, increased output and longer service life – without compromising quality.

Trützschler Card Clothing (TCC): Next‑generation card clothing for demanding nonwovens applications
Visitors can experience top nonwovens performance with our high-efficiency card clothing. Our TCC experts will present our latest innovation: a new wire with special surface designed for Hygiene, Spunlace and ATB applications. It ensures cleaner operation, less contamination and reduced downtime - delivering maximum productivity for your line. More details will be revealed at the exhibition – don’t miss this opportunity to see it first hand. 

Trützschler Spinning: TRUECYCLED – the complete solution for textile recycling    
Visitors can also learn more about TRUECYCLED, Trützschler’s complete solution for the recycling of textile waste. It covers the complete process: from cutting and tearing textile waste to carding and drawing secondary fibers. Based on Trützschler’s technological recommendations and a Trützschler machinery line-up, it ensures the best possible quality of the end product. 

Nostalgia was king at the 42nd annual Cornell Fashion Collective (CFC) Spring Runway Show, complete with a crown.

Collections at the March 21 show in Barton Hall paid homage to well-loved storybooks and designers’ childhood memories and cultural backgrounds. A total of 42 students showed their work, including nine seniors who designed full collections.

“Nostalgia is my favorite feeling,” said Madison Feely ’26, a fashion design management major in the College of Human Ecology (CHE), who referenced childhood classics including “Where the Wild Things Are” (with an illustrated sweater and crocheted crown), “Little Women,” “The Very Hungry Caterpillar” in her collection, “Homebody.” “My designs celebrate a well-lived and well-loved childhood, honoring the authors and illustrators who allow me to relive it each time I open their books.”

For the past two years, Feely has been the student assistant for the Shima Seiki knitting machine, gaining experience with knit programming and knitwear design. She paired the machine knit pieces with labor-intensive crochet and hand-pieced quilting techniques. She also made matching earrings out of Shrinky Dink paper.

Meanwhile Ana Mocklar ’26, an information science major in the Cornell Ann S. Bowers College of Computing and Information Science, took a page from Moe Willems’ series of pigeon books for “Don’t Let the Pigeon Design a Collection,” with eight whimsical looks each representing a city mishap, based on a trip to New York City. “The Puddle Pigeon” featured beads that portrayed rain falling off an umbrella skirt; “The Cat Attack Pigeon” had large slashes shown by red pleats on the jacket and pants; and “The Takeout Bag Pigeon,” had red lettering with the words “Thank you!” and “Have a Nice Day!” across the shoulders.

CHE fashion design major Lucy Jones ’26 reflected her experience growing up in Los Angeles in her collection, “Crosseyed and Painless.” T-shirts emblazoned with the words “Cable TV” and “Around Six PM” were juxtaposed with plaid shorts and minidresses.

Other collections took root in memories from across the globe. In “<Neighborhood>”, CHE fashion design major Andy (Seungjoo) Kim ’26 imagined what traditional Korean neighborhoods would look like if they had persisted today. “Mare,” by Julia Schanen ’26, a mathematics major in the College of Arts and Sciences, evoked her Romanian heritage, using natural fabrics like silk, leather and wool. The wool came from small farms in Ithaca and Michigan, and she sourced the silks from various locations, including a class trip to India and Sri Lanka in January. She purchased all the leather wholesale, because it was deemed too damaged to sell at retail, and used many upcycled and salvaged antique remnants. 

“I’m always so inspired by the past and incorporated antique trims and accessories into my collection,” she said. Every look required handwork, and the materials were delicate and required handling with a lot of care.

Kylie Gillen ’26, a fashion design major in CHE, blended her experience and cultural heritage to create her collection, which sought to preserve traditional Japanese practices through contemporary forms, materials and perspectives. Patterns resembling traditional woodblock prints graced long flowing trains. 

“Permanence is not about resisting change but about allowing tradition to evolve and stay meaningful in modern life,” she said.