From the Sector

Bei der Auftragsvergabe des Bundes soll in Zukunft die Einhaltung von Tarifstandards verpflichtend sein. Der Referentenentwurf eines „Gesetzes zur Stärkung der Tarifautonomie durch die Sicherung von Tariftreue bei der Vergabe öffentlicher Aufträge des Bundes“ des Bundesministeriums für Arbeit und Soziales und des Bundesministeriums für Wirtschaft und Energie soll Anfang August im Bundeskabinett beraten werden. Durch Rechtsverordnungen werden aus Branchentarifverträgen abgeleitete Standards festgelegt, deren Einhaltung Unternehmen für die Dauer der Auftragsvergabe ab einem Volumen von 50.000€ nachweisen müssen. 

Der Wirtschafts- und Arbeitgeberverband Südwesttextil sieht das Vorhaben im Widerspruch zu den Plänen der Bundesregierung, die Auftragsvergabe für öffentliche Investitionen zu beschleunigen. 

Südwesttextil-Hauptgeschäftsführerin Edina Brenner: „Das geplante Gesetz leistet weder einen Beitrag zur funktionierenden Tarifautonomie noch zu einem starken Tarifvertragssystem. Der Nachweis eines Tariftreueversprechens schafft zudem wieder neue bürokratischen Hürden. Das konterkariert das wichtige Vorhaben der Bundesregierung, eine Wirtschaftswende mit beschleunigter Dynamik für das Land und weniger Bürokratiebelastung für die Unternehmen zu bewegen.“ 

Der Bundesverband Medizintechnologie (BVMed) begrüßt das von der EU-Kommission vorgelegte   EU4Health-Arbeitsprogramm 2025, das unter anderem ein Programm für „Orphan Medical Devices“ insbesondere für pädiatrische Patient:innen enthält. „Das neue EU-Gesundheitsprogramm bietet viele interessante Ansätze zur Verbesserung der Gesundheitsversorgung in Europa. Für uns als Medizintechnik-Branche ist wichtig, dass die Unterstützung kleiner und mittelständischer Unternehmen als Hauptreiber für Innovationen stärker in den Fokus genommen wird. Wir müssen den MedTech-Mittelstand stärken“, kommentiert BVMed-Geschäftsführer und Vorstandsmitglied Dr. Marc-Pierre Möll.

In dem EU4Health-Arbeitsprogramm, das ein Gesamtbudget von 571 Millionen Euro umfasst, werden die strategischen politischen Leitlinien der EU im Gesundheitsbereich festgelegt. Über das Programm EU4Health werden Mittel in Form von Zuschüssen und öffentlichen Aufträgen bereitgestellt. Zu den Schwerpunkten gehören kardiovaskuläre Gesundheit, Digital Health, Krebserkrankungen, Health Technology Assessment oder bessere Krisenvorsorge und Resilienz.

Das EU4Health-Programm enthalte zwar eine Fördermaßnahme „zur Bereitstellung regulatorischer oder wissenschaftlicher Beratung für kleine und kleinste Unternehmen, um die Entwicklung und Durchführung der Konformitätsbewertung von Produkten, insbesondere innovativen Produkten, zu unterstützen“. Darüber hinaus müsse aber der MedTech-Mittelstand besser gestärkt werden. „Die Stärkung von kleinen und mittleren Unternehmen in Europa ist essenziell für eine wettbewerbsfähigere EU“, so Möll. Der KMU-Anteil liegt in der deutschen Medizintechnik-Branche bei 93 Prozent. 

Der BVMed fordert unter anderem Fördermaßnahmen für KMU bei MDR-Zertifizierungskosten, beispielsweise über eine Reduktion von Zertifizierungsgebühren für KMU. So biete die US-amerikanische Behörde FDA im Rahmen der „Medical Device User Fee Amendments“ (MDUFA) reduzierte Gebühren für kleine Unternehmen an. Ein „kleines Unternehmen“ ist nach US-Definition ein Unternehmen mit einem Bruttojahresumsatz von weniger als 100 Millionen US-Dollar. Die Gebühren für den Zulassungsprozess von Medizinprodukten werden für solche Unternehmen um 50 bis 75 Prozent reduziert. Zusätzlich können Unternehmen mit einem Bruttojahresumsatz von weniger als 30 Millionen US-Dollar einen kompletten Gebührenerlass für ihre erste PMA-Zulassung erhalten. 

Darüber hinaus muss aus BVMed-Sicht sichergestellt sein, dass Förderprogramme möglichst bürokratiearm umgesetzt werden. Sowohl der Nachweis eines Unternehmens, dass es in eine der KMU-Kategorien fällt, als auch der Nachweis der förderfähigen Kosten im Zuge der Zertifizierung müssen schlank und effizient umgesetzt werden, sodass der Anreiz und der Nutzen für KMUs möglichst hoch ist. Sinnvoll sei es, dass sich Unternehmen bei einer zentralen EU-Instanz als KMU registrieren lassen können. Durch eine entsprechende Einstufung als KMU, wären damit die Voraussetzungen erfüllt, dass MDR/IVDR-Zertifizierungskosten durch unbürokratische EU-Fördermaßnahmen in Form von Zuschüssen anteilig erstattet werden. 

Kritisch sieht der BVMed die Kürzungen des Budgets des EU4Health-Programms um eine Milliarde Euro im neuen Arbeitsprogramm. Die Kommission will Synergien mit anderen EU-Finanzierungsprogrammen wie Horizon Europe, dem Programm Digitales Europa oder dem Europäischen Sozialfonds Plus nutzen, um die Gesundheitsinvestitionen der EU zu optimieren. Im ersten Aufschlag der EU-Kommission zum mehrjährigen Finanzrahmen (MFR) für die Jahre 2028 bis 2034 fand sich zuletzt keine Neuauflage von EU4Health.

The thread of storytelling. From journalist to textile artist: Giulio Caponi writes rugs like emotional reportage. Unique pieces tell hand-sewn memories.

Who said writing has to be done with a pen? Giulio Caponi uses a needle. His words do not flow in ink but emerge from felt and carpet, cut, chosen, stitched. By hand. 

Carpets become our memory, encompassing experiences, emotions, and memories.
Giulio Caponi is currently experiencing an artistic season of extraordinary intensity and fruitfulness. Each of his works, unique and unrepeatable, emerges from the memories his soul explores. Whether expressed through postcards, animal figurines, exotic landscapes, or abstract thoughts, each carpet is born from a creative impulse. A gesture that takes shape in a watercolor sketch, then painstakingly translated onto the textile medium through embroidery—cross-stitch or stem stitch. Familiar and scholastic languages, fragments of memory are broken down into moments, stitched together stitch by stitch to form veritable textile monuments.

Poet and artist Giulio Caponi states: “I like to remember the authenticity of a form of expression that is becoming extinct with the arrival of the digital world and artificial intelligence. We have created an image of our ancestors from the objects they left us, and so will the archaeologists of the future with ours. This is what my works are: messages from the past!” 

Postcards, records, sounds, the must-have temporary tattoos of our childhood... everything is memory, remembrance.
This is how POSTCARDS were born, to tell an imaginary story: “With the postcard, when I write, I begin to invent short messages that, after long days of travel, will reach a recipient I would have liked to know. Invented addresses between stamps and postmarks issued by my publishing house. I imagine correspondences that were sometimes impossible when the postcard had not yet been invented, or between characters from different eras, some deceased, some alive, like ‘To Juliet’: Romeo writes to his beloved after meeting Shakespeare.” Giulio Caponi

With a past as a traveller and newspaper correspondent, Giulio Caponi has let himself be carried away by the call of poetry and material, weaving memory and textures to weave pages full of meaning. Each of his rugs is a story to be touched, in which emotions and memories are amplified “For me embroidering is like observing a vowel under a microscope. It is like magnifying the sound fraction of a word.”

His story begins almost by accident, in Spain. A correspondent in Barcelona to document the '92 Olympic Games, Giulio Caponi met Dominique Torrent, a fashion designer, who would become his wife and partner in artistic adventures. “An architect asked us for a solution to cover an ugly floor. I was writing poetry, she was a designer: from there the first embroidered carpet was born. A gesture born of chance, which changed everything.” Since then, the artist has continued to weave words and images, turning everyday objects into silent witnesses.

His works, carpets and tapestries, “are messages in a bottle, textile graffiti that perhaps one day someone will rediscover, as archaeologists do today with objects from the past.” 

His studio, in Brescia, is a quiet place filled with color: felt, carpeting, balls of Sardinian wool dyed with flowers, roots and bark, sketches, watercolors. Each work stems from a feeling, often from nostalgia. “I use watercolor to fix the idea. It is my way of thinking.” Yet, Giulio Caponi has no academic art training, only a long solitary practice. “I was struck by the watercolors of designers Garouste and Bonetti in the 1990s, I wanted to try it myself. It became my natural language.”

The creative process does not stop at the drawing: each piece is executed by him, stitch by stitch. He especially loves cross stitch and grass stitch “Doubt and correction are also part of the act. It is important that I do the stitching. The work changes as I do it. It evolves. Like me.” Giulio Caponi’s identity eludes categories: artist? poet? artisan? “I wouldn’t know in which box to put my work. There is certainly a manual component, but also a strong poetic drive. It is an expression that holds head, hands and heart together.” 
His rugs are multilayered stories. Objects that evoke journeys – real, mental or emotional – and that tell, in their own way, about the time that passes. And what remains.

Auf der Verabschiedungsfeier des Fachbereichs Textil- und Bekleidungstechnik der Hochschule Niederrhein (HSNR) wurden zwei Absolventinnen für ihre herausragenden Abschlussarbeiten ausgezeichnet.
 
Der Verband der Rheinischen Textil- und Bekleidungsindustrie e. V. stiftete 1.500 Euro Preisgeld für Edda Jabben. In ihrer Abschlussarbeit legte die Absolventin des dualen Bachelorstudiengangs Textiltechnik (Schwerpunkt „Textile Technologien“) den Fokus auf die Lebensdauer von Textilien. So stellte Jabben einen gezielten Versuchsplan mit verschiedenen Parametern auf, um fünf ausgewählte Fasertypen hinsichtlich ihrer Haltbarkeit in Bezug auf Scheuerfestigkeit, Pillingverhalten und Berstdruckeigenschaften zu analysieren. Dabei untersuchte sie die Auswirkungen und möglichen Zusammenhänge verschiedener Garnherstellungsverfahren und Veredelungsprozesse auf diese Parameter. Für ihre Bachelorarbeit kooperierte sie mit dem österreichischen Unternehmen Lenzing AG, das die fünf Fasertypen zur Verfügung stellte. Im Spätsommer wird sie am Textilforschungsinstitut (ITA) in Augsburg ihre Masterarbeit beginnen. Das Preisgeld möchte Edda Jabben als Starthilfe für den neuen Lebensabschnitt und den anstehenden Umzug nutzen.
 
Ebenfalls 1.500 Euro stiftete das Textile and Fashion Network e. V. (TFN), der Förderverein des Fachbereichs, an Nadine Bullerdiek für ihre Masterarbeit. Als Teil des Forschungsprojekts „SiWerTEX“ beschäftigte sich die Absolventin des Masterstudiengangs „Textile Produkte“ mit dem chemischen Recycling gefärbter Polyestertextilien. Anhand der Recyclingtechnologie der alkalischen Hydrolyse untersuchte Bullerdiek, wie die chemische Struktur von Dispersionsfarbstoffen deren Verhalten im Recyclingprozess beeinflusst. Darüber hinaus nutzte sie Aktivkohle, um den Farbstoff vom Recyclingprodukt zu trennen. „Die gewonnenen Erkenntnisse können eine Grundlage darstellen, um künftig die Eignung eines Farbstoffs für diese Recyclingtechnologie schneller einschätzen zu können“, sagt Nadine Bullerdiek, die das Preisgeld für Weiterbildungen, Messen, Bücher und Materialien verwenden möchte, um ihre Fähigkeiten weiter auszubauen.

Schwimmende Inseln mitten auf dem Campus? Was auf den ersten Blick wie ein Kunstprojekt wirkt, ist ein innovativer Beitrag zur nachhaltigen Stadtentwicklung. Studierende der Hochschule Hof haben im Rahmen des Projekts „AquaTex“ zwei bepflanzte Schwimminseln entwickelt, die mit speziellen Textilien Wasser reinigen können – eine davon schwimmt bereits im Regenrückhaltebecken des Hochschul-Campus.

In zehn Wochen setzten neun Bachelor- und Masterstudierende ihre Ideen in die Tat um. Ziel des Projekts: die Verbindung von Pflanzen, Textilien und Technik, um sogenannte „Blau-Grüne Infrastruktur“ weiterzuentwickeln – also natürliche Elemente in Städten wie Parks, begrünte Dächer oder Regenwasserspeicher, die neben ihrer Funktion auch zur Lebensqualität beitragen.

Regenwasser filtern, Nutzpflanzen anbauen
Betreut wurde das Projekt von Dr. Harvey Harbach vom Institut für nachhaltige Wassersysteme (inwa) der Hochschule. Seine Forschungsgruppe entwickelt seit Jahren Schwimminseln, die mehr können als nur gut aussehen:

"Wir wollen Regenrückhaltebecken so gestalten, dass sie nicht nur Wasser speichern, sondern es auch reinigen – und dabei sogar Pflanzen für die Lebens- oder Futtermittelproduktion tragen können,“ Dr. Harvey Harbach.

Dazu wurde im Projekt ein spezielles Textil verwendet, das das Wasser reinigen und die Wasserbelastung reduzieren kann. Die Studierenden zogen etwa Brunnenkresse aus Samen, testeten die Materialien im Labor, entwickelten Schwimmkörper mit dem 3D-Drucker und erprobten ihre Konstruktionen im realen Gewässer. Unterstützt wurden sie dabei von Technikerinnen und Technikern der Hochschule sowie dem MakerSpace, der Werkstatt für Tüftler und Entwickler auf dem Campus der Hochschule Hof sowie den Laboren am Standort Münchberg.

Teamarbeit trifft Erfindergeist
Das Projekt wurde im Rahmen der Module „Management von Projektgruppen“ und „Grundlagen Projektmanagement“ an der Hochschule Hof, initiiert von Prof. Dr. Manuela Wimmer, durchgeführt und in drei Teams organisiert – für Pflanzsystem, textile Komponenten und Schwimmkörper. Jede Gruppe startete mit einer eigenständigen Recherche. In der Designphase wurden die Ideen gebündelt, kritisch hinterfragt und zusammengeführt. In der praktischen Umsetzung zeigte sich schnell: Theorie ist das eine, aber wie reagiert ein 3D-gedrucktes Element auf Wasser? Welches Textil erfüllt die Anforderungen in Bezug auf Durchlässigkeit, Stabilität und Umweltverträglichkeit? Und wie stabil schwimmt eine bepflanzte Insel überhaupt? 

„Wir haben gelernt, dass erfolgreiche Teamarbeit nicht heißt, alles gemeinsam zu machen – sondern gut koordiniert zur richtigen Zeit zusammenzukommen,“ Aleka Briese, Projektleitung. Auch Dr. Harbach freut sich über den Erfolg der Studierenden: "Ich bin begeistert, wie viel Können und Wissen unsere Studierenden ins Studium mitbringen – und wie sie diese Fähigkeiten im Projekt weiterentwickeln. Genau das brauchen wir in der Praxis.”

Die zweite, kleinere Schwimminsel wird derzeit im Labor weiter untersucht – mit dem Ziel, künftig auch in anderen Städten einsetzbar zu sein.

Sustainability requires more than good intentions – as the 56th INNATEX in Hofheim-Wallau, near Frankfurt am Main, illustrated. Between 19 and 21 July 2025, over 200 Green Fashion brands gathered at the international trade fair for sustainable textiles to present collections for Spring/Summer 2026. On the Sunday in particular the atmosphere surrounding ordering was satisfyingly positive, especially in view of the general challenges in the market. 

“While fast fashion is growing, public interest in sustainable fashion has fallen. This is affecting not only retailers like us but the entire supply chain,” says Laura Ott, Buyer at Marlowe green fashion and marketing committee member of the International Association of the Natural Textile Industry (IVN). “We are all entrepreneurs facing similar challenges but our areas of focus and experience vary. Not least, this is a resource that is commercially valuable.” 

Reframing long-familiar concepts 
Many fashion brands rely on alternative materials that combine a number of benefits. Sloppy Tunas, for example, has collaborated in the development of its own high-tech textile, made in part from collected ocean plastic. The label from Barcelona uses it to make lightweight, quick-drying swim shorts and closes the cycle itself: Worn shorts are taken back and recycled together with offcuts from production to make new yarn and fabric. 

The call for innovation and functionality is so loud that well-established textiles which are by their very nature sustainable could slip into the background. Businesses are responding by reintroducing the classic fabrics. Clothing from Berlin-based label Moefe consists of 100% organic cotton. A special knitting technique helps the material keep its shape and makes it stable in shape and stretchy – even without elastic. Mor Khadi, on the other hand, is turning traditional Indian handcraft into modern streetwear. The special qualities of the Khadi fabric give the clothing breathable and thermo-regulating properties. 
 
Legal changes call for adaptability 
“The sector is in the midst of a fundamental transformation, caught between Sheinification, the shift to the political right, generation change, digitalisation and increasing pricesensitivity,” says Nina Lorenzen, co-founder of Fashion Changers and a member of the Expert Council Sustainability of the trade journal ‘Textilwirtschaft’. “Companies will remain relevant by being prepared to rethink their business – by turning shopping into an experience, for instance, or reshaping fashion into a statement and a form of protest.” 

Dealing with both the latest and pre-existing statutory requirements represents another challenge. By September 2026, the EU member states must transpose the EmpCo Directive (Empowering Consumers for the Green Transition), which came into force in 2024, into national law. Among other things, it regulates how companies may communicate sustainability. Another example affects the processing of leather. The EU is now imposing restrictions on a substance also used for ecological tanning. This will compel manufacturers to change their processes. 

“We see a huge need for discussion,” concludes Alexander Hitzel, Project Manager of INNATEX. “Demands on Green Fashion are getting more complex and more dynamic. There is no one simple solution for everyone involved and for all sets of problems. What matters now is that businesses can find precise answers to their specific questions. Platforms that generate ideas and promote cooperation are more important than ever.” 

On August 17 and 18, the INNATEX showroom in Bern (Switzerland) will be hosting some 40 brands at the end of the order season. 

Noise pollution can cause stress and damage our health. Whether in restaurants, open-plan offices, or schools, we are confronted with loud background noise in our everyday lives. Sound-absorbing materials are used to reduce noise. The German Institutes of Textile and Fiber Research Denkendorf (DITF) are developing a comprehensive system for measuring and predicting the acoustic properties of a wide variety of textiles. This research enables the development of a wide range of sound-absorbing or acoustically effective materials.

Currently, in addition to foams, nonwovens are mostly used as sound absorbers. However, these are relatively thick and not very stretchy. Textile fabrics such as woven or knitted materials are more elastic and flexible and are able to reduce noise more specifically in certain frequency ranges. This allows them to be individually adapted to existing or expected noise problems. However, these textile fabrics have rarely been used in acoustics to date.

In order to exploit this potential, research and development are encountering a problem: the measurement methods and simulation models used for nonwovens are not readily applicable to other types of textiles. Nonwovens consist of loosely arranged, interconnected fibers; they have what is known as a random fiber arrangement. In woven and knitted fabrics, on the other hand, the fiber arrangement has a recurring, non-random pattern. The different fiber arrangements result in significant differences in material properties. Due to a lack of alternatives, manufacturers of acoustic textiles still have to use these limited methods for their product development.

This is where the MetAkusTex research project comes in. Dr. Elena Shabalina, Head of the Technology Center E-Textiles & Acoustics at the DITF, explains: "In acoustics research, there is limited knowledge about the potential and diversity of textiles. As a textile research institute, we want to ensure that a wide range of textile structures, including 3D textiles, find their way into the world of acoustics. We are laying the necessary foundations for this." The DITF are developing new acoustic measurement and prediction methods that can be used to evaluate how different textiles interact with sound, whether they absorb, reflect, or scatter it. With the help of mathematical models, textile materials can be tested, adapted, and optimized for their acoustic effect as early as the design phase.

The project results will help companies make their product development processes more efficient and to design materials in a more targeted manner, for example, to make them sustainable. This will shorten time to market.

In addition to the development of new measurement methods, the acoustics laboratory at the DITF is being expanded. The measuring room with sound-absorbing walls and a sound-reflecting floor (semi-anechoic chamber) will be equipped with a modern data acquisition system. In addition to software, this includes various measuring microphones, loudspeakers, and a turntable to measure the sound quality of loudspeakers from different directions. The new acoustics laboratory will be used for research at the institute and will also be made available to industry for testing.
 
The MetAkusTex research project was funded by the Baden-Württemberg Ministry of Economic Affairs, Labor, and Tourism as part of the Invest BW - Praxissprints program.

From decorative and furniture fabrics to wallpaper, flooring and carpets, to mattresses, bed linen and table linen – Heimtextil brings together a diverse product range for holistic interior design from 13 to 16 January 2026. Interior designers and buyers from the hospitality and retail sectors find the latest textile and non-textile material innovations under one roof. Leading brands and promising newcomers have already announced their participation. 

Textile interior design solutions include wallpaper, sun protection systems, furniture fabrics, flooring, bed and table linen, mattresses, bathroom and decorative textiles, and much more. Interior designers, architects, retail and hospitality buyers are looking for the full range.
"The international market has changed. Architects, interior designers and buyers are looking for a complete range of products in one place. With the broad offering at Heimtextil and the addition of non-textile floor coverings, we are providing exactly that. We offer a range spanning from functional furniture fabrics to wallpaper, flooring and finished products. The new hall layout ensures an even more structured visitor experience," says Bettina Bär, Director Heimtextil, Messe Frankfurt.

Interior design concepts
Hall 3.0 brings together wallpaper, carpets, curtains and sun protection systems to present interior design concepts clearly structured for professionals. Key players include Forest Group (Netherlands), Höpke (Germany), Ifi Aebe (Greece), Linder (France), Marburger Tapetenfabrik (Germany), Paulig Teppichweberei (Germany), Sarlas (Greece), Tanriverdi (Turkey), The Wallfashion House (Belgium) and York Wallcoverings (USA), presenting their latest collections. In addition, the DecoTeam and its members showcase holistic, inspiring interior design concepts with joint brand presentations – complemented by the Design Lounge powered by DecoTeam. A new installation by Patricia Urquiola also brings integrated interior design to life at the highest design level.

The largest offering in furniture and decorative fabrics
Whether outdoor fabrics, imitation leather or fibres and yarns for contract business – functionality and design are the focus and continue to evolve year after year. In Halls 3.1 and 4.1, international exhibitors present the world's largest offering of weavers for furniture and decorative fabrics. One focus in Hall 3.1 is on contract fabrics, leather and imitation leather, and fibres and yarns for furniture and decorative fabrics. Indorama Ventures Fibers Germany, Manifattura Filtes, Novartiplast and Martinelli Ginetto from Italy are among the many suppliers showcasing their latest products here. Hall 4.1 brings together high-quality decorative, furniture and contract fabrics. Among the many manufacturers exhibiting here are Edmund Bell (Great Britain), Manuel Revert (Spain), Vanelli Tekstil (Turkey) and Vescom Velvets BV (Netherlands).

Carpets & Rugs grows and expands to include flooring
Heimtextil’s carpet segment continues to grow. Halls 11.0, 11.1 and 12.0 focus on hand- and machine-woven carpets, unique pieces and doormats. For the first time, non-textile floorings extend the range with the new Flooring & Equipment product segment. Heimtextil thus brings together holistic textile and non-textile interior design in one place. Contract furnishers and buyers benefit from a broad selection of complementary offerings with one visit. Registered exhibitors include Heritage Overseas (India), Oriental Weavers Carpets Factory (Egypt), Ragolle Rugs (Belgium) and Universal XXI (Spain). Floor coverings are included in the portfolios of Chene de L'est (France), Welspun UK and Zipse (Germany), among others.

Functional finished products for hospitality
Anyone looking for finished products for contract furnishing and hospitality find what they need in Halls 5.0, 5.1, 6.0 and 6.1 within the Bed, Bath & Living segment. Here, exhibitors present bed linen, bathroom textiles, table linen, blankets and home accessories. The strong and international range of brands and private labels offers high quality, short delivery times and flexible order quantities. Participants include Formesse (Germany), Hermann Biederlack (Germany), Lameirinho - Indústria Textil (Portugal), Marzotto Lab (Italy), Mundotextil - Industrias Texteis (Portugal), Veritas Tekstil (Turkey) and many others. Bedding, duvets, pillows, and mattresses are featured in the Smart Bedding section in Hall 4.0. Badenia Bettcomfort (Germany), Boyteks Tekstil (Turkey), f.a.n. Frankenstolz Schlafkomfort H. Neumeyer (Germany), Hefel Textil (Austria), OBB Oberbadische Bettfedernfabrik (Germany), Proneem (France) and many other exhibitors present state-of-the-art sleep solutions there.

For the past ten years, the OEKO-TEX® MADE IN GREEN label has been answering questions like: Where does my clothing come from and how was it made? It stands for transparency, responsibility, and traceability along the textile supply chain. As a founding member of OEKO-TEX®, Hohenstein played a key role in developing the label.

On the tenth anniversary of OEKO-TEX® MADE IN GREEN, German football club Hamburger SV (HSV) is also celebrating a major milestone: both the men’s and women’s teams have earned promotion to the Bundesliga. To mark the occasion, the traditional club, in collaboration with its long-standing supplier MBA Solutions GmbH, has launched special edition promotion T-shirts certified with the OEKO-TEX® MADE IN GREEN label.

“Rapidly produced success items like the promotion T-shirt should ideally meet the same standards as any other product,” says Sascha Steinbrück, Head of Merchandising at HSV. “What matters to me is that a product is manufactured with ecological and social sustainability in mind and has been tested for harmful substances.” With this promotion T-shirt, HSV once again sets a strong example for certified fan merchandise as a promise for the future. 

• Manchester Fashion Week returns in September 2025 after decade-long absence 
• Rooted in the textile heritage of the city but rebooted by technological advancements and innovation to make fashion future-proof
• Industry-led platform to champion sustainable practices to make fashion conscious and circular

After a decade-long hiatus, Manchester Fashion Week returns this Autumn with a bold blueprint for the future of fashion. 

The revival comes at a pivotal moment when the city’s £12bn fashion industry faces unprecedented challenges around sustainability, technology and cultural relevance. 

The announcement is another endorsement of Manchester fast becoming the culture capital of Britain, with the BRIT Awards to be hosted there next year – the first time outside of London in its 48-year history.

Manchester Fashion Week, running from September 9th to 11th, will unite emerging designers and established brands on a platform that bridges Manchester's industrial heritage with cutting-edge innovation. 

The event traces a path from historic Mancunian mills to contemporary catwalks, honouring textile traditions while accelerating toward fashion's future.

The event will be spearheaded by some of the industry’s renowned thought-leaders, including Carry Somers, Founder of global movement Fashion Revolution and Safia Minney, MBE, award-winning social entrepreneur and founder of People Tree, a pioneer of sustainable and fairtrade fashion.

The main event for Manchester Fashion Week will be centred around the vibrant St. John’s area, with its official hub set in the newly refurbished Campfield - one of the city’s most exciting cultural venues.

Manchester Fashion Week will serve as a platform for honest dialogue, visionary thinking, and radical collaboration, activating spaces across the city and inviting brands, creators, and communities to participate. 

The inaugural pilot will be industry-led, with public experiences and cultural events lighting up Manchester throughout September.