From the Sector

The Swiss material science company Livinguard Technologies AG developed Livinguard Better Fresh - a textile finishing solution that combines leading odor control functionality with an innovative mechanism which reduces the shedding of microfibers over the entire lifetime of textiles. This technology marks a bold step towards a more sustainable future of apparel and provides a tangible solution to tackle the mounting challenge of chemical and microplastic pollution stemming from clothes. 

The environmental impact of textiles arising from microfiber shedding has increased over the past years as the use of synthetic fibers in the apparel industry continues to grow and fast fashion business models continue to gain share. Fiber fragmentation and resulting microplastic and chemical pollution affects waterways, the air and soil.

Livinguard Better Fresh combines a functional and an environmental benefit in a single solution. On the one hand, the technology provides leading odor control which is a valuable functional benefit for consumers. On the other hand, the solution reduces fiber fragmentation by up to 80% and extends the product’s useful life - resulting in a superior safety, environmental, and cost profile for apparel brands. Both claims have been extensively validated in the course of several in-house trials and testing conducted with independent laboratories.

This new product is the result of a long development journey with deep global collaboration. Livinguard leveraged extensive R&D investments over the past 15 years to develop a proprietary blend of chemistry that has then been thoroughly tested for performance, safety, environmental impact, and compliance with the highest industry standards in mind (e.g. bluesign). Furthermore, Livinguard Technologies used the company’s extensive knowhow in textile finishing to optimize and streamline the application of the technology in a real-world environment, ensuring the innovation can be deployed seamlessly on existing equipment and in established processes. 

Recognizing that awareness for the environmental impact of textile microfiber shedding is still emerging among consumers and that demand for solutions addressing this issue alone may be consequently limited, Livinguard Technologies have chosen to integrate odor control functionality, a well-understood and valued benefit, with this innovative fiber protection technology. This two-in-one solution allows brands and manufacturers alike to fund most costs for the chemical solution itself and for managing the complexity associated with its implementation by substituting their existing odor control technologies with Livinguard Better Fresh. Many established odor control solutions are prone to leach out over time and consequently increase chemical pollution arising from textiles. Livinguard’s new technology binds permanently to the treated fibers and strongly holds them together to ensure the least possible chemical and microfiber discharge. 
The Livinguard Better Fresh technology is officially launched during the Functional Fabric Fair in NYC and Functional Textiles in Shanghai while further validation activities are carried out with partners from academia, external laboratories as well as pilot customers (apparel brands & textile mills) worldwide.

This new technology can substantially contribute to various established solution pathways for microfiber pollution as it allows for the development or further improvement of low-shedding fabrics with minimal impact on established production equipment and supply chains. Furthermore, due to its built-in odor control functionality, it enables consumers to use their clothes longer and adopt more sustainable laundry practices (e.g. washing at lower temperatures). Finally, it enhances product longevity without any negative impact on recycling / circularity of the treated clothes. Overall, Livinguard Better Fresh provides a cost-effective solution to make tangible and substantial progress in the fight against plastic pollution quickly. 

Kraig Biocraft Laboratories, Inc., a global leader in spider silk technology, announced the recent successful production of reeled raw recombinant spider silk using automated equipment. This batch set a new single run record, processing more than 250 kilograms of spider silk cocoons and represents a major step forward in improving the quality, yield, and scalability of spider silk production. Improved processing unlocks greater quality and efficiency for recombinant spider silk fiber.

The use of automated reeling equipment allows Kraig Labs to fine-tune and adapt the reeling process specifically for the unique properties of spider silk, compared to traditional silkworm silk. By modifying machine settings, reeling speeds, and temperatures, the team is optimizing fiber consistency and maximizing silk output. These improvements are critical in translating the natural strength and elasticity of spider silk into finished materials for commercial applications.

Automated reeling replaces conventional multi-end systems, significantly improving throughput, labor efficiency, and downstream silk quality. The compatibility of Kraig Labs’ proprietary spider silk cocoons with these advanced systems is central to the Company’s effort to build a vertically integrated production model for spider silk at scale.

This achievement builds upon recent operational momentum, including the expansion of rearing capacity in Asia and the development of new spider silk strains. Together, these advances support the Company’s broader mission to bring high-performance, eco-friendly spider silk fibers to market.

CARBIOS has signed a multi-year commercial agreement with Indorama Ventures, a global leader in PET production. This agreement covers the supply of biorecycled monomers from its Longlaville plant, which will be transformed into r-PET filaments by Indorama Ventures and then integrated by Michelin into the manufacturing of its tires.
 
A strategic commitment to turn complex PET waste into high-performance materials. 
Thanks to its enzymatic PET recycling technology, CARBIOS will produce monomers from complex PET waste at its future industrial site in Longlaville. Indorama Ventures will handle the repolymerization and production of technical filaments. Michelin will use these innovative materials in its tire reinforcements. 
 
A new milestone in the pre-commercialization of the Longlaville plant. 
This commercial agreement is part of the pre-commercialization momentum of CARBIOS’ future industrial site, just weeks after signing the first sales contracts for biorecycled PET with two global cosmetics leaders.
 
Vincent Kamel, CEO of CARBIOS: “This commercial agreement with Indorama Ventures marks a new step in the realization of our industrial project. It confirms the trust of Indorama Ventures and Michelin in our PET biorecycling technology. Alongside the commercial successes already achieved in cosmetic packaging applications, this agreement illustrates our ability to deliver innovative solutions to the most demanding industries, particularly industrial filaments for tire applications and, more broadly, textile.”

A new technology uses microwaves and plasma heating to produce carbon fibers in an energy-efficient manner. This means high-strength composite materials can be produced more cheaply and efficiently. The German Institutes of Textile and Fiber Research (DITF) are part of the Carbowave research consortium, which aims to improve and commercialize microwave and plasma-induced carbonization.

The combination of high strength and low weight makes carbon fibers almost indispensable in manufacturing modern lightweight products. Major industries, such as automotive, aerospace, and renewable energy, are increasingly relying on high-strength carbon fiber composites.

Despite their advantages, these materials are complex and energy-intensive to produce. Stabilization and carbonization of the fibers, which are often made from petroleum-based polyacrylonitrile (PAN), requires slow process control in high-temperature furnaces. Despite the considerable energy input, a low material yield is achieved due to the long dwell time in the ovens.

A new process uses microwave and plasma heating to replace the traditional stabilization and carbonization process with energy-saving technology. With this technology, energy is only induced into the fibers locally, thereby minimizing energy loss. This process shortens the production time of carbon fibers, enabling higher production volumes with lower energy consumption.

A European research consortium has joined forces under the name "Carbowave" to optimize and market the process. Their specific research objectives are to develop an optimal coating for PAN fibers that improves microwave adsorption, to develop a plasma heating system for the oxidative stabilization of PAN fibers, and to advance microwave and plasma technology for continuous processes.

The DITF are responsible for implementing these processes in continuous production and on pilot lines in a pilot plant. In the joint project, the central task of the DITF is the stabilization of the precursor fibers with plasma technology. This involves combining plasma and low-pressure technology to reduce energy consumption in the stabilization process.

In terms of the circular economy, the Carbowave project includes recycling of carbon fibers. The new process technologies will allow for the microwave-assisted decomposition of carbon fiber composites (CFRP).

Thus, the Carbowave research consortium provides a holistic approach that includes the production and recycling of modern lightweight materials.

Roshan Paul, Ph.D. (Tech.) was recently honoured with the position of Full Professor (by invitation) Professor Catedrático Convidado by the Rector, Prof. Mário Lino Barata Raposo of University of Beira Interior (UBI), Portugal. This highest position was offered to him in recognition of his outstanding scientific contributions, particularly for pioneering sustainable innovations in textile processing technology.

Roshan Paul was serving as a Professor (by invitation) in UBI from 2015 onwards. He works as Platform Leader of the Smart Finishing Group at Institut für Textiltechnik (ITA) of RWTH Aachen University.

Professor Paul was also invited to join the Fiber Materials and Environmental Technologies (FibEnTech) research unit. FibEnTech is a unique research unit that brings together fundamental and applied research skills for the development and characterisation of fibrous, structured and composite materials for the textile, paper and packaging industries.

Going beyond the comprehensive showcase of the home furnishing sector, Asia’s leading home textile fair’s fringe programme will continue to be an integral part of the three-day event, but featuring a distinct and more sector-driven redesign. Ranging from forums and seminars to panel discussions and product launches, the focus will centre on four key themes: NextGen, Palette, Connector, and Go-Green. From 20 – 22 August 2025 at the National Exhibition and Convention Center in Shanghai, the fair is set to promote collaboration and innovation among diverse industry experts, drive sustainable development, and engage attendees through interactive sessions for practical application.

The refreshed fringe programme’s four focal themes will explore various aspects of the industry, highlighting new perspectives and insights that will shape the future of home textiles. 

NextGen: the future of interior textiles
Circular textile advocate Ms Anja Bisgaard Gaede will lead discussions in the Future & Textile Zone, where participants can discover future-focused materials, AI-powered design tools, and engaging interactions. Four attractions within this zone include:

• Future of Textiles: curated selection of 20+ sustainable, regenerative, circular, or bio-based textiles – spanning from bioengineering to waste-derived materials for interiors.
• Try It Yourself: attendees can enjoy hands-on previews of home textile products brought by Ms Anja Bisgaard Gaede. 
• AI Demos: AI innovators will share how to boost efficiency by auto-generating patterns, optimising fabric production, and cutting time and costs.
• Textile Hunt: participants can join the Textile Hunt game to uncover the future of textiles in the zone and win prizes.

Palette: emphasising creativity and trendsetting in home textiles
Through seminars and guided tours, both Western and Eastern designers will share their extensive industry experience. Attendees can engage closely with international design masters, gaining insights into textile applications and effective selection of home textile products. Notable professionals include Ms Camilla Rudnicki, a renowned Danish interior designer focused on creating joy and warmth in homes through unique interior solutions, and Mr Akiyuki Sasaki, a Japanese designer known for simple yet meaningful designs that enhance daily life, incorporating cultural elements from Japan and beyond.

Connector: fostering business growth and closer cooperation across the industry
This theme aims to strengthen global partnerships through strategic insights from industry leaders in Colombia, Uzbekistan, and Vietnam. Key speakers include Mr Juan Fernando Loaiza (Economic & Business Model Researcher in Fashion of Inexmoda, Colombia), Mr Shokhrukh Kayumov (Founder & CEO of TextileFinds.com, Uzbekistan) and Ms Vivie Wei (Country Director of Dezan Shira & Associates, Vietnam) respectively, who will equip investors, manufacturers and business partners with critical market knowledge and practical guidance for successfully engaging with the home textiles sector. 

Additionally, the Home Textiles x Interior Decoration: Summit on Industry Reshaping and Advancement will unite leaders from home textile brands, interior design experts, and institutions to discuss industry upgrade prospects, offering visitors insights into category innovation, opportunities in aging-adaptation renovations and Gen Z consumer demands, while guest speakers will also share practical expertise to help industry players gain a competitive edge in the evolving market.

Go-Green: the sector’s latest sustainability trends
A panel discussion featuring sustainability experts will explore diverse aspects of sustainability in home textiles. Professor Yuen from the Hong Kong Polytechnic University will lead the discussion on business models, industry trends and branding. Forums will also be held to provide in-depth presentations by key exhibitors, including Patternsfrom Agency (Finland), who will present Greening the Home Textile Industry: Drivers and Manufacturer Strategies, and Fu-tex (Hong Kong) Co Limited will discuss Physical Weaving: Leading the Total Blackout Innovation.

Other events include Designer's Style: the 31st Intertextile Home Textile Design Carnival and Designer’s Pick Award Ceremony, and From Cross-Boundary to Boundless: The 11th Home Furniture & Textile Top Business Matching, and 2026 / 27 China Home Textile Trend Area. 

Intertextile Shanghai Home Textiles – Autumn Edition is organised by Messe Frankfurt (HK) Ltd; the Sub-Council of Textile Industry, CCPIT; and the China Home Textile Association (CHTA).

The thread of storytelling. From journalist to textile artist: Giulio Caponi writes rugs like emotional reportage. Unique pieces tell hand-sewn memories.

Who said writing has to be done with a pen? Giulio Caponi uses a needle. His words do not flow in ink but emerge from felt and carpet, cut, chosen, stitched. By hand. 

Carpets become our memory, encompassing experiences, emotions, and memories.
Giulio Caponi is currently experiencing an artistic season of extraordinary intensity and fruitfulness. Each of his works, unique and unrepeatable, emerges from the memories his soul explores. Whether expressed through postcards, animal figurines, exotic landscapes, or abstract thoughts, each carpet is born from a creative impulse. A gesture that takes shape in a watercolor sketch, then painstakingly translated onto the textile medium through embroidery—cross-stitch or stem stitch. Familiar and scholastic languages, fragments of memory are broken down into moments, stitched together stitch by stitch to form veritable textile monuments.

Poet and artist Giulio Caponi states: “I like to remember the authenticity of a form of expression that is becoming extinct with the arrival of the digital world and artificial intelligence. We have created an image of our ancestors from the objects they left us, and so will the archaeologists of the future with ours. This is what my works are: messages from the past!” 

Postcards, records, sounds, the must-have temporary tattoos of our childhood... everything is memory, remembrance.
This is how POSTCARDS were born, to tell an imaginary story: “With the postcard, when I write, I begin to invent short messages that, after long days of travel, will reach a recipient I would have liked to know. Invented addresses between stamps and postmarks issued by my publishing house. I imagine correspondences that were sometimes impossible when the postcard had not yet been invented, or between characters from different eras, some deceased, some alive, like ‘To Juliet’: Romeo writes to his beloved after meeting Shakespeare.” Giulio Caponi

With a past as a traveller and newspaper correspondent, Giulio Caponi has let himself be carried away by the call of poetry and material, weaving memory and textures to weave pages full of meaning. Each of his rugs is a story to be touched, in which emotions and memories are amplified “For me embroidering is like observing a vowel under a microscope. It is like magnifying the sound fraction of a word.”

His story begins almost by accident, in Spain. A correspondent in Barcelona to document the '92 Olympic Games, Giulio Caponi met Dominique Torrent, a fashion designer, who would become his wife and partner in artistic adventures. “An architect asked us for a solution to cover an ugly floor. I was writing poetry, she was a designer: from there the first embroidered carpet was born. A gesture born of chance, which changed everything.” Since then, the artist has continued to weave words and images, turning everyday objects into silent witnesses.

His works, carpets and tapestries, “are messages in a bottle, textile graffiti that perhaps one day someone will rediscover, as archaeologists do today with objects from the past.” 

His studio, in Brescia, is a quiet place filled with color: felt, carpeting, balls of Sardinian wool dyed with flowers, roots and bark, sketches, watercolors. Each work stems from a feeling, often from nostalgia. “I use watercolor to fix the idea. It is my way of thinking.” Yet, Giulio Caponi has no academic art training, only a long solitary practice. “I was struck by the watercolors of designers Garouste and Bonetti in the 1990s, I wanted to try it myself. It became my natural language.”

The creative process does not stop at the drawing: each piece is executed by him, stitch by stitch. He especially loves cross stitch and grass stitch “Doubt and correction are also part of the act. It is important that I do the stitching. The work changes as I do it. It evolves. Like me.” Giulio Caponi’s identity eludes categories: artist? poet? artisan? “I wouldn’t know in which box to put my work. There is certainly a manual component, but also a strong poetic drive. It is an expression that holds head, hands and heart together.” 
His rugs are multilayered stories. Objects that evoke journeys – real, mental or emotional – and that tell, in their own way, about the time that passes. And what remains.

Sustainability requires more than good intentions – as the 56th INNATEX in Hofheim-Wallau, near Frankfurt am Main, illustrated. Between 19 and 21 July 2025, over 200 Green Fashion brands gathered at the international trade fair for sustainable textiles to present collections for Spring/Summer 2026. On the Sunday in particular the atmosphere surrounding ordering was satisfyingly positive, especially in view of the general challenges in the market. 

“While fast fashion is growing, public interest in sustainable fashion has fallen. This is affecting not only retailers like us but the entire supply chain,” says Laura Ott, Buyer at Marlowe green fashion and marketing committee member of the International Association of the Natural Textile Industry (IVN). “We are all entrepreneurs facing similar challenges but our areas of focus and experience vary. Not least, this is a resource that is commercially valuable.” 

Reframing long-familiar concepts 
Many fashion brands rely on alternative materials that combine a number of benefits. Sloppy Tunas, for example, has collaborated in the development of its own high-tech textile, made in part from collected ocean plastic. The label from Barcelona uses it to make lightweight, quick-drying swim shorts and closes the cycle itself: Worn shorts are taken back and recycled together with offcuts from production to make new yarn and fabric. 

The call for innovation and functionality is so loud that well-established textiles which are by their very nature sustainable could slip into the background. Businesses are responding by reintroducing the classic fabrics. Clothing from Berlin-based label Moefe consists of 100% organic cotton. A special knitting technique helps the material keep its shape and makes it stable in shape and stretchy – even without elastic. Mor Khadi, on the other hand, is turning traditional Indian handcraft into modern streetwear. The special qualities of the Khadi fabric give the clothing breathable and thermo-regulating properties. 
 
Legal changes call for adaptability 
“The sector is in the midst of a fundamental transformation, caught between Sheinification, the shift to the political right, generation change, digitalisation and increasing pricesensitivity,” says Nina Lorenzen, co-founder of Fashion Changers and a member of the Expert Council Sustainability of the trade journal ‘Textilwirtschaft’. “Companies will remain relevant by being prepared to rethink their business – by turning shopping into an experience, for instance, or reshaping fashion into a statement and a form of protest.” 

Dealing with both the latest and pre-existing statutory requirements represents another challenge. By September 2026, the EU member states must transpose the EmpCo Directive (Empowering Consumers for the Green Transition), which came into force in 2024, into national law. Among other things, it regulates how companies may communicate sustainability. Another example affects the processing of leather. The EU is now imposing restrictions on a substance also used for ecological tanning. This will compel manufacturers to change their processes. 

“We see a huge need for discussion,” concludes Alexander Hitzel, Project Manager of INNATEX. “Demands on Green Fashion are getting more complex and more dynamic. There is no one simple solution for everyone involved and for all sets of problems. What matters now is that businesses can find precise answers to their specific questions. Platforms that generate ideas and promote cooperation are more important than ever.” 

On August 17 and 18, the INNATEX showroom in Bern (Switzerland) will be hosting some 40 brands at the end of the order season. 

Noise pollution can cause stress and damage our health. Whether in restaurants, open-plan offices, or schools, we are confronted with loud background noise in our everyday lives. Sound-absorbing materials are used to reduce noise. The German Institutes of Textile and Fiber Research Denkendorf (DITF) are developing a comprehensive system for measuring and predicting the acoustic properties of a wide variety of textiles. This research enables the development of a wide range of sound-absorbing or acoustically effective materials.

Currently, in addition to foams, nonwovens are mostly used as sound absorbers. However, these are relatively thick and not very stretchy. Textile fabrics such as woven or knitted materials are more elastic and flexible and are able to reduce noise more specifically in certain frequency ranges. This allows them to be individually adapted to existing or expected noise problems. However, these textile fabrics have rarely been used in acoustics to date.

In order to exploit this potential, research and development are encountering a problem: the measurement methods and simulation models used for nonwovens are not readily applicable to other types of textiles. Nonwovens consist of loosely arranged, interconnected fibers; they have what is known as a random fiber arrangement. In woven and knitted fabrics, on the other hand, the fiber arrangement has a recurring, non-random pattern. The different fiber arrangements result in significant differences in material properties. Due to a lack of alternatives, manufacturers of acoustic textiles still have to use these limited methods for their product development.

This is where the MetAkusTex research project comes in. Dr. Elena Shabalina, Head of the Technology Center E-Textiles & Acoustics at the DITF, explains: "In acoustics research, there is limited knowledge about the potential and diversity of textiles. As a textile research institute, we want to ensure that a wide range of textile structures, including 3D textiles, find their way into the world of acoustics. We are laying the necessary foundations for this." The DITF are developing new acoustic measurement and prediction methods that can be used to evaluate how different textiles interact with sound, whether they absorb, reflect, or scatter it. With the help of mathematical models, textile materials can be tested, adapted, and optimized for their acoustic effect as early as the design phase.

The project results will help companies make their product development processes more efficient and to design materials in a more targeted manner, for example, to make them sustainable. This will shorten time to market.

In addition to the development of new measurement methods, the acoustics laboratory at the DITF is being expanded. The measuring room with sound-absorbing walls and a sound-reflecting floor (semi-anechoic chamber) will be equipped with a modern data acquisition system. In addition to software, this includes various measuring microphones, loudspeakers, and a turntable to measure the sound quality of loudspeakers from different directions. The new acoustics laboratory will be used for research at the institute and will also be made available to industry for testing.
 
The MetAkusTex research project was funded by the Baden-Württemberg Ministry of Economic Affairs, Labor, and Tourism as part of the Invest BW - Praxissprints program.

From decorative and furniture fabrics to wallpaper, flooring and carpets, to mattresses, bed linen and table linen – Heimtextil brings together a diverse product range for holistic interior design from 13 to 16 January 2026. Interior designers and buyers from the hospitality and retail sectors find the latest textile and non-textile material innovations under one roof. Leading brands and promising newcomers have already announced their participation. 

Textile interior design solutions include wallpaper, sun protection systems, furniture fabrics, flooring, bed and table linen, mattresses, bathroom and decorative textiles, and much more. Interior designers, architects, retail and hospitality buyers are looking for the full range.
"The international market has changed. Architects, interior designers and buyers are looking for a complete range of products in one place. With the broad offering at Heimtextil and the addition of non-textile floor coverings, we are providing exactly that. We offer a range spanning from functional furniture fabrics to wallpaper, flooring and finished products. The new hall layout ensures an even more structured visitor experience," says Bettina Bär, Director Heimtextil, Messe Frankfurt.

Interior design concepts
Hall 3.0 brings together wallpaper, carpets, curtains and sun protection systems to present interior design concepts clearly structured for professionals. Key players include Forest Group (Netherlands), Höpke (Germany), Ifi Aebe (Greece), Linder (France), Marburger Tapetenfabrik (Germany), Paulig Teppichweberei (Germany), Sarlas (Greece), Tanriverdi (Turkey), The Wallfashion House (Belgium) and York Wallcoverings (USA), presenting their latest collections. In addition, the DecoTeam and its members showcase holistic, inspiring interior design concepts with joint brand presentations – complemented by the Design Lounge powered by DecoTeam. A new installation by Patricia Urquiola also brings integrated interior design to life at the highest design level.

The largest offering in furniture and decorative fabrics
Whether outdoor fabrics, imitation leather or fibres and yarns for contract business – functionality and design are the focus and continue to evolve year after year. In Halls 3.1 and 4.1, international exhibitors present the world's largest offering of weavers for furniture and decorative fabrics. One focus in Hall 3.1 is on contract fabrics, leather and imitation leather, and fibres and yarns for furniture and decorative fabrics. Indorama Ventures Fibers Germany, Manifattura Filtes, Novartiplast and Martinelli Ginetto from Italy are among the many suppliers showcasing their latest products here. Hall 4.1 brings together high-quality decorative, furniture and contract fabrics. Among the many manufacturers exhibiting here are Edmund Bell (Great Britain), Manuel Revert (Spain), Vanelli Tekstil (Turkey) and Vescom Velvets BV (Netherlands).

Carpets & Rugs grows and expands to include flooring
Heimtextil’s carpet segment continues to grow. Halls 11.0, 11.1 and 12.0 focus on hand- and machine-woven carpets, unique pieces and doormats. For the first time, non-textile floorings extend the range with the new Flooring & Equipment product segment. Heimtextil thus brings together holistic textile and non-textile interior design in one place. Contract furnishers and buyers benefit from a broad selection of complementary offerings with one visit. Registered exhibitors include Heritage Overseas (India), Oriental Weavers Carpets Factory (Egypt), Ragolle Rugs (Belgium) and Universal XXI (Spain). Floor coverings are included in the portfolios of Chene de L'est (France), Welspun UK and Zipse (Germany), among others.

Functional finished products for hospitality
Anyone looking for finished products for contract furnishing and hospitality find what they need in Halls 5.0, 5.1, 6.0 and 6.1 within the Bed, Bath & Living segment. Here, exhibitors present bed linen, bathroom textiles, table linen, blankets and home accessories. The strong and international range of brands and private labels offers high quality, short delivery times and flexible order quantities. Participants include Formesse (Germany), Hermann Biederlack (Germany), Lameirinho - Indústria Textil (Portugal), Marzotto Lab (Italy), Mundotextil - Industrias Texteis (Portugal), Veritas Tekstil (Turkey) and many others. Bedding, duvets, pillows, and mattresses are featured in the Smart Bedding section in Hall 4.0. Badenia Bettcomfort (Germany), Boyteks Tekstil (Turkey), f.a.n. Frankenstolz Schlafkomfort H. Neumeyer (Germany), Hefel Textil (Austria), OBB Oberbadische Bettfedernfabrik (Germany), Proneem (France) and many other exhibitors present state-of-the-art sleep solutions there.