From the Sector

Source Fashion, opens next week at Olympia London, bringing together the global fashion sourcing community for three days of responsible manufacturing, insight and collaboration. Running from 13-15 January 2026, the show will welcome audited manufacturers from across key sourcing regions worldwide, alongside buyers, brands and sourcing professionals looking to build more transparent, resilient and commercially viable supply chains.

Leading fashion retailers and brands including ASOS, Frasers Group, Next, TFG Brands, Wimbledon, JD Sports, Pickett, Gigi & Olive, Primark,  All Saints, Marks & Spencer, John Lewis, French Connection,  Charles Tyrwitt, Anthropologie, Monsoon, Karen Millen, Agent Provocateur, The Padel Foundation, Friends Like These, Universal Music Group, Hawes and Curtis and Moss Bros are among those registered to attend, underlining Source Fashion’s role as a key meeting point for both established and emerging fashion businesses.

Source Fashion will bring together over 250 audited manufacturers from more than 20 key sourcing regions worldwide, creating a unique platform for buyers, brands and sourcing professionals to connect directly with responsible producers. From apparel and textiles to trims, components and manufacturing solutions, the show offers a comprehensive view of the global supply chain, underpinned by transparency, innovation and commercial viability.

Spotlight on British manufacturing
New for this edition, Source Fashion is reinforcing its long-term commitment to UK manufacturing through the launch of a bursary-backed British Pavilion, designed to champion British Manufacturing and craft to increase their visibility to a global buying audience. Participants include, Apparel Tasker, LLUK, Fashion Enter, Courntney and Co, The Natural Fibre Company. Also supported are a range of Leicester Manufacturers under the ATMF banner.  The initiative provides selected UK manufacturers with funded exhibition space and dedicated marketing support, helping to remove barriers to participation and ensure British manufacturing is strongly represented on the international sourcing stage. 

The scheme forms part of Source Fashion’s wider mission to support a more balanced and resilient sourcing ecosystem, one that values heritage skills, local capability and long-term supplier relationships alongside global reach. Suzanne Ellingham, Event Director Source Fashion commented, “British manufacturing has an essential role to play in the future of responsible fashion, and it’s something we’re committed to championing at Source Fashion. From heritage skills to agile, small-batch production, UK manufacturers offer qualities that buyers are increasingly seeking transparency, flexibility and deep technical expertise. By ensuring British producers are visible, supported and connected to global buyers, we’re helping strengthen a more resilient and balanced sourcing ecosystem.”

Alongside the British Pavilion, UK manufacturing will have a strong presence across the wider show floor. British exhibitors confirmed to attend include Absolute Apparel, Amplebox Ltd, Araha London Ltd, Dee Kay Knitwear, Folks Trading Ltd, FreAura Ltd, Grade House Ltd, Modern Star Silk, Redress and Samshek Fashion Ltd. Together, their presence reflects growing buyer demand for local, traceable and agile production, and underlines the continued relevance of UK manufacturing within a global sourcing strategy.

Insight, inspiration and industry dialogue
Beyond sourcing, Source Fashion delivers a comprehensive programme of insight, inspiration and live learning across multiple stages. The show’s content agenda spans debates, panels and fireside chats tackling the most pressing challenges facing the fashion industry today, from supply chain accountability and circular business models to commercial resilience, regulation and the future of manufacturing. Designed to move conversations beyond theory, the programme equips fashion businesses with practical insight and tools to support smarter decision-making in an increasingly complex sourcing landscape.

Adding a powerful visual and experiential layer, the Source Catwalk brings responsible fashion to life through curated showcases featuring sustainably produced and circular collections, demonstrating how creativity, trend and responsibility can coexist on the shop floor.

New for this season, Fashion Deconstructed offers a hands-on, behind-the-scenes look at how fashion is made. Through live demonstrations, workshops and maker-led sessions, the area shines a spotlight on skills, craftsmanship and production processes, from repair and upcycling to weaving and material innovation, responding to growing demand from buyers for greater transparency, material knowledge and production understanding.

Suzanne Ellingham said, “As the industry prepares to come together next week, what’s most exciting is the sense of intent behind this edition of Source Fashion. Buyers and manufacturers aren’t just looking to connect, they’re looking to collaborate, learn and make better decisions for the future. From global sourcing to UK manufacturing, from insight on our stages to hands-on learning through Fashion Deconstructed, this show is about giving the industry the confidence, clarity and partnerships it needs to move forward responsibly.”

Source Fashion opens at Olympia London on 13 January and runs until 15 January. Fashion buyers, brands, designers and sourcing professionals are invited to register now and be part of the conversations, connections and partnerships shaping the future of responsible fashion sourcing.

Starting January 1, 2026, Stefan Moll will take over the management of Mahlo GmbH + Co. KG, a global leading provider of measurement and control technology for web-shaped materials. The current CEO, Rainer Mestermann, will leave the company after 14 years as part of a planned succession arrangement.

“Stefan Moll is an excellent choice as the new CEO for our traditional company,” says Mahlo owner Ralph Greenwood-Mahlo. “We look forward to his expertise, fresh ideas, and perspectives.”

Moll brings extensive experience in managing global machinery and plant engineering companies. In addition to international corporations, the new CEO is also familiar with the structures and characteristics of larger medium-sized family businesses. “Family businesses think long-term, act sustainably, and place great value on close, trusting cooperation,” explains the new CEO regarding his decision to join Mahlo. Most recently, he served as Technical Managing Director at the Kiefel Group, a system supplier for leading plastic, thermoforming, and welding technologies based in Freilassing, where he was responsible for technical innovations, the digital strategy, and one of the globally operating divisions.

Focus on Innovation and Strategic Development
The graduate engineer describes himself as an innovation enthusiast and driver—qualities that are particularly valuable during the current transformation phase. “We are currently in a decisive phase of strategic alignment,” says Moll. He defines his goals as “making Mahlo a profitable and future-proof company and inspiring employees, customers, and owners with the right strategy.” Stefan Moll succeeds Rainer Mestermann, who led the machinery manufacturer for nearly 15 years.

Globally, 2.2 billion people still lack access to safe drinking water, while the fashion industry remains one of the most water-intensive sectors, with a single pair of jeans requiring around 9,000 litres of water across cotton cultivation, dyeing and finishing. Against this backdrop, drip by drip, the non-profit organisation tackling the water crisis caused by textile production, today announces that it has brought in Eco Age to support the next phase of its work: elevating water justice within the global fashion conversation and accelerating progress towards its goal of providing one million people with access to clean water.

Founded in 2018, drip by drip works at the intersection of water, textiles and social impact. Through industry education, community water projects and grassroots engagement, the organisation addresses the man-made water crisis created by textile production, focusing on practical solutions that improve health, resilience and livelihoods in textile-producing regions.

As part of this collaboration, drip by drip has appointed Eco Age as its strategic marketing, PR and communications agency. Eco Age will support drip by drip in connecting its on-the-ground impact with global industry platforms, helping ensure water justice is supported throughout the whole ecosystem, from brands and suppliers to standards bodies and media, as both urgent and solvable.

Since their founding, drip by drip has implemented 114 community water projects across Bangladesh, Pakistan, India and Ethiopia, impacting more than 280,000 people in the Global South. Water justice has direct and measurable consequences for communities in these regions, where fashion supply chains place sustained pressure on local water systems. By strengthening how this work is communicated and shared, the collaboration aims to mobilise broader industry engagement around existing solutions rather than abstract commitments.

“Our ambition is clear: to reach one million people with access to clean water,” said Amira Jehia, Executive Director of drip by drip. “To do that, the work needs to travel further. Eco Age understands how to bring deep issues into the mainstream fashion conversation without losing integrity or impact.”

Eco Age’s work sits at the intersection of sustainability strategy, storytelling and industry convening. Its experience working across fashion supply chains and media ecosystems enables initiatives like drip by drip to reach the audiences capable of accelerating change.

“We’re proud to support drip by drip with the experience and industry reach needed to help their impact scale,” said John Higginson, CEO of Eco Age. “drip by drip is already delivering results. Our role is to help ensure their impact is understood, shared and supported across the fashion ecosystem, so it can reach the people and communities it is intended to serve.”
Together, drip by drip and Eco Age will work to ensure water justice becomes an integral, practical and achievable part of fashion sustainability discussions, translating awareness into action and outcomes for communities.

DyStar, a leading specialty chemical company with a heritage of more than a century in product development and innovation, formally announced that DyStar is now under the full ownership of Zhejiang Longsheng Group, following the conclusive resolution of its shareholders’ dispute. This milestone shall mark a new chapter of stability, governance clarity, and long-term growth for the Group.

The resolution was achieved through a series of agreements: the Share Buy-Back Agreement dated December 12, 2025, the Framework Agreement dated December 12, 2025, and the Amended and Restated Share Purchase Agreement dated December 13, 2025, which amended the original Share Purchase Agreement dated May 29, 2025.
 
Under the Share Buy-Back Agreement, a total consideration of USD 688,879,511.69 was paid to acquire the 37.5% shareholding previously owned by KIRI Industries. Of this amount, DyStar contributed USD 426,519,921.56, while Zhejiang Longsheng Group Co., Ltd.’s wholly owned subsidiary, Sende International Capital Limited, contributed USD 262,359,590.13.
 
On December 30, 2025, the transaction was confirmed by the court-appointed receivers, Deloitte & Touche Financial Advisory Services Pte Ltd, with completion and closing effected on the same day.
 
Following completion, all litigation between the Zhejiang Longsheng and KIRI Industries relating to DyStar’s shareholding has been concluded. The two directors appointed by KIRI have resigned from the DyStar Board of Directors, further consolidating governance and control. DyStar is now 100% wholly owned subsidiary of Zhejiang Longsheng Group Co., Ltd.
 
Mr Ruan Weixiang, Chairman, Board of Directors, DyStar Group said, “We are delighted with the successful conclusion of this transaction as it is consistent with Longsheng’s strategic objective of becoming a world class provider of specialty chemical production services. I am confident DyStar’s consolidated profits will be further strengthened as we remain united and work together for a better tomorrow.”
 
Mr. Xu Yalin, Managing Director and President of DyStar Group commented, “The complete resolution of the shareholders’ dispute marks a pivotal milestone for DyStar. With full ownership and unified governance under the leadership of Zhejiang Longsheng Group, DyStar is well positioned to strengthen its global operations, accelerate innovation, and deliver sustainable value for all stakeholders.”

Artificial intelligence (AI) rapidly transforms the textile industry – from creation and production to pricing, distribution and communication. But how can AI be applied successfully, and where does it add value? Heimtextil addresses these questions from 13 to 16 January 2026: The programme dedicated to the key future field AI wants to strengthen the global industry and open up new business opportunities as well as practical applications for design, retail, industry, architecture, interior design and contract furnishing. Highlights include the progressive Heimtextil Trends 26/27 by Alcova, the design installation by Patricia Urquiola and the live talk with AI pioneer Tim Fu. 

AI accelerates creative processes and reshapes working methods along the entire textile value chain – from design concepts and material visualisations to data migration and everyday workflows, to the implementation of new products and concepts. Heimtextil 2026 makes these developments tangible and brings together experts who demonstrate how AI is used in practice and what potential it offers the industry.

AI from stage to practice
The central knowledge hub is the Texpertise Stage in Hall 6.0. This is where Heimtextil brings together a forward-looking, business-relevant content programme and translates technological innovation into practical insights for the industry. One of the highlights is the live talk with Tim Fu: the London-based architect and AI pioneer discusses interior design in the age of AI with Simon Keane-Cowell, Editor-in-Chief of Architonic. On the first day of the fair, Anja Bisgaard Gaede (Founder, Spott trends & business aps) talks about workflows, data integration and the textile future shaped by AI. Elisabeth Ramm (Atelier Brückner) shares insights into AI and materials in exhibition design. Using tangible examples, Martin Auerbach (Association of German Home Textiles Manufacturers) explains how AI is used in everyday work and how companies can integrate it profitably into their daily workflows. Sleep expert Markus Kamps moderates dedicated sessions on the megatrend of sleep and technology, featuring numerous guest speakers. At the Talk Spot in Hall 12.0, Architonic hosts a discussion with exhibitor Oriental Weavers on carpets between craftsmanship and global production.

Heimtextil Trends 26/27: AI impulses for design, retail and industry
How can AI-driven design processes be combined with traditional textile craftsmanship? The Heimtextil Trends 26/27 provide answers and orientation for the coming season under the motto “Craft is a verb”. In the Trend Arena in Hall 6.1, the design platform Alcova presents six stylistic directions that explore how high-tech and craftsmanship interact. This interplay becomes visible in a vibrant colour palette, where “glitches”, unexpected digital disruptions, and radical synthetic accents deliberately break through the natural colour spectrum. Daily talks and guided tours with experts translate the trend themes into concrete business insights.

„among-all“: AI-generated design experience by Patricia Urquiola 
What happens when we ourselves become part of AI-based creation? Patricia Urquiola explores this question in her installation “among-all” (Hall 3.0). The designer combines futuristic textile elements, sustainable materials and new AI technologies. “among-all” showcases how textiles can function as transformative and intelligent materials and actively involves visitors in the spatial staging. In a live talk on 14 January 2026, the design icon discusses her visionary approach on the Texpertise Stage. Daily guided tours bring the interior design of tomorrow to life.

AI as creative partner for the contract business
With Interior.Architecture.Hospitality, Heimtextil offers decision-makers from interior design, architecture, hospitality and the contract business a customised programme. At the dedicated Talk Spot in Hall 3.1, Mauro Brigham (Founder ncbham) discusses why design is never static. Helen Häkli (Freelance Architect, bdia) shows how AI is used as a creative partner in interior design. Further specialised lectures, including contributions from Corinna Kretschmar-Joehnk (JOI-Design) and Robin Hepp (Kids Studio), complement the extensive hospitality programme.

New opportunities for craftsmanship and interior decoration
What AI can deliver in concrete terms for interior decoration and the crafts sector is demonstrated by AI expert Alexander Ligowski on the DecoTeam Stage in Hall 3.0. Using selected examples, he provides hands-on insights into AI-supported interior design – ranging from room and colour concepts to sales support, text generation for social media and the optimisation of quotations.

New Talents Area: perspectives of the next design generation 
How is the next generation of designers engaging with AI technology? In 2026, Heimtextil offers fresh insights with the debut of the New Talents Area in Hall 6.1. The curated exhibition presents emerging design talents from around the world and enables direct exchange with international newcomers.

Nonwovens and the 9th Wonder of the World
Palm Jebel Ali – an ambitious artificial archipelago off Dubai’s Jebel Ali coast – is making a high-profile return after years of dormancy, which is good news for the construction industry and for the manufacturers of geotextiles and other engineered nonwovens who will be involved.

Initially launched in 2002, the project was to be a palm-shaped island even larger than its famed sibling, Palm Jumeirah (billed as ‘The 8th Wonder of the World’), but suffered delays and suspension following the global financial crisis of 2008. 

After remaining largely on hold for over a decade, it was formally relaunched in 2023, with construction resuming in 2024 under a revised master plan targeting completion around 2028. 

The renewed vision for Palm Jebel Ali is bolder and more sustainable. At about 13.4 square metres, the island is now designed to be more than twice the size of Palm Jumeirah, adding nearly 100 kilometres of new coastline to Dubai’s map. It includes multiple fronds, interconnected islands, luxury residential units, hotel and resort zones, marinas and extensive waterfront amenities. 

A key aim is to blend high-end living with smarter infrastructure, environmental consciousness and modern urban planning, marking a step beyond the purely spectacle-driven island developments of the past. 

Palm Jumeirah
Completed around 2006/07, Palm Jumeirah required massive engineering works to transform marine seabed into a stable platform for residential, hotel and infrastructure development. Underlying that ambition was a need to manage soil, water and structural stability in a highly demanding environment of waves, tides and fine and sometimes mobile sediments. 

One company heavily involved in this work was INDEX™26 exhibitor Fibertex, as the supplier of engineered fabrics for several of Palm Jumeirah’s containment, separation, drainage and stabilisation functions.

For the breakwater protecting Palm Jumeirah’s outer edge, a specific nonwoven grade was used as a stabilising geotextile. In effect, this fabric was laid between structural rock layers or between rock and sand zones to prevent migration of fine particles, filter subsurface flows, and preserve the intended layering.

In a marine rock-fill breakwater, designers traditionally achieve filtration with graded stone filters alone. That approach is robust but demands precise gradation and thicker sections. A high-strength, puncture-resistant nonwoven delivers the same filter/separator function in a thinner interface, while accommodating differential settlement and allowing free water flow to relieve pore pressures. 

The breakwater itself is substantial – the Palm’s protective seawall runs around 12 kilometres in length and roughly 200 metres wide, forming a barrier that must resist wave and storm action while preventing seabed scour and internal erosion. 

The geotextile layer thus acts as a demarcation/interface between rock armour and the inner sand and gravel fill materials in order to maintain the mechanical integrity of the breakwater and reduce mixing of layers under hydraulic stress. 

The involvement of Fibertex in the project, however, went further various grades of the company’s nonwoven geotextiles were specified for the reclaimed island’s internal infrastructure, including the roads on each frond as well as drainage systems and landscaping.

Landmarks
Nonwoven geotextiles have become one of the most influential yet least recognised technologies shaping the construction of modern landmarks. Through careful control of fibre type, density and bonding method, engineers have created materials that can filter, separate, drain and reinforce in ways once unimaginable. They are now used wherever earth meets infrastructure – between layers of aggregate, behind retaining walls, beneath pavements, along riverbanks and below rail beds. Their dual nature is significant – they are strong enough to withstand immense stresses, yet porous enough to allow water to flow freely.

The idea of using textiles in soil is not new and even the Romans stabilised roads with layers of organic fibre, but nonwoven geotextiles have made it possible to apply the same principle on a scale suited to 21st Century construction. These materials first came to prominence in the 1970s and 1980s when engineers sought reliable separation layers for highways and embankments. Since then, they have quietly found their way into some of the world’s most recognisable civil works.

Runways and tunnels
In the runways of airports, for example, carefully layered structures of base course and treated subgrade lie below the concrete surface. Between these, a nonwoven layer acts as a bond breaker and separator, preventing the upward movement of fine particles and relieving stresses that could cause cracking at the surface. 

This small intervention can extend the runway’s life by decades and reduce the frequency of costly closures. At such sites, the stakes are high – aircraft weighing hundreds of tons depend on uniform support and impeccable drainage and the nonwoven layer ensures both.

In tunnels and underground rail networks, nonwovens perform a different yet equally critical function. Behind the waterproofing membranes that line the excavation, they serve as protective cushions, allowing the flexible membranes to accommodate ground movement without puncture. They channel seepage water into drainage systems, keeping the tunnel interior dry and safe. The great subterranean arteries of modern cities – their metros, deep stations and cut-and-cover highways – are lined with these unseen fabrics. When commuters move effortlessly through stations that might once have dripped with moisture, they are benefitting from the quiet performance of a nonwoven layer only a few millimetres thick.

Erosion control
In dam and reservoir construction, nonwoven geotextiles meanwhile provide filtration and erosion control in zones where fine soils meet coarse drainage aggregates. Their role here is to hold back the soil while allowing water to pass, preventing the formation of internal erosion channels that can threaten stability. Some of the most ambitious water projects in the world have relied on them to safeguard the transition between impervious cores and drainage layers. Decades after installation, many continue to perform flawlessly – illustrating their durability under constant load and hydraulic pressure.

Coastal and river protection projects, too, have embraced nonwovens. Beneath rock armour, breakwaters or sand-filled tubes, they stabilise the subsoil and prevent scour by wave action. When severe storms strike, these layers can be the difference between an intact shoreline and a collapsed embankment. In ports and estuaries where space is limited, nonwovens have enabled the construction of vertical quay walls and reclaimed land by controlling the migration of fines and maintaining hydraulic balance. They are the quiet custodians of modern coastlines, extending the life of structures that face the full force of nature. 

Quiet strength
When Palm Jebel Ali rises from the Gulf, it will stand as a further reminder that the most visionary feats of engineering depend not only on grand designs but also on the quiet strength of the materials beneath them. 

Nonwoven geotextiles, though unseen, remain key tools of such progress and in playing their part in shaping the 9th Wonder of the World, will once again reaffirm their place at the foundation of modern civilisation’s most ambitious landscapes.

With its renewed participation at the 109th edition of Pitti Uomo, CHINA WAVE presents China’s independent fashion design scene as stronger and more mature than ever. From 13–16 January 2026 in Florence, the initiative—led by the China Apparel Association—demonstrates how an exploratory project has evolved into a strategically anchored, culturally driven platform that confidently brings Chinese aesthetics and brand identity onto the global stage.

Since the debut of the Chinese pavilion at Pitti Uomo 106, CHINA WAVE has established itself as an exclusive cooperation between the China Apparel Association and Pitti Uomo. More than a visibility platform, it marks a decisive transition: from pure product export towards the international export of brands, design culture, and creative authorship. 

Under the central theme “Movement,” the 109th edition of Pitti Uomo brings together over 700 international brands, creating a setting where tradition meets avant-garde expression. CHINA WAVE uses this stage to present the diversity of contemporary Chinese design—from progressive fashion and refined craftsmanship to artistically interpreted accessories. At Costruzioni Lorenesi in the Fortezza da Basso, eight brands will present their collections across 150 square meters, including:

SEPTWOLVES 
As one of China’s leading fashion lables in the menswear segment, SEPTWOLVES stands for market-driven design, high production expertise, and commercially strong collections – with particular strength in jackets and urban business-casual fashion. Most recently, the brand presented its SS25 collection at the historic Milan Centrale, showcasing its vision for modern business and travel wear.

SWÖFCARE 
Founded in 2005 by Jason Chang in New Zealand, SWÖFCARE merges contemporary hat-making with a clear life philosophy. Inspired by essential elements such as sunshine, water, and oxygen, the brand creates headwear designs that combine artisanal precision with emotional depth, infusing each piece with its own energy. SWÖFCARE bridges nature, life aesthetics, and sophisticated millinery craftsmanship.

JOEWITHLOL (Fun to Wear) 
JOEWITHLOL translates artistic concepts and contemporary interpretations of Chinese elements into smart casual menswear. Positioned at the intersection of fashion, art, and culture, the brand creates wearable designs that reflect modern lifestyles while balancing aesthetic ambition with a humanistic mindset.

WU RANG 
WU RANG treats Chinese culture as its design DNA. Traditions, literature, history, and geography become creative impulses, transforming contemporary fashion into a cultural dialogue enriched with Chinese heritage.

A. NEW STUDIO 
Spanning minimalist leisurewear to urban outdoor aesthetics, A. NEW STUDIO offers menswear and unisex apparel that responds to evolving social dynamics. The brand’s creative approach is adaptive, experimental, and visually bold.

TIMES INFINITY 
Named after a mathematical formula, TIMES INFINITY designs fashion without fixed collections. Each piece emerges from spontaneous cultural, artistic, or everyday encounters—authentic, one-of-a-kind expressions full of character.

ZIVGREY 
Founded in 2015, the accessories label blends natural forms with urban geometry. Jewellery crafted from silver, gold, pearls, and gemstones becomes sculptural objects, transforming fleeting beauty into lasting expressions.

AMANO 
Founded in 2017, AMANO is a designer label focused on artisanal jewellery craftsmanship. The name—Italian for “made by hand”—reflects the brand’s philosophy of weaving warmth and life into irregular structures. The result is jewellery of reduced, pure aesthetics, expressing quiet timelessness. In an era of industrial acceleration, AMANO stands for a poetic, non-reproducible romance shaped by human hands.

Significance for the International Fashion World 
CHINA WAVE increasingly serves as a bridge between Chinese design culture and global markets. The initiative strengthens access to international distribution channels, enhances professional recognition, and positions Chinese brands as cultural creators with distinct creative identities. In doing so, it contributes to a new narrative—China not as a manufacturing base, but as a source of forward-looking fashion concepts. 

Looking ahead to January 2026, the China National Garment Association invites international partners to experience the presentation of the Chinese delegation at Pitti Uomo and to jointly write a new chapter in global fashion exchange.

The San Francisco Fire Department (SFFD) has become the largest department in the United States to transition its entire fleet to non-PFAS turnout gear. The gear was purchased in part through a $2.35 million Assistance to Firefighters Grant (AFG) from FEMA and matching funds from the department, amid growing momentum around identifying PFAS alternatives in firefighting gear.

The department worked with textile innovator Milliken & Company and gear manufacturer Fire-Dex to fulfill the order, whose first shipment was delivered this month. The department plans to receive 1,100 sets of non-PFAS turnout gear, one set for every frontline suppression member, by December 31, 2025.

“As the San Francisco Fire Department continues to lead in innovation, we remain steadfast in our commitment to protecting the health and safety of our members. Firefighting is inherently dangerous, and our personnel deserve access to the most modern, protective, and safest turnout gear available. Transitioning to PFAS-free equipment is a critical step in advancing our mission: safeguarding the public by ensuring our firefighters remain healthy and able to serve at their highest capacity,” said SFFD Fire Chief Dean Crispen.

Chief Crispen added, “This distribution represents more than new gear, it reflects a strong, coordinated effort among the Fire Department, our elected leaders, SF Firefighters IAFF Local 798, and the SF Firefighters Cancer Prevention Foundation. Milliken and Fire-Dex rose to this challenge, demonstrating what is possible when partners are united by a shared purpose. This collaboration is what the residents and visitors of San Francisco expect and deserve. A protected workforce is the foundation of a protected community. By investing in the well-being of our firefighters, we strengthen the health, resilience, and safety of San Francisco as a whole.” 

The transition follows an ordinance passed in May 2024 making San Francisco the first city in the country to ban the use of PFAS chemicals in its firefighters’ turnout gear. With a June 30, 2026 deadline to make the switch, department officials worked efficiently to procure and test potential solutions, selecting the final gear well ahead of the deadline. 

The selected gear went through rigorous performance and safety testing, including a 90-day wear trial with 50 firefighters going through live fire training at the San Francisco Division of Training burn rooms. The gear is UL certified and meets the NFPA 1971-2018 and 1971-2025 standards. 

While non-fluorinated fabrics have existed for turnout gear outer shells and thermal liners, moisture barrier alternatives remained a key technical challenge. The introduction of Milliken Assure™ — North America’s first non-PFAS, non-halogenated flame-resistant moisture barrier — in October 2024 made it possible for Fire-Dex to provide SFFD with a solution that met all requirements. 

“A non-PFAS moisture barrier was the missing piece for departments wanting to move away from fluorinated chemicals,” said Marcio Manique, SVP and Managing Director of Milliken’s apparel business. “With Assure™, we refused to trade one hazard for another. It meets the strictest performance standards without adding weight or compromising breathability – giving firefighters exactly what they asked for.”

SFFD worked with MES Life Safety to order the garments from Fire-Dex and size each firefighter individually for their new equipment. Milliken and Fire-Dex have maintained a decade of strategic collaboration that delivers fire service innovation and advancement through U.S. research and manufacturing.

“Fire-Dex is honored to supply the San Francisco Fire Department with AeroFlex turnout gear featuring a non-fluorinated moisture barrier,” said Jeff Koledo, Fire-Dex Vice President of Sales. “We’re grateful to work alongside Milliken and MES in delivering this solution. Our goal has always been to provide fire departments across the country with options that meet their needs — and ultimately ensure they have the essential protection required to keep their communities safe.”

San Francisco encompasses 49 square miles and is the fourth largest city in the state of California. The SFFD is the 10th largest fire department in the United States, serving an estimated 1.5 million people. With 45 stations, firefighters respond to an average of 180,000 annual emergency calls. 

Under the banner “Texpertise Focus AI”, Messe Frankfurt will place a strong emphasis on Artificial Intelligence (AI) across its international textile and apparel trade fairs from 2026 onwards, setting a future-shaping signal for the industry. The initiative highlights the responsible use of AI along the entire textile value chain, from fibre production to the point of sale. The programme will launch at Heimtextil in Frankfurt in January 2026.

The textile and apparel industry is undergoing significant transformation: artificial intelligence is reshaping workflows, enabling new business models and offering solutions for sustainability, efficient value chains and the sector’s skills shortage. Commercial market analyses estimate the global market for AI in the textile industry to reach around USD 21 billion by 2033, roughly ten times the 2023 figure. According to Eurostat, 13.5 percent of European industrial companies were already using AI in 2024, including many businesses in the textile sector. Under the communication umbrella “Texpertise Focus AI”, Messe Frankfurt will showcase exhibitor applications and content formats relating to artificial intelligence at its international textile and apparel events from 2026 onwards.
 
Artificial Intelligence as a Key Focus 
From 2026, Texpertise Focus AI will further enhance the visibility and accessibility of AI-related topics at Messe Frankfurt’s textile trade fairs. This includes curated content formats such as panel discussions, guided tours and live demonstrations featuring international industry experts. In addition, many exhibiting companies will present AI-related solutions.
 
The initiative will commence at Heimtextil from 13 to 16 January 2026 in Frankfurt am Main. AI will feature across numerous programme items, searchable online under “Texpertise Focus AI”. On Wednesday, 14 January at 3 p.m., internationally renowned thought leader in AI for design, Tim Fu, will join the Architonic Live Talk. Under the title “Woven intelligence: designing spaces in the era of AI”, Fu will discuss how artificial intelligence can support meaningful collaboration between architecture and interior design to create spaces that connect craft with computational technology. Messe Frankfurt will roll out the initiative across its textile trade fairs worldwide. Local characteristics and market-specific challenges will be integrated into the concept to ensure relevance.

Artificial Potential for the Value Chain, Sustainability and Workforce Development 
AI is transforming the textile value chain from fibre production to the point of sale and offers potential for greater efficiency, higher quality and improved resilience. In raw-material sourcing, AI systems support cultivation, harvesting and recycling through intelligent analytics and sorting technologies. In design and development, AI tools accelerate creative processes and simulate material properties, a concept reflected, for example, in the immersive installation “among all” by Patricia Urquiola at Heimtextil 2026. Production and logistics processes can also be optimised, waste reduced and supply chains made more transparent.
 
Artificial intelligence is also driving the twin transformation – the convergence of digitalisation and sustainability. Around 116 million tonnes of textile fibres are produced annually worldwide, yet only one percent of post-consumer textile waste is recycled[3]. With AI, companies can conserve resources and reduce waste. AI-based design and forecasting models help prevent overproduction, while life-cycle analyses enable environmentally conscious sourcing. Image-recognition systems sort used textiles, laying the foundation for a true circular economy. The entire spectrum of textile processing technologies will be showcased at Texprocess from 21 to 24 April 2026 in Frankfurt am Main.
 
In the workplace, AI is creating new job profiles and reshaping existing ones, in areas such as data analytics, digital design and process control. It also has the potential to ease labour shortages: according to the German Institute of Textile Technology (ITA) at RWTH Aachen University, up to 70 percent of standardised production tasks could be automated. AI can also support recruitment by enabling targeted identification and selection of qualified professionals.

Mimaki Europe, a leading provider of industrial inkjet printers and cutting plotters will return to Heimtextil with a renewed focus on material versatility and simplified textile production. At the tradeshow, the company will present TRAPIS, its innovative pigment transfer printing system that enables manufacturers to print on a wide range of fabrics using a single ink set – ranging from natural fibres to blended and synthetic fabrics. Designed for easy, compact and cost-efficient operation, TRAPIS removes traditional barriers to digital textile printing, while also offering the added benefit of drastically reduced water use compared to conventional processes.

“Opening up opportunities, without the constraints of material restrictions and overly complex workflows, will give manufacturers that much needed operational freedom,” says Arjen Evertse, Director Sales at Mimaki Europe. “With TRAPIS, users can print on a wide variety of fabrics using a single ink set, something that traditional processes simply cannot offer. And because TRAPIS requires no pre-treatment, no washing and minimal infrastructure, it becomes an accessible solution for companies of any size. The fact that it also uses significantly less water is a valuable bonus, but its greatest impact lies in how easily it enables short-run, customised and localised printing on virtually any textile.”

Heimtextil visitors will experience first-hand TRAPIS’ ground-breaking yet simple two-step pigment transfer printing process on Mimaki’s booth – comprising of a Mimaki TS330-1600 with built-in heater, TP410 inks and a high-pressure calender. TRAPIS is uniquely positioned with its ability to print on a wide variety of fabrics, including cotton, viscose, polyester, blends and synthetics, unlike sublimation printing, which is limited to polyester-based textiles. Additionally, its compact footprint makes it ideal for small studios and businesses looking to introduce on-demand or short-run textile services, while reducing maintenance requirements and overall running costs.

The streamlined TRAPIS workflow also offers a sustainable solution to users, reducing water consumption by up to 90% (saving approximately 14.5 litres per square metre). The TRAPIS pigment inks are ZDHC MRSL Level 3 compliant and bluesign® APPROVED, ensuring both environmental and user safety.