Aus der Branche

SHIMA SEIKI ITALIA S.p.A. will exhibit at the 91st edition of the Pitti Immagine Filati exhibition in Florence, Italy from 29th June till 1st July, 2022. Products exhibited will include the SWG-FIRST124 and N.SIR123SP computerized flat knitting machines as well as APEXFiz™ design software.

The renewed SWG-FIRST124 is a synthesis of all of SHIMA SEIKI’s experience and know-how in computerized shaped knitting, realizing a tremendous range of knitting from full-fashioning and rib shaping to integral knitting. This all-purpose capability is made possible by the revolutionary SlideNeedle™, which, together with loop pressers and transfer jacks, offers remarkable variety, expanding the boundaries of flat knitting with the capability to produce garments that were previously impossible to produce.

The N.SIR123SP computerized knitting machine with intarsia capability features a special loop presser bed for producing hybrid inlay fabrics with both knit and weave characteristics. N.SIR123SP will also feature the special i-Plating option, capable of alternating yarn colors in any pattern, producing jacquard-like designs using plain jersey stitch. Plating can be performed within the same course and for individual needles. In combination with the loop presser and spring-type moveable sinker system even greater diversity in knit design is possible.

APEXFiz™ is subscription-based design software that supports the creative side of fashion from planning and design to colorway evaluation, realistic fabric simulation and 3D virtual sampling. Virtual samples are a digitized version of sample making that are accurate enough to be used effectively as prototypes, replacing physical sampling and consequently reducing time, cost and material that otherwise go to waste. APEXFiz™ thereby helps to realize sustainability and digitally transform the fashion supply chain.

Continuing from past editions of Pitti Filati are knit samples produced in collaboration with Italian designer Vittorio Branchizio. Staff at the SHIMA SEIKI booth will be donning knit uniforms produced as a collaborative effort between SHIMA SEIKI ITALIA, knitting companies and yarn companies.

SHIMA SEIKI MFG. will participate in the ITM 2022 International Textile Machinery Exhibition in Istanbul, Turkey.

SHIMA SEIKI will exhibit a wide range of its products, including proposals in seam-free WHOLEGARMENT® knitting technology that offers an alternative to labor-intensive manufacturing in Turkey and other international markets. Featured is the flagship MACH2XS WHOLEGARMENT® knitting machine with original SlideNeedle™ on four needle beds and spring-loaded moveable sinkers with expanded patterning capability, the MACH2VS V-bed machine for producing WHOLEGARMENT® items using every other needle, as well as the compact SWG091N2 for producing smaller WHOLEGARMENT® items and accessories. A brand new proposal in V-bed WHOLEGARMENT® knitting will also be introduced in the form of the N.SVR183 machine. N.SVR123SP features a special loop presser bed that can produce hybrid inlay fabrics with both knit and weave characteristics. N.SVR123SP at ITM will feature the special i-Plating option, capable of alternating yarn colors in any pattern, producing jacquard-like designs using plain jersey stitch for even greater diversity in knit design. Meanwhile N.SSR112 offers industry-leading technology in an economical yet reliable package made in Japan. Also on display is the SFG20 glove knitting machine.

Demonstrations will be performed on SHIMA SEIKI’s SDS®-ONE APEX4 design system. At the core of the company’s “Total Fashion System” concept, SDS®-ONE APEX4 provides comprehensive support throughout the production supply chain, integrating production into one smooth and efficient workflow from yarn development, product planning and design, to production and even sales promotion. Especially effective is the way SDS®-ONE APEX4 improves on the design evaluation process with its ultra-realistic simulation capability, whereby virtual samples replace physical sampling, consequently reducing time, cost and material that otherwise go to waste. The same capability is present in APEXFiz™ subscription-based design software. Installed on personal computers, APEXFiz™ features the same functionality as SDS®-ONE APEX4, but with the added versatility to adapt to different work styles and business environments including teleworking and telecommuting. Digital prototyping using virtual samples on SDS®-ONE APEX4 and APEXFiz™ help to digitally transform the fashion supply chain for realizing sustainable manufacturing. APEXFiz™ will be shown along with SHIMA SEIKI’s yarnbank™ digital yarn web platform that further enhances the realism of virtual samples.

SHIMA SEIKI MFG., LTD. announces the release of its new "SHIMA Datamall™" digital content web service.

SHIMA Datamall™ is an online service that allows users to search, browse and purchase a variety of useful data for the planning, production and sales of fashion items. With SHIMA Datamall, users of the SDS®-ONE APEX series 3D design system, APEXFiz™ Design subscription software and SHIMA SEIKI flat knitting machines will be able to streamline their operations and further promote the digital transformation of textile manufacturing, thereby realizing a shift toward sustainable manufacturing.

Digital content available on SHIMA Datamall™, together with yarn data from the yarnbank™ digital yarn sourcing web service, are meant to support knit manufacturing from planning and design to production and sales, by arranging the data on SDS®-ONE APEX and APEXFiz™.

Membership is not limited to users of SHIMA SEIKI products. Anyone can search and browse from digital data comprising over 6,000 items, free of charge. Information gathered on SHIMA Datamall is useful for product planning and ideas for new collections. SHIMA SEIKI users can furthermore purchase and download data to facilitate communication with suppliers.

Computerized knitting machine manufacturer SHIMA SEIKI MFG., LTD. will participate in the SIMATEX exhibition in Buenos Aires, Argentina from 30th of May - 2nd of June 2022.

SHIMA SEIKI will exhibit a wide range of its products, including proposals in seam-free WHOLEGARMENT® knitting technology that offers an alternative to labor-intensive manufacturing in the South American market. Three MACH2VS machines, capable of knitting WHOLEGARMENT® knitwear using every other needle, will be shown in 12, 16 and 18 gauge configurations. The N.SVR workhorse series improves on the SVR series, resetting the industry benchmark for shaped knitting. The N.SVR123SP featuring a special loop presser bed that can produce hybrid inlay fabrics with both knit and weave characteristics. Shown in 18 gauge at the SHIMA SEIKI booth, N.SVR123SP will also feature the special i-Plating option, capable of alternating yarn colors in any pattern, producing jacquard-like designs using plain jersey stitch for even greater diversity in knit design. N.SSR112 improves on the SSR series and continues to offer industry-leading technology in an economical yet reliable package made in Japan.

Demonstrations will be performed on SHIMA SEIKI's SDS®-ONE APEX4 design system. At the core of the company’s “Total Fashion System” concept, SDS®-ONE APEX4 provides comprehensive support throughout the production supply chain, integrating production into one smooth and efficient workflow from yarn development, product planning and design, to production and even sales promotion. Especially effective is the way SDS®-ONE APEX4 improves on the design evaluation process with its ultra-realistic simulation capability, whereby virtual samples minimize the need for actual sample-making. This realizes significant savings in time, cost and material, contributing to sustainable manufacturing.

HighRadius wurde im diesjährigen Magic Quadrant vom Marktforschungsunternehmen Gartner im Bereich integrierte Invoice-to-Cash-Anwendungen (I2C) als ‘Leader’ bzw. Marktführer eingestuft. Laut Gartner sind „Leader am besten aufgestellt, das Wachstum und die Richtung des Marktes zu beeinflussen. Sie verfügen über eine marktprägende Vision darüber, wie integrierte I2C-Anwendungen die CFOs dabei unterstützen können, ihre Business-Ziele in Bezug auf Cash-Flow-Optimierung zu erreichen, während sie gleichzeitig Effizienzsteigerungen und präzise Vorhersagen im Debitorenmanagement ermöglichen. Marktführende Unternehmen – wie HighRadius – sind in der Lage, ihre Vision im Rahmen ihrer Produktstrategie umzusetzen, indem sie KI in allen Lösungen ihrer Anwendung nutzen. Sie haben nachweislich Ergebnisse in Form von Umsätzen mit bestehen Kunden und auch neuen Kunden erzielt. Sie verfügen über eine exzellente Kombination aus hoher Reaktionsfähigkeit auf Marktentwicklungen, Innovationen und Produkt-Features.“

Gartner verweist zudem darauf, dass für die meisten Finanzorganisationen der Einsatz integrierter I2C-Lösungen zu einer Grundanforderung geworden ist. Das Marktforschungsunternehmen prognostiziert ein Marktvolumen für integrierte I2C-Lösungen bis 2024 von 3 Milliarden US-Dollar.

Das Bestreben der CFOs, die Unzulänglichkeiten traditioneller ERP-Systemen zu beseitigen und ihren Cashflow zu optimieren sowie die Kundenzufriedenheit zu erhöhen, dürfte dieses Wachstum ebenso stärken wie die Notwendigkeit, den Finanzteams erforderlichen Tools an die Hand zu geben, um die ständig steigende Arbeitsbelastung zu bewältigen und die stressbedingte Fluktuation zu reduzieren.

• Mehr Stricksysteme, höhere Produktivität

STOLL komplettiert mit einem neuen CMS-Modell seine Produktrange für den Volumenmarkt. Der Newcomer mit der Bezeichnung CMS 503 ki ist mit drei Stricksystemen nochmals produktiver als seine Sortimentsnachbarin, die CMS 502 ki, und deckt dabei das gleiche Anwendungsspektrum ab wie diese. Eine große Bandbreite an Fully-Fashion-Artikel lässt sich mit höchster Effizienz fertigen bei geringem Bedienaufwand und hoher Betriebssicherheit. Ausgestattet mit der bewährten Technik lässt sich die CMS 503 ki gewohnt einfach handhaben und mit hoher Zuverlässigkeit betreiben.

Mit der neuen Maschinengeneration knitelligence® ist die CMS 503 ki auf die besonderen Anforderungen des modernen digitalen Zeitalters vorbereitet: Prozessautomatisierung, Transparenz, Digitalisierung, schnellere Reaktionszeiten, kürzere Produktionszyklen, Vernetzung und neue Geschäftsmodelle sind dabei nur einige Aspekte, die neue Chancen eröffnen.

Die CMS 503 ki wird in den Feinheiten E3,5.2, E7.2 und E14/12 angeboten. Weitere Feinheiten können angefragt werden. Die Arbeitsbreite beträgt 45“.
Serienstart ist der 1. April 2022. Ihren ersten öffentlichen Auftritt hat die Innovation Istanbul, auf dem Stand der KARL MAYER Gruppe zur ITM vom 14. bis 18. Juni 2022 im Tüyap Messe- und Kongresszentrum in. Viele türkische Flachstricker investieren laut Area Sales Manager Lutz Vogel seit Jahren erfolgreich in die verschiedenen CMS 530- und CMS 502-Generationen, um ihre Geschäfte erfolgreich auszubauen.

• Mimaki’s Newest Product Series to Transform the Sign Graphics and Textile Markets with Improved Efficiency and Quality 
• Mimaki to launch the 330 Printer Series and the new entry-level cutting plotter series, the CG-AR

Mimaki Europe today announces a brand-new large format inkjet printer series, the 330 Series, including the JV330-160, CJV330-160 and TS330-1600, as well as a new range of CG-AR cutting plotters. Launched during the company’s Global Innovation Days event, the 330 Series leverages Mimaki’s cross-platform strategy, to offer a high-end yet cost effective printing solution across several sectors. Similarly, the CG-AR Series offers users new workflow enhancing, entry-level cutting plotter technologies available in three sizes. Both launches align with Mimaki’s objective to grow both its high-end and entry-level product range, to further encourage and support customers expanding and improving upon their printing services and product offering.

Introducing Mimaki’s latest printers – the 330 Series

Following on from the success of the 100 and 300 Plus Series, the 330 Series was developed to offer mid- to high-end printing models, focusing on high image quality and productivity. As a company renowned for its high-colour range, Mimaki’s newest printers can achieve high resolution, durable prints for both the Sign Graphic and Textile industries. 

The eco-solvent inkjet printers, the JV330-160 and CJV330-160, deliver the high-standard of colour required for indoor and outdoor sign graphics through the new “Deep Color Natural” input profile, offering eye-catching and vivid solid colours, natural skin tones as well as deep reds and neutral greys. With printing speeds of 21.0m2/h during standard mode while using 4 colours, this printer is ideal for print jobs that require quick delivery. The in-built cleaning mechanisms and monitoring features ensure an efficient workflow and allow for longer running times.

Both models feature a newly designed unwinding system that allows three rolls of media to be loaded simultaneously, greatly reducing the time and manpower required to change print media. One operator can bring the desired media into position simply by turning the media changer. Another standard feature is an “XY slitter” - a highly precise cutting technology, which provides in-line X-axis and Y-axis sheet-fed cutting. This eliminates the unwinding and rough cutting from the workflow, helping printers to significantly speed up and streamline the post-process, with less interference needed.

The print-only model JV330-160 as well as the integrated printer and cutter CJV330-160 will be available globally in April 2022.

In addition to the Sign Graphics solutions, Mimaki has also released the TS330-1600, a sublimation transfer inkjet printer, for the textile industry. Enabling both high production and high image quality, and equipped with new functions to improve stable operation, the TS330-1600 can achieve a printing speed of 69m2/h in Draft mode with a 4-colour ink set, with the fastest mode reaching up to 135m2/h. The newest cleaning mechanism applies a cloth wiper that removes unwanted ink from the nozzle surface, reducing ink splatter and improving the overall upkeep of the machine.

Increasing efficiency with entry-level CG-AR plotting cutter series

Alongside the 330 Series, Mimaki has also launched the CG-AR Series plotting cutters. Available in three different sizes (CG-60AR, CG-100AR and CG-130AR), these plotters go above and beyond current entry-level options available today. Recognising customer demand of shorter delivery times, these cutters provide increased speed and accuracy, all with user-friendly operability. In addition, the cutters have the ability to handle a diverse range of materials, such as PVC, fluorescent and reflective sheets.

SHIMA SEIKI ITALIA S.p.A., Italian subsidiary of leading Japanese computerized knitting solutions provider SHIMA SEIKI MFG., LTD., will exhibit at the 90th edition of the Pitti Immagine Filati exhibition in Florence, Italy. Products exhibited will include the N.SVR®123SP computerized flat knitting machine as well as APEXFiz™ design software.

The N.SVR®123SP computerized knitting machine features a special loop presser bed, capable of producing hybrid inlay fabrics with both knit and weave characteristics. Demand for such novel fabrics are very high across a wide range of applications, from fashion apparel to sportswear, innerwear, outerwear, uniforms and other functional clothing, as well as home furnishing and technical textiles. Shown in 18G at the SHIMA SEIKI booth, N.SVR®123SP will also feature the special i-Plating option, capable of alternating yarn colors in any pattern, producing jacquard-like designs using plain jersey stitch. Plating can be performed within the same course and for individual needles. In combination with the loop presser and spring-type moveable sinker system even greater diversity in knit design is possible. An SVR®123SP machine in 14G with i-Plating option will also be on display at the booth of yarn spinner IAFIL S.p.A. as well.

APEXFiz™ is subscription-based design software that maintains the proven functions that have made SHIMA SEIKI’s SDS®-ONE APEX series design systems so popular with fashion designers. Installed on personal computers, those strengths are now enhanced with the added versatility to adapt to different work styles and business environments including teleworking and telecommuting. APEXFiz™ software supports the creative side of fashion from planning and design to colorway evaluation, realistic fabric simulation and 3D virtual sampling. Virtual samples are a digitized version of sample making that are accurate enough to be used effectively as prototypes, replacing physical sampling and consequently reducing time, cost and material that otherwise go to waste. APEXFiz™ thereby helps to realize sustainability and digitally transform the fashion supply chain.

APEXFiz™ along with SHIMA SEIKI’s yarnbank™ digital yarn web platform are featured at a special section launched at the previous session of Pitti Filati no. 89 called Pitti Studios. Pitti Studios is a content production service that yarn companies exhibiting at Pitti Filati can use for their own promotion. Yarn companies provide a piece of yarn, which is digitized on yarnbank™ and used to simulate photorealistic fabric on APEXFiz™. This is then processed by a creative studio specializing in digital content to provide static and animated 3D virtual representations. The process shows how to use the latest DX tools to provide accurate representation of a finished garment without having to produce any fabric, converting the conventionally wasteful process of sample-making into a sustainable one.

Continuing from past editions of Pitti Filati are knit samples produced in collaboration with Italian designer Vittorio Branchizio.

Mit ihrer Frankfurt City Edition 2022 präsentierte sich die Neonyt-Konferenz Fashionsustain am 19. Januar 2022 in hybrider Form: Limitiert und unter strengen Hygienebedingungen live vor Ort oder im Livestream gab es Impuls-Insights, Panel Discussions und Fashion Deep-Dives zum Status Quo der Textil- und Modebranche. Mit dabei waren unter anderem der Grüne Knopf, Fond of, der German Design Council und Tchibo.

Unter dem Motto Change the set-up beleuchtete die Fashionsustain, das internationale und multidisziplinäre Konferenzformat der Neonyt, am 19. Januar 2022 im Rahmen der Frankfurt Fashion Week, wie die Textil- und Modebranche den laufenden Transformationsprozess bewältigen und sich für zuküftige Herausforderungen wappnen kann. Die Themen Konsumentenverhalten, unternehmerische Sorgfaltspflichten und Nachhaltigkeit am Point-of-Sale standen dabei im Fokus.

Change the Mindset – Änderung des Konsumverhaltens
Den Auftakt zur hybriden City Edition im Frankfurter Danzig am Platz machte Neurowissenschaftlerin Prof. Dr. Maren Urner mit einem Impulsvortrag zum Thema Change the Mindset. Im Zentrum stand dabei die sogenannte Attitude-Behaviour-Gap und wie wir diese überwinden können. Prof. Dr. Urner riet zu einem positiven Mindset und zitierte dabei den US-amerikanischen Psychotherapeuten Steve de Shazer: „Über Porbleme zu reden, kreiert Probleme, über Lösungen zu reden, kreiert Lösungen.“

Im anschließenden Deepdive reflektierte sie in einer Runde mit Karin Ziegler von Blutsgeschwister und Lutz Dietzold vom German Design Council, warum Menschen anders handeln als sie beabsichtigen und wie sich unsere eigene Haltung, und damit die Haltung der ganzen Branche, in Zukunft noch stärker in unserem Verhalten widerspiegeln kann. Zu der Frage, ob echte Veränderung vom Individuum oder dem System ausgehen sollte, sagte Prof. Dr. Urner: „Es braucht beides: Eine individuelle und eine systemische Veränderung. Aber die systemische Veränderung kann nur gelingen, wenn wir individuell anfangen. Denn das System sind wir Menschen.“

Change Responsibilities – Lieferketten der Zukunft
„Viele Unternehmen berichten, dass Maßnahmen wie die UN-Leitprinzipien ihnen helfen, sich nachhaltig zu positionieren, zum Beispiel in den Bereichen Risikoanalyse und Monitoring.“ sagte Christine Moser-Priewich vom Grünen Knopf in dessen Panel Discussion zu unternehmerischen Sorgfaltspflichten mit Axel Schröder der Tchibo GmbH und Hannes Weber von Fond of. Axel Schröder ergänzte: „Der Grüne Knopf war für uns eine gute Lernreise in Vorbereitung auf die anstehenden Lieferkettengesetze.“

Change the System – Revolution des Handels
„Konsumentinnen und Konsumenten mit nachhaltigen Absichten haben eine schwere Zeit“, sagte Christian Salewski vom Research-Start-up Flip. „Sie können oft nicht zwischen grünen Marketing-Kampagnen und ehrlichen Absichten unterscheiden.“ In seinem Insight-Talk illustrierte er, wie Flip Konsument*innen im undurchsichtigen Nachhaltigkeitsmarkt unterstützen und für mehr Transparenz sorgen möchte. Als Beispiel gab er Einblicke hinter die Kulissen der Sneakerjagd, eines der in der Branche meistdiskutierten Videos des vergangenen Jahres, in dem Flip gemeinsam mit NDR, Die Zeit und prominenten Persönlichkeiten aufdeckte, dass Sneaker nicht immer so recycelt werden wie von den dahinter stehenden Brands angegeben. „Aus der Politik und von Verbaucherschützerinnen und -schützern haben wir das Feedback erhalten, dass unsere Recherche ein wichtiger Impuls war, um wieder Schwung in das Kreislaufwirtschaftsgesetz zu bringen.“

Abgerundet wurde die Fashionsustain City Edition mit einer Panel Discussion zum Thema Nachhaltigkeit am Point-of-Sale. Tanja Kliewe-Meyer von Like a Bird, Marco Schütte der EK Service Group und Frederik Gottschling vom Hessischen Handelsverband diskutierten, wie der Handel als Wissensvermittler dazu beitragen kann, Verbraucher*innen zu sensibilisieren und was das für die Belebung von Innenstädten bedeuten kann. „Wichtig ist es,“ so Tanja Kliewe-Meyer, „Erfahrungswelten zu schaffen, um Nachhaltigkeit in die Städte zu bringen. Die Zeiten der Monoläden durch die jedes Stadtzentrum gleich aussieht, sind vorbei.“

Change the perspective – on- und offline
Teilnehmer*innen konnten das internationale Konferenzformat der Neonyt im Rahmen der Frankfurt Fashion Week live vor Ort und digital verfolgen. In Frankfurt dabei waren unter anderem Vertreter*innen von Condé Nast Germany, Deutscher Fachverlag und FAZ, Hohenstein und Rat für Formgebung. Den Livestream verfolgten neben internationalen Modeinstituten wie dem German Design Council auch Unternehmensvertreter*innen von Breuniger, C&A, Closed, Gerry Weber, Givenchy/LVMH, Hallhuber, Hessnatur und Kastener & Öhler sowie die Redaktionen von Fashion United, Luxiders, RTL, Spiegel Online und TextilWirtschaft.

• The Green Revolution: How Microfactories Can Change the Face of Fashion by Mark Sollman, Product Manager EMEA, Mimaki Europe

With the all-important COP26 Climate Change Conference having taken centre stage in November, there is no time like the present for the fashion world to rally together in stepping up sustainability efforts and getting carbon emissions under control. Globally, the fashion industry is now estimated to account for around 10 percent of greenhouse gas emissions and 20 percent of wastewater , making the pursuit of greener production methods more pertinent than ever before. Thankfully, we are seeing a new era of production enter the fashion arena, with the increasing emergence of technologically advanced, highly automated microfactories.

Along with reducing unnecessary waste through on-demand production, microfactories have a smaller ecological footprint than traditional garment production and require no water use during the production process, making it not only a faster solution, but a greener one too.

Last year’s FESPA saw Mimaki team up with fashion designer Carolina Guzman to bring her designs to life in real time at the show, setting up its own working microfactory live on-site to take her designs from screen to garment within just a day. Guzman’s designs were created using Mimaki’s TS100-1600 Sublimation Printer, before being transferred to textile, digitally cut and finally pieced together. Devised with a string of ethical and environmental objectives threaded throughout, the microfactory also exclusively utilised eco-friendly Greentex fabric, and any remaining material was donated to Sheltersuit: a wind- and waterproof coat that can be transformed into a sleeping bag, which is provided free of charge to homeless people and refugees.

Through working with a number of strategic partners – including transfer printing expert, Klieverik; paper solutions specialist, Neenah Coldenhove; and digital cutting equipment provider, Summa – Mimaki was able to produce a collection of unique, high-quality garments live on the stand during the tradeshow, demonstrating to visitors from more than 100 countries some of the key reasons that microfactories seem set to change the future of fashion…

Unparalleled speed and versatility
Where traditionally, apparel manufacturing has centred on a production chain model of sourcing materials and producing garments in bulk, microfactories are now enabling on-demand, on-location production, making it possible to create everything from unique, one-off pieces and samples right through to entire product lines – all at unprecedented speeds. This means greater flexibility and customisation, enabling designers to modify or update designs and respond to market trends as they occur.

Simplified supply chains and minimised risk
The microfactory setup brings production in-house and on-demand, minimising the cost of not only storing stock, but also of shipping it and responsibly disposing of unsold items. Where recent geopolitical events have highlighted the fragility of global supply chains, microfactories offer a unique independence from these systems, empowering garment manufacturers to future-proof their businesses, become less reliant on external systems and suppliers, and reduce the risk of disruptions.

A boosted bottom line and a greener future
Facilitating savings in a whole line of resources, from physical storage and production space to time and energy, microfactories ultimately have the potential to significantly increase profitability for garment manufacturers, with the additional benefit of being easily scalable as production increases. Perhaps even more compelling, however, are the environmental considerations. Demonstrated on a small scale through Mimaki’s recent project, the environmental benefits inherent to microfactory production will have an even greater impact as it becomes more prolific and commonplace throughout the fashion world, with the potential to effect meaningful environmental change as adoption increases in the years to come.