From the Sector

Rosemary Moore, inventor of the original and ground-breaking 4 way stretch and crinkle fabric, together with Graduate Fashion Foundation has announced the shortlisted 3 finalists in an international fashion design competition.

Students from the leading fashion and design universities across the UK and internationally were challenged to design a trend led womenswear S/S 2026 capsule collection utilising the famous MAXXAM® fabrics. Celebrating the fabric’s history the range had to be timeless, multi-purpose and include a minimum of one piece of swimwear.  

Judged by Rosemary and the team at Graduate Fashion Foundation, a shortlist of 3 winners has been announced.

• Ivo Gomes - Solent University, Fashion Design
• Ella Brooks-Birkett - Manchester Fashion Institute @ The Manchester Metropolitan University, BA (Hons) Fashion Design and Technology
• Paballo Mafokate - STADIO School of Fashion, Honours in Fashion

Rosemary said, “It has been incredibly exciting to work on this project with Graduate Fashion Foundation and all the leading universities across the country and abroad. I have been absolutely overwhelmed with the number of entries we received and the passion and talent that the students have demonstrated. It has been really difficult to narrow down more than 40 entries to a shortlist of 10 students, who I was lucky enough to meet in person, and even harder to get to our 3 finalists, Ivo, Ella and Paballo.

All the applicants for the competition displayed a very high standard of creativity and imagination and in the end, we had to look at the finer details of the actual designs and the commerciality for carrying them forward.

Rosemary Moore invented the unique MAXXAM® fabric in the early 1980s which took the fashion world by storm and became renowned for its 4-way stretch, tactile characteristics, and one-size-fits-all seamless clothing used predominantly for adult clothing and swimwear

Ivo displayed a fresh approach using laser cutting concepts and the novelty for reusing the waste in other aspects of the design creation. His laser designs offered versatility when intermixing the separate parts to dress up or down for a week away. Paballo impressed with her collection theme and her creativity as it offered a real sincerity to the origins of her landscape combining the waste and traditional techniques of Artisans in South Africa. Ella gave a fresh youthful approach to the styling of her separates with well-considered use of our textiles to offer the freedom for intermixing from day into night and beach to trekking.

I’m thrilled to say the competition has showcased the best of our future fashion talent and we look forward to sharing the final winner at Graduate Fashion Week!”

The 3 finalists will showcase looks in the Graduate Fashion Week Gala Show and exhibition (13th- 16th June 2025 at the Truman Brewery, Shoreditch) where a final overall winner will be chosen to receive the coveted prize of working directly with Rosemary and her manufacturers on their designs with the chance of one of their pieces going into manufacture.  
Ivo Gomes commented, “Getting to this stage of the competition feels wonderful! To win the competition, I would feel like I had won in life! Regardless of the final result, it will have been a valuable learning experience and I value, learning above everything else.”

Ella Brooks-Birkett commented, “I’m super excited to get to this point in the competition, and I didn't expect it at all. It's such a great experience to come down to London for the live judging. I would be absolutely blown away if I won the competition because this is really out of my comfort zone, and I know to win would really get me started in the fashion industry.”

Paballo Mafokate said, “I'm truly honored to get to this stage of the competition and be recognised for my creativity.  To win a competition from a global fashion platform is not something that is familiar within the African continent, and I believe that it would be a beautiful moment and blessing for me and a jump start for my career in fashion.”

The students design journey can be followed on GFF social channels using the #GFFxMAXXAM.

Source Fashion, Europe’s leading responsible sourcing show, opened its doors on Tuesday, 18th February, at Olympia London, attracting record-breaking visitor numbers. Buyers, retailers, and sourcing professionals from around the world gathered at the highly anticipated event, including representatives from industry giants such as NEXT, John Lewis, Reiss, Maebe, ASOS, Evans, Harrods, Hunter Boots, Lipsy, Barbour, Claires, NBA, Fortnum and Mason, Sophia Webster, The Hippie Shake and French Connection. With a shared commitment to driving positive change in the retail sector, attendees explored innovative sustainable solutions and forged impactful connections that are set to shape the future of fashion.

The event features an impressive line-up of responsible manufacturers from around the globe with the spotlight on the UK, Portugal, Egypt, India, Indonesia and Nepal.

The Source Catwalk Show held three times daily, captivated audiences with standout collections from exhibitors. Three distinct trends - Reconstructed, Circus, and Romance - captured the energy of the season, complemented by a vibrant swimwear story curated by sustainable stylist Rebekah Roy.  Closing the show in style, headline designer Stuart Trevor, founder of All Saints and a passionate sustainability advocate, unveiled his latest label, STUART TREVOR, showcasing contemporary designs crafted from sustainable and repurposed materials.

The panel discussions on the Source Catwalk Stage and lively conversations on the Source Debates Stage have also drawn crowds with a series of thought-provoking talks from leading industry professionals discussing the latest trends and topics in sustainable fashion.

Speaking on the Source Catwalk Stage, Nick Reed, Founder of Neem London, chaired a panel discussion titled “From Fast Fashion to Circularity – Encouraging Consumers to Embrace Sustainable Fashion Models.” Charlotte Pumford, Head of Sustainability at Vivobarefoot, highlighted three key elements for circularity: slowing down production by focusing on local, on-demand manufacturing; designing products with intentionality for repair, durability, and recycling; and maintaining transparency to understand the impact of manufacturing.

On the Source Debates Stage, topics ranged from how to produce less while maintaining the same level of profit, to the use of authentic language, building trust, and what can be perceived as greenwashing. However, the liveliest debate of the day came when Giovanni Beatrice, Founder of Forward in Fashion joined Sherin Hosni, Executive Director of the Apparel Export Council of Egypt, to discuss North Africa's potential as a sourcing alternative to Asia.

Beatrice highlighted a shift from traditionally low-cost Asian manufacturers towards more sustainable sourcing, driven by environmental concerns and stricter legislation. They noted growing interest in African countries such as Morocco, Tunisia, and Egypt, emphasising the importance of matching products to the right markets while minimising environmental impact. Hosni underscored Egypt’s emergence as a leader in high-quality, responsibly produced apparel, supported by efficient business services and sustainable practices.

New to the show Egyptian Pavilion showcases 20 companies, highlighting the exceptional quality, craftsmanship, and sustainability practices of Egyptian manufacturers. It offered UK and European buyers an unparalleled opportunity to source responsibly, reinforcing Egypt’s growing reputation as a leader in sustainable fashion production.

Suzanne Ellingham, Event Director of Source Fashion, said, “I’m thrilled that today has seen record numbers of visitors come through the door. That’s including serious buyers from the UK’s largest brands and retailers who are looking to forge new relationships and do better business. Our mission is to connect international manufacturers with UK and European buyers seeking responsible sourcing solutions, and the show is delivering on this promise.

The inspiring and eye-opening content program kicked off with industry leaders in sustainability addressing the biggest challenges in responsible manufacturing and sourcing today. I have been blown away by the source Debates stage and the audience participation, Hearing the conversation from the industry and seeing people sharing publicly their ways of working, really just doesn’t happen very often. We have a platform that allows this to happen and that, to me, is something we are incredibly proud of.  We’re excited for what’s still to come over the next two days.”

When PERFORMANCE DAYS opens its doors on October 23 and 24, 2024, in Halls A1 and A2 at the Messe München exhibition grounds, visitors will once again find fabric innovations for Fall/Winter 2026 across the segments of performance wear, footwear, accessories, and, for the first time, bodywear. The jury, composed of renowned industry experts, reviewed the latest fabrics for the 2026 season in the Trend, Footwear, and Bodywear Forum, looking for outstanding innovations. A total of one Performance Award and one Eco Performance Award were presented.

PERFORMANCE DAYS continues to deliver plenty of highlights and innovations in technical fibers and materials in the Trend Forum at the winter exhibition. Since Fall 2023, the event has also focused on the footwear segment, summarizing the latest trends and news in the dedicated Footwear Forum. Starting in October 2024, the organizers will introduce a new Bodywear Collective, complete with a corresponding Trend Forum. In close collaboration with the London Contour Experts and designer and industry expert Nichole de Carle, PERFORMANCE DAYS will feature a Trend Forum dedicated to underwear, shapewear, bras & leggings, yoga in motion, and swimwear.

The expert jury, led by Marco Weichert, CEO of PERFORMANCE DAYS, Jury Head Alexa Dehmel, and guest jurors Regina Goller, a textile expert with experience in sustainable functional fabrics at companies like Odlo, Puma, and Jack Wolfskin, as well as Stephan Prinz, Account Manager Germany at Klopman, praised the quality, sustainability approaches, and high level of innovation in the submissions. The jury awarded one Performance Award (Bodywear) and one Eco Performance Award (Apparel).

The winners are: A. Sampaio & Filhos – Têxteis SA & Penn Textile Solutions GmbH/Penn Italia SRL
For the Fall/Winter 2026 season, the jury selected three awards for outstanding fabrics.

Alongside the Eco Performance Award, which went to A. Sampaio & Filhos – Têxteis SA for the article “69222/Colorful chemistry featuring holistic farming,” one Performance Award
was also presented for the first time in the bodywear segment: Penn Textile Solutions GmbH/Penn Italia SRL made their debut in the Bodywear Forum with "13949.

ECO PERFORMANCE AWARD: A. Sampaio & Filhos – Têxteis SA / Article “69222 - Colorful Chemistry Featuring Holistic Farming”
In collaboration with Good Earth Cotton, this project focuses on sustainable farming practices to reduce the environmental impact of cotton while improving soil health, paving the way for a carbon-neutral future. The supplier is also exploring innovations with organic cotton grown using regenerative farming methods, expanding the scope for future eco-friendly concepts. Additionally, the fabric is dyed using biological dyes—an innovative technique where natural bacteria produce pigments that bond efficiently with the fabric a low temperatures without the use of petrochemicals. The fabric is available in pink and
sand.

Jury Statement: “This fabric takes this year’s focus topic to the next level! A. Sampaio & Filhos – Têxteis SA’s fabric innovation showcases the future of dyeing with microorganisms. Textile dyeing with living organisms is a sustainable and resource-efficient method that requires no harmful chemicals. Additionally, the fabric, made from 100% organic cotton, excels in performance due to an innovative body-mapping concept that provides optimal support during wear.”

PERFORMANCE AWARD: Penn Textile Solutions GmbH / Penn Italia SRL / Article “13949” This fabric, composed of 68% recycled polyamide and 32% ROICA, with a weight of 290 grams, is perfect for baselayer construction. It can be customized with the brand’s own design, featuring open structures and a 3D effect for added texture. Despite its structure, the fabric has an incredibly soft touch, ensuring maximum comfort during wear. Jury Statement: “Penn Textiles was a popular vote, an award worthy of the jury. The fabric has a combination of high density opaque areas with lighter breathable panels. A superior choice for the Bodywear Category because of its customisable 3D design aesthetic, printable qualities and second skin super soft touch. The fabric blend of Roica yarn and recycled PA has many admirable qualities for next to skin, including anti-odor, quick dry and outstanding stretch and recovery to adapt to the body shape. Fabric, with a perfect fit for body contouring products including leggings, underwear and light support shapewear.”

Active Apparel Group (AAG), manufacturer of performance apparel for the leisure/lifestyle and active market, announces the seventh anniversary of their partnership with the sustainable textile finishing brand FUZE Technologies.

AAG is the first apparel manufacturer to adopt FUZE’s permanent, chemical-free textile finish, and the only company in China able to apply FUZE in a closed-loop system. AAG leverages the platform to provide a range of performance characteristics to customers, including odor control, UV protection, moisture management, and cooling.

The FUZE finish utilizes gold and silver particles permanently bonded to a wide variety of natural and synthetic materials to achieve a range of performance characteristics. AAG customers employing the FUZE finish create apparel for the yoga, active lifestyle, workout, golf, and swimwear markets. 

With combined regional, global, and industry specific expertise, the Vietnam International Trade Fair for Apparel, Textiles and Textile Technologies (VIATT) will make its debut from 28 February – 1 March 2024. Following the signing of a memorandum of understanding (MOU) in late March, Messe Frankfurt (HK) Ltd and the Vietnam Trade Promotion Agency (VIETRADE) announced the new international fair for the entire textile value chain. The three-day platform will be staged at the Saigon Exhibition and Convention Center (SECC), Ho Chi Minh City.

Commenting on the new event, Ms Wendy Wen, Managing Director of Messe Frankfurt (HK) Ltd, said: “With Intertextile Apparel in Shanghai a prime example, our Texpertise Network provides the ideal global framework from which to launch this diverse, comprehensive platform for the integrated textile supply chain. VIATT itself will capture the essence of Texpertise in one platform – a diverse, one-stop sourcing event for buyers across all categories, from garments, fabrics, yarns and fibres, to textile machinery, technical textiles and nonwovens, and everything in between.”

Discussing the event’s potential, Mr Le Hoang Tai, Deputy Director General of the Vietnam Trade Promotion Agency (VIETRADE), said: “Vietnam is one of the world’s leading textile producers and exporters, and going from strength to strength as one of Southeast Asia’s manufacturing hubs. Our establishment has many years of experience organising trade fairs throughout Vietnam, and together with Messe Frankfurt we are excited to help international fairgoers unlock the potential of the country’s fast-growing textile market. In addition, Ho Chi Minh City’s accessibility, and Vietnam’s proximity to other leading textile-producing nations such as Bangladesh, Cambodia, China and India, make it the logical venue to host an event of this nature.”

Many international textile manufacturers have been expanding operations into Vietnam, augmenting an already strong domestic industry. According to the Vietnam Textile and Apparel Association (VITAS), the country’s textile and garment industry achieved staggering annual growth of 20 – 26% from 2018 – 2022. Participation in international trade agreements such as the Regional Comprehensive Economic Partnership (RCEP), the Comprehensive and Progressive Agreement for Trans-Pacific Partnership (CPTPP), the EU–Vietnam Free Trade Agreement (EVFTA), and the Indo-Pacific Economic Framework for Prosperity (IPEF)[2], bodes well for future growth.

As one of the world’s biggest importers of textile machinery, and a consistent importer of fabrics, yarns and fibres, garment production is the cornerstone of Vietnam’s industry. The country utilises cotton and functional materials to produce casualwear, childrenswear, swimwear, workwear, and much more, with sportswear an especially fast-growing category, and high-utility garments expected to achieve high exports.

By linking textile players from across Asia, Europe and beyond with this market, VIATT 2024 is willing to play an important part in shaping the future of Vietnam’s industry. Next year’s fair will host an extensive mix of international and domestic exhibitors covering multiple textile sub-sectors, including garments, apparel fabrics and accessories, yarns and fibres, digital printing, home textiles, technical textiles and nonwovens, textile processing, textile machinery, and more.

Exhibitors and buyers can utilise the fair’s global business matchmaking service, where connections are made based on the specific needs of each party. In addition to the fair’s main function as an international trading platform, its fringe programme will facilitate participants’ networking with industry leaders and offer diverse market insights via various seminars, forums, and panel discussions.

The Vietnam International Trade Fair for Apparel, Textiles and Textile Technologies (VIATT) is organised by Messe Frankfurt (HK) Ltd and the Vietnam Trade Promotion Agency (VIETRADE). Covering the entire textile industry value chain, the inaugural edition will be held from 28 February – 1 March 2024 at the Saigon Exhibition and Convention Center (SECC), Ho Chi Minh City.

Manufy, a marketplace for sustainable fashion production, has launched a new version of their platform. The platform connects conscious brands with sustainable manufacturers in hopes to create a cleaner future for the clothing industry. Now decked out with many more functionalities, Manufy aims to facilitate sustainable business between both parties from start to finish.  

Over the course of the last year the Manufy team has been busy gathering feedback from its growing user base. The platform started out as a place where manufacturers and brands from Europe could connect and chat with each other, but the team found out both parties wanted more. “We constantly reached out to our users to listen to their needs. We’ve compiled all those ideas and implemented them in version two!” says Michiel Dicker, co-founder of Manufy.

Not only a full visual transformation, but many functionalities were added: “Users can now easily start a sampling process, organise projects from start to finish and get sustainability insights” Dicker says. “Manufy is becoming your one-stop-shop for all your sourcing needs!”

The start-up, which launched in december of 2020, has seen a sharp increase in user activity over the last year. With trade shows being canceled due to covid, lots of manufacturers and brands were looking for new ways to do business. Going digital was one of the logical steps.

The production requests being placed on the platform cover a wide range of garments. Hoodies and t-shirts are popular, but the Manufy team also sees lots of shoes, caps, bags, dresses, swimwear and lingerie requests coming in.

Another notable trend in the industry is the ever growing demand for sustainable clothing production. With reports on climate change coming out and more and more consumers asking for sustainable alternatives, brands are making an effort to source their products more responsibly. The fashion industry, being the second largest polluting industry, needs a sort of paradigm shift. “We should focus more on making lower quantity, higher quality products. Making it on demand would be best” says Dicker.

Manufy, a marketplace for sustainable fashion production has reached its thousandth production request. The platform connects conscious brands with sustainable manufacturers in hopes to create a cleaner future for the clothing industry.

The right conditions
The start-up, which launched in december of 2020, has seen a sharp increase in production requests the last couple of months. With trade shows being cancelled due to covid, lots of manufacturers and brands are looking for new ways to do business. Going digital was one of the logical steps. “We’ve seen many users that were used to more traditional ways of working join Manufy,” says co-founder Michiel Dicker. “Some of them didn’t have a website, so our platform helps them become visible online.”

An increase was also noticed on the brand side of Manufy. With most new brands being digital natives that have a strong focus on sustainability, the platform helps them to get started.

One-stop-shop
The production requests being placed on the platform cover a wide range of garments. Hoodies and t-shirts are popular, but the Manufy team also sees lots of shoes, caps, bags, dresses, swimwear and lingerie requests coming in. “This sometimes leads us to having to find manufacturers specifically for the job, but it helps us to create a better user experience!” explains Dicker.

Manufy uses feedback from its users to keep improving the platform. Aside from finding new manufacturers to fill production requests the team has been working on a lot of new functionalities based on input from users. A new version of the platform will be released very soon. “With Manufy 2.0 it will become easier to organise your projects, place re-orders and have all your production details in one place. Manufy will be your one-stop-shop for all your sourcing needs!” says Dicker.

Since 2014, Iluna Group Srl stands out for braiding together the values of beauty, innovation and responsibility.
The company achieved this with Iluna Lab, a cutting-edge research and development centre where laces are conceived and engineered to become sustainable ingredients for the contemporary wardrobe.
The smart values are attested by the STeP - Sustainable Textile Production by Oeko – Tex® certification for its ethic approach. “We are also the first lace producer to have gained the GRS - Global Recycled Standard for transformed products, and whose products are all certified OEKO-TEX® Standard 100.” Comments Walter Colombo, Technical Director at Iluna Group Srl.
 Moreover, in recognition of the great value of responsible innovation, Iluna Group is now officially a partner of C.L.A.S.S., the international ecohub founded in 2007 by Giusy Bettoni, a reference point in the fashion and textile sector for all those who want to make fashion smarter.

Now the company announces two important collaborations with Néné Paris and NOO, “two booming French brands which have intercepted and share our values and vision for sustainability where beauty and innovation are key”.

Néné focuses on preserving natural resources using only upcycled fabrics or fabrics made with recycled fibers. Each and every step of the production is entirely made in Europe.

French independent designer brand NOO creates exquisite lingerie, timeless ready-to-wear garments and bold cut swimwear and bodysuit for women. The brand pays extreme care to aesthetics and details at every step of the production process, from sourcing materials to waste reduction, choosing factories and using recyclable packagings.

• Specialised in dye-sublimation printing, the Italian company has conquered the heights of the high fashion sector with its top-quality printed fabrics.
• With its recent investment in a direct-to-fabric printing line, Digitak is preparing to expand its range of printed products, focusing on fabric differentiation.

Dye sublimation printing of high fashion designs is the beating heart of Digitak, an Italian company specialised in digital textile printing. Operating in the textile district of Lombardy, Italy, the company has established itself among the main suppliers in the world of high fashion and sportswear in just under 15 years.

Making production versatility one of the cornerstones of its philosophy, Digitak has continued to invest in technology, as well as research and development its product portfolio. This forward-thinking approach has enabled the company to guarantee innovative, personalised products with meticulous attention to detail, with the highest – almost obsessive – standards of quality and maximum design flexibility. Over the years, the extensive experience gained by the company’s management in the field of sublimation with traditional and digital techniques, combined with their investment decisions have allowed Digitak to enhance its production performance, gradually implementing higher quality standards and differentiating itself from the competition in the complex and competitive sector of high fashion. An important feat, which has not, however, dampened its enthusiasm and willingness to continue growing and exceeding its goals. The company’s latest investment in a direct-to-fabric digital printing line with pigment ink propels the company into a new and promising production dimension.

Sublimation printing specialists

Since Digitak’s establishment, Filippo Taccani, the founder and current owner of the company, had set himself a clear and ambitious objective: “I wanted to take up the challenge of operating digitally - printing fabrics using this innovative technology to create products on a par with those  I had achieved with traditional sublimation textile printing methods during my previous work experience.”

The purchase of a Mimaki JV4 plotter, one of the first to be installed in Italy, marked the beginning of Digitak’s adventure. “To start the business, I needed a printing system that could operate with dispersed inks to print on polyester and I found the JV4 to be the best option,” explains Taccani. “It was an excellent decision, because I used these plotters to build the company and its success.”

The first Mimaki plotter was in fact followed by a second and a third. When it bought the fifth, the company moved to an industrial unit in Tradate (Varese) – Digitak’s current site – which now houses around fifteen Mimaki JV33 plotters, in addition to three Mimaki TS500-1800 wide-format sublimation printers, and a Mimaki TS300P-1800 high-speed sublimation printer. This Mimaki powered production facility – which is one of the company’s core strengths – was recently expanded with the addition of a Mimaki TX300P-1800B belt-type hybrid printing system, together with a Mimaki TR300-1850C textile coater and a Mimaki Tiger-1800.

“Naturally, over the years, we have also tested printing systems from other suppliers, but we have always returned to Mimaki. With high fashion as our key market, we need to guarantee our customers the highest levels of quality and, to date, we have never found solutions that beat the quality of this Japanese brand’s technology.”

According to Taccani, the difference lies in the “calligraphy” of Mimaki’s machines, that is the line of the ink on the fabric: “Unlike its competitors, Mimaki has focused on the ‘waveforms’, i.e. the electronics associated with the print heads. This attention paid to the way the ink jet is managed from the print head has allowed Mimaki to achieve unparalleled levels of accuracy, an aspect that has given my company a clear competitive edge.”

Moreover, at Digitak, quality comes before quantity: “We prefer to dedicate an extra day to production to guarantee the customer a final product that fully meets requirements and expectations. Mimaki’s technology not only suits this business model bult on top quality, but it crucially enables it.”

Operational and creative flexibility

Digitak currently prints around 2,000 linear metres of fabric per day. Its portfolio ranges from clothing and scarves, to beach and swimwear, with related personalised accessories, to sportswear, with technical properties such as breathability, comfort, resistance to external agents. The company have even added customised outdoor furniture to their offering of diverse and creative products.
The company’s machines operate continuously, 24/7. During the day, the machines are mainly used to develop and produce samples and colour proofs, while the actual production is carried out at night. “Thanks to our technology, we have developed an extraordinary operational flexibility. The fact that we have so many plotters allows us to work on multiple designs at the same time and to launch projects that are also very different from one another,” explains Taccani. “There are also some other crucial factors that have contributed, and continue to contribute, to increasing our production efficiency. The reliability of Mimaki’s solutions and the remote monitoring option offered is key. Once the standard start-up monitoring has been carried out and the machines are found to be printing correctly, we can let them work overnight without an operator. This is a great benefit for people who, like us, manage such a large and diverse fleet of machines.”

Digitak takes the same approach to customer service. Faced with an increasingly demanding market in terms of creativity, precision and completeness of service, the company wants to guarantee flexibility and customisation. “We decided to set up a department dedicated to the pre-press stage, in charge of preparing and checking the files supplied by customers. Seldom do our teams not need to do some editing of the files supplied, even if it’s only to make small changes that are essential for the print document to be as suitable as possible and to achieve the best final result.”

Technologies of the future

With a view to further enhancing production and customer service, Taccani has chosen to take on a new challenge, switching things up with some of the most recent investments.

While maintaining the focus on dye sublimation printing, Taccani has focused on technological diversification by installing a direct-to-fabric digital printing line. This consists of a Mimaki TX300P-1800B printing system with pigment inks and a TR300-1850C coater from Mimaki’s TR series. “The market continues to evolve and now requires even more flexibility regarding both processes and the fabrics supplied. This means that great opportunities exist for a print shop capable of simultaneously producing the same design – with minimal colour adjustment – on different fabrics, guaranteeing similar and accurate results. And this is precisely the path we are taking,” says Taccani. “Why have we opted for Mimaki again? Well, I had an opportunity to try out their new pigment inks and I immediately realised that they are a generation ahead of the other pigments available on the market. The cyan is very clean, the black is deep and there is a very interesting fullness of colour, suitable not only for furnishings, but also for other applications in the clothing sector.”

With its pigment inks, the new direct-to-fabric printing line allows Digitak to explore other related market segments. Thanks to the innovative automatic belt system, the TX300P-1800B guarantees good productivity and high-quality results. A standard of quality that is also boosted by the TR300-1850C fabric pre-treatment system: “This coater is essential for ensuring the best possible preparation of fabrics for printing. In fact, we are able to treat fabrics to make them suitable for the type of print they are intended for, sanitise them for specific applications and, in some cases, even dye them, with excellent quality.”

According to Taccani, another beneficial factor of direct-to-fabric pigment printing technology is the eco-sustainability of the process and its lower environmental impact. “We are proud to be able to offer our customers excellent printing results using little water and printing in ‘green mode’, with both the technologies we have available. I consider them winning technologies for the future, as both dye sublimation printing and direct-to-fabric printing with pigment inks use little water while mainly requiring the use of energy. Therefore, if you use renewable energy, then you’re done.”

Digitak’s other trump card is the Tiger-1800 installed in 2019. With this industrial printing system, the company aims to increase production volumes while maintaining its high-quality standards and further optimising costs. “We are excited to have these promising technologies available to us in-house. We are currently experimenting with these solutions, testing new opportunities and evaluating which paths to take to stay ahead of the game,” concludes Taccani.

PMsExciting news out of ISPO Munich, this year ROICA™ premium stretch innovations will be showcased within ISPO Brandnew, the biggest platform for sporty startups worldwide. The ROICA™ booth will have a new centralized position at ISPO Munich, with an even more centralal position, to lead the way toward responsible innovation. Make certain to visit the fantastic new collections created by ROICA™ partners that combine; function and contemporary values for the modern customer. Asahi Kasei, the leader in sustainable stretch guaranteed to wow ISPO attendees with the ROICA Eco-Smart™ family, an innovative range of the world's first responsibly made premium stretch fibers.
ROICA™ smart yarns are focused perfectly on responsible performance for the active sportswear, swimwear and athleisure categories. ROICA™ proudly presents sustainable solutions boasting impressive certifications:

• Global Recycled Standard (GRS) owned by Textile Exchange
• Cradle to Cradle Certified™ Gold Level for Material Health and Hohenstein Environment Compatibility Certificate - ROICA™ breaks down without releasing harmful substances.

ROICA™ will present The Modern Wardrobe concept in well-defined categories at ISPO:

• ROICA™ WARDROBE, fashion collections for Summer 2019 with beautiful premium stretch solutions.
• ROICA™ INNOVATION GALLERY, the latest textile performance innovations from partner mills that inspire creativityA rich fabric range that includes revolutionary ROICA Eco-Smart™ family of stretch fibers that are sustainably designed and the unique ROICA Feel Good™ family that promises a new level of well-being
• ROICA™ CLOSET: new garment designs from our experimental lab that highlight functional ROICA™ families.
• ROICA™ NOVELTIES DISPLAY, discover the latest ROICA™ innovations.