From the Sector

For the second chapter of their Spring/Summer 2024 collection, adidas and Yohji Yamamoto continue to explore the concept of Contra-Natural. The collection highlights the tensions at the heart of Y-3: sport and boundary pushing design, organic and synthetic, linear perfection and natural imperfection.

For Chapter 2, Y-3 introduces a selection of dynamic apparel looks with a focus on refined cotton twill workwear inspired garments and reimagined sporting classics. Subtle yet bold overshirts, cargo pants, and tops are constructed with utility pockets and adjustable hems, while updated takes on the iconic adidas Superstar Tracksuit are elevated with topographical map piping. A selection of garments inspired adidas’ Teamgeist soccer jerseys rounds out the apparel collection, with each piece bearing a digital rust print inspired by the natural process of oxidation. Accompanying the apparel offering is a suite of accessories including nylon backpacks, totes, and holdalls.

From apparel to footwear, the second seasonal chapter plays host to an expressive selection of silhouettes as adidas performance Running technology is recontextualized through the lens of Y-3. Moving boldly into tomorrow, Yohji Yamamoto’s take on adidas’ pinnacle running silhouette takes the form of the Y-3 PRIME X 2 STRUNG, while the Y-3 ADIOS PRO 3.0 arrives in three colorways.

From the past, reborn, to the future, the Y-3 Spring/Summer 2024 Chapter 2 collection is then punctuated by the Y-3 WATER SLIDE, the Y-3 SANDAL, and an update to the instantly recognizable Y-3 ITOGO which sees the silhouette’s straps swapped out for an engineered print.

Carbitex – a leader in flexible carbon fiber composites focused on footwear, travel, and accessories – announces the appointment of Filippo Sartor to Vice President of Global Sales and Sam Gardner to the role of Vice President of Engineering and Operations. After a restructuring of manufacturing operations and the return of Carbitex founder, Junus Khan, as company president in 2023, the brand welcomes two strategic hires to catalyze the next phase of the leading materials brand.

With over 20 years in the footwear industry, including nearly 11 years as the Global Senior Sales Manager at JV International, official worldwide licensee for Michelin Soles, Sartor brings high level sales expertise within performance footwear and material innovation. With extensive focus on building new business in the US and Far East, and based in Milan, Italy, Sartor is uniquely positioned to help propel Carbitex globally into the next chapter.

Gardner, based in Renton, Washington, will manage product development and manufacturing at Carbitex. With time at Square One Distribution - a long-time Carbitex brand partner in the wake and waterski segment - and most recently as VP for Union Aquaparks, Gardner has considerable experience designing new products and managing sourcing, logistics, and supply chain. His background will help Carbitex strengthen both factory and brand partner relations and push product innovation.

These recent hires position Carbitex to better serve strategic brand partners, achieve forecasted growth in the short and long term, and expand global market presence.

Das Kölner Modelabel ARMEDANGELS und der 1. FC Köln verkünden ihre erste Kollaboration in Form einer Capsule Collection und zeigen damit ihre gemeinsame Liebe für die Stadt Köln. Das Ergebnis ist eine Design-Partnerschaft, welche die Mode- und Sportwelt auf unerwartete Weise vereint: inspiriert von den lebendigen Vereinsfarben und geprägt durch die innovative Nachhaltigkeit von ARMEDANGELS.

Die limitierte Kollektion der beiden Brands wird präsentiert von bekannten Kölner Persönlichkeiten: Fußball-Legende Lukas Podolski, Wettkampfkletterin Hannah Meul, die Stylistin und Kreativdirektorin Fatma Saltwater sowie den Profi-Fußballer*innen Laura Vogt, Timo Hübers und Luca Waldschmidt haben sich hinter dieser Kampagne zusammengetan.

Die Zusammenarbeit hat das Ziel, gemeinsam zu bewegen und Menschen zu begeistern. Sie zeigt die Verbundenheit zur Heimatstadt sowie einen wichtigen Schritt in Richtung einer nachhaltigen Zukunft. Die blokecore Styles sind nach den ARMEDANGELS Standards produziert und inspiriert von Styles aus dem Vereinsarchiv des 1. FC Köln.

Das Modeunternehmen „Sara Linke GmbH“ hat wieder eine Zukunft außerhalb der Insolvenz: Die Gläubiger haben einstimmig den Insolvenzplan angenommen und damit den Weg freigemacht für die Aufhebung des Verfahrens. Das Unternehmen wird sich künftig auf die Vermarktung der eigenen Designer-Kollektion „Sara Linke“ konzentrieren sowie Dienstleistungen für Kunden aus der Textil- und Bekleidungsbranche anbieten.

Grundlage für den Sanierungsplan ist eine neue strategische Ausrichtung des Unternehmens: So wird die Sara Linke GmbH künftig keine eigene Produktion mehr unterhalten und sich auf zwei Geschäftsbereiche konzentrieren: Zum einen den Vertrieb des erfolgreichen eigenen Designerlabels „Sara Linke“, das über den Onlineshop www.saralinke.com sowie weitere Online-Plattformen, Boutiquen und Shop-in-Shop-Geschäfte angeboten wird. Die neue Sommerkollektion wird Mitte April an den Start gehen.

Das zweite Standbein bilden Dienstleistungen rund um Design, Entwicklung und Produktion für Textil- und Bekleidungsunternehmen. Dieser Geschäftsbereich wird künftig unter „Studio 1912“ firmieren. Die neue Homepage ist bereits online, der neue Standort in Zwickau wird am 12. April eröffnet. „Mit der neuen strategischen Ausrichtung können wir unser Design- und Produktions-Know-how Dritten als Dienstleistung zugänglich machen und gleichzeitig unser eigenes erfolgreiches Label für extrovertierte Designermode weiter voranbringen“, so Geschäftsführerin Sara Linke.

Die Sara Linke GmbH hatte im März 2023 ein Insolvenzverfahren in Eigenverwaltung beantragt. Hintergrund waren die Auswirkungen der Corona-Pandemie auf den Textil-Einzelhandel sowie gestiegene Kosten für Material und Personal, die vor allem die Produktion belasteten. Im Zuge des Eigenverwaltungsverfahrens wurde das Unternehmen strategisch neu und mit einer schlankeren Kostenstruktur ausgerichtet.

Bemberg™, a brand of cupro fibre by Asahi Kasei Corporation, Japan, announces its collaboration with luxury couture label Anita Dongre to unveil the ‘Azure’ collection.

Anita Dongre, known for her timeless elegance and commitment to sustainability, has integrated Bemberg™ yarn into the ‘Azure’ collection, symbolizing a dedication to responsible fashion practices. Bemberg™ yarn, sourced from Asahi Kasei in Japan, embodies luxury and environmental responsibility.

The ‘Azure’ collection captures the serene essence of the sea, evoking the tranquil ebb and flow of waves against a backdrop of pristine skies. With soft hues and delicate color palettes, the collection introduces a fresh, breezy aesthetic, featuring flowy dresses, kaftans, and elegant sets designed to elevate the simplicity of spring-summer fashion.

With the aim to help the denim industry reduce the environmental impact of its wastewater and move towards circularity, Archroma, G-Star RAW and Advance Denim have renewed their joint commitment to the production of aniline-free denim apparel based on Archroma’s DENISOL® PURE INDIGO 30.

Their joint aim is to produce high-quality denim in authentic blue shades without the aniline impurity carried through from the synthesis of standard synthetic indigo. In traditional denim production, this aniline remains bound with the indigo pigment on the fabric; the remaining aniline is discharged during the dyeing and washing process. This can be a problem because aniline is toxic to aquatic life and two-thirds of aniline waste currently ends up in wastewater discharge where it could potentially pollute waterways and the ocean.

Archroma developed DENISOL® PURE INDIGO 30 to answer this key challenge. A 30% pre-reduced indigo solution, DENISOL® PURE INDIGO 30 makes it possible to produce indigo-dyed denim without aniline impurities throughout the process.

Easy to use with automated dosing, DENISOL® PURE INDIGO 30 reduces the water needed for preparation, washing and wastewater treatment compared to indigo grains. It also reduces hazardous chemical consumption while allowing high reproducibility and creating the authentic and iconic deep indigo shades traditionally associated with denim.

G-Star RAW is working towards making 20% of its entire collection from Cradle to Cradle Certified® fabrics by 2025. Its partnership with Archroma and Advance Denim contributes to this goal, since the aniline-free DENISOL® holds a Gold Level Material Health Certificate from the Cradle to Cradle Products Innovation Institute. DENISOL® PURE INDIGO 30 is also compliant with other eco-standards and the requirements of leading retailers and brands.

Advance Denim, G-Star RAW and Archroma have previously collaborated to launch collections based on Archroma’s EarthColors® technology, which upcycles plant waste from the herbal industry to create sustainable colorways.

Seit mehr als vier Jahrzehnten verbindet BOGNER eine Partnerschaft mit der Golflegende Bernhard Langer. Diese Zusammenarbeit wird mit der Golf Capsule Collection "The Masterclass" für die Spring/Summer 2024 Saison auf ein neues Niveau gehoben.

Die BOGNER Bernhard Langer Masterclass garantiert optimale Bewegungsfreiheit und maximale Performance auf dem Green, ausgewählt und getestet von Bernhard Langer. Die Golfstyles für Herren sorgen für luxuriösen Komfort und lockere Silhouetten.

The fifth edition of the Texhibition Istanbul Fabric and Textile Accessories Fair from 6 to 8 March 2024, organised by İTKİB Fuarcılık A.Ş. in cooperation with the Istanbul Textile Exporters Association (İTHİB), presented 557 exhibitors showcasing the entire range of the textile supplying section: from woven and knitted fabrics to accessories and artificial leather. A new addition was a separate hall for yarns and denim, the BlueBlackDenim hall. With this trade fair, Texhibition has more than doubled its floor space compared to the last event to 35,000 square metres.

Exhibitors
Texhibition Istanbul acts as a central point of contact for the entire international industry, with a clear focus on quality, innovation and the latest trends like the denim companies Bossa, Çalık, İsko, İskur and Kipaş at the BlueBlackDenim Hall.

Yarn companies such as Aksa, Diktaş, Ensar, Karafiber, Kaplanlar, Korteks, Migiteks, Sasa, Tepar showed the production power of the yarn sector, where the product quality, design and workmanship came together.

In addition to well-known companies such as Almodo, Bahariye, BTD, Can Textile, Iskur, Kipaş, Menderes, Söktaş, Yünsa, Zorlu, İpeker a large number of other export-oriented companies from the segments of textiles (woven fabrics, knitting) presented their latest designs and products.

Visitors
25,752 visitors came from over 112 countries, 41.8% from the European Union (including Germany, Italy, the Netherlands, Spain, Romania etc.) and Great Britain, Ukraine,26.5% from Asia (including Russia etc.), 14.8% from the Middle East (including Jordan, United Arab Emirates, Saudi Arabia) 10.7% from North Africa (including Algeria, Tunisia etc.), 3.1% from North America (United States, Canada), 3.1% from South America and other countries.

American buyers from the USA and Canada in particular, but also a large number of Mexican and Colombian buyers took advantage of the numerous match-making opportunities at Texhibition. Many B2B meetings took place and led to numerous orders being placed, including from key accounts such as Alexander Wang, Asos, Forever 21, Sainsbury's, Veronica Beard etc.

At the "International Conference on Cellulose Fibers 2024" in Cologne, Germany, the Nova Institute for Ecology and Innovation awarded first place in the Innovation Prize to the project partners of the EU-funded HEREWEAR project. They presented a dress made of cellulose fibers, which is entirely made of straw pulp.

HEREWEAR is an EU-wide research project that brings together partners from research and industry. They are working to establish a European circular economy for locally produced textiles and clothing made from bio-based raw materials.
The HEREWEAR consortium consists of small and medium-sized enterprises and research institutions. HEREWEAR covers all the necessary expertise and infrastructure from academic and applied research and industry from nine EU countries.

The HEREWEAR approach includes technical and ecological innovations in the production of fibers, yarns, fabrics, knitwear and garments, as well as the use of regional value chains and the circular development of fashion items.

New technologies for wet and melt spinning of cellulose and bio-based polyesters, e.g. PLA, from which yarns and fabrics are produced, form the technical basis. Coating and dyeing processes have been developed and tested as part of the project. In addition to reducing the carbon footprint of the product, another environmental goal is to reduce the release of microfibers throughout the textile manufacturing process and life cycle.

Improving the sustainability and recyclability of the developed garments is ensured by design for circularity and digitally networked production means. On-demand production is realized in so-called "microfactories", which are individualized and produce only for actual demand. This production method can be achieved through regional, networked value chains and enables the traceability of materials and manufacturing processes.

The dress presented at the award ceremony is an example of the cooperation and the different qualifications of the project partners: TNO (Netherlands Organization for Applied Scientific Research) provided sustainably produced pulp. The HighPerCell fibers were produced in DITF's spinning facilities. At the same time, designers from the fashion label Vretena created the design for the flexible, two-piece dress, which can be knitted without cutting waste. DITF textile experts worked with the designers to develop the knitting pattern. DITF textile engineers and technicians produced the knitted fabric and assembled the dress at the institutes’ technical center. DITF computer scientists and engineers created the "value chain" and "digital twins" for digital traceability of the production processes.

The innovation prize was awarded to the HEREWEAR consortiu for their joint achievement. Representatives of DITF Denkendorf and Vretena accepted the award on behalf of the EU project partners.

Mit dem internationalen Wettbewerb „one&twenty“ ehrt die Stiftung Rat für Formgebung jährlich herausragende Designstudierende und Absolvent*innen aus den Bereichen Produktdesign und Lifestyle. Die 21 Winner-Projekte 2024 demonstrieren eindrucksvoll, wie entschlossen der Nachwuchs nach Lösungen für die drängenden Herausforderungen unserer Zeit sucht. Die ausgezeichneten Projekte wurden aus mehr als 800 Einreichungen aus über 50 Ländern ausgewählt.

Die 21 ausgezeichneten Projekte verdeutlichen, dass Nachhaltigkeit kein nebensächlicher Gedanke, sondern ein integraler Bestandteil des Designprozesses ist. Gleich mehrere Winner setzten sich mit dem Problem der wachsenden Wegwerfkultur – in der eine Reparatur defekter Objekte finanziell nicht rentabler ist als ein Neukauf – auseinander. Die Lösung liegt in Ansätzen des Circular Design: Wenn Objekte von vorneherein aus leicht auswechselbaren Komponenten bestehen, ist die Reparatur einfacher und attraktiver als die Entsorgung.

Dem Problem der steigenden Kleidungsabfälle stellt sich „ButtonUp“ von Lilian Onstenk entgegen. Die Designerin möchte das Auswechseln von Knöpfen leichter machen, da defekte Verschlüsse ein Hauptgrund für das Wegwerfen von Textilien sind. Der Aluminium-Verschluss ButtonUp wird nicht eingenäht, was die Handhabung für Nutzer*innen vereinfacht, den Austausch ohne Nadel und Faden möglich macht und schlussendlich für ein in Einzelteile getrenntes Recycling sorgt.

Die Winner von one&twenty 2024 sind:

• Jesse Altmann, Klara Schneider & Valentina Lenk, Morari, Fachhochschule Potsdam, Deutschland
• Marcus Angerer, Layer, ECAL, Schweiz
• Eva Benamou & Antonia Gauß, Off the Grid, Bezalel Art and Design Academy, Israel & Akademie der Bildenden Künste Stuttgart, Deutschland
• Esther Betz, Elisa Bessega & Sylvia Chen, Mantis, Bauhaus-Universität Weimar, Deutschland, Politecnico di Milano, Italien & Pratt Institute, USA
• Daniela Cimen, RE•IN•WASTE, Hochschule Hof, Deutschland
• Marcus Götschl, New Gen, Schulen für Holz und Gestaltung Bezirk Oberbayern, Deutschland
• Gaspard Fleury, Soft Objects, The Swedish School of Textiles, Schweden
• Sofia Kocher, SATTEL, Universität für angewandte Kunst, Österreich
• Lirjeta Maxhuni, GyneCare, ECAL, Schweiz
• Juni Sun Neyenhuys, Designing the Afterlife, Weißensee Kunsthochschule Berlin, Deutschland
• Nir Neria, Copine, Bezalel Art and Design Academy, Israel
• Lilian Onstenk, ButtonUp, ECAL, Schweiz
• Emilie Palle Holm, [ ORIORI ] :: folding woven textile, The Swedish School of Textiles, Schweden
• Jan Penka, YSHELF, Universität für angewandte Kunst, Österreich
• Cornelius Richter, STUHL, Folkwang Universität der Künste, Deutschland
• Josua Roters, Cable Mania, Kunsthochschule Burg Giebichenstein, Deutschland
• Valerio Sampognaro, Radiator Flask, Hochschule für bildende Künste Hamburg, Deutschland
• Lion Sanguinette & Jonathan Stein, Opencyclone, Kunsthochschule Burg Giebichenstein, Deutschland
• Manuel Steffan, Running on (h)air, ECAL, Schweiz
• Moritz Walter, Hotspot, Weißensee Kunsthochschule Berlin, Deutschland
• Zixuan Zhou, ANTI throw-away mentality, Akademie der Bildenden Künste Stuttgart, Deutschland

Am 15. April werden die Winner an einem neuen Ausstellungsort im Mailänder Viertel Brera geehrt. Neben den Winnern hat die Jury bestehend aus den Designer*innen Hanne Willmann (Studio Hanne Willmann), Eva Marguerre und Marcel Besau (Studio Besau-Marguerre), Philipp Mainzer (E15), Arianna Lelli Mami und Chiara Di Pinto (Studiopepe), Daniera ter Haar und Christoph Brach (Raw Color), Min Chen (Chen Min Office), Yoko Choy (Collective Contemporist, China Editor Wallpaper*), Joa Herrenknecht (Studio Joa Herrenknecht) und Sabine Marcelis (Studio Sabine Marcelis) ein Projekt als „Best of Best“ ausgezeichnet.

Vom 15.–21. April werden alle 21 Projekte in einer öffentlichen Ausstellung während der Milan Design Week in Brera präsentiert.