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Graduate Fashion Foundation x Maxxam Competition, photographed by Nici Eberl - Rosemary Moore Graduate Fashion Foundation x Maxxam Competition, photographed by Nici Eberl - Rosemary Moore
Rosemary Moore
15.04.2025

International fashion design competition with MAXXAM® fabrics

Rosemary Moore, inventor of the original and ground-breaking 4 way stretch and crinkle fabric, together with Graduate Fashion Foundation has announced the shortlisted 3 finalists in an international fashion design competition.

Students from the leading fashion and design universities across the UK and internationally were challenged to design a trend led womenswear S/S 2026 capsule collection utilising the famous MAXXAM® fabrics. Celebrating the fabric’s history the range had to be timeless, multi-purpose and include a minimum of one piece of swimwear.  

Judged by Rosemary and the team at Graduate Fashion Foundation, a shortlist of 3 winners has been announced.

Rosemary Moore, inventor of the original and ground-breaking 4 way stretch and crinkle fabric, together with Graduate Fashion Foundation has announced the shortlisted 3 finalists in an international fashion design competition.

Students from the leading fashion and design universities across the UK and internationally were challenged to design a trend led womenswear S/S 2026 capsule collection utilising the famous MAXXAM® fabrics. Celebrating the fabric’s history the range had to be timeless, multi-purpose and include a minimum of one piece of swimwear.  

Judged by Rosemary and the team at Graduate Fashion Foundation, a shortlist of 3 winners has been announced.

  • Ivo Gomes - Solent University, Fashion Design
  • Ella Brooks-Birkett - Manchester Fashion Institute @ The Manchester Metropolitan University, BA (Hons) Fashion Design and Technology
  • Paballo Mafokate - STADIO School of Fashion, Honours in Fashion

Rosemary said, “It has been incredibly exciting to work on this project with Graduate Fashion Foundation and all the leading universities across the country and abroad. I have been absolutely overwhelmed with the number of entries we received and the passion and talent that the students have demonstrated. It has been really difficult to narrow down more than 40 entries to a shortlist of 10 students, who I was lucky enough to meet in person, and even harder to get to our 3 finalists, Ivo, Ella and Paballo.

All the applicants for the competition displayed a very high standard of creativity and imagination and in the end, we had to look at the finer details of the actual designs and the commerciality for carrying them forward.

Rosemary Moore invented the unique MAXXAM® fabric in the early 1980s which took the fashion world by storm and became renowned for its 4-way stretch, tactile characteristics, and one-size-fits-all seamless clothing used predominantly for adult clothing and swimwear

Ivo displayed a fresh approach using laser cutting concepts and the novelty for reusing the waste in other aspects of the design creation. His laser designs offered versatility when intermixing the separate parts to dress up or down for a week away. Paballo impressed with her collection theme and her creativity as it offered a real sincerity to the origins of her landscape combining the waste and traditional techniques of Artisans in South Africa. Ella gave a fresh youthful approach to the styling of her separates with well-considered use of our textiles to offer the freedom for intermixing from day into night and beach to trekking.

I’m thrilled to say the competition has showcased the best of our future fashion talent and we look forward to sharing the final winner at Graduate Fashion Week!”

The 3 finalists will showcase looks in the Graduate Fashion Week Gala Show and exhibition (13th- 16th June 2025 at the Truman Brewery, Shoreditch) where a final overall winner will be chosen to receive the coveted prize of working directly with Rosemary and her manufacturers on their designs with the chance of one of their pieces going into manufacture.  
Ivo Gomes commented, “Getting to this stage of the competition feels wonderful! To win the competition, I would feel like I had won in life! Regardless of the final result, it will have been a valuable learning experience and I value, learning above everything else.”

Ella Brooks-Birkett commented, “I’m super excited to get to this point in the competition, and I didn't expect it at all. It's such a great experience to come down to London for the live judging. I would be absolutely blown away if I won the competition because this is really out of my comfort zone, and I know to win would really get me started in the fashion industry.”

Paballo Mafokate said, “I'm truly honored to get to this stage of the competition and be recognised for my creativity.  To win a competition from a global fashion platform is not something that is familiar within the African continent, and I believe that it would be a beautiful moment and blessing for me and a jump start for my career in fashion.”

The students design journey can be followed on GFF social channels using the #GFFxMAXXAM.

Yu uses a home sewing machine to couch the conductive threads into the seams. Credit: Louis DiPietro/Provided
Yu uses a home sewing machine to couch the conductive threads into the seams.
11.04.2025

AI-powered smart clothing logs posture, exercises

Researchers at Cornell have developed a new type of smart clothing that can track a person’s posture and exercise routine but looks, wears – and washes – just like a regular shirt.

The new technology, called SeamFit, uses flexible conductive threads sewn into the neck, arm and side seams of a standard short-sleeved T-shirt. The user does not need to manually log their workout, because an artificial intelligence pipeline detects movements, identifies the exercise and counts reps. Afterward, the user simply removes a circuit board at the back neckline, and tosses the sweaty shirt into the washing machine.

The team envisions that SeamFit could be useful for athletes, fitness enthusiasts and patients engaged in physical therapy.

Most existing body-tracking clothing is tight and restrictive or embedded with chunky sensors, according to Catherine Yu, a doctoral student in the field of information science and lead researcher on the project.

“We were interested in how we can make clothing smart without making it bulky or unusable,” Yu said, “and to push the practicality, so that people can treat it the way they would usually treat their clothing.”

Researchers at Cornell have developed a new type of smart clothing that can track a person’s posture and exercise routine but looks, wears – and washes – just like a regular shirt.

The new technology, called SeamFit, uses flexible conductive threads sewn into the neck, arm and side seams of a standard short-sleeved T-shirt. The user does not need to manually log their workout, because an artificial intelligence pipeline detects movements, identifies the exercise and counts reps. Afterward, the user simply removes a circuit board at the back neckline, and tosses the sweaty shirt into the washing machine.

The team envisions that SeamFit could be useful for athletes, fitness enthusiasts and patients engaged in physical therapy.

Most existing body-tracking clothing is tight and restrictive or embedded with chunky sensors, according to Catherine Yu, a doctoral student in the field of information science and lead researcher on the project.

“We were interested in how we can make clothing smart without making it bulky or unusable,” Yu said, “and to push the practicality, so that people can treat it the way they would usually treat their clothing.”

Alternatively, athletes can choose fitness trackers, like smartwatches or rings, but these are extra devices that people may not want to wear while exercising, and can’t track movement across the entire body.

“Not everyone is willing to try out a new wearable form factor, but people will have clothes on,” said co-author Cheng Zhang, assistant professor of information science in the Cornell Ann S. Bowers College of Computing and Information Science. “We provide a very neat form factor that is always on you.”

Their study,“SeamFit: Towards Practical Smart Clothing for Automatic Exercise Logging,” published in March in the Proceedings of the ACM on Interactive, Mobile, Wearable and Ubiquitous Technologies, and will be presented at the UbiComp/ISWC 2025 meeting in October.

Most mass-produced clothing has seams, which Yu realized could be exploited to make a comfortable, affordable piece of smart clothing. She constructed three SeamFit shirts – in small, medium and large – using a home sewing machine to attach conductive threads on top of the seams. The three sizes allowed users to choose a looser or tighter fit, but did complicate the process of interpreting each user’s movements.

To test the shirts’ performance, the team recruited 15 volunteers, who did a series of 14 exercises – including lunges, sit-ups and biceps curls – while wearing SeamFit. Without any calibration or training for each user, SeamFit’s model classified the exercises with 93.4% accuracy and successfully counted reps, with counts that, on average, were off by less than one.

SeamFit works because when people exercise, the threads’ capacitance – their ability to store charge – changes as the threads move, deform and interact with the human body. The circuit board at the back neckline measures the capacitances and transmits them through a Bluetooth connection to a computer. A customized, lightweight signal-processing and machine-learning pipeline then deciphers the movements.

After the workouts, Yu washed and dried the shirts at home.

The project is a new iteration of SeamPose, a previous effort to track body postures using conductive threads in eight seams of a long-sleeve T-shirt.

The team envisions that this type of unobtrusive smart clothing could be especially useful for athletes logging their exercise routines and for physical therapists monitoring the progress of patients at home.

More broadly, this type of technology could assist with human-AI interaction, because by tracking human movements and activities, AI can better understand when to interact and when to wait – such as when someone is eating or sleeping.

Enabling AI to understand human activity is the main focus of Zhang’s Smart Computer Interfaces for Future Interactions (SciFi) Lab, which develops new, AI-powered wearable sensing systems, to enable AI to comprehend human activities and intentions in everyday settings and provide support when needed.

“While this paper demonstrated the approach for a simple garment, we believe it can easily be adapted to a wide range of garments and could take advantage of the complex seam patterns of advanced sportswear,” said co-author François Guimbretière, professor of information science in Cornell Bowers CIS and the multicollege Department of Design Tech.

To create SeamFit, Yu set up a “little sewing factory” in the lab. However, she is currently exploring how the manufacturing process could be affordably scaled up, using industrial serger machines – which sew and make seams using three or four threads simultaneously – and more robust conductive threads.

“By just replacing a single thread in this mass manufacturing process, all of the clothing could easily become smart and be able to have this motion tracking capability,” Yu said. “I’m imagining one day, you open your closet and there’s really no difference between smart and nonsmart clothing.”

Additional authors on the study include Manru Mary Zhang ’25 and Luis Miguel Malenab ’25; Chi-Jung Lee and Ruidong Zhang, both doctoral students in the field of information science; and Jacky Hao Jiang, a visiting undergraduate from Rice University.

Funding for this work came from the National Science Foundation.

Source:

By Patricia Waldron, Cornell Ann S. Bowers College of Computing and Information Science

08.04.2025

2 Star Outstanding Employer Accreditation for Salvation Army Trading Company

Best Companies Ltd is a leader in their field and work with some of the world’s best-known organisations - measuring, improving and recognising great workplace engagement.

The Outstanding rating is a direct result of the bHeard colleague engagement survey, completed by 739 paid SATCoL staff and 1,174 SATCoL volunteers. The survey measured how colleagues rate SATCoL on eight factors: Leadership, My Company, Wellbeing, Fair Deal, My Manager, My Team, Personal Growth and Giving Something Back.

The paid colleagues survey results reveal that 88% of staff would recommend SATCoL as an employer to friends, 88% believe SATCoL has a clear focus and direction that they understand, and 97% understand and use SATCoL’s values (of Compassion, Accountability, Respect and Equality) within their core roles.

Best Companies Ltd is a leader in their field and work with some of the world’s best-known organisations - measuring, improving and recognising great workplace engagement.

The Outstanding rating is a direct result of the bHeard colleague engagement survey, completed by 739 paid SATCoL staff and 1,174 SATCoL volunteers. The survey measured how colleagues rate SATCoL on eight factors: Leadership, My Company, Wellbeing, Fair Deal, My Manager, My Team, Personal Growth and Giving Something Back.

The paid colleagues survey results reveal that 88% of staff would recommend SATCoL as an employer to friends, 88% believe SATCoL has a clear focus and direction that they understand, and 97% understand and use SATCoL’s values (of Compassion, Accountability, Respect and Equality) within their core roles.

This is the first time SATCoL has engaged with an external provider of colleague engagement surveys, having run the process in-house previously with some success. One of the key aims for partnering with an external supplier was to increase levels of engagement. To this end Best Companies developed a volunteer survey for SATCoL which saw volunteer response rates more than double compared to previous in-house survey results.

The volunteers survey results reveal that 94% feel proud to work for SATCoL, 96% say their team are fun to work with, 93% believe SATCoL is a caring organisation interested in volunteer wellbeing, and 92% state that their volunteering role is good for their personal growth.

Commenting on the accreditation, Trevor Caffull, SATCoL’s Manager Director, said:
“I am extremely grateful to all our staff and volunteer colleagues who contribute to making SATCoL a caring workplace and an Outstanding Employer. This independent recognition shows that SATCoL’s investment in its people – including learning and development, wellbeing and improving workplace environments – as well as the investments made that set us apart as a leader in the charity retail and reuse and recycling sectors, are improvements that our colleagues have influenced, embraced and welcomed.”
Trevor continued:

“We are delighted with SATCoL’s 2 Star Outstanding Employer Accreditation, however we have lots of opportunity to reach the ultimate goal of ‘3 Star World-Class Employer’ and that will be our goal in the coming months and years.”

Salvation Army Trading Company Ltd (SATCoL) is the trading arm (and a wholly owned subsidiary) of The Salvation Army in the UK and Republic of Ireland. SATCoL actively encourages the reuse and recycling of donated clothing and other household items through over 250 charity stores, and a nationwide network of around 9,000 clothing banks.

Each year, SATCoL diverts millions of items to good causes and reuses and recycles 67,000 tonnes of textiles. Through the reuse and recycling of textiles and other items collected, SATCoL prevents over 453,000 tonnes of greenhouse gases from entering the atmosphere annually.

With the support of the British public, SATCoL has donated millions of pounds to The Salvation Army to help its work with vulnerable people in the UK (over £100 million has been donated in the last ten years). Salvation Army Trading Company Ltd is a registered company (2605817).

Source:

Salvation Army Trading Company

A model struts in a dress designed by Gabrielle Moore ’25. Credit: Sreang Hok/Cornell University
A model struts in a dress designed by Gabrielle Moore ’25.
28.03.2025

Cornell University: Annual runway show spans generations

The capacity crowd at the 41st annual Cornell Fashion Collective (CFC) Runway Show saw the mother of all fashion shows.

The annual event, held March 22 in Barton Hall, had one common thread – and it was not necessarily by design: Three designers asked their mothers to wear their designs on the runway. Several more designers’ mothers traveled to Ithaca to see the show, put on by the student-led organization; other designers were inspired by their grandparents.

“It’s unusual to have multiple mothers walk in one show,” said Kim Phoenix, senior lecturer in Human Centered Design in the College of Human Ecology and adviser to CFC. “Historically, a lot of moms pitch in behind the scenes to help with the sewing.”

After traveling five hours to model the collection of her son, Drew Brown ’25, Adria Brown was immediately pressed into service, practically pulling an all-nighter to help him get his design just right. Drew thanked his mom: “It was only through experiencing your embodiment of womanhood that I could produce this collection.”

The capacity crowd at the 41st annual Cornell Fashion Collective (CFC) Runway Show saw the mother of all fashion shows.

The annual event, held March 22 in Barton Hall, had one common thread – and it was not necessarily by design: Three designers asked their mothers to wear their designs on the runway. Several more designers’ mothers traveled to Ithaca to see the show, put on by the student-led organization; other designers were inspired by their grandparents.

“It’s unusual to have multiple mothers walk in one show,” said Kim Phoenix, senior lecturer in Human Centered Design in the College of Human Ecology and adviser to CFC. “Historically, a lot of moms pitch in behind the scenes to help with the sewing.”

After traveling five hours to model the collection of her son, Drew Brown ’25, Adria Brown was immediately pressed into service, practically pulling an all-nighter to help him get his design just right. Drew thanked his mom: “It was only through experiencing your embodiment of womanhood that I could produce this collection.”

Brown’s “Jadine” collection was inspired by the movement of water and used symbols from artists and intellectuals from Western Europe, West Africa and America.

Zoe Alvarez ’25 was inspired by the Flower Festival in Medellin, Colombia, where her father lives; her mother, Karen Lopez, modeled the final look in her collection. “Aflora” explored the beauty of flowers, as well as the important function they serve to support pollinators and sustain ecosystems. Each of the pieces in the collection has hidden adjustable features, like a tiered red ruffled skirt that can be unzipped to choose a mini, midi, tea length or floor length to fit the occasion.
A model displays an ensemble designed by Maria Fernanda Serra Almeida Leite ’26. , Click to open gallery view
Credit: Sreang Hok/Cornell University

A model displays an ensemble designed by Maria Fernanda Serra Almeida Leite ’26.

Her red leather jacket has a zipper under the belt, so it can be worn as a longer jacket dress to mid-thigh, or as a cropped jacket. Another look, a floral dress, is fully adjustable within a size range using a lace-up and belt buckle back closure. It’s also reversible to a solid maroon dress, and the bra top separates from the skirt, so it can be worn six different ways and fully adjusted.

“I wanted each look to incorporate functionality in a different way,” Alvarez said. “I want people to be comfortable in their clothes, and to be able to wear them in different settings and for different events. These garments are meant to be worn, cherished over a lifetime, and even passed down.”

Alvarez said her interest in adjustable clothing came from watching her mother struggle to find clothes that fit comfortably after experiencing the natural body changes that come with aging.

“I always disliked the idea of having to buy an entirely new wardrobe every time someone gained or lost weight,” she said. “That constant battle with clothing can really limit self-confidence and self- expression. It’s also just not sustainable to keep buying one time use garments.”

Zada Stuart ’25 paid homage in her collection, “Mother of the World,” which examined the exploitation of nature and sought to honor both mothers and cows for their duty of motherhood. Her designs included two cow fetuses laser-carved out of wood.

Designer Gabrielle Moore ’25 works on her model’s hair prior to the show.

Maria Fernanda Serra Almeida Leite ’26, CFC’s creative director, said her collection was inspired by her mother, and by the song of the Kiskadee bird, called “bem-te-vi” in Brazil. Her collection explored her emotional and physical attachment to the sounds of the Kiskadee bird, to Brazil and to her mother.

Gabrielle Moore ’25 was inspired by her Haitian grandfather to create “Anbla Dlo,” which imagines an underwater city off the coast of Haiti where history, mythology and fashion intertwine.

Marcus McDermott’s mother, Heidi, recounted her son’s lifelong interest in fashion. Even as a preteen, she said, he sported an orange fedora as his signature piece. Now, the senior is designing timeless menswear with an eye toward sustainability, reflected in his collection, “Immutable Beauty.”

McDermott’s collection illustrates how while one’s sense of style can change over time, certain classic pieces have an heirloom quality that never goes out of style.

“His interest in sustainability grew exponentially after a trip to Manhattan with a class where they saw how garments were mass produced,” Heidi McDermott said. “He’s now totally into material development and using organic and biologically sourced materials to make fabrics and dyes. That was definitely a Cornell influence.”

Source:

Robin Roger, assistant dean of communications for the College of Human Ecology.

Amanda Ferrari - Director  I: @WeArePRUK
Amanda Ferrari - Director
20.03.2025

The Salvation Army: New campaign for unwanted stock helping to transform lives

Through a nationwide network of charity shops, donation centres and clothing banks the Salvation Army Trading Company (SATCoL) work with community groups, large organisations, local authorities, schools, colleges and individuals - all with a shared aim to help others and help protect our planet.

SATCoL work in partnership with brands and retailers to accept excess, returned and end-of- line stock of clothing and home-goods to be resold in its charity shops across the country.

This partnership opportunity for brands helps them to save on additional storage costs, create more room in their warehouse for new stock and divert more items away from disposal.

Through a nationwide network of charity shops, donation centres and clothing banks the Salvation Army Trading Company (SATCoL) work with community groups, large organisations, local authorities, schools, colleges and individuals - all with a shared aim to help others and help protect our planet.

SATCoL work in partnership with brands and retailers to accept excess, returned and end-of- line stock of clothing and home-goods to be resold in its charity shops across the country.

This partnership opportunity for brands helps them to save on additional storage costs, create more room in their warehouse for new stock and divert more items away from disposal.

By extending the useful life of products, Salvation Army Trading Company and its partners make a positive contribution to reducing unnecessary waste, greenhouse gas emissions, and raising vital funds for charity work. In addition to this, SATCoL’s investment in modern processing centres and new technology means they can offer new ways of reusing and recycling textiles on a commercial scale, never seen in the UK. The trading arm of the charity also support businesses to amplify the message around their sustainable collaboration by making the public aware of their partnership goals and aspirations to create lasting change.

As a call to action, SATCoL produced a photoshoot with leading fashion industry photographer Camille Sanson and Fashion Stylist Karl Willett whose work includes styling celebrities for The Grammy’s, The Met Gala, Vanity Fair magazine and more.

Karl shared “It was a pleasure to be part of the Corporate Donations shoot, a scheme that is contributing to positive change and sustainability for the planet by diverting more everyday items away from landfill.”

The stylish images demonstrate the potential of second-hand fashion, electronic devices and home-goods, all of which the organisation is keen to receive. The Salvation Army Trading Company has received industry wide recognition for their efforts to support brand and retailers to meet their sustainability goals and encourage second-hand shopping.

Shaunacy Burne, Corporate Partnerships Manager at Salvation Army Trading Company shared: “We are partnering with businesses to receive their obsolete, end of line and faulty stock to be reused or repurposed. Not only are we helping brands to meet their CSR goals with our sustainable solutions, but the donations we receive are sold in our retail outlets to help raise vital funds for our parent charity. We’re keen to explore partnership opportunities with retailers, together we can reduce waste and divert more items away from landfill. Please get in touch, we want to hear from you.”

Source:

The Salvation Army

Afrik 2024 Credit: Jason Koski/Cornell University
11.03.2025

Fashion show to unite cultures of the African diaspora

This year’s fashion show AFRIK, the 20th, to be held March 15 in Barton Hall, continues the mission of celebrating cultural unity and diversity across the African diaspora while bringing students of African descent together and sharing Pan-African cultures with the wider Cornell and Ithaca communities. The event will feature clothing from seven professional designers and four student designers incorporating a range of cultural influences, from African to Caribbean to African American.

Thirty-two Cornell students will model the clothes on the runway, and six student groups will perform music and dance, including Baraka Kwa Wimbo, an all-women gospel a cappella group; the Caribbean Students’ Association Dance Ensemble; and the African Dance Repertoire.

This year’s fashion show AFRIK, the 20th, to be held March 15 in Barton Hall, continues the mission of celebrating cultural unity and diversity across the African diaspora while bringing students of African descent together and sharing Pan-African cultures with the wider Cornell and Ithaca communities. The event will feature clothing from seven professional designers and four student designers incorporating a range of cultural influences, from African to Caribbean to African American.

Thirty-two Cornell students will model the clothes on the runway, and six student groups will perform music and dance, including Baraka Kwa Wimbo, an all-women gospel a cappella group; the Caribbean Students’ Association Dance Ensemble; and the African Dance Repertoire.

The event has been held since the founding of the Pan-African Students Association PASA, although two years ago, it outgrew Duffield Hall, its original venue with a capacity of 650, and moved to Barton to accommodate more attendees. The focus on fashion allows the group to showcase many things at once: the music of the diaspora; the student models; and the designers and their artistry, which often challenges stereotypes of gender, race and nationality.

Students involved in AFRIK and PASA meet the professional designers before the show and hear stories of how they started their brands. PASA students also benefit from the experience of planning a large-scale event.

Source:

Caitlin Hayes, Cornell University

StitchTogether National Seminar in Italy Photo by Euratex
02.03.2025

The StitchTogether National Seminar in Italy presents the Rome Declaration

On 19-20 February 2025, social partners from the Italian textile and fashion industry met in Rome to deepen their understanding of the upcoming EU legislations and their impact on the Italian textile industry, as well as to further discuss the next step in their effort for a more broad and effective social dialogue. In the context of the EU co-funded StitchTogether project, which aims at promoting social partnerships in the European Textiles and Clothing Industry, the meeting was also the occasion to draft the Rome Declaration: a joint statement to emphasise the social partners’ strong commitment to work together.

The meeting in Rome brought together representatives of the Italian textile industry, including the Italian employer association (Confindustria Moda), national trade unions (Femca-Cisl, Filctem-Cgil and Uiltec-Uil), regional clusters and companies to discuss the future of the industry. Together, they discussed the proposal for a sectoral industrial policy strategy to present to the Italian Government and the EU Commission for the support, consolidation and development of the textile-clothing supply chain.

On 19-20 February 2025, social partners from the Italian textile and fashion industry met in Rome to deepen their understanding of the upcoming EU legislations and their impact on the Italian textile industry, as well as to further discuss the next step in their effort for a more broad and effective social dialogue. In the context of the EU co-funded StitchTogether project, which aims at promoting social partnerships in the European Textiles and Clothing Industry, the meeting was also the occasion to draft the Rome Declaration: a joint statement to emphasise the social partners’ strong commitment to work together.

The meeting in Rome brought together representatives of the Italian textile industry, including the Italian employer association (Confindustria Moda), national trade unions (Femca-Cisl, Filctem-Cgil and Uiltec-Uil), regional clusters and companies to discuss the future of the industry. Together, they discussed the proposal for a sectoral industrial policy strategy to present to the Italian Government and the EU Commission for the support, consolidation and development of the textile-clothing supply chain.

The Rome Declaration includes a series of priorities, confirming social partners’ commitment in working together for a more competitive and fair Italian textile industry. The Declaration also calls upon the Italian Government and the European Union to support the upcoming transformation of the textile and clothing industries, technology and skills upgrades, regional development and just transition.

Says Judith Kirton-Darling, IndustriAll Europe's general secretary stated that “the Italian textile industry employs around 300,000 workers, or 24% of the European workforce in the textile and clothing sector, making it the largest in Europe. In a context of numerous challenges for the European textile industry, such as unfair globalization, green and digital transition, social dialogue is a real lever for improving working conditions and job security. We are committed alongside our Italian partners to a resilient and attractive textile industry in Italy”.

Dirk Vantyghem, EURATEX Director General, stressed that “Italy represents 36% of the total European textile and fashion industry; it is critically important therefore to maintain a strong Italian textile industry, which can be a benchmark for other countries. Combining quality, creativity and innovation is the recipe for success. This requires a dynamic company spirit, where employers and employees work hand in hand.”

Source:

Euratex

Green Fabric Photo Klopman International
26.02.2025

Klopman & TDV Industries: Calculating the Environmental Impact of Fabrics

Klopman, a European leader in the production of fabrics for workwear, and TDV Industries, a France-based company specializing in textiles for technical and military clothing, completed an innovative project for the creation of an advanced tool to calculate the Life Cycle Assessment of their fabrics. The tool has obtained the well-recognized EPD (Environmental Product Declaration) certification from Environdec.

The EPD certification validates the methodology and results of a product's Life Cycle Assessment (LCA), a rigorous methodology that evaluates the environmental impact of a given product throughout all phases of its life cycle: from raw material extraction to production, usage, and disposal. This approach provides a comprehensive and accurate overview of environmental impacts, and the production processes involved. LCA allows for the measurement of parameters such as greenhouse gas emissions, energy consumption, water usage, and other environmental indicators, offering a scientific basis for improving efficiency and reducing the ecological footprint of products.

Klopman, a European leader in the production of fabrics for workwear, and TDV Industries, a France-based company specializing in textiles for technical and military clothing, completed an innovative project for the creation of an advanced tool to calculate the Life Cycle Assessment of their fabrics. The tool has obtained the well-recognized EPD (Environmental Product Declaration) certification from Environdec.

The EPD certification validates the methodology and results of a product's Life Cycle Assessment (LCA), a rigorous methodology that evaluates the environmental impact of a given product throughout all phases of its life cycle: from raw material extraction to production, usage, and disposal. This approach provides a comprehensive and accurate overview of environmental impacts, and the production processes involved. LCA allows for the measurement of parameters such as greenhouse gas emissions, energy consumption, water usage, and other environmental indicators, offering a scientific basis for improving efficiency and reducing the ecological footprint of products.

The Environmental Product Declaration (EPD) is a certified verification system that ensures a transparent and reliable assessment of a product's environmental impact. This certification follows international standards and enables companies to demonstrate their commitment to sustainability, improving transparency with customers and business partners.

Thanks to the new tool, Klopman and TDV Industries can now accurately calculate the environmental impact of each stage of their fabric production. This allows both companies to generate complete EPD certifications in compliance with international regulations, ensuring greater transparency and credibility for their products.

"Our Group has always been committed to sustainability projects, both within the company and regarding the products we bring to the market. Today, with this tool, we want to provide our customers with clear answers about the impact of our fabrics in terms of CO2 emissions, water, and land consumption, but also beyond that," says Amaury Sartorius, Group Commercial Director and Managing Director of Klopman. "The textile industry is undergoing a transition toward more sustainable production processes, and this project fits perfectly within this evolution. With this tool, we aim to produce fabrics with an increasingly lower environmental impact, thereby helping our customers in their sustainability and decarbonization journeys (such as SBTi).”

Texworld Apparel Sourcing Paris Photo Messe Frankfurt France
21.02.2025

Texworld Apparel Sourcing Paris: Over 8,500 visitors

The 56th edition of Texworld Apparel Sourcing Paris took place in a particularly dynamic atmosphere. More than 8,500 international visitors discovered and made business connection with the 1,250 exhibitors from 32 countries over three days at the Paris-Le Bourget Exhibition Centre. Held from 10 to 12 February 2025, the new edition registered an 10% increase of visitors compared to the February 2024 edition.

Meeting market expectations
“The global market, beyond the general geo-politico-commercial situation, is still undergoing a major metamorphosis, with a gradual shift from the entry-level segments of the past towards a more qualitative offering, which now accounts for the bulk of global clothing consumption, points out Julien Schmoll, Marketing and Communications Director at Messe Frankfurt France. We've redesigned our trade fairs to meet the needs of buyers in these mid-range markets, by focusing our selection on a diversified, enriched, qualitative and cutting-edge offer, with a very wide choice at competitive prices, presented in a functional setting conducive to exchanges”.

The 56th edition of Texworld Apparel Sourcing Paris took place in a particularly dynamic atmosphere. More than 8,500 international visitors discovered and made business connection with the 1,250 exhibitors from 32 countries over three days at the Paris-Le Bourget Exhibition Centre. Held from 10 to 12 February 2025, the new edition registered an 10% increase of visitors compared to the February 2024 edition.

Meeting market expectations
“The global market, beyond the general geo-politico-commercial situation, is still undergoing a major metamorphosis, with a gradual shift from the entry-level segments of the past towards a more qualitative offering, which now accounts for the bulk of global clothing consumption, points out Julien Schmoll, Marketing and Communications Director at Messe Frankfurt France. We've redesigned our trade fairs to meet the needs of buyers in these mid-range markets, by focusing our selection on a diversified, enriched, qualitative and cutting-edge offer, with a very wide choice at competitive prices, presented in a functional setting conducive to exchanges”.

Focus on African sourcing
This year saw the spotlight shine on African sourcing, now seen as an attractive alternative by many buyers. The nine Ethiopian companies present in Paris made promising commitments with European brands. Maryse Mbonyumutwa, founder of the Rwandan group Pink Mango, the first African manufacturing platform for sustainable and ethical global brands, has also made some solid contacts: “We've had promising discussions with representatives of several European brands that could sign up with us locally”, she says.

On the buyers' side, the feedback also points to active exchanges. Bangladeshi manufacturer NZ Denim was able to meet almost all its European customers, including Celio, OKaïdi, Kiabi and Jules, over three days. “The show is an opportunity for us to meet the design teams to discuss materials for future collections, explains Najam Us Saqib, the manufacturer's R&D manager. As for the buyers, they take advantage of our visit to Paris to keep abreast of the latest developments, such as the naturally coloured cotton Ackala Coton, which we are presenting this year”. This innovation was highlighted during the Econogy Tour, which was organised for visitors interested in identifying companies that respect the ecological and social standards of the textile industry.

Source:

Messe Frankfurt France

Droplets of (left-to-right) soda, water, orange juice, sports drink and milk are shown on a piece fabric with (top) and without (bottom) a UiO-66 metal-organic framework superhydrophobic coating, developed in the lab of Juan Hinestroza of the College of Human Ecology. Credit: Yelin Ko/Provided
Droplets of (left-to-right) soda, water, orange juice, sports drink and milk are shown on a piece fabric with (top) and without (bottom) a UiO-66 metal-organic framework superhydrophobic coating, developed in the lab of Juan Hinestroza of the College of Human Ecology.
16.02.2025

Waterproof coating made from upcycled textile waste

A new technique could create waterproof coatings for clothes out of discarded textiles – far safer for humans and the environment than current coatings, which are typically made with harsh chemicals and carcinogens.

A Cornell research group led by Juan Hinestroza, the Rebecca Q Morgan ’60 Professor of Fiber Science and Apparel Design in the College of Human Ecology (CHE), developed the low-temperature technique for synthesis of superhydrophobic, or waterproof, coatings.

“If we can save one piece of clothing from going into a landfill, then that will be success,” said Hinestroza, noting that Americans throw away anywhere from 80 to 100 pounds of clothing per person annually.

Droplets of (left-to-right) soda, water, orange juice, sports drink and milk are shown on a piece fabric with (top) and without (bottom) a UiO-66 metal-organic framework superhydrophobic coating, developed in the lab of Juan Hinestroza of the College of Human Ecology.

A new technique could create waterproof coatings for clothes out of discarded textiles – far safer for humans and the environment than current coatings, which are typically made with harsh chemicals and carcinogens.

A Cornell research group led by Juan Hinestroza, the Rebecca Q Morgan ’60 Professor of Fiber Science and Apparel Design in the College of Human Ecology (CHE), developed the low-temperature technique for synthesis of superhydrophobic, or waterproof, coatings.

“If we can save one piece of clothing from going into a landfill, then that will be success,” said Hinestroza, noting that Americans throw away anywhere from 80 to 100 pounds of clothing per person annually.

Droplets of (left-to-right) soda, water, orange juice, sports drink and milk are shown on a piece fabric with (top) and without (bottom) a UiO-66 metal-organic framework superhydrophobic coating, developed in the lab of Juan Hinestroza of the College of Human Ecology.

The metal-organic framework (MOF) used in the group’s coating can be synthesized at room temperature, using more environmentally friendly solvents (water and ethanol) and can be achieved without separation or purification of the discarded textiles, both energy-intensive processes.

Yelin Ko, a doctoral student in the field of fiber science, is the first author of “UiO-66 Inspired Superhydrophobic Coatings Fabricated from Discarded Polyester/Spandex Textiles,” which published Sept. 21 in ACS Applied Materials and Interfaces. Hinestroza is senior author; Tamer Uyar, associate professor of fiber science in the Department of Human Centered Design (CHE), is the other co-author.

This research is an extension of work published in 2023 demonstrating that old clothing could be chemically broken down to reuse polyester compounds to create MOF particles with potential applications in fire resistance, anti-bacterial properties, or wrinkle resistance. The new work is taking this proof of concept and applying it in a direct way.

In this work, metal-organic frameworks – unique structures pioneered in the 1990s by chemist Omar Yaghi, with whom Hinestroza collaborated on a Department of Defense grant in the late 2000s – were synthesized by chemically decomposing discarded polyester textiles into a heterogenous soup containing molecules of polyester and its monomers, dyes, additives and dirt usually associated with used clothes.

The researchers exposed discarded fabrics to an alkaline depolymerization process to produce disodium terephthalate, a known linker for synthesis of UiO-66, a popular MOF. They conducted experiments using different amounts of ethanol, and found that with a small amount of ethanol, UiO-66 assembled on top of a polyester and spandex substrate, exhibited superhydrophobic behavior.

The fragments of spandex, the group found, modified the otherwise hydrophilic MOF structure and made it hydrophobic. What’s more, the UiO-66 material was subjected to repeated washing and abrasion, and maintained its water resistance.

The group said this technology is one way to reduce the world’s reliance on harmful chemicals in textile manufacturing.

“We must find alternatives to fluorinated finishes, also known as ‘forever chemicals,’” Uyar said. “This study demonstrates how we can achieve functional finishes, including water-repellent and self-cleaning properties, by upcycling textile waste instead of relying on ‘forever chemicals.’”

The “upcycling” aspect of this work is what’s most important, Hinestroza said.

“It’s very easy to blame the brands or blame the producers, but in the end, they will not produce if you don’t consume,” he said. “And whatever is not being consumed is thrown away. And we want to believe that the problem ends in our garbage cans, but it doesn’t.”

This research utilized the Cornell Center for Materials Research Shared Facilities, which are supported by the National Science Foundation. Other support came from the Fulbright U.S. Student Program, which is sponsored by the U.S. Department of State and the Korean-American Educational Commission.

Source:

Tom Fleischman, Cornell Chronicle

Source Fashion Catwalk (c) Source Fashion
Source Fashion Catwalk
13.02.2025

Source Fashion in London opens 18 February

Source Fashion, Europe’s leading responsible sourcing show, opens next Tuesday 18th February, at Olympia London, welcoming buyers, retailers, and sourcing professionals from around the world. Running until 20th February 2025, the show will host hundreds of makers and manufacturers from over 20 key sourcing regions, including Turkey, Taiwan, Ethiopia, Egypt, China, India, the UK, France, Hong Kong, and Portugal.

With leading retailers and brands such as ASOS, Barbour, Boohoo, Flannels, Frasers Group, French Connection, GANT, Hawes & Curtis, Jaded London, John Lewis, Lipsy, Lucy & Yak, ME+EM, Marks & Spencer, Moss Bros, Mothercare, New Look, Next, Oliver Bonas, Primark, Saraha, Toast, The Very Group, Whistles, already pre-registered, Source Fashion is set to be a must-attend event for businesses looking to source responsibly and discover innovative solutions to industry challenges.

A Platform for Innovation and Sustainability
The three-day event goes beyond sourcing, offering a dynamic content programme across two dedicated stages: The Source Catwalk Stage and the Source Debates Stage.

Source Fashion, Europe’s leading responsible sourcing show, opens next Tuesday 18th February, at Olympia London, welcoming buyers, retailers, and sourcing professionals from around the world. Running until 20th February 2025, the show will host hundreds of makers and manufacturers from over 20 key sourcing regions, including Turkey, Taiwan, Ethiopia, Egypt, China, India, the UK, France, Hong Kong, and Portugal.

With leading retailers and brands such as ASOS, Barbour, Boohoo, Flannels, Frasers Group, French Connection, GANT, Hawes & Curtis, Jaded London, John Lewis, Lipsy, Lucy & Yak, ME+EM, Marks & Spencer, Moss Bros, Mothercare, New Look, Next, Oliver Bonas, Primark, Saraha, Toast, The Very Group, Whistles, already pre-registered, Source Fashion is set to be a must-attend event for businesses looking to source responsibly and discover innovative solutions to industry challenges.

A Platform for Innovation and Sustainability
The three-day event goes beyond sourcing, offering a dynamic content programme across two dedicated stages: The Source Catwalk Stage and the Source Debates Stage.

Visitors can explore the latest trends and insights into responsible fashion with The Source Catwalk Show – taking place three times daily, showcasing curated womenswear looks built from exhibitors’ collections, highlighting trends such as Circus Play, Romance, Plant Power, and Hyper Tactile.

Exhibitor Highlights
Source Fashion will feature an impressive line-up of responsible manufacturers from around the globe with the spotlight on the UK, Egypt, India, and Portugal. Highlights include:

  • Dee Kay Knitwear (UK) – A leading supplier of high-quality wholesale knitwear.
  • YOKA YO (UK) - Helping take designs from initial concept through to final product development.
  • The Natural Fibre Company (UK) – An award-winning yarn manufacturer working with rare breeds and natural fibres.
  • National Weaving (UK) – Specialists in premium woven and printed labels, with a focus on sustainability The Fashion Incubator (Egypt) – A sustainable fashion manufacturer specialising in knit, woven, sportswear, and swimwear.
  • Desert Crafts Design Studio (India) – A womenswear manufacturer focused on casual and resort wear.
  • WonderRaw (Portugal) – Experts in luxury blanks and fully customised garments made from 100% organic cotton.

Headline Designer: Stuart Trevor
Scottish-born fashion designer Stuart Trevor, founder of All Saints and sustainability advocate, is set to headline the Source Catwalk. After years mentoring brands with a positive social and environmental impact, Trevor’s latest label, STUART TREVOR, focuses on sustainable fashion made from repurposed materials. Trevor set out to create the world’s most sustainable brand with a mission to make buying sustainable products easier, more fun and create non-destructive clothing from other peoples’ waste. His designs will take centre stage at the Source Catwalk, demonstrating how fashion can be both stylish and sustainable.

The Source Catwalk also offers a diverse and informative programme of conversations with thought leaders, retail case studies and challenging panel discussions. Now located on the balcony, presenting leading voices within ethical fashion.

  • Source Debates – A new stage for this year, providing an opportunity to voice thoughts and get involved in the conversations - tackling the industry biggest questions and challenges, from sustainability and circularity to transparency and the future of fashion sourcing.

Speaker Highlights

Source Fashion’s comprehensive speaker programme will bring together industry leaders, sustainability experts, and fashion innovators. Key sessions include:

  • ‘From Fast Fashion to Circularity’ (Source Catwalk, Tuesday, 11:30 AM) – A discussion on how brands can shift towards sustainable models while competing in the fast-fashion landscape, featuring leaders from Vivo Footwear, Neem London, YOU Underwear, and Johnston’s of Elgin.
  • ‘A collaborative journey from farm to fashion’ (Source Catwalk, Tuesday, 1:30pm) - explores how The Natural Fibre Company and John Smedley have forged a groundbreaking partnership, transforming heritage craftsmanship and sustainable innovation into a powerful success story.
  • ‘Tech and sustainability: why data holds the key for a greener future’ (Source Catwalk, Tuesday 2:10pm) - Linda Pimmeshofer from Insider Trends explores how data-driven innovation can revolutionise fashion’s fight against emissions, with global examples and a vision for a tech-enabled future
  • ‘The Urgency of Transparency’ (Source Catwalk, Wednesday, 11:00 AM) – A fireside chat with Andrew Xeni, Founder of Nobody’s Child and Fabacus, on why transparency is critical in building consumer trust.
  • ‘Ecosystem Thinking in Fashion: Redesigning for Regeneration’ (Source Catwalk, Wednesday, 2:10 PM) - Safia Minney MBE, Founder of Fashion Declares is joined by Dr Sri Ram, Founder - Bags of Ethics, Supreme Group, Matthias Knappe, Head of Unit, International Trade Centre (ITC) and Nick Reed, Founder, Neem London for to explore scaling circular practices, adopting regenerative models, and building stronger supply chain relationships to inspire action and meaningful change.
  • ‘A Clothing Company That Doesn’t Produce Clothes’ (Source Catwalk, Wednesday, 1:30 PM) – Stuart Trevor in conversation about his upcycling-focused brand and the future of circular fashion.
  • Designing tomorrow: Is speculative thinking the key to fashion retail's future? (Source Catwalk, Wednesday, 1:30 PM) - Geraldine Wharry, Fashion Futurist, Trend Atelier on speculative design.
  • ‘Taking the Lead When Legislation Falls Short’ (Source Debates, Thursday, 11:00 AM) – This session, with Safia Minney MBE, looks at how businesses can drive sustainability initiatives beyond Government mandates.
  • Can fashion brands embrace sustainability without the fear of being perfect? (Source Debates, Thursday, 11:30 AM) - Jonny Rowe and Joe Russell, Co-Founders, Land of Plenty look at encouraging small wins, while questioning the common fears surrounding building out sustainable practices and the role storytelling and branding to help overcome these.

As part of an ongoing collaboration, The International Trade Centre, under the UK Trade Partnerships Programme, will showcase ethical suppliers from Ethiopia, Madagascar, Tanzania, and Nepal, providing visitors with an exclusive look at sustainable sourcing options from these regions.

 

More information:
Source Fashion catwalk debate
Source:

Source Fashion

31.01.2025

Texworld Apparel Sourcing Paris: Over 1,200 exhibitors from 25 countries

More than 1,200 exhibitors from twenty-five countries are taking part in  Texworld Apparel Sourcing Paris from 10 to 12 February at the Paris-Le Bourget Exhibition Centre, showcasing the very best in global sourcing  to help fashion brands build their Spring-Summer 2026 collections.
Over the three days, international buyers will have access to the leading market platform for textiles and clothing, and will be able to discover, in a refurbished space, a first-rate offering with a very wide choice at competitive prices. This concentration of manufacturers and makers constitutes the heart of the international market in the mid-range segments, which now account for the bulk of finished garment consumption.

More than 1,200 exhibitors from twenty-five countries are taking part in  Texworld Apparel Sourcing Paris from 10 to 12 February at the Paris-Le Bourget Exhibition Centre, showcasing the very best in global sourcing  to help fashion brands build their Spring-Summer 2026 collections.
Over the three days, international buyers will have access to the leading market platform for textiles and clothing, and will be able to discover, in a refurbished space, a first-rate offering with a very wide choice at competitive prices. This concentration of manufacturers and makers constitutes the heart of the international market in the mid-range segments, which now account for the bulk of finished garment consumption.

Reflecting the diversity of global sourcing
Texworld Apparel Sourcing Paris brings together not only the major players in global sourcing, such as China, Turkey, India, Korea, Pakistan and Taiwan, but also suppliers from alternative zones with rich expertise, such as Malaysia, Singapore, the UK, Vietnam, the Netherlands, Africa - a dozen companies from Ethiopia, Rwanda, Egypt and Benin will be in Paris in February - and South America. For the first time this year, Texworld will be welcoming an Argentinian woollen manufacturer - Industrias Textiles Frione - which offers a range of top-quality fabrics while promoting manufacturing processes that are particularly environmentally friendly.

Texpertise Econogy: initiatives to promote sustainable fashion
As part of its commitment to more responsible fashion, Messe Frankfurt is supporting players who respect the ecological and social standards of the textile industry. At the entrance to Hall 4, the new ‘Initiatives’ zone will be showcasing inspiring and sustainable solutions promoted by some exhibitors. This area (where you'll find press and partner stands, events and trend forums) will also host the China Textile Information Centre's trend forum, as well as the Texpertise Econogy Hub, where Messe Frankfurt will be presenting its commitments to sustainability in the textile sector through the Texpertise Econogy concept, which combines ecology and economic development.

As part of this initiative, two Econogy Tours will enable visitors to discover what a selection of certified companies can offer. These guided tours, led by a specialist in the sustainable approach, will be offered on Monday 10 February (12.30pm-1.30pm) and Tuesday 11 February (10am-11am) to buyers who wish to take part. Appointments are scheduled at the Econogy Hub counter.

Conferences, trends and forecasts
To complement the product offering, a series of events and conferences will be taking place. Held in the Agora in Hall 2, they will explore market trends and prospects in detail. Louis Gérin, the shows' artistic director, will be commenting on “Neocene”, the Trendbook for the Spring-Summer 2026 season, focusing on the creative directions that will shape the fashion of tomorrow. Several conferences will provide an insight into the business models of manufacturers such as Wellfabric - Bao Lan Textiles, one of the pioneers of sustainable textiles  in Vietnam, and the African platform Arise IIP, present at Apparel Sourcing.  Finally, there will be round-table discussions on forward-looking issues such as fast fashion and the challenges of sustainability in terms of production and sourcing. They will also look at solutions to support the ecological transition (Econogy Talks), as well as innovation and management challenges. These conferences, which will take place on Monday and Tuesday, are free to attend.

Source:

Messe Frankfurt Frankreich

13.01.2025

Green Fashion: 55th INNATEX under the motto TOGETHER

From 18 to 20 January 2025 in Hofheim-Wallau near Frankfurt, this international trade fair will be presenting sustainable fashion collections, footwear and accessories for all generations and all occasions.

Labels invest in their presence at the fair
For the first time, organiser MUVEO GmbH has positioned DESIGN DISCOVERIES in the foyer of the Messecenter Rhein-Main, instead of on the first floor as previously. The new location for the first-time exhibitors featured in DESIGN DISCOVERIES, immediately inside the main entrance, ensures that the labels covered by this support programme are immediately visible. The four brands, selected by a jury, include Maison Labiche from France, embroiderers of womens-, mens- and kidswear. Ikiala brings accessories made of Madagascan raffia. Kiwistories supplies fashion items with prints and patterns, while Delin uses linen for its shirts, T-shirts, clothing etc.

From 18 to 20 January 2025 in Hofheim-Wallau near Frankfurt, this international trade fair will be presenting sustainable fashion collections, footwear and accessories for all generations and all occasions.

Labels invest in their presence at the fair
For the first time, organiser MUVEO GmbH has positioned DESIGN DISCOVERIES in the foyer of the Messecenter Rhein-Main, instead of on the first floor as previously. The new location for the first-time exhibitors featured in DESIGN DISCOVERIES, immediately inside the main entrance, ensures that the labels covered by this support programme are immediately visible. The four brands, selected by a jury, include Maison Labiche from France, embroiderers of womens-, mens- and kidswear. Ikiala brings accessories made of Madagascan raffia. Kiwistories supplies fashion items with prints and patterns, while Delin uses linen for its shirts, T-shirts, clothing etc.

The area previously occupied by DESIGN DISCOVERIES has now been used to provide larger spaces for exhibitors. “We have noted that for some years now the stands have been growing ever larger,” comments Jens Frey, Managing Director of MUVEO GmbH. “The increasing willingness to make this type of investment is something we see as a positive signal from the sector, especially in the face of continuing commercial challenges. The labels are saying something with their generously designed areas – it’s well worth a visit!”

Insider expertise for conventional retail too
Events of various kinds will take place in the Talk Area on the first floor: one highlight of the programme is the Retail Association’s expert panel on the Monday, aimed primarily at buyers. Under the title ‘Best practices in retail: ’Tackling challenges with active customer engagement and other strategies’, a panel comprising Dr. Eva Stüber of the Institute for Retail Studies Cologne (IFH), Jost Wiebelhaus of Frankfurter Laufshop, Olivia Dahlmen of Quartier Frau, Marion Käfer of Lumiis and Silvio Zeizinger of the Hessen Retail Association (Handelsverband Hessen e.V.) will be speaking on trends and solutions for retail. Cheryll Mühlen, Editor-in-chief at specialist magazines Textilmitteilungen, J'N'C and Green Knowledge, is the moderator.

„Community-building will be even more important in the future“
The motto of the 55th INNATEX, ‘TOGETHER’, is a call to those involved in the Green Fashion sector to stick together, in order to find synergies and maintain confidence. “Smaller businesses in particular can benefit in very concrete ways from collaboration,” says Hitzel. “The opportunities range from sharing resources and knowledge to extending reach and saving costs. I also believe that community-building will become even more important in the coming years.”

Source:

Ubermut für MUVEO GmbH

Flametougher Photo Flametougher Carrington
Flametougher by Carrington
13.01.2025

Carrington: Stretch FR fabrics for workwear in the Middle East

The Middle East’s industrial sector is synonymous with high-risk environments, particularly in oil and gas production. Workers face hazards such as flash fires, chemical splashes and electric arcs—all within the context of demanding conditions, including sweltering heat and long shifts. In response to these challenges, flame-retardant (FR) fabrics with stretch properties are emerging as the next generation of protective workwear, delivering comfort, safety and durability.

Traditionally, FR fabrics prioritised protection over comfort. However, the increasing demand for ergonomic clothing has driven a shift towards stretch solutions. Thanks to innovations in textile engineering and the influence of modern fashion, these fabrics now combine unparalleled flexibility with the stringent safety standards required in high-risk industries.

The Middle East’s industrial sector is synonymous with high-risk environments, particularly in oil and gas production. Workers face hazards such as flash fires, chemical splashes and electric arcs—all within the context of demanding conditions, including sweltering heat and long shifts. In response to these challenges, flame-retardant (FR) fabrics with stretch properties are emerging as the next generation of protective workwear, delivering comfort, safety and durability.

Traditionally, FR fabrics prioritised protection over comfort. However, the increasing demand for ergonomic clothing has driven a shift towards stretch solutions. Thanks to innovations in textile engineering and the influence of modern fashion, these fabrics now combine unparalleled flexibility with the stringent safety standards required in high-risk industries.

Stretch fabrics such as Carrington Textiles’ Flametougher 290AS Flex and Flameflex 300AS demonstrate how this transition is not just a luxury but a necessity. Flametougher 290AS Flex, for example, incorporates 19.5% CORDURA® nylon 6,6 for exceptional durability and strength, blended with 78% cotton for lightweight comfort. At just 290gsm, it ensures workers maintain mobility without compromising on protection.

Meeting the needs of Middle Eastern workers, Flameflex 300AS, weighing 300gsm, provides a perfect balance of durability, flexibility and flame resistance. Its 83% cotton and 14% polyester composition ensures longevity, while 2% EOL fibres enable enhanced elasticity—critical for workers in physically intensive roles such as oil rig operations or refinery maintenance.

Flexibility in workwear isn’t just a matter of comfort, it’s a matter of safety. Restricted movement can lead to fatigue, reduced compliance with safety standards and accidents. Stretch FR fabrics excel in adaptability. Whether it’s a worker scaling scaffolding on an oil platform or handling maintenance in a petrochemical plant, garments made with stretch FR textiles allow for the unrestricted movement critical to performing tasks safely.

The rise of these type of fabrics also owes much to the fashion industry. Decades of innovation in stretch garments for everyday use have created a ripple effect in workwear. Workers increasingly expect the same level of comfort and fit in their protective clothing, and manufacturers are responding.

(c) Messe Frankfurt France
09.01.2025

Texworld Apparel Sourcing Paris returns to the Paris-Le-Bourget Exhibition Center

The return of Texworld Apparel Sourcing Paris to the Paris-Le-Bourget exhibition centre from 10 to 12 February will see a number of innovations both in terms of the products on offer and the visitor itineraries.

More than 1,200 weavers and garment makers are expected in Halls 2, 3 and 4 of the exhibition centre for this first edition in 2025. This return to a redesigned space marks a new chapter in the visitor experience. This session will also offer a true reflection of the diversity of global sourcing, with creative ranges at competitive prices for the fashion industries.

The return of Texworld Apparel Sourcing Paris to the Paris-Le-Bourget exhibition centre from 10 to 12 February will see a number of innovations both in terms of the products on offer and the visitor itineraries.

More than 1,200 weavers and garment makers are expected in Halls 2, 3 and 4 of the exhibition centre for this first edition in 2025. This return to a redesigned space marks a new chapter in the visitor experience. This session will also offer a true reflection of the diversity of global sourcing, with creative ranges at competitive prices for the fashion industries.

New sourcing destinations for Texworld
Alongside the Top 5 weaving nations loyal to Texworld - China, Türkiye with its 70 manufacturers grouped together under the pavilion of the Istanbul Chamber of Commerce, India, Korea and Taiwan - alternative sourcing zones such as Malaysia, Singapore, the United Kingdom, Vietnam, the Netherlands and Egypt are enriching the show's offering. Dutch exhibitors Quality Textile, Nooteboom and Verhees Textiles are also back in the cotton sector, with cutting-edge and particularly creative catalogues. In the knitwear sector, we can also note the participation of the Koreans O.N.K, specialists in circular knitting, W-Tex, whose polyester blends produce remarkable fancy fabrics, or specialists in silky aspects such as JK Tex or TL Corporation. The Denim sector is growing this year, with around thirty exhibitors, including some of the world's leading names such as Winwin Textile from China and Bangladeshi supplier NZ Denim.

Innovations, initiatives and sustainability
The new “Initiatives” zone at the entrance of Hall 4 will be showcasing inspiring and sustainable solutions, such as that of Vietnamese company Bao Lan Textile with its range of silk and fabrics made from pineapple leaf fibre. These products, developed with Ecofa Vietnam, have natural antibacterial properties and offer natural UV protection up to 50+ UPF. This area will also host the China Textile Information Centre's trends forum, as well as the Econogy Hub, which brings together Messe Frankfurt's expertise on sustainability-related initiatives in the textile sector. Also to be discovered in the activewear sector is the range from Japan's Toyoshima, known for its streetwear collections, its ‘non-denim’ fabrics that consume very little water, and its astonishing wagami fabrics, produced from blends of very fine yarns made to order from cotton, linen and wool.

Apparel Sourcing: focus on Africa and near sourcing
Apparel Sourcing also has a great session in store. With more than 500 exhibitors expected - up on February 2024 - the show's rich offering of finished products, clothing and fashion accessories will be on full display over the three days. Especially when it comes to local sourcing. Alongside the major manufacturing nations - led by China and India, and Pakistan and Bangladesh, both of which have grouped their exhibitors under their national pavilions - visitors will have access to products from the Africa zone, with a hub of companies from Ethiopia, Rwanda (Pink Mango) and the Arise Integrated Industrial Platform, which brings together the expertise of garment manufacturers based in Togo, Benin and Gabon. Ukraine, back with 5 companies supported by its national textile association, will be adding to the Euromed offering from Foursource, Messe Frankfurt's near sourcing partner, which will be presenting catalogues from companies in Eastern Europe, Portugal and Morocco.

An optimised sourcing experience
The return to Paris-Le Bourget Exhibition Centre has been accompanied by an overhaul of the organisation of visitor areas. The layout of sectors and services has been reviewed to create new synergies between raw materials and finished products. Women's wear areas (All about her, Embrodery & Lace, Silky aspect...) have been set up in Hall 4 - dedicated to knitwear, silk and lace - and a large area will be devoted to the outdoor - sportswear - casualwear offer in Hall 3. Hall 2 will be a focal point for relaxation, catering and networking, as well as a place for inspiration and exchange, with trend forums, product presentations, services and the Agora for conferences and round tables.

Econogy, Small Quantity & Hand Made: themed itineraries
Three exhibitor itineraries have been designed by the Messe Frankfurt France team to meet visitors' needs. The Econogy Finder trail, for example, enables visitors to find more than 80 suppliers of sustainable textiles, listed in the show app and indicated by the Econogy logos visible on the corresponding booths. The Small Quantity itinerary then highlights the more than 200 suppliers able to offer small quantity production (less than 300 pieces for garments or less than 100 metres for fabrics). A plus for buyers looking for limited editions or small orders for capsule collections. Finally, the Hand Made itinerary identifies the more than 130 exhibitors whose catalogues feature authentic, handmade products or unique skills. These manufacturers can also be found directly on the fair's online directory.

Source:

Messe Frankfurt France

Stuart Trevor Photo Source Fashion
Stuart Trevor
12.12.2024

Source Fashion: Keynote Speaker Line-Up for February 2025 Show

Source Fashion, Europe’s leading responsible sourcing show, has announced an inspiring line-up of keynote speakers for its upcoming event, running from 18th to 20th February 2025 at Olympia London. On Wednesday 19th February, a full day of thought-provoking sessions will be headlined by industry visionaries including All Saints Founder Stuart Trevor, award-winning social entrepreneur Safia Minney MBE, and Andrew Xeni, Founder of Nobody’s Child.
 
The sessions will explore critical themes shaping the future of fashion, from sustainability to circularity and transparency, aiming to equip visitors with actionable insights to transform their brands and business practices.
 
Session Highlights:

Source Fashion, Europe’s leading responsible sourcing show, has announced an inspiring line-up of keynote speakers for its upcoming event, running from 18th to 20th February 2025 at Olympia London. On Wednesday 19th February, a full day of thought-provoking sessions will be headlined by industry visionaries including All Saints Founder Stuart Trevor, award-winning social entrepreneur Safia Minney MBE, and Andrew Xeni, Founder of Nobody’s Child.
 
The sessions will explore critical themes shaping the future of fashion, from sustainability to circularity and transparency, aiming to equip visitors with actionable insights to transform their brands and business practices.
 
Session Highlights:

  • The Urgency of Transparency
    • Speaker: Andrew Xeni, Founder, Nobody’s Child, Fabacus and Soreto
    • Time: 11:00 AM
    • Synopsis: As transparency becomes the cornerstone of sustainability, Andrew Xeni will discuss how brands can lead the charge in accountability and ethical operations. From unveiling supply chain practices to empowering consumers, this session highlights the role of transparency in building trust and driving meaningful change in the fashion industry.
  •  A Clothing Company That Doesn’t Produce Clothes
    • Speaker: Stuart Trevor, Founder, All Saints & Stuart Trevor
    • Time: 1:30 PM
    • Synopsis: In a groundbreaking fireside chat, Stuart Trevor will showcase how his company is pioneering circularity by transforming pre-owned clothes into desirable fashion pieces. By rethinking the traditional industry model, Trevor will illustrate the potential of upcycling to combat waste and redefine sustainable style.
  • Ecosystem Thinking in Fashion: Redesigning for Regeneration
    • Speaker: Safia Minney MBE
    • Time: 2:10 PM
    • Synopsis: In a dynamic panel discussion, Safia Minney will explore strategies to adopt circular and regenerative models, scale these practices, and foster collaborative supply chain solutions. Featuring contributions from experts across industries, this session is set to empower visitors with practical tools for transformative change.

 The keynote sessions will be complemented by speakers from industry-leading organisations such as John Lewis, Vivo Footwear, Pepsi Co, Kingfisher, and environmental NGO WRAP. The full programme will be revealed in the coming weeks.
 
Join the Conversation
Source Fashion 2025 invites fashion professionals, sustainability advocates, and industry leaders to connect, learn, and lead the transformation of the fashion industry.
 
As Europe’s leading responsible sourcing show, Source Fashion brings together a global community of brands, suppliers, and thought leaders to shape the future of ethical and sustainable fashion. Through cutting-edge events, expert-led sessions, and innovative showcases, Source Fashion champions transparency, circularity, and collaboration in the industry.

About Stuart Trevor
In 1983, Stuart Trevor was a finalist in the Paul Smith/Mont Blanc competition and in 1985 he won designer of the year at The Smirnoff Fashion awards “Menswear Day”. Aged 19 he became the first designer and main buyer for REISS. At 28 he founded All Saints and many of the clothes that continue to feature every week in the top 10 bestseller list of the high-street brand today, were designed by Trevor himself over 20 years ago.
 
About Safia Minney
Safia Minney, MBE, FRSA, is an award-winning social entrepreneur, consultant and advisor. Safia is recognised by the World Economic Forum as an Outstanding Social Entrepreneur and is a leading influencer and international speaker on sustainable fashion, sustainable supply chains, ethical business and climate action.
 
Safia founded REAL Sustainability CIC in 2019, to promote awareness and action for sustainable living and leadership. In 2022 REAL launched Fashion Declares – a bottom-up, industry wide movement to promote rapid action to redesign the fashion industry to operate within planetary boundaries.
 
About Andrew Xeni
Andrew Xeni is a visionary technology and retail entrepreneur. After building successful fashion manufacturing business suppling leading UK high street brands, Xeni went on to create eco-conscious 2023 Drapers Retailer of the Year (<£100m), Nobody’s Child, of which Marks and Spencer is a strategic investor and shareholder.
Merging both retail and technology, Xeni also founded award-winning retail tech companies Fabacus and Soreto.
 
As CEO of Fabacus, a DaaS (Data-as-a-Service) technology platform for revolutionising the licencing and retail industries, Xeni has established partnerships with a number of leading businesses within the sectors, including, Fanatics, UFC, Epic Games, Ubisoft and IMG, part of Endeavour.
 
This year, seeing the growing consumer demand for sustainably, Xeni pioneered the UK-first Digital Product Passport in a collaboration with between Fabacus and Nobody’s Child, in partnership with Coinbase.
 
Xeni is backed by a number of leading financial institutions, including iNovia Partners, led by former Google CFO, Patrick Pichette, as well as New Look founder, Tom Singh. In addition to managing a diverse portfolio of businesses, and sitting as Chairman for Nobody’s Child and Soreto, Xeni is an active angel investor.

Textilrecycling Graphik: Andritz
28.11.2024

ANDRITZ: Engineering order for textile recycling plant from Circ®

International technology group ANDRITZ has received an engineering order from US textile recycling innovator Circ in anticipation of its first large-scale textile recycling plant. The plant will be the first to recover cotton and polyester from blended textile waste.

Circ® is a pioneering company focused on sustainable solutions for the fashion industry. By converting fashion waste into reusable raw materials for fabrics, Circ reduces the need for petroleum and natural resources. The company’s mission is to build a truly circular economy to protect the planet from the cost of clothing.

ANDRITZ has been successfully conducting trials for Circ at the ANDRITZ Fiber R&D Center in Springfield, Ohio, USA, for several years. The successful partnership and recent developments have led to the decision to expand this cooperation.

International technology group ANDRITZ has received an engineering order from US textile recycling innovator Circ in anticipation of its first large-scale textile recycling plant. The plant will be the first to recover cotton and polyester from blended textile waste.

Circ® is a pioneering company focused on sustainable solutions for the fashion industry. By converting fashion waste into reusable raw materials for fabrics, Circ reduces the need for petroleum and natural resources. The company’s mission is to build a truly circular economy to protect the planet from the cost of clothing.

ANDRITZ has been successfully conducting trials for Circ at the ANDRITZ Fiber R&D Center in Springfield, Ohio, USA, for several years. The successful partnership and recent developments have led to the decision to expand this cooperation.

The majority of fashion waste consists of polyester-cotton blends, which poses a significant challenge to achieving greater circularity. In particular, the separation of cellulosic and synthetic fibers from textile waste has been a major obstacle. Circ’s innovative recycling process can break down polycotton textile waste into its original components – polyester and cotton. The forthcoming plant will process 200 tons of textile waste per day, allowing cotton to be recycled for lyocell production and polyester to be reused for polyester production. This will reduce the need for virgin raw materials.

Conor Hartman, Chief Operating Officer at Circ, says: “We remain excited about this continued collaboration with ANDRITZ. Together, we will commercialize Circ’s innovative recycling process and take another step towards a truly circular fashion industry. With its expertise in engineering and building large-scale process equipment, ANDRITZ is the right partner to help us transform textile waste into recycled fibers on an industrial level.

Michael Waupotitsch, Vice President Textile Recycling at ANDRITZ, comments: “We are eager to support Circ in their vision of circularity because the technology they have developed is uniquely suited to solve one of the biggest challenges in fashion waste and recycling. With our holistic knowledge in resizing, mechanical separation, hydrothermal processing, recovery of cellulosic pulp as well as pulp cleaning and pulp drying, we have the right expertise to help them achieve their goals. Our experience in process development and machinery will help bring their innovative recycling technology to life.”

Theme 1: QUANTUM Photo credit _ Courtesy Kim Farkas et Tara Downs Gallery, photo par Aurélien Mole. www.kimfarkas.com, @Kim_Farkas.jpg
27.11.2024

Texworld Apparel Sourcing: Trend book for the Spring-Summer 2026 season

Unveiled at the forthcoming Texworld Apparel Sourcing Paris trade fair, from 10 to 12 February at the Paris-Le-Bourget Exhibition Centre, the trend book for the Spring-Summer 2026 season opens up new creative worlds where emotion attempts to regain the upper hand over pure materials.

Entitled Néocène, the new forward-looking journey proposed by Louis Gérin and Grégory Lamaud, the artistic directors of Texworld Apparel Sourcing Paris, explores a world undergoing profound change. Conceived against a backdrop of severe economic, social and environmental tensions, this document is the result of cross-referencing and analysing emerging signals detected and interpreted by a panel of stylists, designers, graphic artists, authors and scenographers. In four major themes, it sets out an aesthetic framework to help fashion designers and buyers develop their spring-summer 2026 collections.

Unveiled at the forthcoming Texworld Apparel Sourcing Paris trade fair, from 10 to 12 February at the Paris-Le-Bourget Exhibition Centre, the trend book for the Spring-Summer 2026 season opens up new creative worlds where emotion attempts to regain the upper hand over pure materials.

Entitled Néocène, the new forward-looking journey proposed by Louis Gérin and Grégory Lamaud, the artistic directors of Texworld Apparel Sourcing Paris, explores a world undergoing profound change. Conceived against a backdrop of severe economic, social and environmental tensions, this document is the result of cross-referencing and analysing emerging signals detected and interpreted by a panel of stylists, designers, graphic artists, authors and scenographers. In four major themes, it sets out an aesthetic framework to help fashion designers and buyers develop their spring-summer 2026 collections.

1 wardrobe, 4 universes
A new era without humans, the Néocène is a clean slate, an indefinable horizon that obeys only the laws of physics. New shapes, new colours: each theme in this trend book reflects a creative universe organised around specific materials and 3 “star colours” in 6 intermediate shades. Presented in the introduction, these colours provide a glimpse of the palette for the collections to come.

#1 Quantum.
In this universe of atoms, everything is just energy, chance and freedom. This first proposal plunges back into the heart of substance with fluid, heated and incandescent materials, on the edge of solid and liquid. The soft textures and expanded forms are particularly at home here, and express themselves in a radiant, sunny colour system: spicy flavours, tones of tan and caramel are very present.

#2 Gravity.
“The structure of the universe [...] An invisible interdependence.” This theme plays on the multiple meanings of gravity: a heaviness that is both physical and emotional. Mineral and sandy materials, repetitive or sequential geometrical patterns, all find their place here, as do aqueous aspects and biomimetic and animal-inspired forms. The colour palette here is clearly diaphanous and serious, natural and diffuse.

#3 Relativity.
This proposition should be seen as a deepening of the previous theme, until the propositions are reversed: “Ugly has become beautiful [...] Stillness accelerates”. A world of oxymorons in which graphic motifs express a mummified vegetal world, supported by lines shaped like imprints, draped textures, embroideries intended as traces of an anterior world. The colours are those of ash, tattoo ink, animal... The blues and mauves are dark and intense.

#4 Magnetism.
In stark contrast to the other universes, this axis exalts order and renewal, and brings lightness, even fragility, to the creative approach. Transparency is assertive, as are floral motifs and curved, ample and comfortable lines. The colour palette is in tune with the emotion of the theme: marshmallows, sweet flavours, peach and blush pink are at the heart of the theme.

A new layout to maximize synergies
The return of the Texworld Apparel Sourcing Paris shows to Halls 2, 3 and 4 of the Paris-Le-Bourget Exhibition Centre is accompanied by an exciting new space organisation to make the buying experience even more efficient and inspiring. At the heart of hall 2, the Trends Forum will captivate visitor with its four dynamic themes, and will also house all key services, including the Agora for engaging conferences and lively round-table discussions, as well as inviting restaurants. In terms of products and services, some Texworld and Apparel Sourcing sectors have been brought together to promote synergies, with coherent areas devoted to women's clothing (Hall 4) and outdoor-sportswear-casualwear (Hall 3). This layout not only makes the Apparel Sourcing offering easier to navigate but also optimises the entire sourcing process, providing a more streamlined and productive experience.

Source:

Texworld

30.10.2024

World’s first sports t-shirt made from 100% textile waste

For the first time, a piece of clothing is made entirely from textile waste – no bottles, no packaging, no virgin plastic. 100% biorecycled fibers. By developing and industrializing CARBIOS’ enzymatic depolymerization technology to achieve 100% “fiber-to-fiber” recycling, the consortium collectively advances the textile industry's shift towards a circular economy.

CARBIOS, a pioneer in the development and industrialization of biological technologies to reinvent the life cycle of plastic and textiles, and its “fiber-to-fiber” consortium partners On, Patagonia, PUMA, Salomon, and PVH Corp., parent company of Calvin Klein, unveil the world’s first enzymatically recycled polyester garment made from 100% textile waste using CARBIOS’ pioneering biorecycling technology.

For the first time, a piece of clothing is made entirely from textile waste – no bottles, no packaging, no virgin plastic. 100% biorecycled fibers. By developing and industrializing CARBIOS’ enzymatic depolymerization technology to achieve 100% “fiber-to-fiber” recycling, the consortium collectively advances the textile industry's shift towards a circular economy.

CARBIOS, a pioneer in the development and industrialization of biological technologies to reinvent the life cycle of plastic and textiles, and its “fiber-to-fiber” consortium partners On, Patagonia, PUMA, Salomon, and PVH Corp., parent company of Calvin Klein, unveil the world’s first enzymatically recycled polyester garment made from 100% textile waste using CARBIOS’ pioneering biorecycling technology.

This technological feat contributes to advancing textile circularity when, today, the majority of recycled polyester is made from PET bottles, and only 1% of fibers are recycled into new fibers.  The collective achievement marks an important milestone for the consortium’s ultimate aim of demonstrating fiber-to-fiber closed loop using CARBIOS’ biorecycling process at an industrial scale, and marks an important step forward for the textile industry’s shift towards a circular economy.

A plain, white T-shirt was a deliberate choice to showcase the technological achievement that made its production possible from mixed and colored textile waste.  By using CARBIOS’ biorecycling technology, polyester is broken down using enzymes into its fundamental building blocks which are reformed to produce biorecycled polyester whose quality is on par with oil-based virgin polyester.  Petroleum can now be replaced by textile waste as a raw material to produce polyester textiles, that will in turn become raw materials again, thus fueling a circular economy, with the added benefit of a lower carbon footprint and avoidance of landfill or incineration.

The t-shirt’s production began with all consortium members (On, Patagonia, PUMA, PVH Corp. and Salomon) supplying rolls and production cutting scraps to CARBIOS in Clermont-Ferrand, France.  This textile waste consisted of some mixed blends with cotton or elastane, as well as various treatments (such as durable water repellent) and dyes which render them complex to recycle using conventional methods. The collected waste was deconstructed into its original monomers, PTA and MEG, using CARBIOS’ biorecycling technology at its pilot facility. The resulting monomers were then repolymerized, spun into yarn and woven into new fabric by external partners, demonstrating the seamless integration into existing manufacturing processes.  The resulting sports t-shirt made from 100% textile waste meets the quality standards and sustainability objectives of the apparel brands present in the “fiber-to-fiber” consortium.

CARBIOS’ demonstration plant in Clermont-Ferrand, France, has been up and running since 2021, and its first commercial plant, the world’s first industrial-scale enzymatic PET recycling plant, is currently under construction in Longlaville, France.  In addition, CARBIOS recently announced several letters of intent with PET producers in Asia and Europe, confirming global interest in its biorecycling technology and advancing the international roll-out of its licensing model.

Source:

Carbios

Determination of the bacterial penetration with the ReBa2 test device Foto: DITF
Determination of the bacterial penetration with the ReBa2 test device
08.10.2024

Cleanzone Award 2024 for new testing method for cleanroom garments

The Cleanzone, the trade fair for cleanroom and purity technology, hygiene and contamination control, took place in Frankfurt am Main on September 25 and 26, 2024. The Cleanzone Award is presented at the trade fair to recognize groundbreaking advances in innovation, automation, sustainability and efficiency in the field of cleanroom technology. This year, the award went to the German Institutes of Textile and Fiber Research Denkendorf (DITF) and the Dastex Group GmbH for the development of a test method for cleanroom garments - the ReBa2.

The Cleanzone, the trade fair for cleanroom and purity technology, hygiene and contamination control, took place in Frankfurt am Main on September 25 and 26, 2024. The Cleanzone Award is presented at the trade fair to recognize groundbreaking advances in innovation, automation, sustainability and efficiency in the field of cleanroom technology. This year, the award went to the German Institutes of Textile and Fiber Research Denkendorf (DITF) and the Dastex Group GmbH for the development of a test method for cleanroom garments - the ReBa2.

With the Realistic Bacterial Barrier (ReBa2) test method, the DITF offer a new biological method for determining the bacterial penetration for cleanroom garment textiles. Particularly in the manufacturing of sterile pharmaceuticals, bacteria, skin flakes and fiber particles that can originate from persons and their clothing pose a risk to the products manufactured in the cleanroom. Special cleanroom garments have the task of minimizing this risk. To assess the barrier function, the “bacterial penetration” is determined, among other properties. This provides information on how many bacteria from the human skin flora pass through the cleanroom garments to the outside when worn.

The ReBa2 test method largely reproduces the situation when wearing cleanroom garments and thus enables a meaningful determination of the bacterial penetration. It is also possible to consider numerous test scenarios. In addition to the influence of intermediate garments worn under the cleanroom garments, the sweating process or the pre-wetting of the cleanroom garments by liquid splashes in the manufacturing process or by disinfectants can also be tested. The method was developed at the DITF in collaboration with the Dastex Group GmbH.