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Chemist Unlocks Plastic Alternatives Using Proteins and Clothing Scraps Photo: Challa Kumar, professor emeritus of chemistry, in his lab. (Contributed photo)
21.12.2023

Chemist Unlocks Plastic Alternatives Using Proteins and Clothing Scraps

Challa Kumar has developed methods to create novel plastic-like materials using proteins and fabric.

Every year, 400 million tons of plastic waste are generated worldwide. Between 19 and 23 million tons of that plastic waste makes its way into aquatic ecosystems, and the remaining goes into the ground. An additional 92 million tons of cloth waste is generated annually.

Challa Kumar, professor emeritus of chemistry, “fed up” with the tremendous amount of toxic waste people continually pump into the environment, felt compelled to do something. As a chemist, doing something meant using his expertise to develop new, sustainable materials.

“Everyone should think about replacing fossil fuel-based materials with natural materials anywhere they can to help our civilization to survive,” Kumar says. “The house is on fire, we can’t wait. If the house is on fire and you start digging a well – that is not going to work. It’s time to start pouring water on the house.”

Challa Kumar has developed methods to create novel plastic-like materials using proteins and fabric.

Every year, 400 million tons of plastic waste are generated worldwide. Between 19 and 23 million tons of that plastic waste makes its way into aquatic ecosystems, and the remaining goes into the ground. An additional 92 million tons of cloth waste is generated annually.

Challa Kumar, professor emeritus of chemistry, “fed up” with the tremendous amount of toxic waste people continually pump into the environment, felt compelled to do something. As a chemist, doing something meant using his expertise to develop new, sustainable materials.

“Everyone should think about replacing fossil fuel-based materials with natural materials anywhere they can to help our civilization to survive,” Kumar says. “The house is on fire, we can’t wait. If the house is on fire and you start digging a well – that is not going to work. It’s time to start pouring water on the house.”

Kumar has developed two technologies that use proteins and cloth, respectively, to create new materials. UConn’s Technology Commercialization Services (TCS) has filed provisional patents for both technologies.

Inspired by nature’s ability to construct a diverse array of functional materials, Kumar and his team developed a method to produce continuously tunable non-toxic materials.

“Chemistry is the only thing standing in our way,” Kumar says. “If we understand protein chemistry, we can make protein materials as strong as a diamond or as soft as a feather.”

The first innovation is a process to transform naturally occurring proteins into plastic-like materials. Kumar’s student, Ankarao Kalluri ’23 Ph.D., worked on this project.

Proteins have “reactor groups” on their surfaces which can react with substances with which they come into contact. Using his knowledge of how these groups work, Kumar and his team used a chemical link to bind protein molecules together.

This process creates a dimer – a molecule composed to two proteins. From there, the dimer is joined with another dimer to create tetramer, and so on until it becomes a large 3D molecule. This 3D aspect of the technology is unique, since most synthetic polymers are linear chains.

This novel 3D structure allows the new polymer to behave like a plastic. Just like the proteins of which it is made, the material can stretch, change shape, and fold. Thus, the material can be tailored via chemistry for a variety of specific applications.

Unlike synthetic polymers, because Kumar’s material is made of proteins and a bio-linking chemical, it can biodegrade, just like plant and animal proteins do naturally.

“Nature degrades proteins by ripping apart the amide bonds that are in them,” Kumar says. “It has enzymes to handle that sort of chemistry. We have the same amide linkages in our materials. So, the same enzymes that work in biology should also work on this material and biodegrade it naturally.”

In the lab, the team found that the material degrades within a few days in acidic solution. Now, they are investigating what happens if they bury this material in the ground, which is the fate of many post-consumer plastics.

They have demonstrated that the protein-based material can form a variety of plastic-like products, including coffee cup lids and thin transparent films. It could also be used to make fire-resistant roof tiles, or higher-end materials like, car doors, rocket cone tips, or heart valves.

The next steps for this technology are to continue testing their mechanical properties, like strength or flexibility, as well as toxicity.

“I think we need to have social consciousness that we cannot put out materials into the environment that are toxic,” Kumar says. “We just cannot. We have to stop doing that. And we cannot use materials derived from fossil fuels either.”

Kumar’s second technology uses a similar principle, but instead of just proteins, uses proteins reinforced with natural fibers, specifically cotton.

“We are creating a lot of textile waste each year due to the fast-changing fashion industry” Kumar says. “So why not use that waste to create useful materials – convert waste to wealth.”

Just like the plastic-like protein materials (called “Proteios,” derived from original Greek words), Kumar expects composite materials made from proteins and natural fibers will biodegrade without producing toxic waste.

In the lab, Kumar’s former student, doctoral candidate Adekeye Damilola, created many objects with protein-fabric composites, which include small shoes, desks, flowers, and chairs. This material contains textile fibers which serve as the linking agent with the proteins, rather than the cross-linking chemical Kumar uses for the protein-based plastics.

The crosslinking provides the novel material with the strength to withstand the weight that would be put on something like a chair or a table. The natural affinity between fibers and proteins is why it’s so hard to get food stains out of clothing. This same attraction makes strong protein-fabric materials.

While Kumar’s team has only worked with cotton so far, they expect other fiber materials, like hemp fibers or jute, would behave similarly due to their inherent but common chemical properties with cotton.

“The protein naturally adheres to the surface of the protein,” Kumar says. “We used that understanding to say ‘Hey, if it binds so tightly to cotton, why don’t we make a material out of it.’ And it works, it works amazingly.”

With the support of TCS, Professor Kumar is currently seeking industry partners to bring these technologies to market. For more information contact Michael Invernale at michael.invernale@uconn.edu.

Source:

Anna Zarra Aldrich '20 (CLAS), Office of the Vice President for Research

Heimtextil Trends 24/25 © SPOTT trends & business for Heimtextil
12.09.2023

Heimtextil Trends 24/25: New Sensitivity

Under the theme "New Sensitivity", textile transformation is the focus of Heimtextil Trends 24/25. Three approaches show ways to a more sensitive world of textiles: the plant-based production of textiles, the support of textile cycles by technology and the bioengineered use of natural ingredients. In addition, Future Materials curates regenerative materials and designs.
 
After last year's focus on circular solutions, Heimtextil Trends 24/25 will once again shed light on transformative textile innovations.
Under the title "New Sensitivity," the focus is on innovations and changes in the composition of textiles, in addition to aesthetic aspects. "In this context, sensitivity means considering the impact on the environment when making a decision or creating a product. Understanding how natural ecosystems work and prioritising balance as the default are key," says Anja Bisgaard Gaede, Founder of SPOTT trends & business.

Under the theme "New Sensitivity", textile transformation is the focus of Heimtextil Trends 24/25. Three approaches show ways to a more sensitive world of textiles: the plant-based production of textiles, the support of textile cycles by technology and the bioengineered use of natural ingredients. In addition, Future Materials curates regenerative materials and designs.
 
After last year's focus on circular solutions, Heimtextil Trends 24/25 will once again shed light on transformative textile innovations.
Under the title "New Sensitivity," the focus is on innovations and changes in the composition of textiles, in addition to aesthetic aspects. "In this context, sensitivity means considering the impact on the environment when making a decision or creating a product. Understanding how natural ecosystems work and prioritising balance as the default are key," says Anja Bisgaard Gaede, Founder of SPOTT trends & business.

How does New Sensitivity translate into something concrete in the lifestyle industry, and what does having a sensitive approach to design and products mean? Also the adoption of Artificial General Intelligence (AGI) is transforming current times. AGI has the potential to bring innovative solutions and help tackle significant challenges, also in the textile industry. However, AGI can have the opposite effect on society. AGI needs the mindset of New Sensitivity that helps simplify complexity, expand creativity, and find unseen solutions, also within the world of textiles.
     
"With Heimtextil Trends 24/25: New Sensitivity, we encourage the textile industry to approach the future with thoughtfulness and consideration. Specifically, we see this change in three different trends for a more sensitive world of textiles: biotechnical, plant-based and technological," Bisgaard Gaede continues.

Plant-based: textiles made from plant crops or plant by-products
Plant-based textiles mean that the fibres are derived from something that grows rather than being synthetically produced. The sustainable advantage of plant-based textiles is that their origin is natural and, therefore, more able to recirculate in existing ecosystems. They can be divided into two groups. The first group of textiles are made from plant crops. New resilient crops like cactus, hemp, abaca, seaweed, and rubber offer new sustainable textile solutions. Because of mechanical extraction, they can grow despite climate changes and require fewer chemicals in their development. The second group consists of textiles made of plant by-products which are leftover raw materials from production such as banana, olive, persimmon and hemp.

Technological: technology and technical solutions transforming textiles
Technology can support the transformation of textiles through the use of different methods: upcycling and recycling of textiles, textile construction, and textile design. Due to decades of production, textiles are now a material available in abundance. Developing technologies for recycling textile waste and methods for upcycling textiles increases the circular usage of existing textiles. Furthermore, old textile construction techniques also offer pathways to sustainable solutions: For instance, using knitting technology for furniture upholstery produces less fabric waste; alternatively, weaving technique allows the creation of several colours using only a few coloured yarns. Textile Design Thinking is another method that addresses critical issues such as energy usage and durability of natural fibres and enhances these through technological textile advancement.

Bio-engineered: engineered to enhance bio-degrading
To a certain degree, bio-engineered textiles represent a fusion of plant-based and technological textiles. Bio-engineering bridges nature and technology and transforms the way textiles are made. They can be divided into two directions: fully bio-engineered and bio-degradable textiles. In the production of fully bio-engineered textiles nature-inspired strategies are adopted. Instead of growing plants and extracting their fibres, textiles are made from the protein, carbohydrates, or bacteria in corn, grass, and cane sugar. Manufacturing involves a bio-molecular process that creates filaments which are made into yarn. The sustainable advantage of bio-engineered textiles is that they can have some of the same functionalities as synthetically produced textiles, while still being biodegradable because of their natural origin. Biodegradable fibres can be added to conventional textiles like polyester to enhance the conventional textiles’ ability to revert to materials found in nature and hence biodegrade in natural environments such as water or soil. Although not biodegrading completely, these bio-enhanced textiles will biodegrade up to 93 % compared to conventional textiles.

Heimtextil Trends 24/25: new colourways
A sensitive approach to colouring methods is expressed by a dynamic yet subtle colour palette created through natural pigments deriving from the earth, as traditional colouring processes are brought to the next level through innovative bioengineering technology. In pursuit of creating colours that evoke emotions in our senses while at the same time respecting our values in protecting the environment, we see colour bacteria growing pigments generating hues with great richness and depth.
               
This New Sensitivity includes acceptance of natural colour flows, as colours may fade with time or morph into new colourways. The colourways for Heimtextil Trends 24/25 were inspired by natural colours deriving from avocado seeds, algae, living bacteria, antique pigments such as raw sienna, and bio-engineered indigo and cochineal. The high black component in most colours allows for widespread application and a greater variety of combinations. The punchy saturated accents enhance our senses as they lift our spirits. In contrast, the grounding neutrals in different shades of grey, terra and even dark purple allow for calmness and tranquillity.

Future Materials: regenerative design
How are regenerative textiles and materials defined? Regenerative design is dedicated to developing holistic creative practices that restore or renew resources, have a positive impact on the environment, and encourage communities to thrive. For Heimtextil 2024, design futures consultancy FranklinTill is curating a global showcase of cutting-edge textiles and materials to illustrate the principles of regenerative design and recognize pioneering designers, producers and manufacturers who are at the forefront of regenerative design.
The Trend Space at Heimtextil in Frankfurt, Germany, January 9-12, 2023, will showcase these pioneering solutions in an inspiring way. In addition, Heimtextil Trends will offer visitors orientation and insights into the future of home and contract textiles in the form of workshops, lectures and other interactive formats.

Source:

Heimtextil, Messe Frankfurt

Photo: Unsplash
13.06.2023

The impact of textile production and waste on the environment

  • With fast fashion, the quantity of clothes produced and thrown away has boomed.

Fast fashion is the constant provision of new styles at very low prices. To tackle the impact on the environment, the EU wants to reduce textile waste and increase the life cycle and recycling of textiles. This is part of the plan to achieve a circular economy by 2050.

Overconsumption of natural resources
It takes a lot of water to produce textile, plus land to grow cotton and other fibres. It is estimated that the global textile and clothing industry used 79 billion cubic metres of water in 2015, while the needs of the EU's whole economy amounted to 266 billion cubic metres in 2017.

To make a single cotton t-shirt, 2,700 litres of fresh water are required according to estimates, enough to meet one person’s drinking needs for 2.5 years.

  • With fast fashion, the quantity of clothes produced and thrown away has boomed.

Fast fashion is the constant provision of new styles at very low prices. To tackle the impact on the environment, the EU wants to reduce textile waste and increase the life cycle and recycling of textiles. This is part of the plan to achieve a circular economy by 2050.

Overconsumption of natural resources
It takes a lot of water to produce textile, plus land to grow cotton and other fibres. It is estimated that the global textile and clothing industry used 79 billion cubic metres of water in 2015, while the needs of the EU's whole economy amounted to 266 billion cubic metres in 2017.

To make a single cotton t-shirt, 2,700 litres of fresh water are required according to estimates, enough to meet one person’s drinking needs for 2.5 years.

The textile sector was the third largest source of water degradation and land use in 2020. In that year, it took on average nine cubic metres of water, 400 square metres of land and 391 kilogrammes (kg) of raw materials to provide clothes and shoes for each EU citizen.

Water pollution
Textile production is estimated to be responsible for about 20% of global clean water pollution from dyeing and finishing products.

Laundering synthetic clothes accounts for 35% of primary microplastics released into the environment. A single laundry load of polyester clothes can discharge 700,000 microplastic fibres that can end up in the food chain.

The majority of microplastics from textiles are released during the first few washes. Fast fashion is based on mass production, low prices and high sales volumes that promotes many first washes.

Washing synthetic products has caused more than 14 million tonnes of microplastics to accumulate on the bottom of the oceans. In addition to this global problem, the pollution generated by garment production has a devastating impact on the health of local people, animals and ecosystems where the factories are located.

Greenhouse gas emissions
The fashion industry is estimated to be responsible for 10% of global carbon emissions – more than international flights and maritime shipping combined.

According to the European Environment Agency, textile purchases in the EU in 2020 generated about 270 kg of CO2 emissions per person. That means textile products consumed in the EU generated greenhouse gas emissions of 121 million tonnes.

Textile waste in landfills and low recycling rates
The way people get rid of unwanted clothes has also changed, with items being thrown away rather than donated. Less than half of used clothes are collected for reuse or recycling, and only 1% of used clothes are recycled into new clothes, since technologies that would enable clothes to be recycled into virgin fibres are only now starting to emerge.

Between 2000 and 2015, clothing production doubled, while the average use of an item of clothing has decreased.

Europeans use nearly 26 kilos of textiles and discard about 11 kilos of them every year. Used clothes can be exported outside the EU, but are mostly (87%) incinerated or landfilled.

The rise of fast fashion has been crucial in the increase in consumption, driven partly by social media and the industry bringing fashion trends to more consumers at a faster pace than in the past.

The new strategies to tackle this issue include developing new business models for clothing rental, designing products in a way that would make re-use and recycling easier (circular fashion), convincing consumers to buy fewer clothes of better quality (slow fashion) and generally steering consumer behaviour towards more sustainable options.

Work in progress: the EU strategy for sustainable and circular textiles
As part of the circular economy action plan, the European Commission presented in March 2022 a new strategy to make textiles more durable, repairable, reusable and recyclable, tackle fast fashion and stimulate innovation within the sector.

The new strategy includes new ecodesign requirements for textiles, clearer information, a Digital Product Passport and calls companies to take responsibility and act to minimise their carbon and environmental footprints

On 1 June 2023, MEPs set out proposals for tougher EU measures to halt the excessive production and consumption of textiles. Parliament’s report calls for textiles to be produced respecting human, social and labour rights, as well as the environment and animal welfare.

Existing EU measures to tackle textile waste
Under the waste directive approved by the Parliament in 2018, EU countries are obliged to collect textiles separately by 2025. The new Commission strategy also includes measures to, tackle the presence of hazardous chemicals, calls producers have to take responsibility for their products along the value chain, including when they become wasteand help consumers to choose sustainable textiles.

The EU has an EU Ecolabel that producers respecting ecological criteria can apply to items, ensuring a limited use of harmful substances and reduced water and air pollution.

The EU has also introduced some measures to mitigate the impact of textile waste on the environment. Horizon 2020 funds Resyntex, a project using chemical recycling, which could provide a circular economy business model for the textile industry.

A more sustainable model of textile production also has the potential to boost the economy. "Europe finds itself in an unprecedented health and economic crisis, revealing the fragility of our global supply chains," said lead MEP Huitema. "Stimulating new innovative business models will in turn create new economic growth and the job opportunities Europe will need to recover."

Separating microplastics Photo: H & M Foundation
22.05.2023

Soundwaves to separate microplastics from wastewater

The technology developed by The Hong Kong Research Institute of Textiles and Apparel (HKRITA) with the support of H&M Foundation, can separate microplastics from wastewater using soundwaves. Acousweep is a plug-and-play application. The technology can be easily transported and connected to any wastewater facility. If the technology is implemented at an industrial scale, it will have a significant impact on the fashion industry’s sustainable footprint.
 

The technology developed by The Hong Kong Research Institute of Textiles and Apparel (HKRITA) with the support of H&M Foundation, can separate microplastics from wastewater using soundwaves. Acousweep is a plug-and-play application. The technology can be easily transported and connected to any wastewater facility. If the technology is implemented at an industrial scale, it will have a significant impact on the fashion industry’s sustainable footprint.
 
Microplastic pollution is a globally established problem and a threat to ecosystems, animals, and people. Microplastics come from a variety of sources, including from larger plastic debris that degrades into smaller and smaller pieces, or microbeads in exfoliating health and beauty products, or cleansers such as toothpaste. According to the European Environment Agency the major source of oceanic microplastic pollution, about 16%-35% globally, comes from synthetic textiles. Professor Christine Loh, Chief Development Strategist at the Institute for the Environment, The Hong Kong University of Science and Technology, agrees that this technology has great potential.

Microplastics typically refers to tiny plastic pieces or particles smaller than 5mm in diameter according to the definition of United Nations Environment Programme (UNEP) and the European Union (EU). The new technology can separate microplastic fibre longer than 20 μm, which is 250 times smaller than the typical size. Unlike existing filtration processes, the system enables continuous water treatment and easy collection of microplastic fibres by virtue of its acoustic manipulation technique.

Acousweep utilises sweeping acoustic waves in a specially shaped chamber to physically trap and separate microplastic fibres from wastewater effectively. The whole process is merely a physical collection and separation. No chemical, solvent or biological additives are needed. The separated microplastics drip into a collection tank for further treatment, such as recycling. Acousweep, with a developing lab-scale treatment system of the capacity of 100L of water per hour, can be upscaled in industrial plants. The system can be installed in a container with a processing capacity up to 5-10T per hour. The containerised system can be easily transported and connected to the existing sewage outlets of the wastewater treatment system.
 
Process of Microplastic Fibre Separation:

  1. At one end of the chamber is a transducer that generates a sweeping acoustic wave at ultrasound frequencies. At the other end, there is a reflector, inside which sweeping acoustic waves are reflected and forms standing waves.
  2. When standing waves are applied to the particles in a fluid, an acoustic radiation force traps the particles.
  3. The standing waves then transfer the trapped particles to the reflector side; after that, particles concentrate at the apex of the reflector.
  4. At the apex is a needle valve which is controlled by a sensory system that monitors the concentration of microplastic fibres there. When the concentration is sufficiently high, the sensory system opens the needle valve to let the microplastic fibres drip into a collection tank.
  5. A high temperature can be applied to the collection tank to remove the water, leaving the fibres to agglomerate and form a large mass that can be easily dealt with in future treatment.

Green tech has just taken a leap forward in Hong Kong. Acousweep will help the garment and other industries to stop a highly damaging form of pollution. HKRITA used a new technique to remove the microplastics by using soundwave-based system, preventing them from getting into the sea and being ingested by sea life that can even be ingested by humans along the food chain. Acousweep has the capacity to revolutionize industry, says Professor Christine Loh, Chief Development Strategist at the Institute for the Environment, The Hong Kong University of Science and Technology.

 

Source:

The Hong Kong Research Institute of Textiles and Apparel (HKRITA); H & M Foundation

A cotton knit fabric dyed blue and washed 10 times to simulate worn garments is enzymatically degraded to a slurry of fine fibers and "blue glucose" syrup that are separated by filtration - both of these separated fractions have potential recycle value. A cotton knit fabric dyed blue and washed 10 times to simulate worn garments is enzymatically degraded to a slurry of fine fibers and "blue glucose" syrup that are separated by filtration - both of these separated fractions have potential recycle value. Credit: Sonja Salmon.
11.04.2023

Researchers Separate Cotton from Polyester in Blended Fabric

In a new study, North Carolina State University researchers found they could separate blended cotton and polyester fabric using enzymes – nature’s tools for speeding chemical reactions. Ultimately, they hope their findings will lead to a more efficient way to recycle the fabric’s component materials, thereby reducing textile waste. However, they also found the process need more steps if the blended fabric was dyed or treated with chemicals that increase wrinkle resistance.

In a new study, North Carolina State University researchers found they could separate blended cotton and polyester fabric using enzymes – nature’s tools for speeding chemical reactions. Ultimately, they hope their findings will lead to a more efficient way to recycle the fabric’s component materials, thereby reducing textile waste. However, they also found the process need more steps if the blended fabric was dyed or treated with chemicals that increase wrinkle resistance.

“We can separate all of the cotton out of a cotton-polyester blend, meaning now we have clean polyester that can be recycled,” said the study’s corresponding author Sonja Salmon, associate professor of textile engineering, chemistry and science at NC State. “In a landfill, the polyester is not going to degrade, and the cotton might take several months or more to break down. Using our method, we can separate the cotton from polyester in less than 48 hours.”
 
According to the U.S. Environmental Protection Agency, consumers throw approximately 11 million tons of textile waste into U.S. landfills each year. Researchers wanted to develop a method of separating the cotton from the polyester so each component material could be recycled.

In the study, researchers used a “cocktail” of enzymes in a mildly acidic solution to chop up cellulose in cotton. Cellulose is the material that gives structure to plants’ cell walls. The idea is to chop up the cellulose so it will “fall out” out of the blended woven structure, leaving some tiny cotton fiber fragments remaining, along with glucose. Glucose is the biodegradable byproduct of degraded cellulose. Then, their process involves washing away the glucose and filtering out the cotton fiber fragments, leaving clean polyester.
 
“This is a mild process – the treatment is slightly acidic, like using vinegar,” Salmon said. “We also ran it at 50 degrees Celsius, which is like the temperature of a hot washing machine.
“It’s quite promising that we can separate the polyester to a clean level,” Salmon added. “We still have some more work to do to characterize the polyester’s properties, but we think they will be very good because the conditions are so mild. We’re just adding enzymes that ignore the polyester.”

They compared degradation of 100% cotton fabric to degradation of cotton and polyester blends, and also tested fabric that was dyed with red and blue reactive dyes and treated with durable press chemicals. In order to break down the dyed materials, the researchers had to increase the amount of time and enzymes used. For fabrics treated with durable press chemicals, they had to use a chemical pre-treatment before adding the enzymes.

“The dye that you choose has a big impact on the potential degradation of the fabric,” said the study’s lead author Jeannie Egan, a graduate student at NC State. “Also, we found the biggest obstacle so far is the wrinkle-resistant finish. The chemistry behind that creates a significant block for the enzyme to access the cellulose. Without pre-treating it, we achieved less than 10% degradation, but after, with two enzyme doses, we were able to fully degrade it, which was a really exciting result.”

Researchers said the polyester could be recycled, while the slurry of cotton fragments could be valuable as an additive for paper or useful addition to composite materials. They’re also investigating whether the glucose could be used to make biofuels.

“The slurry is made of residual cotton fragments that resist a very powerful enzymatic degradation,” Salmon said. “It has potential value as a strengthening agent. For the glucose syrup, we’re collaborating on a project to see if we can feed it into an anaerobic digester to make biofuel. We’d be taking waste and turning it into bioenergy, which would be much better than throwing it into a landfill.”

The study, “Enzymatic textile fiber separation for sustainable waste processing,” was published in Resources, Environment and Sustainability. Co-authors included Siyan Wang, Jialong Shen, Oliver Baars and Geoffrey Moxley. Funding was provided by the Environmental Research and Education Foundation, Kaneka Corporation and the Department of Textile Engineering, Chemistry and Science at NC State.

Source:

North Carolina State University, Laura Oleniacz

(c) nova-Institut GmbH
14.03.2023

Bacteria instead of trees, textile and agricultural waste

For the third time, the nova-Institut awarded the "Cellulose Fibre Innovation of the Year" prize at the "Cellulose Fibres Conference 2023" in Cologne, 8-9 March 2023.

The yearly conference is a unique meeting point of the global cellulose fibres industry. 42 speakers from twelve countries highlighted the innovation potential of cellulosic fibres and presented the latest market insights and trends to more than 220 participants from 30 countries.

Leading international experts introduced new technologies for recycling of cellulose rich raw materials and practices for circular economy in textiles, packing and hygiene, which were discussed in seven panel discussion with active audience participation.    

Prior to the conference, the conference advisory board had nominated six remarkable innovations. The winners were elected in an exciting head-to-head live-voting by the conference audience on the first day of the event.

For the third time, the nova-Institut awarded the "Cellulose Fibre Innovation of the Year" prize at the "Cellulose Fibres Conference 2023" in Cologne, 8-9 March 2023.

The yearly conference is a unique meeting point of the global cellulose fibres industry. 42 speakers from twelve countries highlighted the innovation potential of cellulosic fibres and presented the latest market insights and trends to more than 220 participants from 30 countries.

Leading international experts introduced new technologies for recycling of cellulose rich raw materials and practices for circular economy in textiles, packing and hygiene, which were discussed in seven panel discussion with active audience participation.    

Prior to the conference, the conference advisory board had nominated six remarkable innovations. The winners were elected in an exciting head-to-head live-voting by the conference audience on the first day of the event.

The collaboration between Nanollose (AU) and Birla Cellulose (IN) with tree-free lyocell from bacterial cellulose called Nullarbor™ is the winning cellulose fibre innovation 2023, followed by Renewcell (SE) cellulose fibres made from 100 % textile waste, while Vybrana – the new generation banana fibre from Gencrest Bio Products (IN) won third place.
    
Winner: Nullarbor™ – Nanollose and Birla Cellulose (AU/IN)
In 2020, Nanollose and Birla Cellulose started a journey to develop and commercialize treefree lyocell from bacterial cellulose, called Nullarbor™. The name derives from the Latin “nulla arbor” which means “no trees”. Initial lab research at both ends led to the joint patent application “production of high-tenacity lyocell fibres made from bacterial cellulose”.
Nullarbor is significantly stronger than lyocell made from wood-based pulp; even adding small amounts of bacterial cellulose to wood pulp increases the fibre toughness. In 2022, the first pilot batch of 260 kg was produced with 20 % bacterial pulp share. Several high-quality fabrics and garments were produced with this fibre. The collaboration between Nanollose and Birla Cellulose now focuses on increasing the production scale and amount of bacterial pulp in the fibre.  

Second place: Circulose® – makes fashion circular – Renewcell (SE)
Circulose® made by Renewcell is a branded dissolving pulp made from 100 % textile waste, like worn-out clothes and production scraps. It provides a unique material for fashion that is 100 % recycled, recyclable, biodegradable, and of virgin-equivalent quality. It is used by fibre producers to make staple fibre or filaments like viscose, lyocell, modal, acetate or other types of man-made cellulosic fibres. In 2022, Renewcell, opened the world’s first textile-to-textile     
chemical recycling plant in Sundsvall, Sweden – Renewcell 1. The plant is expected to reach an annual capacity of 120,000 tonnes.

Third place: Vybrana – The new generation banana fibre – Gencrest Bio Products (IN)
Vybrana is a Gencrest’s Sustainable Cellulosic Fibre upcycled from agrowaste. Raw fibres are extracted from the banana stem at the end of the plant lifecycle. The biomass waste is then treated by the Gencrest patented Fiberzyme technology. Here, cocktail enzyme formulations remove the high lignin content and other impurities and help fibre fibrillation. The company's proprietary cottonisation process provides fine, spinnable cellulose staple fibres suitable for blending with other staple fibres and can be spun on any conventional spinning systems giving yarns sustainable apparel. Vybrana is produced without the use of heavy chemicals and minimized water consumption and in a waste-free process where balance biomass is converted to bio stimulants Agrosatva and bio-based fertilizers and organic manure.

Photo unsplash
21.02.2023

Consortium for enzymatic textile recycling gains new supporters

"Shared vision of a true circular economy for the textile industry"

US fashion group PVH has joined the fibre-to-fibre consortium founded by Carbios, On, Patagonia, PUMA and Salomon. The aim is to support the further development of Carbios' biorecycling process on an industrial scale, setting new global standards for textile recycling technologies. PVH owns brands such as Calvin Klein and Tommy Hilfiger. In the agreement signed by PVH Corp, the company commits to accelerating the textile industry's transition to a circular economy through its participation in the consortium.

Carbios is working with On, Patagonia, PUMA, PVH Corp. and Salomon to test and improve its bio-recycling technology on their products. The aim is to demonstrate that this process closes the fibre-to-fibre loop on an industrial scale, in line with sustainability commitments.

"Shared vision of a true circular economy for the textile industry"

US fashion group PVH has joined the fibre-to-fibre consortium founded by Carbios, On, Patagonia, PUMA and Salomon. The aim is to support the further development of Carbios' biorecycling process on an industrial scale, setting new global standards for textile recycling technologies. PVH owns brands such as Calvin Klein and Tommy Hilfiger. In the agreement signed by PVH Corp, the company commits to accelerating the textile industry's transition to a circular economy through its participation in the consortium.

Carbios is working with On, Patagonia, PUMA, PVH Corp. and Salomon to test and improve its bio-recycling technology on their products. The aim is to demonstrate that this process closes the fibre-to-fibre loop on an industrial scale, in line with sustainability commitments.

The two-year cooperation project will not only enable the biological recycling of polyester articles on an industrial scale, but also develop thorough sorting and disassembly technologies for complex textile waste. Existing members voted unanimously for PVH Corp. to join the consortium, saying the common goal is to support the development of viable solutions that address the fashion industry's contribution to climate change..

Carbios has developed a technology using highly selective enzymes that can recycle mixed feedstocks, reducing the laborious sorting required by current thermomechanical recycling processes. For textiles made from blended fibres, the patented enzyme acts only on the PET polyester contained within. This innovative process produces recycled PET (r-PET) that is equivalent in quality to virgin PET and can be used to produce new textile fibres.

Textile waste treatment and recycling
Globally, only 13% of textile waste is currently recycled, mainly for low-value applications such as upholstery, insulation or rags. The remaining 87% is destined for landfill or incineration. To work on improving textile recycling technologies, consortium members will supply feedstock in the form of clothing, underwear, footwear and sportswear. In 2023, a new PET textile waste facility will be commissioned at the Carbios demonstration plant, notably as part of the LIFE Cycle of PET project co-funded by the European Union.  This is in anticipation of future regulations, such as the separate collection of textile waste, which will be mandatory in Europe from 1 January 2025.

From fibre to fibre: circularity of textiles
Today, the textile industry relies largely on non-renewable resources to produce fibres and fabrics, partly turning to recycled PET bottles for recycled polyester fibres. However, this resource will become scarce as PET bottles are used exclusively for the production of new bottles in the food and beverage industry. In a circular economy, the materials used to produce textiles are obtained from recycled or renewable raw materials produced by regenerative processes. In addition to supplying raw materials for the demonstration plant, the consortium members also aim to produce new products from r-PET fibres using the company's biorecycling process.

"Partnering with Carbios and its consortium members demonstrates our continued commitment to incorporating more circular materials into our collections," said Esther Verburg, EVP, Sustainable Business and Innovation, Tommy Hilfiger Global and PVH Europe. "We are excited to support the development of Carbios' enzymatic recycling technology and to leverage new solutions that can help us drive fashion sustainably."

More information:
Carbios textile recycling enzymatic
Source:

Carbios / Textination

04.01.2023

Circular Economy: It could all be so simple... or not

Interview with Henning Wehland & Robert Kapferer, Circularity Germany

Interview with Henning Wehland & Robert Kapferer, Circularity Germany

I'm a very curious guy by nature. That's why I offered to help out at a well-known hot dog station in Münster (Germany) this year, to draw attention to the shortage of staff in the gastronomy. I wrote an article about it on LinkedIn, which was in turn reacted to by Ines Chucholowius.
From her profile, I could see that she is a consultant for strategic marketing and communication in the textile industry. Not entirely serious, she offered me a job in her office. Like pushing a button, the pictures in my mind set in: Textile industry, exciting! Merchandising, contacts in the industry, collaborations, and I agreed to a short chat, at the end of which we spoke on the phone and arranged to meet.
 
She told me about her website TEXTINATION.de. And we were already involved in an exciting, heated exchange about perception and truth in the textile industry. Without further ado, we left it at that and I went home with a chunk of new information about an exciting field. Our dialogue on social media continued and eventually Ines offered me the chance to feed my die-hard curiosity with the support of TEXTINATION.de. I could write a blog on the site, about people, products, service providers, producers, startups or trends that interest me, to add to my half-knowledge about the textile industry.

Textile waste into the front ... new T-shirt out the back
During this exchange and a long brainstorming session, certain terms kept tickling my attention:
Circular economy, recycling, recyclable material loops. Circular Economy, Recycling, Recyclables. Even though there are many different definitions and some even distinguishing between different aspects: the former thought from waste that flows back into production as a secondary raw material, a more modern approach avoiding waste already in production - the general consensus is really only that circular economy is a cycle in which waste is used as a source for something new.

Sounds like useful additions for all areas of the manufacturing real economy to me. Ines introduced me to Robert Kapferer: He runs a startup called Circularity Germany in Hamburg. His company, founded in 2021 and consisting of Robert and another partner, is an offshoot of the Dutch-based company Circularity B.V. Its founder Han Hamers, with a degree in child psychology and a professional background in the textile dyeing industry, had the idea five years ago for a production facility that spins new yarn exclusively from textile production waste and old textiles turning it into T-shirts, polo shirts and sweatshirts.
Whether this works, and if so, how, is what I wanted to find out, and Ines and I arranged to meet Robert for a 90-minute online conference.

Robert, originally an industrial engineer, comes from a less sustainable industry. He worked for 11 years as managing director for AVECO Material und Service GmbH, where he was responsible for the workwear of more than 50,000 employees.

At the beginning of our conversation, he emphasizes that a moment in January 2021 changed his life and from then on, he wanted to dedicate himself to the topic of circular economy with all his might. That was when he met Han Hamers, who inspired him to found Circularity Germany. His enthusiasm and passion for the subject sound credible, and he begins to describe the differences between chemical and mechanical recycling methods. In summary, the mechanical process of shredding and the subsequent spinning shortens the fibers and thus restricts their properties for further processing. The advantage lies primarily in the comparatively uncomplicated, fast and more cost-efficient process. In the chemical variant, chemical waste remains, but the processed materials are broken down again into their basic building blocks in such a way that they have almost all the same properties as a so-called virgin raw material. Circularity Germany stands for the mechanical process.

And then comes the sentence that gets all our attention: "We've advanced a spinning technology so much that it relies exclusively on waste-based raw materials."
This sentence almost doesn't stand out because Robert still talks - quite excitingly - about the fact that they are planning a production and manufacturing facility where everything from knitting yarn to relatively fine thread can be spun and then further processed into fabric. And here Ines and I ask intensively: Essential requirements for industrial production still seem to be unresolved, and necessary processes are still in the planning stage. For example, the question of whether to work with pre-consumer or post-consumer waste. Pre-consumer waste is cutting waste from the production of clothes, which corresponds to about 10% of the processed material. Post-consumer waste we know as used textiles.

As long as production still takes place in India, Circularity currently uses mainly pre-consumer waste. These come exclusively from sewing factories in the Tirupur region in the south of India. When using used textiles, which exist in large quantities in Germany (according to a study, 28-40% of all garments produced are thrown away unworn), Circularity produces blended yarns of cotton and polyester. The company does not offer pure cotton yarns.

Textiles are treated with chemicals to varying degrees - workwear in particular cannot do without them. The fact that Han Hemers is also collecting used textile stocks from the Dutch army in order to reintroduce them renewed into the consumer cycle is therefore not reassuring. Military clothing has to be finished with all kinds of additives.

Therefor I ask how he can dispel doubts in a consumer’s mind like mine, with a healthy half-knowledge of mask deals and greenwashing, that a well-intentioned vision will be followed by a dark awakening. This concern cannot yet be resolved after the conversation.

We limit ourselves to what is planned: Robert has the dream of reversing the globalized process of textile production. He wants to end the decoupling of cotton growing regions and far-flung production such as Asia with subsequent shipping of ready-made goods to Europe. In the future, existing used textiles and/or cutting wastes are to be collected on site, recycled and processed locally into new textiles.

I believe him in having this dream. However, some of my questions about sustainability remain unanswered - which is why I have my doubts about whether the idea is currently capable of performing and competing.
What are the reasons for this? For one thing, I think it's always difficult to do necessary pioneering work. Especially when listening to smart comments at the regulars' table that large companies are already working intensively on the principle of circular economy. But sometimes, apart from the term "circular economy" and a vague commitment to it, not much remains.

Circularity Germany is committed to developing a technology based exclusively on waste. The interview points out that this also includes making production more environmentally friendly and eliminating transport routes, which further reduces the burden on the environment. When all the requirements for realizing this dream have been met and a product that is competitive in terms of both quality and price can be launched on the market, it is up to the consumer to decide. Here one would have the credible argument of sustainability and a socially and environmentally fair process. Circularity would then not have to worry about PR.

It needs to be given time and, above all, attention. But perhaps the industry should get involved right here and now, and invest in startups like this and make sure that problems are cleared out of the way. Because one thing has become clear to us in this conversation:

It could all be so simple. Circular economy is achievable, but the road there is still costly and rocky. That's why we wish Robert and his team every success and, above all, perseverance. Thank you for the interview.

Short and sweet: the profile of the company in the attached factsheet for download.

 

 

Photo Pixabay
16.11.2022

Green chemistry transforms facemasks into Ethernet cables

Swansea University academics have pioneered a process which converts the carbon found in discarded facemasks to create high-quality single-walled carbon nanotubes (CNT) which were then used to make Ethernet cable with broadband quality.
 
The study, which has been published in Carbon Letters, outlines how this new green chemistry could be used to upcycle materials which would otherwise be thrown away and transform them into high value materials with real-world applications. The CNTs produced by this technique have the potential not only to be used in Ethernet cables, but also in the production of lightweight batteries used in electric cars and drones.

Swansea University academics have pioneered a process which converts the carbon found in discarded facemasks to create high-quality single-walled carbon nanotubes (CNT) which were then used to make Ethernet cable with broadband quality.
 
The study, which has been published in Carbon Letters, outlines how this new green chemistry could be used to upcycle materials which would otherwise be thrown away and transform them into high value materials with real-world applications. The CNTs produced by this technique have the potential not only to be used in Ethernet cables, but also in the production of lightweight batteries used in electric cars and drones.

Professor Alvin Orbaek White, of Swansea University’s Energy Safety Research Institute (ESRI):
“Single-use facemasks are a real travesty for the recycling system as they create vast amounts of plastic waste - much of it ending up in our oceans. During the study, we established that the carbon inside the facemask can be used as a pretty good feedstock to make high-quality materials like CNTs.

“CNTs are highly sought-after because they have preferential physical properties and tend to be much more costly on an industrial scale. So, through this study, we demonstrated that we could make very high value materials by processing the CNTs from what are, essentially, worthless waste facemasks.”

The team also studied the energy costs involved in using this process and concluded that the technique was green not only in levels of resource consumption but also in the product value generation as opposed to waste creation. Also, the Ethernet cable produced using the CNTs was good quality and adhered to Category 5 transmission speeds while easily exceeding the benchmarks set for broadband internet in most countries, including the UK.

Professor Orbaek White said:
“Using CNT films in batteries instead of metal films has a lower impact on the environment as the use of carbon offsets the need for mining and extraction activities. This is a crucial piece of work as it contributes to not only a circular economy but is also scalable and is viable for industrial processing and has green chemistry at its core.”

Source:

Swansea University

Nicolas Meletiou, Pixabay
01.03.2022

Textiles and the environment: the role of design in Europe’s circular economy

From the perspective of European consumption, textiles have on average the fourth highest negative life cycle impact on the environment and climate change, after food, housing and mobility. A shift to a circular textile production and consumption system with longer use, and more reuse and recycling could reduce those impacts along with reductions in overall consumption. One important measure is circular design of textiles to improve product durability, repairability and recyclability and to ensure the uptake of secondary raw materials in new products.

Key messages

From the perspective of European consumption, textiles have on average the fourth highest negative life cycle impact on the environment and climate change, after food, housing and mobility. A shift to a circular textile production and consumption system with longer use, and more reuse and recycling could reduce those impacts along with reductions in overall consumption. One important measure is circular design of textiles to improve product durability, repairability and recyclability and to ensure the uptake of secondary raw materials in new products.

Key messages

  • In 2019, the EU textile and clothing sector had a turnover of EUR162 billion, employing over 1.5 million people across 160,000 companies. As was the case in many sectors, between 2019 and 2020, the COVID-19 crisis decreased turnover by 9% for textiles as a whole and by 17% for clothing.
  • In 2020, textile consumption in Europe had on average the fourth highest impact on the environment and climate change from a global life cycle perspective. It was the consumption area with the third highest impact on water and land use, and the fifth highest in terms of raw material use and greenhouse gas emissions.
  • To reduce the environmental impacts of textiles, a shift towards circular business models, including circular design, is crucial. This will need technical, social and business model innovation, as well as behavioural change and policy support.
  • Circular design is an important enabler of the transition towards sustainable production and consumption of textiles through circular business models. The design phase plays a critical role in each of the four pathways to achieving a circular textile sector: longevity and durability; optimised resource use; collection and reuse; and recycling and material use.

Textiles are identified as a key value chain in the EU circular economy action plan and will be addressed in the forthcoming European Commission’s 2022 EU strategy for sustainable and circular textiles and EU sustainable products initiative. This briefing aims to improve our understanding of the environmental and climate impacts of textiles from a European perspective and to identify design principles and measures to increase circularity in textiles. It is underpinned by a report from the EEA’s European Topic Centre on Circular Economy and Resource Use available here.

1. Production, trade and consumption of textiles
Textiles is an important sector for the EU economy. In 2019, the EU textile and clothing sector had a turnover of EUR162 billion, employing over 1.5 million people in 160,000 companies. As was the case for many sectors, between 2019 and 2020, the COVID-19 health and economic crisis decreased turnover by 9% for textiles as a whole and by 17% for clothing (Euratex, 2021).

In 2020, 6.9 million tonnes of finished textile products were produced in the EU-27. EU production specialises in carpets, household textiles and other textiles (including non-woven textiles, technical and industrial textiles, ropes and fabrics). In addition to finished products, the EU produces intermediate products for textiles, such as fibres, yarns and fabrics (Köhler et al., 2021).

The textiles sector is labour intensive compared with others. Almost 13 million full-time equivalent workers were employed worldwide in the supply chain to produce the amount of clothing, textiles and footwear consumed in the EU-27 in 2020. This makes the textiles sector the third largest employer worldwide, after food and housing. Most production takes place in Asia, where low production costs come at the expense of workers’ health and safety.
 
Textiles are highly globalised, with Europe being a significant importer and exporter. In 2020, 8.7 million tonnes of finished textile products, with a value of EUR125 billion, were imported into the EU-27. Clothing accounts for 45% of imports in terms of volume, followed by household textiles, other textiles and footwear (Eurostat, 2021a). The EU imports mainly from China, Bangladesh and Turkey, and exports mainly to the United Kingdom, Switzerland and the United States (Euratex, 2020).

Consumption
European households consume large amounts of textile products. In 2019, as in 2018, Europeans spent on average EUR600 on clothing, EUR150 on footwear and EUR70 on household textiles (Köhler et al., 2021; Eurostat, 2021b).

The response to the COVID-19 pandemic, involving stay-at-home measures and the closure of companies and shops, decreased textile production and demand overall (Euratex, 2021). As a result, the consumption of clothing and footwear per person decreased in 2020, relative to 2019, while the consumption of household textiles slightly increased. Average textile consumption per person amounted to 6.0kg of clothing, 6.1kg of household textiles and 2.7kg of shoes in 2020 (see Figure 1).

Apart from this COVID-related drop in consumption in 2020, the estimated consumption of clothing and footwear stayed relatively constant over the last decade, with slight fluctuations between years (see Figure 2). Similarly, the consumption of household textiles was also relatively steady, with a slight increase over the decade.

When calculating the ‘estimated consumption’ based on production and trade data from 2020, and excluding industrial/technical textiles and carpets, total textile consumption is 15kg per person per year, consisting of, on average:

  • 6.0kg of clothing
  • 6.1kg of household textiles
  • 2.7kg footwear.

For 2020, this amounts to a total consumption of 6.6 million tonnes of textile products in Europe. Textile consumption estimates are uncertain, as they vary by study, often using different scopes and calculation methods.

2. Environmental and climate impacts of textiles
The production and consumption of textiles has significant impacts on the environment and climate change. Environmental impacts in the production phase result from the cultivation and production of natural fibres such as cotton, hemp and linen (e.g. use of land and water, fertilisers and pesticides) and from the production of synthetic fibres such as polyester and elastane (e.g. energy use, chemical feedstock) (ETC/WMGE, 2021b). Manufacturing textiles requires large amounts of energy and water and uses a variety of chemicals across various production processes. Distribution and retail are responsible for transport emissions and packaging waste.

During use and maintenance — washing, drying and ironing — electricity, water and detergents are used. Chemicals and microfibres are also emitted into the waste water. Meanwhile, textiles contribute to significant amounts of textile waste. At the end of their life, textiles often end up in general waste and are incinerated or landfilled. When textile waste is collected separately, textiles are sorted and reused, recycled or disposed of, depending on their quality and material composition. In 2017, it was estimated that less than 1% of all textiles worldwide are recycled into new products (Ellen MacArthur Foundation, 2017).

To illustrate the magnitude of the impacts of textile consumption on raw material use, water and land use and greenhouse gas emissions compared with other consumption categories, we have updated our calculations of the life cycle environmental and climate impacts in the EU. We used input-output modelling based on data from the Exiobase database and Eurostat. In line with the reduced textile consumption level in 2020 because of the COVID-19 pandemic, the environmental impacts decreased from 2019 to 2020.

Raw material use
Large amounts of raw materials are used for textile production. To produce all clothing, footwear and household textiles purchased by EU households in 2020, an estimated 175 million tonnes of primary raw materials were used, amounting to 391kg per person. Roughly 40% of this is attributable to clothes, 30% to household textiles and 30% to footwear. This ranks textiles as the fifth highest consumption category in Europe in terms of primary raw material use (see Figure 3).

The raw materials used include all types of materials used in producing natural and synthetic fibres, such as fossil fuels, chemicals and fertilisers. It also includes all building materials, minerals and metals used in the construction of production facilities. Transport and retail of the textile products are included as well. Only 20% of these primary raw materials are produced or extracted in Europe, with the remainder extracted outside Europe. This shows the global nature of the textiles value chain and the high dependency of European consumption on imports. This implies that 80% of environmental impacts generated by Europe’s textile consumption takes place outside Europe. For example, cotton farming, fibre production and garment construction mostly take place in Asia (ETC/WMGE, 2019).

Water use
Producing and handling textiles requires large quantities of water. Water use distinguishes between ‘blue’ water (surface water or groundwater consumed or evaporated during irrigation, industry processes or household use) and ‘green’ water (rain water stored in the soil, typically used to grow crops) (Hoekstra et al., 2012).

To produce all clothing, footwear and household textiles purchased by EU households in 2020, about 4,000 million m³ of blue water were required, amounting to 9m³ per person, ranking textiles’ water consumption in third place, after food and recreation and culture (see Figure 4).

Additionally, about 20,000 million m³ of green water was used, mainly for producing cotton, which amounts to 44m³ per person. Blue water is used fairly equally in producing clothing (40%), footwear (30%) and household and other textiles (30%). Green water is mainly consumed in producing clothing (almost 50%) and household textiles (30%), of which cotton production consumes the most.

Water consumption for textiles consumed in Europe mostly takes place outside Europe. It is estimated that producing 1kg of cotton requires about 10m³ of water, typically outside Europe (Chapagain et al., 2006).

Land use
Producing textiles, in particular natural textiles, requires large amounts of land. The land used in the supply chain of textiles purchased by European households in 2020 is estimated at 180,000 km², or 400m² per person. Only 8% of the land used is in Europe. Over 90% of the land use impact occurs outside Europe, mostly related to (cotton) fibre production in China and India (ETC/WMGE, 2019). Animal-based fibres, such as wool, also have a significant land use impact (Lehmann et al., 2018). This makes textiles the sector with the third highest impact on land use, after food and housing (see Figure 5). Of this, 43% is attributable to clothes, 35% to footwear (including leather shoes, which have a high land use impact because of the need for cattle pasture) and 23% to household and other textiles.

Greenhouse gas emissions
The production and consumption of textiles generate greenhouse gas emissions, in particular from resource extraction, production, washing and drying, and waste incineration. In 2020, producing textile products consumed in the EU generated greenhouse gas emissions of 121 million tonnes carbon dioxide equivalent (CO2e) in total, or 270kg CO2e per person. This makes textiles the household consumption domain responsible for the fifth largest impact on climate change, after housing, food, transport and mobility, and recreation and culture (see Figure 6). Of this, 50% is attributable to clothes, 30% to household and other textiles, and 20% to footwear. While greenhouse gas emissions have a global effect, almost 75% are released outside Europe, mainly in the important textile-producing regions in Asia (ETC/WMGE, 2019).

About 80% of the total climate change impact of textiles occurs in the production phase. A further 3% occurs in distribution and retail, 14% in the use phase (washing, drying and ironing), and 3% during end of life (collection, sorting, recycling, incineration and disposal) (ECOS, 2021; Östlund et al., 2020).

Textiles made from natural fibres, such as cotton, generally have the lowest climate impact. Those made from synthetic fibres (especially nylon and acrylic) generally have a higher climate impact because of their fossil fuel origin and the energy consumed during production (ETC/WMGE, 2021b; Beton et al., 2014).

3. Design as an enabler of circular business models for textiles
To reduce the environmental and climate change impacts of textiles, shifting towards circular business models is crucial to save on raw materials, energy, water and land use, emissions and waste (ETC/WMGE, 2019). Implementing and scaling circular business models requires technical, social and business model innovation; as well as enablers from policy, consumption and education (EEA, 2021).

Circular design is an important component of circular business models for textiles. It can ensure higher quality, longer lifetimes, better use of materials, and better options for reuse and recycling. While it is important to enable the recycling and reuse of materials, life-extending strategies, such as design for durability, ease of reuse, repair and remanufacturing, should be prioritised. Preventing the use of hazardous chemicals and limiting toxic emissions and release of microplastics at all life cycle stages should be incorporated into product design.

Designing for circularity is the most recent development in design for sustainability. Expanding a technical and product-centric focus to a focus on large-scale system-level changes (considering both production and consumption systems) shows that this latest development requires many more disciplines than traditional engineering design. Product design as a component of a circular business model depends on consumer behaviour and policy to realise its potential and enable implementation. Figure 7 shows the linkages between the circular business model, product design, consumer behaviour and policy. All are needed to slow down and close the loop, making it circular.

photo: pixabay
04.01.2022

EU Project: System Circularity & Innovative Recycling of Textiles

SCIRT stands for System Circularity & Innovative Recycling of Textiles. Coordinated by VITO, an independent Flemish research organisation in the cleantech and sustainable development sector, SCIRT is a three year EU-funded project from the Horizon 2020 Programme.

It aims to demonstrate a complete textile-to-textile recycling system for discarded clothing—or post-consumer textiles—involving stakeholders throughout the value chain and focusing on the recycling of natural fibres, synthetic fibres and fibre blends. To reach this goal, the project has set four main objectives.

SCIRT stands for System Circularity & Innovative Recycling of Textiles. Coordinated by VITO, an independent Flemish research organisation in the cleantech and sustainable development sector, SCIRT is a three year EU-funded project from the Horizon 2020 Programme.

It aims to demonstrate a complete textile-to-textile recycling system for discarded clothing—or post-consumer textiles—involving stakeholders throughout the value chain and focusing on the recycling of natural fibres, synthetic fibres and fibre blends. To reach this goal, the project has set four main objectives.

  • Deliver a closed-loop recycling solution for discarded textiles.
  • Stimulate and encourage conscious design as well as production practices.
  • Create new business opportunities by boosting textile value chain activity.
  • Raise awareness of the environmental and social impacts of buying clothes.

Gathering 18 partners from five countries, the SCIRT project held its virtual kick-off meeting in mid-2021 to begin tackling the issue of clothing waste and recyclability, one of the biggest challenges faced in the fashion industry today.

As clothing brands are setting ambitious targets and making promises to incorporate recycled fibres in their products, discarded textiles are piling up in abundance around the globe. Though it would seem that the stars of supply and demand have aligned for this part of the circular economy, the truth is that less than 1% of textile waste is recycled into new textile fibres, according to an Ellen MacArthur Foundation report published in 2017. This miniscule percentage is indicative of a greater problem-achieving circularity in the fashion industry is not just a question of supply and demand, but of the connection between the two. There is a lack of knowledge surrounding the technological, economic and environmental feasibility of recycling fibre mixtures, and a need to align the quality and cost of recycling processes with the demands of textile companies and fashion brands.

SCIRT will develop solutions to support systemic innovation towards a more circular fashion system and bridge this supply-demand gap. To address the demand side of the equation, SCIRT will demonstrate a complete textile-to-textile recycling system for discarded clothing, otherwise known as post-consumer textiles, involving stakeholders throughout the value chain and focusing on the recycling of natural and synthetic fibres, as well as fibre blends. With the support of technical partners and research institutes, clothing brands Decathlon, Petit Bateau, Bel & Bo, HNST and Xandres, will develop, prototype and produce six different representative types of apparel using post-consumer recycled fibres. These include formal and casual wear, sportswear, underwear and uniforms. Through this endeavour, SCIRT will prioritise quality and cost-effectiveness in order to ensure market confidence and encourage the broad uptake of post-consumer recycled fibres.

From a non-technological perspective, SCIRT will develop supporting policy measures and tools to facilitate the transition towards a circular system for apparel. This includes a framework for an eco-modulated Extended Producer Responsibility (EPR) system and a True Cost Model to quantify circularity and increase value chain transparency. Special attention will also be given to the consumer perspective. To this end, Citizen Labs engaging consumers in various European locations, as well as a wider online engagement platform, will be developed to engage citizens throughout the project in order to understand the perceptions, motivations and emotions shaping their behaviour regarding the purchase, use, and disposal of textiles.

Over the next three years, SCIRT project partners will work to overcome current technological, economic, socio-economic and regulatory barriers faced in textiles recycling to achieve a real, lasting circular fashion economy.

2021:
The SCIRT project kicks off and partners identify the current state-of-the-art in apparel design, production and recycling, challenges and market trends, and stakeholder needs.

2022:
Designing and testing a fibre-to-fibre system by producing recycled yarns and filaments, free from harmful substances.

2023:
Formal wear, casual wear, sportswear, underwear and uniforms will be designed and produced using the optimized yarns developed.

Partners

  • Fashion companies: Bel&Bo, HNST, Decathlon, Xandres, Petit Bateau
  • Research organisations: VITO, CETI, Prospex Institute
  • Universities: BOKU, TU Wien, ESTIA
  • Industry players: Altex, AVS Spinning - A European Spinning Group (ESG) Company, Valvan
  • SMEs: Circular.fashion, FFact
  • Non-profit organisations: Flanders DC, IID-SII

 

ALTEX
ALTEX is a textile recycling company based in Germany that employs state-of-the-art machinery to recycle textile waste into new high-quality products. Its products include teared fibres, natural fibres, synthetic fibres and fibre blends among others.

Bel & Bo
Bel&Bo is a family-owned Belgian business with about 95 retail stores located throughout Belgium. Its mission is to offer colourful, fashionable and sustainably produced clothing for men, women and children at an affordable price.

CETI
The European Center for Innovative Textiles (CETI) is a non-profit organisation dedicated to conceiving, experimenting with and prototyping innovative textile materials and products through both private and collaborative R&D projects.

circular.fashion
circular.fashion offers software for circular design, intelligent textile sorting and closed-loop recycling, including the Circular Design Software and the circularity.ID®, as well as training and hands-on support to fashion brands in their transitions.

Decathlon
With over 315 stores in France, and 1,511 around the world, Decathlon has been innovating since 1976 to become the main player for athletic people. It has been engaged in reducing its environmental impact through a number of actions.

ESG
The European Spinning Group (ESG) is a textile group based in Belgium that offers a range of yarns produced with a highly technological open-end spinning mill for different applications, such as for interiors, fashion and technical textiles.

ESTIA
ESTIA is a French institute that has provided education and training in the areas of industrial technologies for 20 years. Since 2017, ESTIA has had a program focused on new materials and disruptive process in the fashion and textile industry.

FFACT
FFact is a unique group of management consultants that facilitates the implementation of sustainability from a business perspective, and translates facts into useful management information. FFact is based in the Netherlands and Belgium.

Flanders DC
The Flanders District of Creativity, a non-profit organisation based in Belgium, informs, coaches, promotes and inspires creative entrepreneurs in various sectors, including the fashion industry, who want to build or grow their business.

HNST
HNST is a Belgian circular denim brand that recovers post-consumer denim and recycles it into new fabric in the EU, creating durable and 100% recyclable jeans that use 82% less water and emit 76% less carbon dioxide than conventional jeans.

Petit Bateau
Petit Bateau is a French apparel brand that specialises in knit products. As a vertical company, Petit Bateau carries out its own knitting, dyeing, making up and store management with the support of its 3,000 employees.

Prospex Institute
The Prospex Institute aims to promote the participation of citizens and stakeholders in socially relevant decision-making dialogue and development by engaging with theorists and practitioners both in Belgium and abroad.

IID-SII
The Sustainable Innovation Institute is a French non-profit association based in Paris. Initiated by LGI, a French SME, the purpose of IID-SII is to act as a think and do tank on sustainable innovation to support the adoption of novel solutions.

TU Wien
TU Wien is an open academic institution where research, teaching and learning have taken place under the motto “Technology for people” for the past 200 years. One of its key areas of research is on recycling technology and fibre innovation.

BOKU
Research at the Institute for Environmental Biotechnology of BOKU based in Vienna, Austria focus on the exploitation of enzymes as powerful biocatalysts for biomaterials processing within recycling applications.

Valvan
Valvan Baling Systems has 30 years of experience in designing and constructing custom-made machinery, specialising in Baling Machines and Sorting Facilities for fibre producers, collectors, sorters and recyclers of textiles.

VITO
VITO, a leading independent European research and technology organisation in the cleantech and sustainable development sectors, aims to accelerate the transition towards a sustainable society by developing sustainable technologies.

Xandres
Xandres is a brand inspired by and for women. It is rooted in a highly respected tradition of fashion, driven by quality and created for the life women lead today. Xandres offers innovative designs with respect for luxury and the environment.

Photo: pixabay
25.05.2021

Water Saving Solution for Textile Industry EC Project Waste2Fresh

The Fraunhofer Institute for Biomedical Engineering IBMT, with its long-term expertise in nanotoxicity and nanosafety testing, contributes to a new EC project for water saving solutions for textile industry. This industry uses a vast amount of water for different steps in the textile dyeing process. It also produces a lot of wastewater, which contains a range of chemicals and dyes.

The Fraunhofer Institute for Biomedical Engineering IBMT, with its long-term expertise in nanotoxicity and nanosafety testing, contributes to a new EC project for water saving solutions for textile industry. This industry uses a vast amount of water for different steps in the textile dyeing process. It also produces a lot of wastewater, which contains a range of chemicals and dyes.

Breakthrough innovations are needed in energy intensive industries to recycle water and create closed loops in industrial processes. 20% of global industrial water pollution comes from textile manufacturing. To reduce the high amount of freshwater used in textile industry, the EC-funded Waste2Fresh project will develop a closed-loop process for textile manufacturing factories in which wastewater is collected, recycled and used again. Novel and innovative catalytic degradation approaches with highly selective separation and extraction techniques will be developed, based on nanotechnology. According to the European Commission, such “closed loops“ would significantly reduce the use of fresh water and improve water availability in the relevant EU water catchment areas, as outlined in the Water Framework Directive.

Closed loop recycling system for wastewater from textile manufacturers
Waste2Fresh meets the above challenges and industry needs by developing and demonstrating (to TRL 7) a closed loop recycling system for wastewater from textile manufacturing factories; to counteract freshwater resource scarcities and water pollution challenges exacerbated by energy intensive industries which are major users of fresh water (for e.g., processing, washing, heating, cooling).

The Waste2Fresh technology is developed to reduce current use of freshwater resources and considerably increases the recovery of water, energy and other resources (organics, salts and heavy metals). The result is a 30% increase in resource and water efficiency compared to the state-of-the-art. The system will ultimately lead to considerable environmental improvements and accordingly reduce the EC and global environmental footprint.

Fraunhofer IBMT expertise in human-toxicity and -safety testing
The Fraunhofer Institute for Biomedical Engineering IBMT will be primarily responsible for performing nanotoxicity and nanosafety testing during the whole technology process (from development to demonstration), ensuring that the developed system and processes meet relevant safety regulations. The Fraunhofer IBMT collaborates with all consortium partners developing and using to develop approaches for ensuring that the developed nanomaterial-based components meet relevant health and safety standards during their use.

For the hazard assessment of the developed nanomaterials, the Fraunhofer IBMT will perform a set of in vitro toxicity studies using commercially available human cell lines. The results of this toxicity studies will be the basis for the development of relevant safety procedures for handling and using the developed recycling technology.

 

Project funding: H2020-EU.2.1.5.3. - Sustainable, resource-efficient and low-carbon technologies in energy-intensive process industries

Duration: 12/2020- 11/2023

Coordinator:
KONYA TEKNIK UNIVERSITESI, Turkey

Project partners:
CENTRE FOR PROCESS INNOVATION LIMITED LBG, United Kingdom
ERAK GIYIM SANAYI VE TICARET ANONIM SIRKETI, Turkey
FRAUNHOFER GESELLSCHAFT ZUR FOERDERUNG DER ANGEWANDTEN FORSCHUNG E.V., Fraunhofer-Institut für Biomedizinische Technik IBMT, Germany
INNOVATION IN RESEARCH & ENGINEERING SOLUTIONS, Belgium
INSTYTUT MOLEKULYARNOI BIOLOGII I GENETYKY NAN UKRAINY, Ukraine
L'UREDERRA, FUNDACION PARA EL DESARROLLO TECNOLOGICO Y SOCIAL, Spain
NANOFIQUE LIMITED, United Kingdom
NANOGENTECH LTD, United Kingdom
PCI MEMBRANES SPOLKA Z OGRANICZONA ODPOWIEDZIALNOSCIA, Poland
STIFTELSE CSDI WATERTECH, Norway
THE OPEN UNIVERSITY, United Kingdom
ULUDAG CEVRE TEKNOLOJILERI ARGE MERKEZI SANAYI VE TICARET LIMITED SIRKETI, Turkey
UNIVERSIDAD INDUSTRIAL DE SANTANDER, Colombia
UNIVERSITA DEGLI STUDI DI TRENTO, Italy
VEREALA GMBH, Switzerland
VSI SOCIALINES INOVACIJOS SVARESNEI APLINKAI, Lithiani

PERFORMANCE DAYS Nothing to Waste - Closing the Loop (c) PERFORMANCE DAYS
20.10.2020

PERFORMANCE DAYS Nothing to Waste - Closing the Loop

  • Finite resources and endless mountains of rubbish set the tone of the upcoming 25th edition of PERFORMANCE DAYS. Closing the loop means nothing is wasted, not even time, as recycled clothing gets recycled again and again.

In keeping with this topic, the trade fair organizers are planning expert discussion panels to help present the facts as well as visions of the future. Expect the corresponding displays of sustainable materials, chosen by the PERFORMANCE FORUM Jury. Look for materials such as fibers from recycled PET bottles, recyclable mono-component materials or blends, and shirts that decompose to biomass in a "Cradle-to-Cradle" approach. "Nothing to Waste - Closing the Loop" is open to the public at the Messe München fairgrounds and as a Digital Fair online starting on December 9-10, 2020.

  • Finite resources and endless mountains of rubbish set the tone of the upcoming 25th edition of PERFORMANCE DAYS. Closing the loop means nothing is wasted, not even time, as recycled clothing gets recycled again and again.

In keeping with this topic, the trade fair organizers are planning expert discussion panels to help present the facts as well as visions of the future. Expect the corresponding displays of sustainable materials, chosen by the PERFORMANCE FORUM Jury. Look for materials such as fibers from recycled PET bottles, recyclable mono-component materials or blends, and shirts that decompose to biomass in a "Cradle-to-Cradle" approach. "Nothing to Waste - Closing the Loop" is open to the public at the Messe München fairgrounds and as a Digital Fair online starting on December 9-10, 2020.

The PERFORMANCE DAYS trade fair has chosen a new Focus Topic that concerns not only our own industry. The textile industry has long been achieving more efficient production by recycling its own waste products and using recycled materials from outside the industry, for example, PET-bottles. Nevertheless, textiles exist alongside glass, paper, metal, and plastics as a separate branch of waste management. Despite ambitious efforts at recycling by the waste and textile industries, the efficient use of textile waste as a resource remains a challenge. Compounding this challenge are the difficulties caused by a global world: production, consumers, and disposal sites are miles apart, shared expert knowledge about the other industries is lacking, and international standards and political support are nearly non-existent.

Final destination: the waste bin
Information from the Federal Office for the Environment shows that 0.8% of the oil produced is used in the textile industry for the production of new textiles. But the costly processing chain of this finite resource ends all too quickly in waste. A Greenpeace survey reveals outdated fashions or clothing of worn quality is thrown away within three years, only to land in the trash dumpsters. The European Environmental Agency estimates that 5.8 million tons of used textiles are discarded every year and either incinerated, used for landfill, or taken to mechanical-biological sewage treatment plants. Even if used clothing is collected by state or private companies, in many cases it cannot be sold (as second hand), donated, or recycled (into rags or insulating material). In the best case scenario, it is incinerated and converted to thermal energy.

Recycling and circular design
From an economic and environmental perspective, the term recycling refers to waste-free products, waste avoidance, and waste recovery and disposal. In our industry as it stands, recycling at the end of the product life cycle usually means converting the product into some other product, i.e., not clothing. This is the "Open-Loop" process. Accordingly, textiles are eventually incinerated, but the amount of energy recovered can vary greatly depending on how efficiently the waste incineration plant works. Such devaluing of the product to a product with less value than the original product is known as Downcycling. However, Downcycling is not the only solution: the "Closed-Loop" approach has the goal of making new clothes out of old ones through recycling. The closed loop for renewable natural resources, for example, can mean that natural fibers used in textiles will end up becoming soil, which is the nutrient for new natural fibers, i.e., a cradle-to-cradle approach. Synthetic garments similarly require extracting the man-made fibers and reprocessing them to produce another garment.

Planning for the end in advance
Rather than thinking about recycling opportunities at the end of the product life cycle, brands can already begin developing closed loop options while in the design phase. Among other things, designing out the waste can reduce the environmental impact of the products. To extend the useful life, consider leasing the materials and/or adding labels with instructions for disposal, repair, or repurposing. And, what about the idea of preparing 100% used textiles that can be reintroduced into the supply chain as 100% new textiles? Separating the different types of fiber used in blends is complex, cost-intensive, and further complicated when labels are non-existent (or no longer existing) or it is simply not (yet) technically possible. More and more clothing makers and suppliers are trying to avoid mixing fibers and are switching to "mono-materials" or "mono-components." Shirts are easy to make in this way, but if you add buttons, zippers, etc., the issue becomes more complex.

Nothing to waste - not even time
If you are like many end consumers, brand managers, and producers and want to make use of valuable resources in a more sustainable manner, register now on the trade fair website under "Visitor Login." There you can access a free trade fair ticket for December 9-10, 2020. You can also learn about the complimentary and soon to be expanded offers at the Digital Fair. Don’t forget to sign-up for the free Newsletter mailings. 

•     09.-10. December 2020      DIGITAL FAIR  Trends Winter 2022/23 

 

UPDATE
CoVid-19 continues to keep the world on edge. Many PERFORMANCE DAYS visitors, as well as exhibitors, have already announced that travelling to Munich in December would be simply impossible for them. Due to the increasing number of infections, further international travel bans and company-internal travel restrictions are now threatening. As a result, the December 2020 edition of PERFORMANCE DAYS will unfortunately not take place at the Messe München, but as Digital Fair! On the planned dates of December 09-10, both approved and advanced new tools will go online and provide further proof of PERFORMANCE DAYS’ expansion of its pioneering role in creating a digital textile trade fair experience.

 

Photo by pexels.com
11.06.2019

From PET Bottles to Textile Recycling: Where Does the Sports Industry Stand?

  • Recycling: The System in the Sports and Outdoor Industry needs Solutions

Old PET bottles are nowadays used to make polyester clothing, and there are also sports jerseys, outdoor jackets, shirts, trousers and bikinis made of plastic waste. But can textiles and shoes also be recycled? The good news is that some solutions have already been found. However, textiles and shoes can only be recycled with a massive reduction in quality.
 
Recycling of Shoes Possible Since 2018
The world's first industrial recycling plant for all types of footwear has been in operation in Germany since June 2018. It was established by Soex Recycling Germany GmbH from Bitterfeld, which in cooperation with European companies has developed a shoe recycling plant within five years.

More information:
Recycling recycling fibers
Source:

Messe München GmbH