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26.02.2024

Cooling down with Nanodiamonds

Researchers from RMIT University are using nanodiamonds to create smart textiles that can cool people down faster.

The study found fabric made from cotton coated with nanodiamonds, using a method called electrospinning, showed a reduction of 2-3 degrees Celsius during the cooling down process compared to untreated cotton. They do this by drawing out body heat and releasing it from the fabric – a result of the incredible thermal conductivity of nanodiamonds.

Published in Polymers for Advanced Technologies, project lead and Senior Lecturer, Dr Shadi Houshyar, said there was a big opportunity to use these insights to create new textiles for sportswear and even personal protective clothing, such as underlayers to keep fire fighters cool.

The study also found nanodiamonds increased the UV protection of cotton, making it ideal for outdoor summer clothing.

Researchers from RMIT University are using nanodiamonds to create smart textiles that can cool people down faster.

The study found fabric made from cotton coated with nanodiamonds, using a method called electrospinning, showed a reduction of 2-3 degrees Celsius during the cooling down process compared to untreated cotton. They do this by drawing out body heat and releasing it from the fabric – a result of the incredible thermal conductivity of nanodiamonds.

Published in Polymers for Advanced Technologies, project lead and Senior Lecturer, Dr Shadi Houshyar, said there was a big opportunity to use these insights to create new textiles for sportswear and even personal protective clothing, such as underlayers to keep fire fighters cool.

The study also found nanodiamonds increased the UV protection of cotton, making it ideal for outdoor summer clothing.

“While 2 or 3 degrees may not seem like much of a change, it does make a difference in comfort and health impacts over extended periods and in practical terms, could be the difference between keeping your air conditioner off or turning it on,” Houshyar said. “There’s also potential to explore how nanodiamonds can be used to protect buildings from overheating, which can lead to environmental benefits.”

The use of this fabric in clothing was projected to lead to a 20-30% energy saving due to lower use of air conditioning.

Based in the Centre for Materials Innovation and Future Fashion (CMIFF), the research team is made up of RMIT engineers and textile researchers who have strong expertise in developing next-generation smart textiles, as well as working with industry to develop realistic solutions.

Contrary to popular belief, nanodiamonds are not the same as the diamonds that adorn jewellery, said Houshyar. “They’re actually cheap to make — cheaper than graphene oxide and other types of carbon materials,” she said. “While they have a carbon lattice structure, they are much smaller in size. They’re also easy to make using methods like detonation or from waste materials.”

How it works
Cotton material was first coated with an adhesive, then electrospun with a polymer solution made from nanodiamonds, polyurethane and solvent.

This process creates a web of nanofibres on the cotton fibres, which are then cured to bond the two.

Lead researcher and research assistant, Dr Aisha Rehman, said the coating with nanodiamonds was deliberately applied to only one side of the fabric to restrict heat in the atmosphere from transferring back to the body.  

“The side of the fabric with the nanodiamond coating is what touches the skin. The nanodiamonds then transfer heat from the body into the air,” said Rehman, who worked on the study as part of her PhD. “Because nanodiamonds are such good thermal conductors, it does it faster than untreated fabric.”

Nanodiamonds were chosen for this study because of their strong thermal conductivity properties, said Rehman. Often used in IT, nanodiamonds can also help improve thermal properties of liquids and gels, as well as increase corrosive resistance in metals.

“Nanodiamonds are also biocompatible, so they’re safe for the human body. Therefore, it has great potential not just in textiles, but also in the biomedical field,” Rehman said.

While the research was still preliminary, Houshyar said this method of coating nanofibres onto textiles had strong commercial potential.
 
“This electrospinning approach is straightforward and can significantly reduce the variety of manufacturing steps compared to previously tested methods, which feature lengthy processes and wastage of nanodiamonds,” Houshyar said.

Further research will study the durability of the nanofibres, especially during the washing process.

Source:

Shu Shu Zheng, RMIT University

Bacteria, eating Plastic and producing Multipurpose Spider Silk Photo: Kareni, Pixabay
05.02.2024

Bacteria, eating Plastic and producing Multipurpose Spider Silk

For the first time, researchers have used bacteria to “upcycle” waste polyethylene: Move over Spider-Man: Researchers at Rensselaer Polytechnic Institute have developed a strain of bacteria that can turn plastic waste into a biodegradable spider silk with multiple uses.

Their new study marks the first time scientists have used bacteria to transform polyethylene plastic — the kind used in many single-use items — into a high-value protein product.

That product, which the researchers call “bio-inspired spider silk” because of its similarity to the silk spiders use to spin their webs, has applications in textiles, cosmetics, and even medicine.

For the first time, researchers have used bacteria to “upcycle” waste polyethylene: Move over Spider-Man: Researchers at Rensselaer Polytechnic Institute have developed a strain of bacteria that can turn plastic waste into a biodegradable spider silk with multiple uses.

Their new study marks the first time scientists have used bacteria to transform polyethylene plastic — the kind used in many single-use items — into a high-value protein product.

That product, which the researchers call “bio-inspired spider silk” because of its similarity to the silk spiders use to spin their webs, has applications in textiles, cosmetics, and even medicine.

“Spider silk is nature’s Kevlar,” said Helen Zha, Ph.D., an assistant professor of chemical and biological engineering and one of the RPI researchers leading the project. “It can be nearly as strong as steel under tension. However, it’s six times less dense than steel, so it’s very lightweight. As a bioplastic, it’s stretchy, tough, nontoxic, and biodegradable.”

All those attributes make it a great material for a future where renewable resources and avoidance of persistent plastic pollution are the norm, Zha said.

Polyethylene plastic, found in products such as plastic bags, water bottles, and food packaging, is the biggest contributor to plastic pollution globally and can take upward of 1,000 years to degrade naturally. Only a small portion of polyethylene plastic is recycled, so the bacteria used in the study could help “upcycle” some of the remaining waste.

Pseudomonas aeruginosa, the bacteria used in the study, can naturally consume polyethylene as a food source. The RPI team tackled the challenge of engineering this bacteria to convert the carbon atoms of polyethylene into a genetically encoded silk protein. Surprisingly, they found that their newly developed bacteria could make the silk protein at a yield rivaling some bacteria strains that are more conventionally used in biomanufacturing.

The underlying biological process behind this innovation is something people have employed for millennia.

“Essentially, the bacteria are fermenting the plastic. Fermentation is used to make and preserve all sorts of foods, like cheese, bread, and wine, and in biochemical industries it’s used to make antibiotics, amino acids, and organic acids,” said Mattheos Koffas, Ph.D., Dorothy and Fred Chau ʼ71 Career Development Constellation Professor in Biocatalysis and Metabolic Engineering, and the other researcher leading the project, and who, along with Zha, is a member of the Center for Biotechnology and Interdisciplinary Studies at Rensselaer.

To get bacteria to ferment polyethylene, the plastic is first “predigested,” Zha said. Just like humans need to cut and chew our food into smaller pieces before our bodies can use it, the bacteria has difficulty eating the long molecule chains, or polymers, that comprise polyethylene.

In the study, Zha and Koffas collaborated with researchers at Argonne National Laboratory, who depolymerized the plastic by heating it under pressure, producing a soft, waxy substance. Next, the team put a layer of the plastic-derived wax on the bottoms of flasks, which served as the nutrient source for the bacteria culture. This contrasts with typical fermentation, which uses sugars as the nutrient source.

“It’s as if, instead of feeding the bacteria cake, we’re feeding it the candles on the cake,” Zha said.

Then, as a warming plate gently swirled the flasks’ contents, the bacteria went to work. After 72 hours, the scientists strained out the bacteria from the liquid culture, purified the silk protein, and freeze dried it. At that stage, the protein, which resembled torn up cotton balls, could potentially be spun into thread or made into other useful forms.

“What’s really exciting about this process is that, unlike the way plastics are produced today, our process is low energy and doesn’t require the use of toxic chemicals,” Zha said. “The best chemists in the world could not convert polyethylene into spider silk, but these bacteria can. We’re really harnessing what nature has developed to do manufacturing for us.”

However, before upcycled spider silk products become a reality, the researchers will first need to find ways to make the silk protein more efficiently.

“This study establishes that we can use these bacteria to convert plastic to spider silk. Our future work will investigate whether tweaking the bacteria or other aspects of the process will allow us to scale up production,” Koffas said.

“Professors Zha and Koffas represent the new generation of chemical and biological engineers merging biological engineering with materials science to manufacture ecofriendly products. Their work is a novel approach to protecting the environment and reducing our reliance on nonrenewable resources,” said Shekhar Garde, Ph.D., dean of RPI’s School of Engineering.

The study, which was conducted by first author Alexander Connor, who earned his doctorate from RPI in 2023, and co-authors Jessica Lamb and Massimiliano Delferro with Argonne National Laboratory, is published in the journal “Microbial Cell Factories.”

Source:

Samantha Murray, Rensselaer

New conductive, cotton-based fiber developed for smart textiles Photo: Dean Hare, WSU Photo Services
29.12.2023

New conductive, cotton-based fiber developed for smart textiles

A single strand of fiber developed at Washington State University has the flexibility of cotton and the electric conductivity of a polymer, called polyaniline.

The newly developed material showed good potential for wearable e-textiles. The WSU researchers tested the fibers with a system that powered an LED light and another that sensed ammonia gas, detailing their findings in the journal Carbohydrate Polymers.

“We have one fiber in two sections: one section is the conventional cotton: flexible and strong enough for everyday use, and the other side is the conductive material,” said Hang Liu, WSU textile researcher and the study’s corresponding author. “The cotton can support the conductive material which can provide the needed function.”

A single strand of fiber developed at Washington State University has the flexibility of cotton and the electric conductivity of a polymer, called polyaniline.

The newly developed material showed good potential for wearable e-textiles. The WSU researchers tested the fibers with a system that powered an LED light and another that sensed ammonia gas, detailing their findings in the journal Carbohydrate Polymers.

“We have one fiber in two sections: one section is the conventional cotton: flexible and strong enough for everyday use, and the other side is the conductive material,” said Hang Liu, WSU textile researcher and the study’s corresponding author. “The cotton can support the conductive material which can provide the needed function.”

While more development is needed, the idea is to integrate fibers like these into apparel as sensor patches with flexible circuits. These patches could be part of uniforms for firefighters, soldiers or workers who handle chemicals to detect for hazardous exposures. Other applications include health monitoring or exercise shirts that can do more than current fitness monitors.

“We have some smart wearables, like smart watches, that can track your movement and human vital signs, but we hope that in the future your everyday clothing can do these functions as well,” said Liu. “Fashion is not just color and style, as a lot of people think about it: fashion is science.”

In this study, the WSU team worked to overcome the challenges of mixing the conductive polymer with cotton cellulose. Polymers are substances with very large molecules that have repeating patterns. In this case, the researchers used polyaniline, also known as PANI, a synthetic polymer with conductive properties already used in applications such as printed circuit board manufacturing.

While intrinsically conductive, polyaniline is brittle and by itself, cannot be made into a fiber for textiles. To solve this, the WSU researchers dissolved cotton cellulose from recycled t-shirts into a solution and the conductive polymer into another separate solution. These two solutions were then merged together side-by-side, and the material was extruded to make one fiber.

The result showed good interfacial bonding, meaning the molecules from the different materials would stay together through stretching and bending.

Achieving the right mixture at the interface of cotton cellulose and polyaniline was a delicate balance, Liu said.

“We wanted these two solutions to work so that when the cotton and the conductive polymer contact each other they mix to a certain degree to kind of glue together, but we didn’t want them to mix too much, otherwise the conductivity would be reduced,” she said.

Additional WSU authors on this study included first author Wangcheng Liu as well as Zihui Zhao, Dan Liang, Wei-Hong Zhong and Jinwen Zhang. This research received support from the National Science Foundation and the Walmart Foundation Project.

Source:

Sara Zaske, WSU News & Media Relations

Chemist Unlocks Plastic Alternatives Using Proteins and Clothing Scraps Photo: Challa Kumar, professor emeritus of chemistry, in his lab. (Contributed photo)
21.12.2023

Chemist Unlocks Plastic Alternatives Using Proteins and Clothing Scraps

Challa Kumar has developed methods to create novel plastic-like materials using proteins and fabric.

Every year, 400 million tons of plastic waste are generated worldwide. Between 19 and 23 million tons of that plastic waste makes its way into aquatic ecosystems, and the remaining goes into the ground. An additional 92 million tons of cloth waste is generated annually.

Challa Kumar, professor emeritus of chemistry, “fed up” with the tremendous amount of toxic waste people continually pump into the environment, felt compelled to do something. As a chemist, doing something meant using his expertise to develop new, sustainable materials.

“Everyone should think about replacing fossil fuel-based materials with natural materials anywhere they can to help our civilization to survive,” Kumar says. “The house is on fire, we can’t wait. If the house is on fire and you start digging a well – that is not going to work. It’s time to start pouring water on the house.”

Challa Kumar has developed methods to create novel plastic-like materials using proteins and fabric.

Every year, 400 million tons of plastic waste are generated worldwide. Between 19 and 23 million tons of that plastic waste makes its way into aquatic ecosystems, and the remaining goes into the ground. An additional 92 million tons of cloth waste is generated annually.

Challa Kumar, professor emeritus of chemistry, “fed up” with the tremendous amount of toxic waste people continually pump into the environment, felt compelled to do something. As a chemist, doing something meant using his expertise to develop new, sustainable materials.

“Everyone should think about replacing fossil fuel-based materials with natural materials anywhere they can to help our civilization to survive,” Kumar says. “The house is on fire, we can’t wait. If the house is on fire and you start digging a well – that is not going to work. It’s time to start pouring water on the house.”

Kumar has developed two technologies that use proteins and cloth, respectively, to create new materials. UConn’s Technology Commercialization Services (TCS) has filed provisional patents for both technologies.

Inspired by nature’s ability to construct a diverse array of functional materials, Kumar and his team developed a method to produce continuously tunable non-toxic materials.

“Chemistry is the only thing standing in our way,” Kumar says. “If we understand protein chemistry, we can make protein materials as strong as a diamond or as soft as a feather.”

The first innovation is a process to transform naturally occurring proteins into plastic-like materials. Kumar’s student, Ankarao Kalluri ’23 Ph.D., worked on this project.

Proteins have “reactor groups” on their surfaces which can react with substances with which they come into contact. Using his knowledge of how these groups work, Kumar and his team used a chemical link to bind protein molecules together.

This process creates a dimer – a molecule composed to two proteins. From there, the dimer is joined with another dimer to create tetramer, and so on until it becomes a large 3D molecule. This 3D aspect of the technology is unique, since most synthetic polymers are linear chains.

This novel 3D structure allows the new polymer to behave like a plastic. Just like the proteins of which it is made, the material can stretch, change shape, and fold. Thus, the material can be tailored via chemistry for a variety of specific applications.

Unlike synthetic polymers, because Kumar’s material is made of proteins and a bio-linking chemical, it can biodegrade, just like plant and animal proteins do naturally.

“Nature degrades proteins by ripping apart the amide bonds that are in them,” Kumar says. “It has enzymes to handle that sort of chemistry. We have the same amide linkages in our materials. So, the same enzymes that work in biology should also work on this material and biodegrade it naturally.”

In the lab, the team found that the material degrades within a few days in acidic solution. Now, they are investigating what happens if they bury this material in the ground, which is the fate of many post-consumer plastics.

They have demonstrated that the protein-based material can form a variety of plastic-like products, including coffee cup lids and thin transparent films. It could also be used to make fire-resistant roof tiles, or higher-end materials like, car doors, rocket cone tips, or heart valves.

The next steps for this technology are to continue testing their mechanical properties, like strength or flexibility, as well as toxicity.

“I think we need to have social consciousness that we cannot put out materials into the environment that are toxic,” Kumar says. “We just cannot. We have to stop doing that. And we cannot use materials derived from fossil fuels either.”

Kumar’s second technology uses a similar principle, but instead of just proteins, uses proteins reinforced with natural fibers, specifically cotton.

“We are creating a lot of textile waste each year due to the fast-changing fashion industry” Kumar says. “So why not use that waste to create useful materials – convert waste to wealth.”

Just like the plastic-like protein materials (called “Proteios,” derived from original Greek words), Kumar expects composite materials made from proteins and natural fibers will biodegrade without producing toxic waste.

In the lab, Kumar’s former student, doctoral candidate Adekeye Damilola, created many objects with protein-fabric composites, which include small shoes, desks, flowers, and chairs. This material contains textile fibers which serve as the linking agent with the proteins, rather than the cross-linking chemical Kumar uses for the protein-based plastics.

The crosslinking provides the novel material with the strength to withstand the weight that would be put on something like a chair or a table. The natural affinity between fibers and proteins is why it’s so hard to get food stains out of clothing. This same attraction makes strong protein-fabric materials.

While Kumar’s team has only worked with cotton so far, they expect other fiber materials, like hemp fibers or jute, would behave similarly due to their inherent but common chemical properties with cotton.

“The protein naturally adheres to the surface of the protein,” Kumar says. “We used that understanding to say ‘Hey, if it binds so tightly to cotton, why don’t we make a material out of it.’ And it works, it works amazingly.”

With the support of TCS, Professor Kumar is currently seeking industry partners to bring these technologies to market. For more information contact Michael Invernale at michael.invernale@uconn.edu.

Source:

Anna Zarra Aldrich '20 (CLAS), Office of the Vice President for Research

A quick check with a smartphone, and the integrated spectrum analyzer recognizes the fabric the garment is made from. Photo: © Fraunhofer IPMS. A quick check with a smartphone, and the integrated spectrum analyzer recognizes the fabric the garment is made from.
10.10.2023

Checking clothing using a smartphone, AI and infrared spectroscopy

Researchers at Fraunhofer have developed an ultra-compact near-infrared spectrometer suitable for recognizing and analyzing textiles. Mixed fabrics can also be reliably identified through the combination of imaging, special AI (artificial intelligence) algorithms and spectroscopy. The technology could be used to optimize recycling old clothing, so old apparel could be sorted according to type. A highly miniaturized version of the system can even fit into a smartphone. This could lead to a host of new applications for end-users in everyday life — from checking clothes when out shopping to detecting counterfeits.

Researchers at Fraunhofer have developed an ultra-compact near-infrared spectrometer suitable for recognizing and analyzing textiles. Mixed fabrics can also be reliably identified through the combination of imaging, special AI (artificial intelligence) algorithms and spectroscopy. The technology could be used to optimize recycling old clothing, so old apparel could be sorted according to type. A highly miniaturized version of the system can even fit into a smartphone. This could lead to a host of new applications for end-users in everyday life — from checking clothes when out shopping to detecting counterfeits.

Infrared spectrometers are powerful measuring instruments when it comes to non-destructive analysis of organic materials. The Fraunhofer Institute for Photonic Microsystems IPMS in Dresden has recently developed a spectral analyzer system that recognizes and analyzes textile fabrics. The system can also reliably recognize mixed fabrics. Possible applications range from checking fabrics when out shopping to cleaning garments correctly, and even sustainable, sorted recycling. The spectrometer is so tiny, it can be integrated into a smartphone.

Researchers at Fraunhofer rely on near-infrared (NIR) spectroscopy to achieve the required reliability and accuracy when identifying textiles. The system works for wavelengths between 950 and 1900 nanometers, which is close to the visible spectrum. Advantages of near-infrared technology include being easy to use and having a wide range of applications. “We combine NIR spectroscopy with imaging and AI to achieve higher accuracy when recognizing and analyzing objects,” explains Dr. Heinrich Grüger, research scientist in the Sensoric Micromodules department at Fraunhofer IPMS.

How textile analysis works
Firstly, a conventional camera module captures an image of the garment. The AI selects a specific point from the fabric’s image data to be examined by the spectral analyzer module. Light reflected from the fabric is captured by the spectrometer module. There, it passes through an entrance slit, is transformed into parallel light beams using a collimating mirror and projected onto a grating using a scanning mirror. Depending on the angle of incidence and exit, the grating splits the light beams into different wavelengths. Light reflected from the grating is directed by the scanner mirror to a detector which captures the light as an electrical signal. An A/D converter then digitizes these signals, which are subsequently analyzed in the signal processor. The resulting spectrometric profile for the textile fabric reveals which fibers it is made from by comparing to a reference database.“ The optical resolution is 10 nanometers. This high resolution means the NIR spectrometer can also use AI to identify mixed fabrics such as items of clothing made from polyester and cotton,” says Grüger. Measuring just 10 mm × 10 mm and being 6.5 mm thick, the system is so compact it could easily be integrated into a standard smartphone.

Recycling old clothing
Grüger sees an important application for the AI-controlled spectrometer when it comes to recycling. According to the Federal Statistical Office of Germany, approximately 176,200 tons of textile and clothing waste was collected from private homes in Germany in 2021. NIR spectroscopy could improve recycling efficiency and reduce the mountain of old clothing. This would enable companies that recycle old clothing to sort it more efficiently and faster. Textiles that are still in one piece, for instance, go to the second-hand trade. Damaged textiles are sorted for recycling, and the fibers they are made from, such as linen, silk, cotton or lyocell, can be reused. Severely soiled textiles would be incinerated or processed into insulation mats, for example. Spectroscopic identifies and sorts textiles more accurately and much faster than a human can.

If NIR spectroscopy was to be integrated into a smartphone, end-users might also benefit from the Fraunhofer institute’s technology. When buying clothes, a quick check with a smartphone reveals whether that expensive silk scarf is genuinely made from silk, or whether that exclusive dress from the fashion label is not instead a counterfeit, exposed through an alternative mix of fabrics. And should the label with the cleaning instructions no longer be legible, the smartphone has a textile scanner to identify the fabric and so determine the appropriate wash cycle.

Food check and dermatology
Researchers at Fraunhofer IPMS can even envisage applications beyond the textile industry. Smartphones fitted with spectrometers might be used to provide information about the quality of groceries such as fruit and vegetables when out shopping. The technology might conceivably also be used to examine skin. A quick scan with the cell phone spectrometer could identify particularly dry or greasy patches. Perhaps applications in medical diagnostics might even be conceivable — examining patches of skin where a melanoma is suspected, for example — but this would need professional involvement too.

Source:

Fraunhofer Institute for Photonic Microsystems

Photo unsplash.com
05.09.2023

Ananas Anam and TENCEL™ collaborate with Calvin Klein

The search for better, planet-friendly footwear material reveals a solution in one unlikely ingredient: pineapple leaves. This unique textile ingredient is the recent focus of the latest footwear design collaboration between Ananas Anam, TENCEL™ and Calvin Klein, launching Calvin Klein’s first-ever trainer featuring a knitted upper made of PIÑAYARN® blended with TENCEL™ Lyocell fibers.

Known as “The Sustainable Knit Trainer”, the trainers are a timeless closet staple, available in classic colors such as black and off-white and etched with the signature Calvin Klein logo. The PIÑAYARN® knit upper, made of 70% TENCEL™ Lyocell and 30% Anam PALF™ pineapple leaf fiber, is both from botanic origin and bio-based.

The search for better, planet-friendly footwear material reveals a solution in one unlikely ingredient: pineapple leaves. This unique textile ingredient is the recent focus of the latest footwear design collaboration between Ananas Anam, TENCEL™ and Calvin Klein, launching Calvin Klein’s first-ever trainer featuring a knitted upper made of PIÑAYARN® blended with TENCEL™ Lyocell fibers.

Known as “The Sustainable Knit Trainer”, the trainers are a timeless closet staple, available in classic colors such as black and off-white and etched with the signature Calvin Klein logo. The PIÑAYARN® knit upper, made of 70% TENCEL™ Lyocell and 30% Anam PALF™ pineapple leaf fiber, is both from botanic origin and bio-based.

As the fashion sector has begun to realize the negative environmental effects of synthetic materials, a lot of brands have turned towards plant-based materials such as PIÑAYARN®. Using a low-impact manufacturing process, PIÑAYARN® is derived from pineapple leaf waste and involves a water-free spinning process. The addition of TENCEL™ Lyocell, a fiber made from wood pulp obtained from responsibly managed forests and produced using a solvent spinning process that recycles both the solvent and water at a recovery rate of more than 99%, offers full traceability of the TENCEL™ fiber in the final blended yarn.

Melissa Braithwaite, PIÑAYARN® Product Development Manager at Ananas Anam said “The inspiration for PIÑAYARN® came from the need to provide the textile industry with an alternative to overused, often polluting, conventional fibers, such as cotton or polyester. We have an abundance of available raw material within our business, and broadening our product offering means we can valorize more waste, increasing our positive impact on the environment and society.”

Indeed, as the consumer demand for more eco-responsible textile products and footwear grows, so too has the popularity of wood-based fibers as a material alternative. Ananas Anam and TENCEL™’s collaboration with Calvin Klein has been a success in that the physical characteristics and planet-conscious benefits of both PIÑAYARN® and TENCEL™ fibers complement each other perfectly, creating a blended material that is soft and usable for various woven and knitted applications.

For material developers like Ananas Anam seeking the ideal fiber blend partner to create PIÑAYARN®, TENCEL™ Lyocellfibers are celebrated for their versatility and ability to be blended with a wide range of textiles such as hemp, linen and of course Anam PALF™ pineapple leaf fiber, to enhance the aesthetics, performance and functionality of fabrics. Additionally, beyond being used in shoe uppers, TENCEL™ Lyocell fibers can be used in every part of the shoe including the upper fabric, lining, insoles, padding, laces, zipper and sewing thread. TENCEL™ Lyocell can also be used in powder form for use in the outsoles of shoes.

“We are extremely excited about this collaboration with Ananas Anam for the launch of The Sustainable Knit Trainer by Calvin Klein, an eco-responsible and planet-friendly shoe for conscious consumers. This partnership is the perfect example of our commitment to provide education and expertise to support anyone who chooses to improve the environmental and social credentials of their products by using more responsible materials,” said Nicole Schram, Global Business Development Manager at Lenzing.

Source:

Lenzing AG

Photo: Unsplash
13.06.2023

The impact of textile production and waste on the environment

  • With fast fashion, the quantity of clothes produced and thrown away has boomed.

Fast fashion is the constant provision of new styles at very low prices. To tackle the impact on the environment, the EU wants to reduce textile waste and increase the life cycle and recycling of textiles. This is part of the plan to achieve a circular economy by 2050.

Overconsumption of natural resources
It takes a lot of water to produce textile, plus land to grow cotton and other fibres. It is estimated that the global textile and clothing industry used 79 billion cubic metres of water in 2015, while the needs of the EU's whole economy amounted to 266 billion cubic metres in 2017.

To make a single cotton t-shirt, 2,700 litres of fresh water are required according to estimates, enough to meet one person’s drinking needs for 2.5 years.

  • With fast fashion, the quantity of clothes produced and thrown away has boomed.

Fast fashion is the constant provision of new styles at very low prices. To tackle the impact on the environment, the EU wants to reduce textile waste and increase the life cycle and recycling of textiles. This is part of the plan to achieve a circular economy by 2050.

Overconsumption of natural resources
It takes a lot of water to produce textile, plus land to grow cotton and other fibres. It is estimated that the global textile and clothing industry used 79 billion cubic metres of water in 2015, while the needs of the EU's whole economy amounted to 266 billion cubic metres in 2017.

To make a single cotton t-shirt, 2,700 litres of fresh water are required according to estimates, enough to meet one person’s drinking needs for 2.5 years.

The textile sector was the third largest source of water degradation and land use in 2020. In that year, it took on average nine cubic metres of water, 400 square metres of land and 391 kilogrammes (kg) of raw materials to provide clothes and shoes for each EU citizen.

Water pollution
Textile production is estimated to be responsible for about 20% of global clean water pollution from dyeing and finishing products.

Laundering synthetic clothes accounts for 35% of primary microplastics released into the environment. A single laundry load of polyester clothes can discharge 700,000 microplastic fibres that can end up in the food chain.

The majority of microplastics from textiles are released during the first few washes. Fast fashion is based on mass production, low prices and high sales volumes that promotes many first washes.

Washing synthetic products has caused more than 14 million tonnes of microplastics to accumulate on the bottom of the oceans. In addition to this global problem, the pollution generated by garment production has a devastating impact on the health of local people, animals and ecosystems where the factories are located.

Greenhouse gas emissions
The fashion industry is estimated to be responsible for 10% of global carbon emissions – more than international flights and maritime shipping combined.

According to the European Environment Agency, textile purchases in the EU in 2020 generated about 270 kg of CO2 emissions per person. That means textile products consumed in the EU generated greenhouse gas emissions of 121 million tonnes.

Textile waste in landfills and low recycling rates
The way people get rid of unwanted clothes has also changed, with items being thrown away rather than donated. Less than half of used clothes are collected for reuse or recycling, and only 1% of used clothes are recycled into new clothes, since technologies that would enable clothes to be recycled into virgin fibres are only now starting to emerge.

Between 2000 and 2015, clothing production doubled, while the average use of an item of clothing has decreased.

Europeans use nearly 26 kilos of textiles and discard about 11 kilos of them every year. Used clothes can be exported outside the EU, but are mostly (87%) incinerated or landfilled.

The rise of fast fashion has been crucial in the increase in consumption, driven partly by social media and the industry bringing fashion trends to more consumers at a faster pace than in the past.

The new strategies to tackle this issue include developing new business models for clothing rental, designing products in a way that would make re-use and recycling easier (circular fashion), convincing consumers to buy fewer clothes of better quality (slow fashion) and generally steering consumer behaviour towards more sustainable options.

Work in progress: the EU strategy for sustainable and circular textiles
As part of the circular economy action plan, the European Commission presented in March 2022 a new strategy to make textiles more durable, repairable, reusable and recyclable, tackle fast fashion and stimulate innovation within the sector.

The new strategy includes new ecodesign requirements for textiles, clearer information, a Digital Product Passport and calls companies to take responsibility and act to minimise their carbon and environmental footprints

On 1 June 2023, MEPs set out proposals for tougher EU measures to halt the excessive production and consumption of textiles. Parliament’s report calls for textiles to be produced respecting human, social and labour rights, as well as the environment and animal welfare.

Existing EU measures to tackle textile waste
Under the waste directive approved by the Parliament in 2018, EU countries are obliged to collect textiles separately by 2025. The new Commission strategy also includes measures to, tackle the presence of hazardous chemicals, calls producers have to take responsibility for their products along the value chain, including when they become wasteand help consumers to choose sustainable textiles.

The EU has an EU Ecolabel that producers respecting ecological criteria can apply to items, ensuring a limited use of harmful substances and reduced water and air pollution.

The EU has also introduced some measures to mitigate the impact of textile waste on the environment. Horizon 2020 funds Resyntex, a project using chemical recycling, which could provide a circular economy business model for the textile industry.

A more sustainable model of textile production also has the potential to boost the economy. "Europe finds itself in an unprecedented health and economic crisis, revealing the fragility of our global supply chains," said lead MEP Huitema. "Stimulating new innovative business models will in turn create new economic growth and the job opportunities Europe will need to recover."

A cotton knit fabric dyed blue and washed 10 times to simulate worn garments is enzymatically degraded to a slurry of fine fibers and "blue glucose" syrup that are separated by filtration - both of these separated fractions have potential recycle value. A cotton knit fabric dyed blue and washed 10 times to simulate worn garments is enzymatically degraded to a slurry of fine fibers and "blue glucose" syrup that are separated by filtration - both of these separated fractions have potential recycle value. Credit: Sonja Salmon.
11.04.2023

Researchers Separate Cotton from Polyester in Blended Fabric

In a new study, North Carolina State University researchers found they could separate blended cotton and polyester fabric using enzymes – nature’s tools for speeding chemical reactions. Ultimately, they hope their findings will lead to a more efficient way to recycle the fabric’s component materials, thereby reducing textile waste. However, they also found the process need more steps if the blended fabric was dyed or treated with chemicals that increase wrinkle resistance.

In a new study, North Carolina State University researchers found they could separate blended cotton and polyester fabric using enzymes – nature’s tools for speeding chemical reactions. Ultimately, they hope their findings will lead to a more efficient way to recycle the fabric’s component materials, thereby reducing textile waste. However, they also found the process need more steps if the blended fabric was dyed or treated with chemicals that increase wrinkle resistance.

“We can separate all of the cotton out of a cotton-polyester blend, meaning now we have clean polyester that can be recycled,” said the study’s corresponding author Sonja Salmon, associate professor of textile engineering, chemistry and science at NC State. “In a landfill, the polyester is not going to degrade, and the cotton might take several months or more to break down. Using our method, we can separate the cotton from polyester in less than 48 hours.”
 
According to the U.S. Environmental Protection Agency, consumers throw approximately 11 million tons of textile waste into U.S. landfills each year. Researchers wanted to develop a method of separating the cotton from the polyester so each component material could be recycled.

In the study, researchers used a “cocktail” of enzymes in a mildly acidic solution to chop up cellulose in cotton. Cellulose is the material that gives structure to plants’ cell walls. The idea is to chop up the cellulose so it will “fall out” out of the blended woven structure, leaving some tiny cotton fiber fragments remaining, along with glucose. Glucose is the biodegradable byproduct of degraded cellulose. Then, their process involves washing away the glucose and filtering out the cotton fiber fragments, leaving clean polyester.
 
“This is a mild process – the treatment is slightly acidic, like using vinegar,” Salmon said. “We also ran it at 50 degrees Celsius, which is like the temperature of a hot washing machine.
“It’s quite promising that we can separate the polyester to a clean level,” Salmon added. “We still have some more work to do to characterize the polyester’s properties, but we think they will be very good because the conditions are so mild. We’re just adding enzymes that ignore the polyester.”

They compared degradation of 100% cotton fabric to degradation of cotton and polyester blends, and also tested fabric that was dyed with red and blue reactive dyes and treated with durable press chemicals. In order to break down the dyed materials, the researchers had to increase the amount of time and enzymes used. For fabrics treated with durable press chemicals, they had to use a chemical pre-treatment before adding the enzymes.

“The dye that you choose has a big impact on the potential degradation of the fabric,” said the study’s lead author Jeannie Egan, a graduate student at NC State. “Also, we found the biggest obstacle so far is the wrinkle-resistant finish. The chemistry behind that creates a significant block for the enzyme to access the cellulose. Without pre-treating it, we achieved less than 10% degradation, but after, with two enzyme doses, we were able to fully degrade it, which was a really exciting result.”

Researchers said the polyester could be recycled, while the slurry of cotton fragments could be valuable as an additive for paper or useful addition to composite materials. They’re also investigating whether the glucose could be used to make biofuels.

“The slurry is made of residual cotton fragments that resist a very powerful enzymatic degradation,” Salmon said. “It has potential value as a strengthening agent. For the glucose syrup, we’re collaborating on a project to see if we can feed it into an anaerobic digester to make biofuel. We’d be taking waste and turning it into bioenergy, which would be much better than throwing it into a landfill.”

The study, “Enzymatic textile fiber separation for sustainable waste processing,” was published in Resources, Environment and Sustainability. Co-authors included Siyan Wang, Jialong Shen, Oliver Baars and Geoffrey Moxley. Funding was provided by the Environmental Research and Education Foundation, Kaneka Corporation and the Department of Textile Engineering, Chemistry and Science at NC State.

Source:

North Carolina State University, Laura Oleniacz

(c) nova-Institut GmbH
14.03.2023

Bacteria instead of trees, textile and agricultural waste

For the third time, the nova-Institut awarded the "Cellulose Fibre Innovation of the Year" prize at the "Cellulose Fibres Conference 2023" in Cologne, 8-9 March 2023.

The yearly conference is a unique meeting point of the global cellulose fibres industry. 42 speakers from twelve countries highlighted the innovation potential of cellulosic fibres and presented the latest market insights and trends to more than 220 participants from 30 countries.

Leading international experts introduced new technologies for recycling of cellulose rich raw materials and practices for circular economy in textiles, packing and hygiene, which were discussed in seven panel discussion with active audience participation.    

Prior to the conference, the conference advisory board had nominated six remarkable innovations. The winners were elected in an exciting head-to-head live-voting by the conference audience on the first day of the event.

For the third time, the nova-Institut awarded the "Cellulose Fibre Innovation of the Year" prize at the "Cellulose Fibres Conference 2023" in Cologne, 8-9 March 2023.

The yearly conference is a unique meeting point of the global cellulose fibres industry. 42 speakers from twelve countries highlighted the innovation potential of cellulosic fibres and presented the latest market insights and trends to more than 220 participants from 30 countries.

Leading international experts introduced new technologies for recycling of cellulose rich raw materials and practices for circular economy in textiles, packing and hygiene, which were discussed in seven panel discussion with active audience participation.    

Prior to the conference, the conference advisory board had nominated six remarkable innovations. The winners were elected in an exciting head-to-head live-voting by the conference audience on the first day of the event.

The collaboration between Nanollose (AU) and Birla Cellulose (IN) with tree-free lyocell from bacterial cellulose called Nullarbor™ is the winning cellulose fibre innovation 2023, followed by Renewcell (SE) cellulose fibres made from 100 % textile waste, while Vybrana – the new generation banana fibre from Gencrest Bio Products (IN) won third place.
    
Winner: Nullarbor™ – Nanollose and Birla Cellulose (AU/IN)
In 2020, Nanollose and Birla Cellulose started a journey to develop and commercialize treefree lyocell from bacterial cellulose, called Nullarbor™. The name derives from the Latin “nulla arbor” which means “no trees”. Initial lab research at both ends led to the joint patent application “production of high-tenacity lyocell fibres made from bacterial cellulose”.
Nullarbor is significantly stronger than lyocell made from wood-based pulp; even adding small amounts of bacterial cellulose to wood pulp increases the fibre toughness. In 2022, the first pilot batch of 260 kg was produced with 20 % bacterial pulp share. Several high-quality fabrics and garments were produced with this fibre. The collaboration between Nanollose and Birla Cellulose now focuses on increasing the production scale and amount of bacterial pulp in the fibre.  

Second place: Circulose® – makes fashion circular – Renewcell (SE)
Circulose® made by Renewcell is a branded dissolving pulp made from 100 % textile waste, like worn-out clothes and production scraps. It provides a unique material for fashion that is 100 % recycled, recyclable, biodegradable, and of virgin-equivalent quality. It is used by fibre producers to make staple fibre or filaments like viscose, lyocell, modal, acetate or other types of man-made cellulosic fibres. In 2022, Renewcell, opened the world’s first textile-to-textile     
chemical recycling plant in Sundsvall, Sweden – Renewcell 1. The plant is expected to reach an annual capacity of 120,000 tonnes.

Third place: Vybrana – The new generation banana fibre – Gencrest Bio Products (IN)
Vybrana is a Gencrest’s Sustainable Cellulosic Fibre upcycled from agrowaste. Raw fibres are extracted from the banana stem at the end of the plant lifecycle. The biomass waste is then treated by the Gencrest patented Fiberzyme technology. Here, cocktail enzyme formulations remove the high lignin content and other impurities and help fibre fibrillation. The company's proprietary cottonisation process provides fine, spinnable cellulose staple fibres suitable for blending with other staple fibres and can be spun on any conventional spinning systems giving yarns sustainable apparel. Vybrana is produced without the use of heavy chemicals and minimized water consumption and in a waste-free process where balance biomass is converted to bio stimulants Agrosatva and bio-based fertilizers and organic manure.

Vadim Zharkov: https://youtu.be/x9gCrhIPaPM
28.02.2023

‘Smart’ Coating Could Make Fabrics into Protective Gear

Precisely applied metal-organic technology detects and captures toxic gases in air.

A durable copper-based coating developed by Dartmouth researchers can be precisely integrated into fabric to create responsive and reusable materials such as protective equipment, environmental sensors, and smart filters, according to a recent study.
 
The coating responds to the presence of toxic gases in the air by converting them into less toxic substances that become trapped in the fabric, the team reports in Journal of the American Chemical Society.

Precisely applied metal-organic technology detects and captures toxic gases in air.

A durable copper-based coating developed by Dartmouth researchers can be precisely integrated into fabric to create responsive and reusable materials such as protective equipment, environmental sensors, and smart filters, according to a recent study.
 
The coating responds to the presence of toxic gases in the air by converting them into less toxic substances that become trapped in the fabric, the team reports in Journal of the American Chemical Society.

The findings hinge on a conductive metal-organic technology, or framework, developed in the laboratory of corresponding author Katherine Mirica, an associate professor of chemistry. First reported in JACS in 2017, the framework was a simple coating that could be layered onto cotton and polyester to create smart fabrics the researchers named SOFT—Self-Organized Framework on Textiles. Their paper demonstrated that SOFT smart fabrics could detect and capture toxic substances in the surrounding environment.

For the newest study, the researchers found that—instead of the simple coating reported in 2017—they can precisely embed the framework into fabrics using a copper precursor that allows them to create specific patterns and more effectively fill in the tiny gaps and holes between threads.

The researchers found that the framework technology effectively converted the toxin nitric oxide into nitrite and nitrate, and transformed the poisonous, flammable gas hydrogen sulfide into copper sulfide. They also report that the framework’s ability to capture and convert toxic materials withstood wear and tear, as well as standard washing.
 
The versatility and durability the new method provides would allow the framework to be applied for specific uses and in more precise locations, such as a sensor on protective clothing, or as a filter in a particular environment, Mirica said.

“This new method of deposition means that the electronic textiles could potentially interface with a broader range of systems because they’re so robust,” she said. “This technological advance paves the way for other applications of the framework’s combined filtration and sensing abilities that could be valuable in biomedical settings and environmental remediation.”
The technique also could eventually be a low-cost alternative to technologies that are cost prohibitive and limited in where they can be deployed by needing an energy source, or—such as catalytic converters in automobiles—rare metals, Mirica said.
 
“Here we’re relying on an Earth-abundant matter to detoxify toxic chemicals, and we’re doing it without any input of outside energy, so we don’t need high temperature or electric current to achieve that function,” Mirica said.

Co-first author Michael Ko, initially observed the new process in 2018 as he attempted to deposit the metal-organic framework onto thin-film copper-based electrodes, Mirica said. But the copper electrodes would be replaced by the framework.

“He wanted it on top of the electrodes, not to replace them,” Mirica said. “It took us four years to figure out what was happening and how it was beneficial. It’s a very straightforward process, but the chemistry behind it is not and it took us some time and additional involvement of students and collaborators to understand that.”

The team discovered that the metal-organic framework “grows” over copper, replacing it with a material with the ability to filter and convert toxic gases, Mirica said. Ko and co-author Lukasz Mendecki, a postdoctoral scholar in the Mirica Group from 2017-18, investigated methods for applying the framework material to fabric in specific designs and patterns.

Co-first author Aileen Eagleton, who is also in the Mirica Group, finalized the technique by optimizing the process for imprinting the metal-organic framework onto fabric, as well as identifying how its structure and properties are influenced by chemical exposure and reaction conditions.

Future work will focus on developing new multifunctional framework materials and scaling up the process of embedding the metal-organic coatings into fabric, Mirica said.

Source:

Dartmouth / Textination

In the future, one will be able to use their phone to read the clothing woven-in labels made with inexpensive photonic fibers. (c) Marcin Szczepanski/Lead Multimedia Storyteller, University of Michigan College of Engineering. In the future, one will be able to use their phone to read the clothing woven-in labels made with inexpensive photonic fibers.
15.02.2023

The new butterfly effect: A ‘game changer’ for clothing recycling?

Photonic fibers borrow from butterfly wings to enable invisible, indelible sorting labels

Less than 15% of the 92 million tons of clothing and other textiles discarded annually are recycled—in part because they are so difficult to sort. Woven-in labels made with inexpensive photonic fibers, developed by a University of Michigan-led team, could change that.
 
“It’s like a barcode that’s woven directly into the fabric of a garment,” said Max Shtein, U-M professor of materials science and engineering and corresponding author of the study in Advanced Materials Technologies. “We can customize the photonic properties of the fibers to make them visible to the naked eye, readable only under near-infrared light or any combination.”

Photonic fibers borrow from butterfly wings to enable invisible, indelible sorting labels

Less than 15% of the 92 million tons of clothing and other textiles discarded annually are recycled—in part because they are so difficult to sort. Woven-in labels made with inexpensive photonic fibers, developed by a University of Michigan-led team, could change that.
 
“It’s like a barcode that’s woven directly into the fabric of a garment,” said Max Shtein, U-M professor of materials science and engineering and corresponding author of the study in Advanced Materials Technologies. “We can customize the photonic properties of the fibers to make them visible to the naked eye, readable only under near-infrared light or any combination.”

Ordinary tags often don’t make it to the end of a garment’s life—they may be cut away or washed until illegible, and tagless information can wear off. Recycling could be more effective if a tag was woven into the fabric, invisible until it needs to be read. This is what the new fiber could do.
 
Recyclers already use near-infrared sorting systems that identify different materials according to their naturally occurring optical signatures—the PET plastic in a water bottle, for example, looks different under near-infrared light than the HDPE plastic in a milk jug. Different fabrics also have different optical signatures, but Brian Iezzi, a postdoctoral researcher in Shtein’s lab and lead author of the study, explains that those signatures are of limited use to recyclers because of the prevalence of blended fabrics.

“For a truly circular recycling system to work, it’s important to know the precise composition of a fabric—a cotton recycler doesn’t want to pay for a garment that’s made of 70% polyester,” Iezzi said. “Natural optical signatures can’t provide that level of precision, but our photonic fibers can.”

The team developed the technology by combining Iezzi and Shtein’s photonic expertise—usually applied to products like displays, solar cells and optical filters—with the advanced textile capabilities at MIT’s Lincoln Lab. The lab worked to incorporate the photonic properties into a process that would be compatible with large-scale production.
 
They accomplished the task by starting with a preform—a plastic feedstock that comprises dozens of alternating layers. In this case, they used acrylic and polycarbonate. While each individual layer is clear, the combination of two materials bends and refracts light to create optical effects that can look like color. It’s the same basic phenomenon that gives butterfly wings their shimmer.

The preform is heated and then mechanically pulled—a bit like taffy—into a hair-thin strand of fiber. While the manufacturing process method differs from the extrusion technique used to make conventional synthetic fibers like polyester, it can produce the same miles-long strands of fiber. Those strands can then be processed with the same equipment already used by textile makers.

By adjusting the mix of materials and the speed at which the preform is pulled, the researchers tuned the fiber to create the desired optical properties and ensure recyclability. While the photonic fiber is more expensive than traditional textiles, the researchers estimate that it will only result in a small increase in the cost of finished goods.

“The photonic fibers only need to make up a small percentage—as little as 1% of a finished garment,” Iezzi said. “That might increase the cost of the finished product by around 25 cents—similar to the cost of those use-and-care tags we’re all familiar with.”

Shtein says that in addition to making recycling easier, the photonic labeling could be used to tell consumers where and how goods are made, and even to verify the authenticity of brand-name products. It could be a way to add important value for customers.

“As electronic devices like cell phones become more sophisticated, they could potentially have the ability to read this kind of photonic labeling,” Shtein said. “So I could imagine a future where woven-in labels are a useful feature for consumers as well as recyclers.”

The team has applied for patent protection and is evaluating ways to move forward with the commercialization of the technology.
The research was supported by the National Science Foundation and the Under Secretary of Defense for Research and Engineering.

Source:

Gabe Cherry, College of Engineering, University of Michigan / Textination

North Carolina State University
17.01.2023

Embroidery as Low-Cost Solution for Making Wearable Electronics

Embroidering power-generating yarns onto fabric allowed researchers to embed a self-powered, numerical touch-pad and movement sensors into clothing. The technique offers a low-cost, scalable potential method for making wearable devices.

“Our technique uses embroidery, which is pretty simple – you can stitch our yarns directly on the fabric,” said the study’s lead author Rong Yin, assistant professor of textile engineering, chemistry and science at North Carolina State University. “During fabric production, you don’t need to consider anything about the wearable devices. You can integrate the power-generating yarns after the clothing item has been made.”

Embroidering power-generating yarns onto fabric allowed researchers to embed a self-powered, numerical touch-pad and movement sensors into clothing. The technique offers a low-cost, scalable potential method for making wearable devices.

“Our technique uses embroidery, which is pretty simple – you can stitch our yarns directly on the fabric,” said the study’s lead author Rong Yin, assistant professor of textile engineering, chemistry and science at North Carolina State University. “During fabric production, you don’t need to consider anything about the wearable devices. You can integrate the power-generating yarns after the clothing item has been made.”

In the study published in Nano Energy, researchers tested multiple designs for power-generating yarns. To make them durable enough to withstand the tension and bending of the embroidery stitching process, they ultimately used five commercially available copper wires, which had a thin polyurethane coating, together. Then, they stitched them onto cotton fabric with another material called PTFE.

“This is a low-cost method for making wearable electronics using commercially available products,” Yin said. “The electrical properties of our prototypes were comparable to other designs that relied on the same power generation mechanism.”

The researchers relied on a method of generating electricity called the “triboelectric effect,” which involves harnessing electrons exchanged by two different materials, like static electricity. They found the PTFE fabric had the best performance in terms of voltage and current when in contact with the polyurethane-coated copper wires, as compared to other types of fabric that they tested, including cotton and silk. They also tested coating the embroidery samples in plasma to increase the effect.

“In our design, you have two layers – one is your conductive, polyurethane-coated copper wires, and the other is PTFE, and they have a gap between them,” Yin said. “When the two non-conductive materials come into contact with each other, one material will lose some electrons, and some will get some electrons. When you link them together, there will be a current.”
Researchers tested their yarns as motion sensors by embroidering them with the PTFE fabric on denim. They placed the embroidery patches on the palm, under the arm, at the elbow and at the knee to track electrical signals generated as a person moves. They also attached fabric with their embroidery on the insole of a shoe to test its use as a pedometer, finding their electrical signals varied depending on whether the person was walking, running or jumping.

Lastly, they tested their yarns in a textile-based numeric keypad on the arm, which they made by embroidering numbers on a piece of cotton fabric, and attaching them to a piece of PTFE fabric. Depending on the number that the person pushed on the keypad, they saw different electrical signals generated for each number.

“You can embroider our yarns onto clothes, and when you move, it generates an electrical signal, and those signals can be used as a sensor,” Yin said. “When we put the embroidery in a shoe, if you are running, it generates a higher voltage than if you were just walking. When we stitched numbers onto fabric, and press them, it generates a different voltage for each number. It could be used as an interface.”

Since textile products will inevitably be washed, they tested the durability of their embroidery design in a series of washing and rubbing tests. After hand washing and rinsing the embroidery with detergent, and drying it in an oven, they found no difference or a slight increase in voltage. For the prototype coated in plasma, they found weakened but still superior performance compared with the original sample. After an abrasion test, they found that there was no significant change in electrical output performance of their designs after 10,000 rubbing cycles.

In future work, they plan to integrate their sensors with other devices to add more functions.
“The next step is to integrate these sensors into a wearable system,” Yin said.

The study, “Flexible, durable and washable triboelectric yarn and embroidery for self-powered sensing and human-machine interaction,” was published online in Nano Energy. Co-authors included Yu Chen, Erdong Chen, Zihao Wang, Yali Ling, Rosie Fisher, Mengjiao Li, Jacob Hart, Weilei Mu, Wei Gao, Xiaoming Tao and Bao Yang. Funding was provided by North Carolina State University through the NC State Faculty Research & Professional Development Fund and the NC State Summer REU program.

 

Source:

North Carolina State University, Rong Yin, Laura Oleniacz

04.01.2023

Circular Economy: It could all be so simple... or not

Interview with Henning Wehland & Robert Kapferer, Circularity Germany

Interview with Henning Wehland & Robert Kapferer, Circularity Germany

I'm a very curious guy by nature. That's why I offered to help out at a well-known hot dog station in Münster (Germany) this year, to draw attention to the shortage of staff in the gastronomy. I wrote an article about it on LinkedIn, which was in turn reacted to by Ines Chucholowius.
From her profile, I could see that she is a consultant for strategic marketing and communication in the textile industry. Not entirely serious, she offered me a job in her office. Like pushing a button, the pictures in my mind set in: Textile industry, exciting! Merchandising, contacts in the industry, collaborations, and I agreed to a short chat, at the end of which we spoke on the phone and arranged to meet.
 
She told me about her website TEXTINATION.de. And we were already involved in an exciting, heated exchange about perception and truth in the textile industry. Without further ado, we left it at that and I went home with a chunk of new information about an exciting field. Our dialogue on social media continued and eventually Ines offered me the chance to feed my die-hard curiosity with the support of TEXTINATION.de. I could write a blog on the site, about people, products, service providers, producers, startups or trends that interest me, to add to my half-knowledge about the textile industry.

Textile waste into the front ... new T-shirt out the back
During this exchange and a long brainstorming session, certain terms kept tickling my attention:
Circular economy, recycling, recyclable material loops. Circular Economy, Recycling, Recyclables. Even though there are many different definitions and some even distinguishing between different aspects: the former thought from waste that flows back into production as a secondary raw material, a more modern approach avoiding waste already in production - the general consensus is really only that circular economy is a cycle in which waste is used as a source for something new.

Sounds like useful additions for all areas of the manufacturing real economy to me. Ines introduced me to Robert Kapferer: He runs a startup called Circularity Germany in Hamburg. His company, founded in 2021 and consisting of Robert and another partner, is an offshoot of the Dutch-based company Circularity B.V. Its founder Han Hamers, with a degree in child psychology and a professional background in the textile dyeing industry, had the idea five years ago for a production facility that spins new yarn exclusively from textile production waste and old textiles turning it into T-shirts, polo shirts and sweatshirts.
Whether this works, and if so, how, is what I wanted to find out, and Ines and I arranged to meet Robert for a 90-minute online conference.

Robert, originally an industrial engineer, comes from a less sustainable industry. He worked for 11 years as managing director for AVECO Material und Service GmbH, where he was responsible for the workwear of more than 50,000 employees.

At the beginning of our conversation, he emphasizes that a moment in January 2021 changed his life and from then on, he wanted to dedicate himself to the topic of circular economy with all his might. That was when he met Han Hamers, who inspired him to found Circularity Germany. His enthusiasm and passion for the subject sound credible, and he begins to describe the differences between chemical and mechanical recycling methods. In summary, the mechanical process of shredding and the subsequent spinning shortens the fibers and thus restricts their properties for further processing. The advantage lies primarily in the comparatively uncomplicated, fast and more cost-efficient process. In the chemical variant, chemical waste remains, but the processed materials are broken down again into their basic building blocks in such a way that they have almost all the same properties as a so-called virgin raw material. Circularity Germany stands for the mechanical process.

And then comes the sentence that gets all our attention: "We've advanced a spinning technology so much that it relies exclusively on waste-based raw materials."
This sentence almost doesn't stand out because Robert still talks - quite excitingly - about the fact that they are planning a production and manufacturing facility where everything from knitting yarn to relatively fine thread can be spun and then further processed into fabric. And here Ines and I ask intensively: Essential requirements for industrial production still seem to be unresolved, and necessary processes are still in the planning stage. For example, the question of whether to work with pre-consumer or post-consumer waste. Pre-consumer waste is cutting waste from the production of clothes, which corresponds to about 10% of the processed material. Post-consumer waste we know as used textiles.

As long as production still takes place in India, Circularity currently uses mainly pre-consumer waste. These come exclusively from sewing factories in the Tirupur region in the south of India. When using used textiles, which exist in large quantities in Germany (according to a study, 28-40% of all garments produced are thrown away unworn), Circularity produces blended yarns of cotton and polyester. The company does not offer pure cotton yarns.

Textiles are treated with chemicals to varying degrees - workwear in particular cannot do without them. The fact that Han Hemers is also collecting used textile stocks from the Dutch army in order to reintroduce them renewed into the consumer cycle is therefore not reassuring. Military clothing has to be finished with all kinds of additives.

Therefor I ask how he can dispel doubts in a consumer’s mind like mine, with a healthy half-knowledge of mask deals and greenwashing, that a well-intentioned vision will be followed by a dark awakening. This concern cannot yet be resolved after the conversation.

We limit ourselves to what is planned: Robert has the dream of reversing the globalized process of textile production. He wants to end the decoupling of cotton growing regions and far-flung production such as Asia with subsequent shipping of ready-made goods to Europe. In the future, existing used textiles and/or cutting wastes are to be collected on site, recycled and processed locally into new textiles.

I believe him in having this dream. However, some of my questions about sustainability remain unanswered - which is why I have my doubts about whether the idea is currently capable of performing and competing.
What are the reasons for this? For one thing, I think it's always difficult to do necessary pioneering work. Especially when listening to smart comments at the regulars' table that large companies are already working intensively on the principle of circular economy. But sometimes, apart from the term "circular economy" and a vague commitment to it, not much remains.

Circularity Germany is committed to developing a technology based exclusively on waste. The interview points out that this also includes making production more environmentally friendly and eliminating transport routes, which further reduces the burden on the environment. When all the requirements for realizing this dream have been met and a product that is competitive in terms of both quality and price can be launched on the market, it is up to the consumer to decide. Here one would have the credible argument of sustainability and a socially and environmentally fair process. Circularity would then not have to worry about PR.

It needs to be given time and, above all, attention. But perhaps the industry should get involved right here and now, and invest in startups like this and make sure that problems are cleared out of the way. Because one thing has become clear to us in this conversation:

It could all be so simple. Circular economy is achievable, but the road there is still costly and rocky. That's why we wish Robert and his team every success and, above all, perseverance. Thank you for the interview.

Short and sweet: the profile of the company in the attached factsheet for download.

 

 

Nicolas Meletiou, Pixabay
01.03.2022

Textiles and the environment: the role of design in Europe’s circular economy

From the perspective of European consumption, textiles have on average the fourth highest negative life cycle impact on the environment and climate change, after food, housing and mobility. A shift to a circular textile production and consumption system with longer use, and more reuse and recycling could reduce those impacts along with reductions in overall consumption. One important measure is circular design of textiles to improve product durability, repairability and recyclability and to ensure the uptake of secondary raw materials in new products.

Key messages

From the perspective of European consumption, textiles have on average the fourth highest negative life cycle impact on the environment and climate change, after food, housing and mobility. A shift to a circular textile production and consumption system with longer use, and more reuse and recycling could reduce those impacts along with reductions in overall consumption. One important measure is circular design of textiles to improve product durability, repairability and recyclability and to ensure the uptake of secondary raw materials in new products.

Key messages

  • In 2019, the EU textile and clothing sector had a turnover of EUR162 billion, employing over 1.5 million people across 160,000 companies. As was the case in many sectors, between 2019 and 2020, the COVID-19 crisis decreased turnover by 9% for textiles as a whole and by 17% for clothing.
  • In 2020, textile consumption in Europe had on average the fourth highest impact on the environment and climate change from a global life cycle perspective. It was the consumption area with the third highest impact on water and land use, and the fifth highest in terms of raw material use and greenhouse gas emissions.
  • To reduce the environmental impacts of textiles, a shift towards circular business models, including circular design, is crucial. This will need technical, social and business model innovation, as well as behavioural change and policy support.
  • Circular design is an important enabler of the transition towards sustainable production and consumption of textiles through circular business models. The design phase plays a critical role in each of the four pathways to achieving a circular textile sector: longevity and durability; optimised resource use; collection and reuse; and recycling and material use.

Textiles are identified as a key value chain in the EU circular economy action plan and will be addressed in the forthcoming European Commission’s 2022 EU strategy for sustainable and circular textiles and EU sustainable products initiative. This briefing aims to improve our understanding of the environmental and climate impacts of textiles from a European perspective and to identify design principles and measures to increase circularity in textiles. It is underpinned by a report from the EEA’s European Topic Centre on Circular Economy and Resource Use available here.

1. Production, trade and consumption of textiles
Textiles is an important sector for the EU economy. In 2019, the EU textile and clothing sector had a turnover of EUR162 billion, employing over 1.5 million people in 160,000 companies. As was the case for many sectors, between 2019 and 2020, the COVID-19 health and economic crisis decreased turnover by 9% for textiles as a whole and by 17% for clothing (Euratex, 2021).

In 2020, 6.9 million tonnes of finished textile products were produced in the EU-27. EU production specialises in carpets, household textiles and other textiles (including non-woven textiles, technical and industrial textiles, ropes and fabrics). In addition to finished products, the EU produces intermediate products for textiles, such as fibres, yarns and fabrics (Köhler et al., 2021).

The textiles sector is labour intensive compared with others. Almost 13 million full-time equivalent workers were employed worldwide in the supply chain to produce the amount of clothing, textiles and footwear consumed in the EU-27 in 2020. This makes the textiles sector the third largest employer worldwide, after food and housing. Most production takes place in Asia, where low production costs come at the expense of workers’ health and safety.
 
Textiles are highly globalised, with Europe being a significant importer and exporter. In 2020, 8.7 million tonnes of finished textile products, with a value of EUR125 billion, were imported into the EU-27. Clothing accounts for 45% of imports in terms of volume, followed by household textiles, other textiles and footwear (Eurostat, 2021a). The EU imports mainly from China, Bangladesh and Turkey, and exports mainly to the United Kingdom, Switzerland and the United States (Euratex, 2020).

Consumption
European households consume large amounts of textile products. In 2019, as in 2018, Europeans spent on average EUR600 on clothing, EUR150 on footwear and EUR70 on household textiles (Köhler et al., 2021; Eurostat, 2021b).

The response to the COVID-19 pandemic, involving stay-at-home measures and the closure of companies and shops, decreased textile production and demand overall (Euratex, 2021). As a result, the consumption of clothing and footwear per person decreased in 2020, relative to 2019, while the consumption of household textiles slightly increased. Average textile consumption per person amounted to 6.0kg of clothing, 6.1kg of household textiles and 2.7kg of shoes in 2020 (see Figure 1).

Apart from this COVID-related drop in consumption in 2020, the estimated consumption of clothing and footwear stayed relatively constant over the last decade, with slight fluctuations between years (see Figure 2). Similarly, the consumption of household textiles was also relatively steady, with a slight increase over the decade.

When calculating the ‘estimated consumption’ based on production and trade data from 2020, and excluding industrial/technical textiles and carpets, total textile consumption is 15kg per person per year, consisting of, on average:

  • 6.0kg of clothing
  • 6.1kg of household textiles
  • 2.7kg footwear.

For 2020, this amounts to a total consumption of 6.6 million tonnes of textile products in Europe. Textile consumption estimates are uncertain, as they vary by study, often using different scopes and calculation methods.

2. Environmental and climate impacts of textiles
The production and consumption of textiles has significant impacts on the environment and climate change. Environmental impacts in the production phase result from the cultivation and production of natural fibres such as cotton, hemp and linen (e.g. use of land and water, fertilisers and pesticides) and from the production of synthetic fibres such as polyester and elastane (e.g. energy use, chemical feedstock) (ETC/WMGE, 2021b). Manufacturing textiles requires large amounts of energy and water and uses a variety of chemicals across various production processes. Distribution and retail are responsible for transport emissions and packaging waste.

During use and maintenance — washing, drying and ironing — electricity, water and detergents are used. Chemicals and microfibres are also emitted into the waste water. Meanwhile, textiles contribute to significant amounts of textile waste. At the end of their life, textiles often end up in general waste and are incinerated or landfilled. When textile waste is collected separately, textiles are sorted and reused, recycled or disposed of, depending on their quality and material composition. In 2017, it was estimated that less than 1% of all textiles worldwide are recycled into new products (Ellen MacArthur Foundation, 2017).

To illustrate the magnitude of the impacts of textile consumption on raw material use, water and land use and greenhouse gas emissions compared with other consumption categories, we have updated our calculations of the life cycle environmental and climate impacts in the EU. We used input-output modelling based on data from the Exiobase database and Eurostat. In line with the reduced textile consumption level in 2020 because of the COVID-19 pandemic, the environmental impacts decreased from 2019 to 2020.

Raw material use
Large amounts of raw materials are used for textile production. To produce all clothing, footwear and household textiles purchased by EU households in 2020, an estimated 175 million tonnes of primary raw materials were used, amounting to 391kg per person. Roughly 40% of this is attributable to clothes, 30% to household textiles and 30% to footwear. This ranks textiles as the fifth highest consumption category in Europe in terms of primary raw material use (see Figure 3).

The raw materials used include all types of materials used in producing natural and synthetic fibres, such as fossil fuels, chemicals and fertilisers. It also includes all building materials, minerals and metals used in the construction of production facilities. Transport and retail of the textile products are included as well. Only 20% of these primary raw materials are produced or extracted in Europe, with the remainder extracted outside Europe. This shows the global nature of the textiles value chain and the high dependency of European consumption on imports. This implies that 80% of environmental impacts generated by Europe’s textile consumption takes place outside Europe. For example, cotton farming, fibre production and garment construction mostly take place in Asia (ETC/WMGE, 2019).

Water use
Producing and handling textiles requires large quantities of water. Water use distinguishes between ‘blue’ water (surface water or groundwater consumed or evaporated during irrigation, industry processes or household use) and ‘green’ water (rain water stored in the soil, typically used to grow crops) (Hoekstra et al., 2012).

To produce all clothing, footwear and household textiles purchased by EU households in 2020, about 4,000 million m³ of blue water were required, amounting to 9m³ per person, ranking textiles’ water consumption in third place, after food and recreation and culture (see Figure 4).

Additionally, about 20,000 million m³ of green water was used, mainly for producing cotton, which amounts to 44m³ per person. Blue water is used fairly equally in producing clothing (40%), footwear (30%) and household and other textiles (30%). Green water is mainly consumed in producing clothing (almost 50%) and household textiles (30%), of which cotton production consumes the most.

Water consumption for textiles consumed in Europe mostly takes place outside Europe. It is estimated that producing 1kg of cotton requires about 10m³ of water, typically outside Europe (Chapagain et al., 2006).

Land use
Producing textiles, in particular natural textiles, requires large amounts of land. The land used in the supply chain of textiles purchased by European households in 2020 is estimated at 180,000 km², or 400m² per person. Only 8% of the land used is in Europe. Over 90% of the land use impact occurs outside Europe, mostly related to (cotton) fibre production in China and India (ETC/WMGE, 2019). Animal-based fibres, such as wool, also have a significant land use impact (Lehmann et al., 2018). This makes textiles the sector with the third highest impact on land use, after food and housing (see Figure 5). Of this, 43% is attributable to clothes, 35% to footwear (including leather shoes, which have a high land use impact because of the need for cattle pasture) and 23% to household and other textiles.

Greenhouse gas emissions
The production and consumption of textiles generate greenhouse gas emissions, in particular from resource extraction, production, washing and drying, and waste incineration. In 2020, producing textile products consumed in the EU generated greenhouse gas emissions of 121 million tonnes carbon dioxide equivalent (CO2e) in total, or 270kg CO2e per person. This makes textiles the household consumption domain responsible for the fifth largest impact on climate change, after housing, food, transport and mobility, and recreation and culture (see Figure 6). Of this, 50% is attributable to clothes, 30% to household and other textiles, and 20% to footwear. While greenhouse gas emissions have a global effect, almost 75% are released outside Europe, mainly in the important textile-producing regions in Asia (ETC/WMGE, 2019).

About 80% of the total climate change impact of textiles occurs in the production phase. A further 3% occurs in distribution and retail, 14% in the use phase (washing, drying and ironing), and 3% during end of life (collection, sorting, recycling, incineration and disposal) (ECOS, 2021; Östlund et al., 2020).

Textiles made from natural fibres, such as cotton, generally have the lowest climate impact. Those made from synthetic fibres (especially nylon and acrylic) generally have a higher climate impact because of their fossil fuel origin and the energy consumed during production (ETC/WMGE, 2021b; Beton et al., 2014).

3. Design as an enabler of circular business models for textiles
To reduce the environmental and climate change impacts of textiles, shifting towards circular business models is crucial to save on raw materials, energy, water and land use, emissions and waste (ETC/WMGE, 2019). Implementing and scaling circular business models requires technical, social and business model innovation; as well as enablers from policy, consumption and education (EEA, 2021).

Circular design is an important component of circular business models for textiles. It can ensure higher quality, longer lifetimes, better use of materials, and better options for reuse and recycling. While it is important to enable the recycling and reuse of materials, life-extending strategies, such as design for durability, ease of reuse, repair and remanufacturing, should be prioritised. Preventing the use of hazardous chemicals and limiting toxic emissions and release of microplastics at all life cycle stages should be incorporated into product design.

Designing for circularity is the most recent development in design for sustainability. Expanding a technical and product-centric focus to a focus on large-scale system-level changes (considering both production and consumption systems) shows that this latest development requires many more disciplines than traditional engineering design. Product design as a component of a circular business model depends on consumer behaviour and policy to realise its potential and enable implementation. Figure 7 shows the linkages between the circular business model, product design, consumer behaviour and policy. All are needed to slow down and close the loop, making it circular.

(c) Ligne Roset
22.02.2022

Home textile trends for 2022: A craving for constancy

Sometimes loud, sometimes very gentle – but always on the move: the world of textiles has real expertise in the art of the quick change. The home textile trends for 2022 see nature quietly and discreetly settling inside our homes, making a clear statement – it’s time to take a fresh look at familiar things.

Home textile trends for 2022: back to basics
Before the pandemic, our homes were just one part of our lives. We spent much of the day out and about. The coronavirus pandemic changed all that. Many people spent more time within their own four walls than ever before – our homes took on a central role in our lives. “Home living” became an inescapable theme last year. In times when instability seems to be everywhere, many people switch their focus to the essentials and crave security and peace, turning their homes into a natural refuge where they can recharge their batteries. This trend is also influencing the interiors and lifestyle sector.

Sometimes loud, sometimes very gentle – but always on the move: the world of textiles has real expertise in the art of the quick change. The home textile trends for 2022 see nature quietly and discreetly settling inside our homes, making a clear statement – it’s time to take a fresh look at familiar things.

Home textile trends for 2022: back to basics
Before the pandemic, our homes were just one part of our lives. We spent much of the day out and about. The coronavirus pandemic changed all that. Many people spent more time within their own four walls than ever before – our homes took on a central role in our lives. “Home living” became an inescapable theme last year. In times when instability seems to be everywhere, many people switch their focus to the essentials and crave security and peace, turning their homes into a natural refuge where they can recharge their batteries. This trend is also influencing the interiors and lifestyle sector.

Pure nature in colour and form
The connection between nature and home living is becoming increasingly important when it comes to textile design. It’s a matter of creating a symbiosis between natural materials, colours and textiles to infuse rooms with a warm atmosphere. Soft textures, amorphous shapes and muted earthy tones define the home textile trends for 2022.

Rediscovering the classics: bouclé & corduroy
When most people think of bouclé, the first image that springs to mind is probably the world-famous and timeless Coco Chanel suit from the 1950s. In the 1980s and 1990s, the fabric disappeared from the trend radar. But this year it’s celebrating a fantastic comeback in interior design. Bouclé hits just the right spot between soft and hard-wearing. The upholstery is typically made of cotton and is especially durable. Whether on a sofa, armchair, cushion or as curtains, bouclé fabric is a real all-rounder and gives any room a cosy vibe. Paired with wood or metal, it softens the more hard-edged elements.

Another tactile highlight from days gone by is enjoying a revival, too – corduroy. A timeless classic that is quite rightly settling back in to our homes. Its soft structure means the fabric is well-suited for sofas and seating furniture of various kinds, with its characteristic vertical furrows making the material particularly exciting. And best of all, corduroy fits into any interior design style with ease – contrary to its stereotype of being stuffy.

A mix & match of natural materials and shapes
Natural materials like linen, wool and wood immediately lend an organic, vibrant quality to any home. The natural connection is especially apparent from last year’s DIY boom, with many walls now adorned by macramé – decorative art made by knotting wool. Cushions and blankets made of woven and braided wool in muted cream tones also create a natural and cosy look. Organic patterns and structures inspired by nature are now a must in every home.

Catapulted straight into the 2022 textile trends from the fashion world, “organic camouflage” gives camo patterns a makeover. In warm earth and pastel shades, this on-trend motif calls to mind soft, sandy beaches, the sea or the forest. On a rug or a cushion, “organic camouflage” creates a vibrant look when paired with a low-key couch.

Take the plunge with bold patterns
Whether on wallpaper, rugs or accessories, floral prints in sumptuous colour combinations are still in fashion when it comes to fabric design. In dark shades of green, they forge an elegant connection to nature, and dramatic floral prints on wallpaper make a statement in any room. But even small accessories and decorative elements like floral cushions or blankets on a monochrome sofa or armchair can have a big impact. Combined with light hues and patterns, the overall result is a harmonious interplay of colours and textures. Alongside floral textiles, upholstered furniture with geometric prints is a trend that demands the courage to be different. Large and small geometric patterns add depth to any material and are an artful way of bringing life into the home.

Sustainable materials and textiles
The global sustainability trend also raises questions concerning textile production. Where does the product come from? Is the manufacturing process environmentally friendly? The textile industry has responded with fabrics made from recycled polyester or resource-friendly hemp, cork as a substitute for wood, or fair-trade organic cotton. Alternatives to animal-derived fabrics are also becoming more common in the textile industry. Vegetarian or vegan leather can be produced from many natural resources, from apples and pineapples to mushrooms and cacti. The range of sustainable and environmentally friendly textiles has expanded in recent years and is expected to continue to grow.

Source:

imm cologne / Koelnmesse

Photo: pixabay, Hilary Clark
01.02.2022

Cotton Fibers 2.0: Fireproof and comfortable

A new chemical process developed by Empa turns cotton into a fire-resistant fabric, that nevertheless retains the skin-friendly properties of cotton.

Conventional flame retardant cotton textiles suffer from release of formaldehyde and are uncomfortable to wear. Empa scientists managed to circumvent this problem by creating a physically and chemically independent network of flame retardants inside the fibers. This approach retains the inherently positive properties of cotton fibers, which account for three-quarters of the world's demand for natural fibers in clothing and home textiles. Cotton is skin-friendly because it can absorb considerable amounts of water and maintain a favorable microclimate on the skin.

A new chemical process developed by Empa turns cotton into a fire-resistant fabric, that nevertheless retains the skin-friendly properties of cotton.

Conventional flame retardant cotton textiles suffer from release of formaldehyde and are uncomfortable to wear. Empa scientists managed to circumvent this problem by creating a physically and chemically independent network of flame retardants inside the fibers. This approach retains the inherently positive properties of cotton fibers, which account for three-quarters of the world's demand for natural fibers in clothing and home textiles. Cotton is skin-friendly because it can absorb considerable amounts of water and maintain a favorable microclimate on the skin.

For firefighters and other emergency service personnel, protective clothing provides the most important barrier. For such purposes, cotton is mainly used as an inner textile layer that needs additional properties: For example, it must be fireproof or protect against biological contaminants. Nevertheless, it should not be hydrophobic, which would create an uncomfortable microclimate. These additional properties can be built into the cotton fibers by suitable chemical modifications.

Durability vs. toxicity
"Until now, it has always taken a compromise to make cotton fireproof," says Sabyasachi Gaan, a chemist and polymer expert who works at Empa's Advanced Fibers lab. Wash-durable flame retardant cotton in industry is produced by treating the fabric with flame retardants, which chemically links to the cellulose in the cotton. Currently, the textile industry has no other choice than to utilize formaldehyde-based chemicals – and formaldehyde is classified as a carcinogen. This has been an unsolved problem for decades. While formaldehyde-based flame retardant treatments are durable, they have additional drawbacks: The -OH groups of cellulose are chemically blocked, which considerably reduces the capability of cotton to absorb water, which results in an uncomfortable textile.

Gaan knows the chemistry of cotton fibers well and has spent many years at Empa developing flame retardants based on phosphorus chemistry that are already used in many industrial applications. Now he has succeeded in finding an elegant and easy way to anchor phosphorous in form of an independent network inside the cotton.

Independent network between cotton fibers
Gaan and his colleagues Rashid Nazir, Dambarudhar Parida and Joel Borgstädt utilized a tri-functional phosphorous compound (trivinylphosphine oxide), which has the capability of reacting only with specifically added molecules (nitrogen compounds like piperazin) to form its own network inside cotton. This makes the cotton permanently fire-resistant without blocking the favorable -OH groups. In addition, the physical phosphine oxide network also likes water. This flame retardant treatment does not include carcinogenic formaldehyde, which would endanger textile workers during textile manufacturing. The phosphine oxide networks, thus formed, does not wash out: After 50 launderings, 95 percent of the flame retardant network is still present in the fabric.

To render additional protective functionalities to the flame retardant cotton developed at Empa, the researchers also incorporated in situ generated silver nanoparticles inside the fabric. This works nicely in a one-step process together with generating the phosphine oxide networks. Silver nanoparticles provide the fiber with antimicrobial properties and survive 50 laundry cycles, too.

A high-tech solution from the pressure cooker
"We have used a simple approach to fix the phosphine oxide networks inside the cellulose," Gaan says. "For our lab experiments, we first treated the cotton with an aqueous solution of phosphorus and nitrogen compounds and then steamed it in a readily available pressure cooker to facilitate the crosslinking reaction of the phosphorus and the nitrogen molecules." The application process is compatible with equipment used in the textile industry. "Steaming textiles after dyeing, printing and finishing is a normal step in textile industry. So it doesn't require an additional investment to apply our process," states the Empa chemist.

Meanwhile, this newly developed phosphorus chemistry and its application is protected by a patent application. "Two important hurdles remain," Gaan says. "For future commercialization we need to find a suitable chemical manufacturer who can produce and supply trivinylphosphine oxide. In addition, trivinylphosphine oxide has to be REACH-registered in Europe."

Contact:
Dr. Sabyasachi Gaan
Advanced Fibers
Phone: +41 58 765 7611
sabyasachi.gaan@empa.ch
 
Contact:
Prof. Dr. Manfred Heuberger
Advanced Fibers
Phone: +41 58 765 7878
manfred.heuberger@empa.ch

A gel that releases drugs
The novel phosphorus chemistry can also be used to develop other materials, e.g. to make hydrogels that can release drugs upon changes in pH. Such gels could find application in treating wounds that heal slowly. In such wounds, the pH of the skin surface increases and the new phosphorus-based gels can be triggered to release medication or a dye that alerts doctors and nurses to the problem. Empa has also patented the production of such hydrogels.

Source:

EMPA, Rainer Klose

(c) STFI
14.12.2021

Funding Project Raw Material Classification of Recycled Fibers

For centuries, old textiles have been used to make tear fibers and processed into new textile products. This effective recycling is one of the oldest material cycles in the world. Today, it is not only clothing that is recycled, but also high-quality technical textiles. As the products of the textile industry evolve, so do the demands on textile recycling. The basis for this is a clear assessment and classification of raw materials.

For centuries, old textiles have been used to make tear fibers and processed into new textile products. This effective recycling is one of the oldest material cycles in the world. Today, it is not only clothing that is recycled, but also high-quality technical textiles. As the products of the textile industry evolve, so do the demands on textile recycling. The basis for this is a clear assessment and classification of raw materials.

In the research project of the German Institutes of Textile and Fiber Research Denkendorf (DITF) and the Sächsisches Textilforschungsinstitut e.V. (STFI - Saxony Textile Research Institute), a methodology is being developed that will make it possible to analyze the tearing as well as the subsequent processes with regard to fiber quality. The systematic analysis should make it possible to optimize the subsequent spinning processes in such a way that the recycled content of the yarn can be increased without the yarn properties differing significantly from those of a yarn consisting of 100% good fibers. These yarns can then be processed into sustainable textile products such as clothing or composite components.

The project, which is funded by the BMWi/IGF, is scheduled to run for two years and will end on December 31, 2022. The main benefits for the participating companies are to enable them to make greater use of secondary raw materials, to open up new markets through technologies or products developed in the project, to initiate synergies and long-term cooperation, and to prepare a joint market presence.    

The project includes several steps:

  • Material selection and procurement
    Cotton fibers to be processed are obtained from used textiles (T-shirts) and waste from the cotton spinning mill. Aramid fibers are processed from used protective clothing and technical textiles.
  • Optimization of the preparation / dissolution of the textiles
    To ensure that the fibers are detached from the corresponding textiles as gently as possible and with a not too high reduction, exact settings have to be found for the tearing process, which are technologically very demanding and require a lot of experience.
  • Determination of the quality criteria for the evaluation of the fiber dissolution
    In order to define the quality criteria, the fibers coming from the tearing mill are determined by means of an MDTA-4 measuring device from Textechno GmbH & Co. KG. The criteria determined are to be used to characterize the (lowest possible) fiber shortening caused by the tearing process.
  • Determination of optimized settings in the spinning process
    In order to determine the optimum settings for producing a yarn from the recycled fibers, they are spun after the rotor spinning process. By adjusting the spinning process, the aim is to produce a yarn that has good uniformity and also appropriate firmness.
  • Production and comparison of yarns from recycled raw materials
    In order that the recycled fibers - consisting of aramid and cotton - can each be used to produce an area-measured material, the material is to be processed at industrial scale. For this purpose, the fibers are processed over a complete blowroom line with following sliver production over adapted cards. After drawing and the following roving production, yarns are produced according to the rotor or ring spinning process. The finished yarns are used to produce knitted fabrics.
  • Coordination, analysis of results and preparation of reports
    The final report is prepared by the DITF and the STFI. The results will be transferred through publications, technical information to associations and trade fair presentations. Regular meetings with the participating companies are planned.

Textination spoke with Stephan Baz, Deputy Head of the Competence Center Staple Fiber, Weaving & Simulation, Head of Staple Fiber Technology and Markus Baumann, Research Associate at the Competence Center Staple Fiber, Weaving & Simulation (both DITF) as well as Bernd Gulich, Head of Department Nonwovens/Recycling and Johannes Leis, Research Associate Focus Nonwovens/Recycling (both STFI) about the current status of the funding project.

What is the current status of the project?
We are currently in the phase of carrying out trials and the iterative optimization of several project components. As expected, several loops are necessary for the mechanical preparation itself and also for the adjustment of the spinning process with the different variants. Ultimately, after all, the project aims at coordinating the processes of mechanical preparation and spinning as processing in order to achieve optimum results. At the same time, determining the quality criteria of the fibers produced is not trivial. This also requires the further development of processes and test methods that can be implemented productively in industry and that allow the quality of the fibers produced to be assessed effectively and unaffected by residual yarns, for example. What is really remarkable is the interest and willingness of the industry to drive the project work forward. The considerable quantities of materials required for our trials were purchased from ReSales Textilhandel und -recycling GmbH, Altex Textil-Recycling GmbH & Co. KG and Gebrüder Otto GmbH & Co. KG. Furthermore, with Temafa Maschinenfabrik GmbH, Nomaco GmbH & Co. KG, Schill + Seilacher GmbH, Spinnerei Neuhof GmbH & Co. KG and Maschinenfabrik Rieter AG, many members of the project-supporting committee are actively involved in the project, from consulting to the providing of technologies. The company Textechno Herbert Stein GmbH & Co. KG has provided a testing device of the type MDTA4 for the duration of the project and supports our work with regard to the evaluation of the mechanically prepared fibers. We are of course particularly pleased about this, as it has allowed us to look at and analyze several technologies in both mechanical preparation, testing and spinning. We expect to be able to make more detailed statements at the beginning of the coming year.

Which approaches do you think are particularly promising?
With regard to technologies, we must refer to the evaluation and analysis of the trials, which are currently still ongoing. We will be able to go into more detail in the first quarter of next year.

Of course, things are already emerging. With meta-aramid waste, promising approaches could be found very quickly; with post-consumer cotton, this is considerably more complex. Obviously, there is a link between the quality of the raw material and the quality of the products. In some cases, we have already been able to determine very low average fiber lengths in the procured goods; to a certain extent, these are of course directly reflected in the output of our processes. From this, and this is not a new finding, a great importance of the design of the textiles is again derived.

What are the challenges?
In addition to the expected high short fiber content, the residual yarns after the tearing process are an issue of particular focus. The proportion of these residual yarns can vary between the materials and preparation technologies, but the further dissolution of the products of the tearing process is essential.

If the processes are considered further in a utilization phase, the question of design naturally also arises for the best possible use of recycled fibers. Many problems, but also the approaches to solutions for the use of comparatively short fibers, can also be expected to apply to the (multiple) use of mechanically recycled fibers.

Can we speak of upcycling in the final product?
We see yarn-to-yarn recycling neither as upcycling nor downcycling, but as closed-loop recycling. The background is that the products are to go into the same application from which they came and have to compete with primary material. This means that certain specific requirements have to be met and at the same time there is considerable price pressure. In the case of downcycling, a significant reduction in properties is accepted, while in the case of upcycling, the higher-priced application can make up for the reprocessing effort. In the attempt to produce yarn material again from yarn material, both are only permissible to a small extent. This represents the particular challenge.

What does a recyclate prepared from used textiles mean for the spinning process?
Part of this question is to be answered in the project by the detailed classification of the processed fibers and is thus the subject of the tests currently underway. It turns out that, in addition to the rather obvious points such as significantly reduced fiber length, process disturbances due to undissolved fabrics and yarn pieces, there are also less obvious aspects to be considered, such as a significantly increased outgoing quantity for processing in the spinning process. The outgoing quantity is of particular interest here, because in the end the newly produced yarn should also contain a considerable proportion of prepared fibers.

What consequences does this have for textile machinery manufacturing?
The consequences that can already be estimated at the present time are that, particularly in the processing of cotton, the machinery in the spinning preparatory mill is specialized in the processing of (new) natural fibers with a certain amount of dirt. In contrast to new fibers, processed fibers are clean fibers with a significantly higher proportion of short fibers. Elements that are good at removing dirt also reject an increased amount of short fibers, which can lead to unintentionally high waste quantities under certain circumstances. It is therefore necessary to adapt the established machine technology to the new requirement profile of the raw material "processed fibers". Analogous adaptations are probably necessary along the entire processing chain up to the yarn. In the drafting system of the spinning machine, of course, this is due more to the high short fiber ratio than to elements that have been optimized for cleaning out dirt and foreign substances.

Source:

Textination GmbH

(c) nova-Institut GmbH
07.12.2021

Finalists for „Cellulose Fibre Innovation of the Year 2022” announced

Cellulose Fibre Innovation of the Year 2022: Cellulose Fibre Solutions are expanding from hygiene and textiles as well as non-wovens up to alternatives for carbon fibres for light-weight applications.

Great submissions made the nomination for the Innovation Award difficult. All of them present promising sustainable solutions in the field of cellulose fibres value chain. Six of them now get the chance to demonstrate their potential to a wide audience in Cologne (Germany), and online.

Cellulose Fibre Innovation of the Year 2022: Cellulose Fibre Solutions are expanding from hygiene and textiles as well as non-wovens up to alternatives for carbon fibres for light-weight applications.

Great submissions made the nomination for the Innovation Award difficult. All of them present promising sustainable solutions in the field of cellulose fibres value chain. Six of them now get the chance to demonstrate their potential to a wide audience in Cologne (Germany), and online.

For the second time, nova-Institute grants the “Cellulose Fibre Innovation of the Year” within the framework of the “International Conference on Cellulose Fibres 2022” (2-3 February 2022). The advisory board of the conference nominated six  products, ranging from cellulose made of orange- and wood pulp to a novel technology for cellulose fibre production. The presentations, election of the winner by the conference audience and the award ceremony will take place on the first day of the conference.

Cellulose fibres show an increasingly expanding wide range of applications, while at the same time markets are driven by technological developments and political framework conditions, especially bans and restrictions on plastics and increasing sustainability requirements. The conference provides rich information on opportunities for cellulose fibres through policy assessment, a session on sustainability, recycling and alternative feedstocks as well as latest development in pulp, cellulose fibres and yarns. This includes application such as non-wovens, packaging and composites.

Here are the nominees:
Carbon Fibres from Wood – German Institutes of Textile and Fiber Research Denkendorf (Germany)
The HighPerCellCarbon® technology is a sustainable and alternative process for the production of carbon fibres made from wood. The technology starts with wet spinning of cellulosic fibres using ionic liquids (IL) as direct solvent in an environmentally friendly, closed loop filament spinning process (HighPerCell® technology). These filaments are directly converted into carbon fibres by a low-pressure stabilisation process, followed by a suitable carbonisation process. No exhaust fumes or toxic by-products are formed during the whole process. Furthermore, the approach allows a complete recycling of solvent and precursor fibres, creating a unique and environmentally friendly process. Carbon fibres are used in many lightweight applications and the fibres are a sustainable alternative to fossil-based ones.

Fibers365, Truly Carbon-Negative Virgin Fibres from Straw – Fibers365 (Germany)
Fibers365 are the first carbon-negative virgin straw fibres on the market. The Fibers365 concept is based on a unique, state of the art process to provide functional, carbon negative, and competitive non-wood biomass products such as virgin fibres for paper, packaging and textile purposes as well as high value process energy, biopolymer and fertilizer side streams. The products are extracted from the stems of annual food plants such as straw by a chemical-free, regional, farm level steam explosion pulping technology, allowing an easy separation of the fibres from sugars, lignin, organic acid and minerals. In the case of annual plants, CO2 emissions are recaptured within 12 months from their production date, offering “instant”, yearly compensation of corresponding emissions.

Iroony® Hemp and Flax Cellulose – RBX Créations (France)
Iroony® is a branded cellulose made by RBX Créations from hemp. This resistant hemp plant grows quickly within in a few months, massively captures carbon and displays a high content of cellulose. The biomass is directly collected from French farmers who cultivate without chemicals or irrigation, in extended rotation cycles, contributing to soil regeneration and biodiversity. For a diversified supply, the hemp can be combined with organically-grown flax. Through its patented process, RBX Créations extracts high-purity cellulose, perfectly suitable for spinning technologies such as HighPerCell® of DITF research centre. The resulting fibres display versatile properties of fineness, tenacity and stretch, for applications like clothing or technical textiles. Iroony® combines low impact, trackability and performance.

SPINNOVA, Sustainable Textile Fibre without Harmful Chemicals – Spinnova (Finland)
Spinnova’s innovative technology enables production of sustainable textile fibres in a mechanical process, without dissolving or any harmful chemicals. The process involves use of paper-grade pulp and mechanical refining to turn pulp into microfibrillated cellulose (MFC). The fibre suspension consisting of MFC is extruded to form textile fibre, without regeneration processes. The Spinnova process does not generate any side waste, and the environmental footprint of SPINNOVA® including 65 % less CO2 emissions and 99 % less water compared to cotton production. Spinnova’s solution is also scalable: Spinnova targets to reach 1 million tonnes annual production capacity in the next 10 to 12 years.    

Sustainable Menstruation Panties: Application-driven Fibre Functionalisation – Kelheim Fibres (Germany)
Kelheim’s plant-based and biodegradable fibres contribute significantly to a sustainable future in the field of reusable hygiene textiles. Through innovative functionalisation they are specifically adjusted to the requirements of the single layers and thereby reach a performance comparable to that of synthetic fibres. A unique duality in fibre technology is created: sustainably manufactured cellulosic fibres that allow for high wearing comfort and reusability with extraordinary, durable performance. Fibre concepts comprise Celliant® Viscose, an in-fibre infrared solution and Danufil® Fibres in the top sheet, Galaxy, a trilobal fibre for the ADL, Bramante, a hollow viscose fibre, in the absorbing core and a water repellent woven fabric, a biodegradable PLA film or a sustainable coating as a back sheet.

TENCEL™ branded Lyocell Fibre made of Orange and Wood Pulp – Orange Fiber (Italy)
Orange Fiber is the world's first company to produce a sustainable textile fibre from a patented process for the extraction of cellulose to be spun from citrus juice leftovers, which are more than 1 million tonnes a year just in Italy. The result of our partnership with Lenzing Group, leading global producer of wood-based specialty fibres, is the first ever TENCEL™ branded lyocell fibre made of orange and wood pulp. A novel cellulosic fibre to further inspire sustainability across the value chain and push the boundaries of innovation. This fibre, part of the TENCEL™ Limited Edition initiative, is characterized by soft appeal and high moisture absorbance and has already obtained the OEKO-TEX Standard 100 certificate and is undergoing a diverse set of other sustainability assessments.

(c) PERFORMANCE DAYS
16.11.2021

PERFORMANCE DAYS 2021: Hybrid Event in December

From December 1 to 2, 2021, the industry will meet up again live at the trade fair center in Munich. Trade visitors, industry insiders and experts can look forward to inter-personal exchanges, intensive networking, exciting fabric innovations and various other program highlights. The fair will go ahead in strict compliance with the current official hygiene regulations and in close cooperation with the Messe München authorities. Planned as a hybrid event, PERFORMANCE DAYS offers the possibility to follow what is on offer digitally.

From December 1 to 2, 2021, the industry will meet up again live at the trade fair center in Munich. Trade visitors, industry insiders and experts can look forward to inter-personal exchanges, intensive networking, exciting fabric innovations and various other program highlights. The fair will go ahead in strict compliance with the current official hygiene regulations and in close cooperation with the Messe München authorities. Planned as a hybrid event, PERFORMANCE DAYS offers the possibility to follow what is on offer digitally.

Live in Munich: PERFORMANCE DAYS in Hall A6
In Hall A6 on the grounds of the New Trade Center in Munich, trade visitors can look forward to an extensive portfolio of exhibitors showcasing their latest functional textiles and fabric innovations for the upcoming winter season, winter 2023/24. Exhibitors who are unable to present their highlights on site can also be accessed via the PERFORMANCE DAYS LOOP digital platform throughout the course of the fair. As part of the newly developed “remote booths” concept, trade visitors will for the first time also find collections from exhibitors who cannot be in Munich in person for the trade show. Interactive exchanges via chat, call or video call is planned.

Two further PERFORMANCE DAYS fairs are planned as live events: The Functional Fabric Fair by PERFORMANCE DAYS in Portland, Oregon, USA on November 17-18, 2021 and Functional Textiles Shanghai by PERFORMANCE DAYS on December 6-7, 2021. Registration is open at www.functionalfabricfair.com/ and www.functionaltextilesshanghai.com/

PERFORMANCE FORUM together with USA Fair
As part of the PERFORMANCE FORUM, a select jury of experts assembles for two days prior to the fair to exchange views on the latest fabric innovations for the winter 23/24 season. In order to ensure a more global market overview, the PERFORMANCE FORUM will curate highlights for the first time in conjunction with the US fair in Portland. Consequently, the next fair in Munich will not only feature the latest products from exhibitors at the Munich fair, but also highlights from the fair in Portland. This year’s Focus Topic in cooperation with the Vaude Academy will engage with the topic “The Sustainable Future of Nylon” and a specific hand-chosen selection of fabric materials. Furthermore, as part of the winter fair, the “sustain & innovate” conference on sustainability, organized in close cooperation with SAZsport, will take an in-depth look at the topic comprising all its aspects along with speakers, webinars and discussion rounds. The program will be broadcast live from the fair and thus accessible for all who wish to follow it online in digital form.  

Eco Award and Performance Award for Innovative Winter Fabrics 23/24
This year, in addition to a PERFORMANCE AWARD, the jury also presented an ECO PERFORMANCE AWARD. An integral part of the winter edition of PERFORMANCE DAYS is the presentation of the fabric highlights and accessory trends in the respective categories for the Winter Season 2023/24 at the PERFORMANCE FORUM. The well-known segments will be joined for the first time this winter by the Shoes & Bags category, while the renowned Lifestyle Category will be continued under its new title, “Function Meets Fashion”. The high level of innovation and quality of many of the fabrics submitted this year are particularly striking.

“The fusion of the two PERFORMANCE FORUMs of our fairs in Munich and Portland has lead to a significant increase in quality and innovation. Thanks to the new partnership, not only were we able to get new, exciting manufacturers on board, but there was also a significant increase in participation in general“, says Marco Weichert, CEO of PERFORMANCE DAYS.

Natural fabrics such as organic cotton, wool or canvas remain in demand. These are joined by significantly more plant fibers such as hemp, coconut shell, bamboo or fibers derived from pineapple or banana leaves. The additional use of castor oil, zinc or ginger supports the antibacterial effect, ensures enhanced breathability, optimum temperature management and makes the fabric soft, light and kind to the skin. The topic of recycling presents itself in various new facets and features exciting trends. The portfolio ranges from the recycling of marine waste, such as old buoys, plastic waste or fishing nets, to the recycling of waste from the automotive and computer industries, such as old car tires or computer chips. Natural dyeing methods are also gaining increasing importance, as is the recycling of materials into the textile loop.

In the Marketplace, visitors have the opportunity to view over 13,000+ products from exhibitors, including the fabric highlights of the individual categories at the PERFORMANCE FORUM. In order to be able to present the fabrics to the digital visitors as realistically as possible in terms of feel, design and structure, the PERFORMANCE FORUM has been equipped with groundbreaking 3D technology, including innovative tools such as 3D images, video animations and U3M files for download.

In addition to the PERFORMANCE AWARD WINNER, which goes to drielease/Optimer, there is also an ECO PERFORMANCE AWARD WINNER, awarded to Long Advance.

Completely new look: With the innovative Dricomfort Geo, drirelease turns to a blend of 6 % Lycra, 44 % polyester and 50 % recycled polyester. The processing of the various fibers in the knitting process, in combination with the Dricomfort GEO finishing, makes the reversible interlock fabric unique.

Unique, new pattern and knit designs are possible thanks to a special jacquard knitting process used to process the recycled polyester yarn. The material impresses with its lightness and versatility. The GEO technology also ensures optimal body temperature management. The adaptable technology provides excellent thermal regulation features through efficient heat management and enhanced moisture transport to optimize comfort and performance. Moreover, GEO boasts UV protection up to 50+.

New recycling variant: Long Advance presents LNT-21191-Z4C, a post consumer nylon that opens up a new world to recycling. The fabric, which consists of 7 % elastane and 93% recycled polyamide via Mass Balance, introduces new facets to the topic of recycling. BASF is using tire waste from now on and processes them into a new fiber. fiber. Due to the recycling, the need for synthetic fabrics are reduced to replace petroleum-based plastics with plastics made from renewable raw materials.

Photo: pixabay
18.05.2021

ECO PERFORMANCE AWARD and PERFORMANCE AWARD for innovative Summer Fabrics 2023

The digital Performance Days will kick off on May 17 through to May 21, providing online access to even more information, current trends, all the latest material innovations and enhanced tools while providing all within the industry the opportunity to interact with one another and with exhibitors.

The focus of the trend-setting PERFORMANCE FORUM in summer will highlight the winners of the two awards. This year, the jury will present a PERFORMANCE AWARD as well as an ECO PERFORMANCE AWARD.

The digital Performance Days will kick off on May 17 through to May 21, providing online access to even more information, current trends, all the latest material innovations and enhanced tools while providing all within the industry the opportunity to interact with one another and with exhibitors.

The focus of the trend-setting PERFORMANCE FORUM in summer will highlight the winners of the two awards. This year, the jury will present a PERFORMANCE AWARD as well as an ECO PERFORMANCE AWARD.

Function revisited: Outstanding fabric innovations for the Summer 2023 season
Plant-based fibers such as hemp, organic cotton, bamboo, wool, kapok or coconut shell remain in demand, with manufacturers increasingly refraining from the use of environmentally harmful chemicals, avoiding micro plastics, advocating natural dyeing processes and striving to either return fabrics back into the cycle, to recycle plastic and other waste or to produce fibers in such a way that they are biodegradable.

In the Marketplace, visitors have the opportunity to view more than 9.000 exhibitors’ products, including the fabric highlights of the individual PERFORMANCE FORUM categories. In order to present the fabrics to visitors in digital form as realistically as possible in terms of feel, design and structure, the PERFORMANCE FORUM has been equipped with state-of-the-art 3D technology, including innovative tools such as 3D images, video animations and U3M files for download.

Exceptional: PERFORMANCE AWARD & ECO PERFORMANCE AWARD Winners
For the Spring/Summer 2023 season, the jury also presented two awards for outstanding new developments – so in addition to the PERFORMANCE AWARD, presented to the winner Trenchant Textiles, there is also an ECO PERFORMANCE AWARD winner, in this year’s case, Utenos Trikotazas.

Sustainability at the highest level, wellbeing for body & soul:
With its fully biodegradable, brushed fleece material made of 11% hemp, 63% organic cotton and 26 % Tencel, Utenos Trikotazas fully convinced the jury and picked up the ECO PERFORMANCE AWARD for its sustainable comfort. The extremely comfy material is pleasant on the skin and impresses with an incredibly soft feel. Hemp is known for its natural anti-bacterial properties and natural UV protection. In combination with organic cotton and Tencel, this fabric guarantees ideal warmth and odour regulation.

Function redesigned, breaking down borders and creating space for the new: In keeping with the Focus Topic of the digital fair week “Still Physical – Your Success Story of 2020”, Trenchant Textiles combined functional features with fashionable design in its new fabric construction, fully deserving of the PERFORMANCE AWARD. The membrane on the outer side, SlickrB, is made of non-toxic, sustainable polypropylene membrane. By printing dot patterns on the surface of the membrane, the fabric provides greater abrasion resistance while maintaining its breathability properties. Absolutely revolutionary: patterns and colors can be altered individually according to preference. The inner liner made of N15DW (15D woven polyamide) also provides tear resistance as well as sufficient, adequate stretch.