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Photo Pure Denim
03.01.2023

PureDenim & Bemberg ™: “Blue di Cupro” collection at Pitti Uomo

In occasion of the next edition of Pitti Uomo, Bemberg™ by Asahi Kasei – the unique fiber with a circular economy footprint obtained from cotton linters through a closed-loop process ensuring certified sustainability credentials through its transparent and traceable approach- reveals a very special Bemberg™ fabrics smart range dedicated to premium denimwear.

In occasion of the next edition of Pitti Uomo, Bemberg™ by Asahi Kasei – the unique fiber with a circular economy footprint obtained from cotton linters through a closed-loop process ensuring certified sustainability credentials through its transparent and traceable approach- reveals a very special Bemberg™ fabrics smart range dedicated to premium denimwear.

This has been made possible thanks to the partnership with PureDenim, a leading Italian company whose strategy since 10 years is based on an entire re-design of the production system, inspired by circular economy principles that combines technology and innovative materials in order to offer the highest levels of design, innovation and real responsible values derived from an holistic approach to sustainability.
The “Blue di Cupro” collection is made with seven fabrics made with Bemberg™, either 100% Bemberg™ or in blend with cotton, wool, and it applies the most advanced Pure Denim Technologies. The Blue di cupro fabrics made with Bemberg™ will also be dyed with “Smart Indigo” an indigo dye technology internally produced by PureDenim, through a chemical-free production. The only elements involved are: water, indigo pigments, and electricity. In terms of finishing, fabrics’ looks and performances are enhanced by the “Eco Sonic” ultrasounds finishing technology which brings significant reduction of water used, increased aesthetic features and controlled discoloration. And last but not least every yarn used at PureDenim is protected by NaturalReco® a 100% natural product that completely SUBSTITUTE the use of plastic films that are one of the key causes of microplastic emission for denim application.

“Blue” seems to be the new colour of Bemberg™, in fact, the company in early November 2022 announced, at the Blue Friday initiative by UNESCO's Intergovernmental Oceanographic Commission (IOC), the achievement of the OK biodegradable MARINE certification, which guarantees the biodegradability of its products even in the marine environment, as certified by TÜV AUSTRIA, meaning a lot in the context of microplastics in water issue solutions. This Bemberg™ certification’s achievement comes on top of other key ones such as the INNOVHUB report that confirms Bemberg™ biodegradability in soil without releasing hazardous substances, the RCS by Textile Exchange, and the Oeko-Tex Standard 100 and ISO 14001 corporate certifications.

Source:

C.L.A.S.S.

(c) TEXAID
21.12.2022

TEXAID introduces recycled tote bag with a digital product passport

With the aim of increasing the use of post-consumer fibers in textiles, TEXAID launches a white tote bag. The fabric is a mixture of 50% used textile waste collected by TEXAID in Switzerland and Germany. At TEXAID's largest sorting facility in Apolda, Germany, white cotton textiles that can no longer be worn were sorted out and later spun, woven, and manufactured in Italy. Plastic waste makes up the other 50%. Unifi rescued this ocean-bound plastic waste and recycled it into fiber.

The cotton material was transformed into a fiber by Marchi & Fildi in Biella, IT, which was then spun into a yarn using recycled cotton and recycled polyester fibers. This yarn was woven into textile by Tessitura Casoni.T.F.C.. The care label and flag label were produced by the German company Bornemann-Etiketten GmbH, and an NFC chip from circular.fashion was also integrated into the product. All components were then assembled into this bag in Tuscany by benefit company Alisea Srl Società Benefit with their partner Paimex SRL and also screen printed with our design on it.

With the aim of increasing the use of post-consumer fibers in textiles, TEXAID launches a white tote bag. The fabric is a mixture of 50% used textile waste collected by TEXAID in Switzerland and Germany. At TEXAID's largest sorting facility in Apolda, Germany, white cotton textiles that can no longer be worn were sorted out and later spun, woven, and manufactured in Italy. Plastic waste makes up the other 50%. Unifi rescued this ocean-bound plastic waste and recycled it into fiber.

The cotton material was transformed into a fiber by Marchi & Fildi in Biella, IT, which was then spun into a yarn using recycled cotton and recycled polyester fibers. This yarn was woven into textile by Tessitura Casoni.T.F.C.. The care label and flag label were produced by the German company Bornemann-Etiketten GmbH, and an NFC chip from circular.fashion was also integrated into the product. All components were then assembled into this bag in Tuscany by benefit company Alisea Srl Società Benefit with their partner Paimex SRL and also screen printed with our design on it.

This NFC chip is a circularity.IDⓇ digital product passport, developed by the Berlin-based company, circular.fashion. By scanning the NFC chip on the bag with a cell phone, customers are redirected to the circularity.IDⓇ product platform. On this platform, they can find further information on the supply chain as well as instructions on how to refurbish or return the bag for proper recycling. Through this digital product passport, a total transparency over the entire bag production is enabled and for customers it is an easy and quick way to get the information they need.

The chip also allows the manual sorters to getthe product information much faster to make a better sorting decision, e.g. the fiber composition. For this purpose, circular.fashion's intelligent sorting stations are used to scan the chip. Several of these stations have been installed at TEXAID's sorting facility in Apolda, Germany, to facilitate optimized reuse and recycling decisions and ensure another life for the product or fiber.

Source:

TEXAID

12.12.2022

ANDRITZ recycling line for agricultural plastic waste nets

RecyOuest, France, has successfully started up the world's first recycling line for agricultural plastic waste nets at its mill in Argentan. The innovative recycling line featuring a unique dry-cleaning system was delivered, installed and commissioned by the international technology group ANDRITZ in August 2022.

RecyOuest, based in Argentan, France, is a green economy company that handles the recycling contaminated filamentary thermoplastics such as round bale nets and twines. With its recycling process, RecyOuest is part of a circular economy approach.

The ANDRITZ recycling line can process up to 8,000 tons of waste and produce recycling fibers for nonwoven applications and also for pellets made of waste from agricultural single-use plastic nets and twines. These pellets are then returned to the plastics industry by mixing both recycled and virgin raw materials, thus reducing the amount of virgin plastic used.

RecyOuest, France, has successfully started up the world's first recycling line for agricultural plastic waste nets at its mill in Argentan. The innovative recycling line featuring a unique dry-cleaning system was delivered, installed and commissioned by the international technology group ANDRITZ in August 2022.

RecyOuest, based in Argentan, France, is a green economy company that handles the recycling contaminated filamentary thermoplastics such as round bale nets and twines. With its recycling process, RecyOuest is part of a circular economy approach.

The ANDRITZ recycling line can process up to 8,000 tons of waste and produce recycling fibers for nonwoven applications and also for pellets made of waste from agricultural single-use plastic nets and twines. These pellets are then returned to the plastics industry by mixing both recycled and virgin raw materials, thus reducing the amount of virgin plastic used.

This line, inspired by the techniques from textile wastes recycling, is equipped with a unique mechanical dry-cleaning system that allows resource savings by avoiding the use of water and chemicals. This state-of-the-art ANDRITZ equipment allows RecyOuest to produce recycling fibers for nonwoven applications and also pellets for ever new eco-designed nets and twines for the agricultural sector, with the lowest possible environmental impact.

Source:

ANDRITZ AG

Photo: Freudenberg Performance Apparel
24.11.2022

Freudenberg Performance Materials Apparel: Rooftop photovoltaic coverage at Nantong

Freudenberg recently completed the installation of 13,000m2 of photovoltaic cells on the roof of its new Nantong factory. With a total capacity of 1.6 MW, the new rooftop installation is projected to produce 1.5 million kWh of green electricity each year. In addition to reduced energy consumption from the grid, this new installation will lower CO2 emissions by approximately 1,200 tons/year.

Freudenberg recently completed the installation of 13,000m2 of photovoltaic cells on the roof of its new Nantong factory. With a total capacity of 1.6 MW, the new rooftop installation is projected to produce 1.5 million kWh of green electricity each year. In addition to reduced energy consumption from the grid, this new installation will lower CO2 emissions by approximately 1,200 tons/year.

Beyond the photovoltaic installation, Freudenberg has integrated sustainability into the Nantong factory’s design, with advances in energy conservation and emissions and loss reduction.
The factory uses valley voltage to cool water in its reservoir that is applied to A/C and machine temperature management during working hours. The new waste gas treatment technology enables hot water collected by heat exchangers to be directly reused in production, thereby reducing thermal energy waste. Furthermore, the factory applies a new multi-phase waste gas treatment technology to reduce volatile organic compounds (VOC) emissions. The factory has also incorporated new methods to improve the A-grade rates of bi-elastic interlinings and shirt interlinings, further reducing waste while improving garment quality.

As part of the Group’s sustainable development strategy, Freudenberg Apparel has also launched its House of Sustainability to minimize the impact of production processes on the environment and help customers achieve their sustainability goals, with responsible products across the seasons.

Source:

Freudenberg Performance Apparel

Photo HeiQ
24.11.2022

HeiQ Mint: No more smelly socks or shirts

HeiQ takes advantage of its presence at ISPO Munich 2022, 28th-30th of November, to launch HeiQ Mint, the new proprietary odor control technology. It is plant-based and designed to make textiles smell fresh even if we use them repeatedly, avoiding the need for frequent washes, thus enabling to save water and energy.

HeiQ Fresh MNT-01, under the HeiQ Mint product family, jointly developed with Patagonia, addresses body odors on textiles and regenerates at every wash, with superior efficiency and durability that meets most end-use performance requirements, while keeping all the fabric properties such as breathability, hand feel, or wicking. This textile technology is OEKO-TEX® suited, bluesign approved, and ZDHC compliant, with a USDA bio-preferred certification in progress.

HeiQ takes advantage of its presence at ISPO Munich 2022, 28th-30th of November, to launch HeiQ Mint, the new proprietary odor control technology. It is plant-based and designed to make textiles smell fresh even if we use them repeatedly, avoiding the need for frequent washes, thus enabling to save water and energy.

HeiQ Fresh MNT-01, under the HeiQ Mint product family, jointly developed with Patagonia, addresses body odors on textiles and regenerates at every wash, with superior efficiency and durability that meets most end-use performance requirements, while keeping all the fabric properties such as breathability, hand feel, or wicking. This textile technology is OEKO-TEX® suited, bluesign approved, and ZDHC compliant, with a USDA bio-preferred certification in progress.

The product development tests were highly demanding, with HeiQ Mint standing out in comparison to the other two tested solutions. According to Laura Hoch, Patagonia’s Materials Innovation Engineer, “out of all the anti-odor technologies we tested, HeiQ Mint provided the highest odor control performance, with the added benefit of being plant-based. This innovation enables Patagonia to deliver our customers high-performing products made with the best available chemistry.”

Another advantage of HeiQ Mint is the ability to be applied and marketed worldwide, without the need for biocidal declaration on product labels, since it is based on a blend of essential mint oils and naturally derived deodorizing ingredients. HeiQ Mint is just Fresh by Nature.

It is ideal for next-to-skin products like sports apparel, underwear, linings, casual and business wear but also home textiles such as bed linen, pillow fabrics, or mattress textiles, both on cellulosic and synthetic fibers.

More information:
HeiQ Mint odor control Sportswear
Source:

HeiQ

Foto: Messe Düsseldorf, Constanze Tillmann
24.11.2022

Trendbörse EuroShop 2023

  • Materials & Surfaces: was Design in schwierigen Zeiten bewirken kann
  • Nachhaltigkeit ist Leitgedanke
  • Natur und Harmonie als Rezept gegen Krisenmodus
  • Custom-made Design gewinnt

Aufgeschäumtes Aluminium, transluzente Betonflächen oder filigrane Gespinste, die das Gewicht massiver Steinbrocken zu balancieren scheinen – die Inszenierung von Shopping-Erlebnissen spielt gern mit dem visuellen Wow. Die Dimension Materials & Surfaces der EuroShop, the World’s No. 1 Retail Trade Fair, vom 26. Februar bis 02. März 2023 in Düsseldorf, ist Trendbörse und Inspiration für Store-Architekten, Ladenbauer und Kreative.

  • Materials & Surfaces: was Design in schwierigen Zeiten bewirken kann
  • Nachhaltigkeit ist Leitgedanke
  • Natur und Harmonie als Rezept gegen Krisenmodus
  • Custom-made Design gewinnt

Aufgeschäumtes Aluminium, transluzente Betonflächen oder filigrane Gespinste, die das Gewicht massiver Steinbrocken zu balancieren scheinen – die Inszenierung von Shopping-Erlebnissen spielt gern mit dem visuellen Wow. Die Dimension Materials & Surfaces der EuroShop, the World’s No. 1 Retail Trade Fair, vom 26. Februar bis 02. März 2023 in Düsseldorf, ist Trendbörse und Inspiration für Store-Architekten, Ladenbauer und Kreative.

Veränderte Vorzeichen, innere Werte
Der Rahmen für den klassischen Einkaufsbummel hat sich verschoben, der andauernde Krisenmodus stellt das stationäre Shopping vor neue Aufgaben – und damit auch die Hersteller von Ladenbau-Werkstoffen. „Im Vergleich zu der Zeit vor Corona ist es heute nicht mehr nur das Ziel der Planer, die Kunden durch eine angenehme Atmosphäre möglichst lange zum Verweilen im Shop zu bringen, sondern sie durch eine gewisse Leichtigkeit und Einfachheit von den vielen Alltagssorgen abzulenken“, analysiert Klaus Monhoff, Leiter Dekor- und Designmanagement bei Egger Holzwerkstoffe. Lebendige Feelgood-Szenarios sind gefragt und geprägt von „Überraschung, Individualisierung, Kreativität, Erlebnis, Innovation, Sinnlichkeit, Komfort“, so Eleonora Zappanico, Marketing Operation Manager beim italienischen High-Tech-Textilspezialisten S.I. Srl. Allen Details, die die Sinne berühren, kommt wachsende Beachtung zu, auch eine samtig-schmeichelnde Oberfläche ist haptische Willkommensgeste und erhöht die Aufenthaltsqualität in einem Store.

Die funktionalen Eigenschaften nehmen allgemein an Bedeutung zu, es werden performante Alleskönner für reibungsarme Prozessabläufe gesucht: Robustheit für eine erhöhte Langlebigkeit, gut desinfizierbare, leicht zu reinigende und Antifingerprint-Oberflächen. Dekore und Werkstoffe sollen vielseitig einsetzbar und super miteinander kombinierbar sein, alles flexibel, schnell verfügbar und in größtmöglicher Vielfalt.

Während die „inneren Werte“ an Relevanz zunehmen, tritt die plakative Optik etwas in den Hintergrund zugunsten gemäßigterer Oberflächen. Hölzer haben nicht mehr die ganz markante, rustikale Maserung, reines Weiß wird seit Corona von gebrochenen Tönen und warmer Farbigkeit abgelöst, eine gewisse Reduktion beim Design ist allseits erkennbar, Harmonie gewinnt.

Vom Charme der Natur
Warme Holzoptiken, Beton-Look, Stein- und Mauerwerk-Verkleidungen an Wänden, Böden und den Ladenmöbeln – naturnahe, authentische Oberflächen passen nach wie vor ins Bild. Auffällig ist, dass typische Outdoor-Texturen zunehmend in die Innen- und Ladenräume wandern und die Grenzen zwischen Außen und Innen aufheben. „Farben und Materialien aus der Natur, die das Einkaufserlebnis bereichern, sind ein Trend, der im biophilen Design seinen maximalen Ausdruck findet“, so Francesco Maffei vom italienischen Fliesenhersteller Ceramiche Keope. Ein „Raw Earth Effect“ wurde bei Keope der Bodenfliesen-Serie ‚Geo‘ zugrunde gelegt: Fliesen mit Toneffekt, die die optische Unvollkommenheit von Erde in ihr – dabei sehr elegantes – Design übersetzen.

Bei imi surface design, Spezialist für originalgetreue Oberflächen wie z.B. Beton-, Rost-, Altholz- und Steinoptik für unterschiedliche Trägermaterialien, ist eine schöne helle Kalkstein-Optik als biegbare und versiegelte Variante neu im Programm. Mit herkömmlichem Tischlerwerkzeug zu verarbeiten, lassen sich damit Wände, Böden und selbst Möbelstücke in der eigentlich spröden, porösen Textur von Kalkstein gestalten, die dann aber eben nicht bröseln und bröckeln, sondern die im Ladenbau erforderliche Festigkeit und Strapazierfähigkeit aufweisen.

Neue Hölzer
Diversifizierung kennzeichnet die Holzoptiken. Bisher dominierten im Ladenbau die Klassiker Nuss und Eiche, nun sei die Zeit reif für neue Akzente, so David Lahnsteiner aus der Dekorentwicklung bei Kaindl, Hersteller von Dekor- und Schichtstoffverbundplatten und -Böden. „Schön, ausgewogen und elegant setzen die Nadelhölzer Abies, Polar Pine und Fichte neue Trends im Interior-Design.“ Beim Bestseller Eiche wird die Hell-Dunkel-Skala ausgebaut. „Die Dekorfamilie der Eiche Evoke zeigt schier grenzenlose Möglichkeiten im Bereich „Dark & Light“. Die fast schwarze "Infinity" greift den aktuellen Trend nach dunklen homogenen Holztönen auf, die helle jugendliche "Light“ mit ausgeprägten Farbkontrasten ist die perfekte Kombination zu vielen Uni-Farbtönen“, so Lahnsteiner.

Besonders authentisch wirken Naturoptiken auf Trägermaterialien durch eine dekorgleiche dreidimensionale Strukturprägung – die sog. Synchronprägung oder Synchronpore, die die Textur von Stein und Beton oder die charakteristische Maserung von Hölzern auch haptisch hervorhebt. Bei Egger Holzwerkstoffe hat man noch einen draufgesetzt und unter dem Namen ‚PerfectSense Feelwood‘ die Synchronporen-Oberflächen mit einem matten Lackfinish und Anti-Fingerprint-Eigenschaft veredelt – auf einem emissionsarmen Holzwerkstoffträger mit Recyclinganteil.

Design 4.0
Helles Holz an Betonoptik, Marmoreffekte neben hochglänzendem Farblack, derber Bruchstein kombiniert mit changierendem Acrylglas oder auch Spiegelrelief – in unüblichen Materialkontrasten, die die Sehgewohnheiten überraschen, liegt Innovationspotenzial. „Dass die Designs Aufmerksamkeit erregen, jedoch nicht vom Produkt ablenken, und etwas Besonderes sind, das man nicht überall sieht, das sind die Herausforderungen für Store-Architekten“, so Julian Theisen, Geschäftsführer bei Sibu Design, österreichischer Spezialist für Design-Paneele. Lebendige Oberflächen der Design-Panels, Reliefs und Strukturen, samtig-matte Oberflächen sind bei Sibu Design im Fokus. Auch „Spiegeloberflächen in den verschiedensten Farben, glatt bis grob strukturiert, sind nach wie vor sehr gefragt. Besonders oft stellen wir die genauen Farben des Corporate Designs nach; von der Spiegel- bis zur Stoffoberfläche. Auch der Anteil an gedruckten und gestanzten Logos steigt an“, ergänzt Theisen. – Customizing, einzigartige Details, die sich abheben, individuell konfektionierte Elemente gewinnen an Bedeutung.

Fundstücke aus der Manufaktur
Store-Design im gehobenen Level greift verstärkt auf (kunst)handwerklich Gefertigtes aus Manufaktur-Betrieben zu, um sich gegenüber Wettbewerbern, Mainstream und Discount zu profilieren. Auch diesbezüglich wird man auf der EuroShop 2023 reichlich fündig. Etwa bei der Glashütte Lamberts aus Waldsassen. Die Faszination mundgeblasener farbiger Flachgläser, die zunächst in der hochwertigen Architektur, internationalen Hotels und bei Luxusmarken Anwendung fanden, haben inzwischen auch die Gastro-Szene, Bäckereien und Handelshäuser für sich entdeckt. Sie kommen für Vitrinen, Glasgestaltung für Trennwände und hinterleuchtete Wandverkleidungen, Deckenverglasungen (Kuppelverglasungen, etc.) und Design-Leuchten, Tresen, Möbel, Tische, Fassaden und Fenster zum Einsatz.

Auch die Zahna-Fliesen GmbH ist so ein Manufaktur-Betrieb, der in Handarbeit mehrfarbige unglasierte Fliesen nach historischem Vorbild in Kleinserien herstellt. Oder auch das portugiesische Pendant Viúva Lamego, das neben industrieller Stückzahl-Fertigung auch die portugiesische Tradition der handbemalten Taylor-made-Fliesen lebendig hält. Durch Kollaborationen mit internationalen Künstlern und Architekten werden neue Einsatzgebiete ausgelotet und z.B. Wandfreskos aus Fliesen – modern bis retro – für Gasträume realisiert.

Auch die filigranen High-Tech-Vorhänge und Raumteiler aus Textil oder Kettengliedern von Herstellern wie i-mesh oder Kriskadecor seien hier erwähnt. Deren semitransparente Szenografie dient in Store-Konzepten hochkarätiger Marken wie Dior, Natuzzi und den niederländischen Luxus-Warenhäusern von de Bijenkorf als Struktur- und Design-Element.

Flexibel, digital und crossmedial
Flexibilität ist auch bei Material-Anbietern zum zentralen Stichwort geworden. Digitalisierung und Technologie-Einsatz erfordern von Läden flexiblere, wandelbare Einrichtungskonzepte und mehr Eventcharakter, Ladenräume werden häufig als dynamische, multifunktionale und vielseitig nutzbare Umgebungen konzipiert. Daher sind Lösungen gefragt, die einen schnellen Umbau erlauben. Sibu Design etwa bietet Dekorplatten mit Magnetrücken, die perfekt geeignet sind, um mit wenigen Handgriffen umzudekorieren und ein frisches Ambiente zu erzeugen.

Auch ein Fotoboden – fotorealistisch bedruckbarer Vinyboden von visuals united – wird nicht mehr nur als „Kundenstopper“ und temporäre Werbefläche am POS eingesetzt, berichtet Silke Hüsgen von der visuals united AG. „Mutige Kunden nutzen ein kreatives Design auf einem Fotoboden in Kombination von Augmented-Reality-Content, um die analoge Welt am POS mit der digitalen zu kombinieren“, so Silke Hüsgen von der visuals united AG. Denn: „Die letzten Jahre haben die Welt auf den Kopf gestellt. Nicht nur die Pandemie, auch die Auswirkungen des Ukraine-Kriegs erfordern neue bzw. andere Produktions-, Kommunikations- und Vertriebswege. Vom Retail fordert diese Situation zukunftsweisende Lösungen in den Bereichen ‚Nachhaltigkeit‘ und einen ‚crossmedialen POS‘.“

Recycling-Design auf grünen Wegen
Ausnahmslos alle Hersteller von Fliesen, Holz- und Verbundwerkstoffen, Dekorpaneelen und Sonderprodukten für den Ladenbau haben es auf dem Schirm: Die aktuell größte Herausforderung ist, ressourcenschonende Prozesse und nachhaltige Produkte und mittelfristig den Umbau zu geschlossenen Material- und Produktionskreisläufen anzustoßen und damit tragfähige Zukunftsperspektiven für den Ladenbau zu entwickeln, der von Wechsel und Veränderung lebt und damit nicht ganz optimal zu Nachhaltigkeit und Zirkulärwirtschaft passt. Sollte man meinen. „Würden wir ganz anders betrachten, denn unter dem Nachhaltigkeits-Aspekt müsste die beschichtete Spanplatte eigentlich einen Umwelt-Nobelpreis bekommen“, räumt Klaus Monhoff von Egger Holzwerkstoffe ein. „Begonnen bei der Herstellung, bei der schon ein hoher Anteil Recyclingholz eingesetzt wird, kann die Platte nach der Verwendung zum Ende des Lebenszyklus auch wieder zu 100 Prozent recycelt werden und bleibt also komplett im eigenen Umweltkreislauf.“

Eine Reihe marktfähiger ‚Win-win-Lösungen‘, die die Anforderungen an Umweltverträglichkeit mit den qualitativen Anforderungen von Store-Architekten zusammenbringen, präsentiert Bencore, italienischer Hersteller von Verbundplatten und Mitglied des Green Buiding Councils Italia, dem dortigen Verband für nachhaltiges Bauen. Darunter ‚Wasbottle‘, ein Kunststoff aus recycelten Kunststoffflocken, der gemeinsam mit Autogrill entwickelt wurde, um den anfallenden Abfall des Travelfood-Unternehmens wiederzuverwerten. Das Schmelzen und Verpressen der bunten Flocken kreiert eine ganz eigene Recycling-Ästhetik in fröhlich bunter Terrazzo-ähnlicher Anmutung, die sich sehen lassen kann. Kommentar Bencore: „Wir sind der festen Überzeugung, dass die Herstellung von recycelten und recycelbaren Produkten ein Muss für Marken und Lieferanten sein sollte.“

Source:

EuroShop Messe Düsseldorf

Photo: LYCRA® naturalFX™ technology powered by HeiQ
LYCRA® naturalFX™ technology powered by HeiQ
15.11.2022

HeiQ and The LYCRA Company: Added-value technology for cotton knitwear

  • LYCRA® naturalFX™ technology offers durable comfort stretch and fit for 100% cotton knitwear.

HeiQ and The LYCRA Company created a new and durable solution for 100% cotton fabric, adding stretch and recovery properties while keeping it fully recyclable.

HeiQ, a leader in performance finish technologies, and The LYCRA Company, a leader in developing innovative and sustainable fiber and technology solutions for the apparel and personal care industries, announced the launch of LYCRA® naturalFX™ technology, a proprietary textile finishing process for 100% cotton knit garments designed for mass market applications.

LYCRA® naturalFX™ technology, powered by HeiQ, enhances cotton knitwear, addressing critical consumer pain points, and improving the consumer’s overall wearing experience. This technology provides durable comfort stretch, fit, and soft hand-feel to 100% cotton knitwear compared to conventional finishes. Even after repeated washing and wearing, LYCRA® naturalFX™ technology helps knitwear retain its shape, which helps extend the garment’s lifespan and potentially reduce its environmental impact.

Source:

HeiQ

(c) Global Fashion Agenda
04.11.2022

Highlights of the Global Fashion Summit Singapore Edition

Hosted outside of Copenhagen for the first time in its 13-year history, on 3 November, Global Fashion Summit assembled over 250 stakeholders representing manufacturers, garment workers, retailers, brands, suppliers, NGOs, policy, and innovators in Singapore and online to spur industry action. The Summit was presented by Global Fashion Agenda (GFA), the non-profit organisation that is accelerating the transition to a net positive fashion industry.
 
The latest edition of the Summit was centred around the theme ‘Alliances for a New Era’, building on dialogues from the June edition in Copenhagen and gathering leaders from across the entire value chain to elevate diverse voices and foster alliances within the fashion industry and beyond, to drive sustainable impact.
 

Hosted outside of Copenhagen for the first time in its 13-year history, on 3 November, Global Fashion Summit assembled over 250 stakeholders representing manufacturers, garment workers, retailers, brands, suppliers, NGOs, policy, and innovators in Singapore and online to spur industry action. The Summit was presented by Global Fashion Agenda (GFA), the non-profit organisation that is accelerating the transition to a net positive fashion industry.
 
The latest edition of the Summit was centred around the theme ‘Alliances for a New Era’, building on dialogues from the June edition in Copenhagen and gathering leaders from across the entire value chain to elevate diverse voices and foster alliances within the fashion industry and beyond, to drive sustainable impact.
 
The Summit’s first international edition facilitated more conversations with manufacturer and supply chain voices to discuss crucial challenges and opportunities around working collaboratively with brands on equal terms. The programme featured bold panels, case studies, masterclasses and leadership roundtables reflecting on topics including ‘Data Scarcity: A Crisis of Measurement?’, ‘Disruption for Better Wage Systems’, ’Community and Circularity’, ‘Connecting the EU Textiles Strategy with the Value Chain’ and ‘Our Energy Transformation Moment’.
 
Attendees heard from over 50 speakers including H.E. Sandra Jensen Landi, Ambassador of Denmark to Singapore & Ambassador-Designate of Denmark to Brunei; H.E. Iwona Piórko, Ambassador of the European Union to Singapore; Anne-Laure Descours, Chief Sourcing Officer, PUMA; Baptiste Le Gal, Chief Revenue Officer APAC, Vestiaire Collective; Christian James Smith, Head of Sustainability Stakeholder Engagement, Zalando; Ninh Trinh, Director of Responsible Sourcing & Sustainability, Target; Roger Lee, CEO, TAL Apparel; Wilson Teo, President, Singapore Fashion Council; Edwin Keh, Chief Executive Officer, The Hong Kong Research Institute of Textiles and Apparel, Ashila Dandeniya, Founder, StandUp Lanka; and more.

Key takeaways and highlights from the event include:

  • Global Fashion Agenda announced a new alliance with BBC Storyworks Commercial Productions to launch a film series on BBC.com, which is currently in the early stages of development. The new series will present human-centric stories focusing on both social and environmental sustainability in the fashion industry. It will be released to a wide audience in 2023.
  • Federica Marchionni outlined the crucial need for accurate and robust data to substantiate sustainability claims and credentials but acknowledged that the focus on finding ‘perfect’ data cannot be allowed to stifle progress. Global Fashion Agenda will build upon Summit discussions to reflect on how the industry can accurately measure and communicate sustainability performance and illuminate the data credibility challenges.
  • The session ‘Establishing circular fashion systems in Cambodia & Vietnam’ outlined the first steps taken by the Global Circular Fashion Forum to establish circular fashion systems in Vietnam and Cambodia with regional stakeholders, government, brand and manufacturer representation.
  • Throughout the Summit, the Innovation Forum connected fashion companies with sustainable solution providers. Exhibitors included Better Work , Circular Fashion Partnership, Compreli, Kno Global, Planatones by Noyon Lanka, Redress Design Award and The ID Factory.
  • Through conversations such as ‘Disruption for Better Wage Systems’ and ‘Empowering the Worker Majority’, there was a resounding message for people to consider the real people in the value chain. Ensuring dignified livelihoods for these workers should have the same sense of urgency as emissions reductions. 
Source:

Global Fashion Agenda

(c) Elisa Bontempo
Designed by Aissatou-Jole Diatta, AFOL MODA
04.11.2022

C.L.A.S.S.: New project “Fashion schools for design - driven sustainable innovation”

Piattaforma Sistema Formativo Moda Ente del Terzo Settore renews its commitment in the field of responsible, eco-friendly fashion with a new ad hoc initiative for Fashion Graduate Italia: FASHION SCHOOLS FOR DESIGN - DRIVEN SUSTAINABLE INNOVATION. The project has been set up in a partnership and with the support of C.L.A.S.S. (Creativity, Lifestyle And Sustainable Synergy).

The project “Fashion Schools for Design - Driven Sustainable Innovation” is presented at the eighth edition of the event organised by Piattaforma Sistema Formativo Moda, staged from 3 to 5 November at BASE Milano.

Piattaforma Sistema Formativo Moda Ente del Terzo Settore renews its commitment in the field of responsible, eco-friendly fashion with a new ad hoc initiative for Fashion Graduate Italia: FASHION SCHOOLS FOR DESIGN - DRIVEN SUSTAINABLE INNOVATION. The project has been set up in a partnership and with the support of C.L.A.S.S. (Creativity, Lifestyle And Sustainable Synergy).

The project “Fashion Schools for Design - Driven Sustainable Innovation” is presented at the eighth edition of the event organised by Piattaforma Sistema Formativo Moda, staged from 3 to 5 November at BASE Milano.

Embracing the theme of this edition of Fashion Graduate Italia, “Sustainable Innovation”, Piattaforma Moda has invited students from fashion schools, academies and associated institutes to participate in a training course regarding the planning and creation of an outfit in compliance with a responsible fashion approach: starting with the design, including the choice of sustainable materials supplied by some of the hub’s partner companies, and also involving a look at the communication strategy for the project.
To create their looks, the selected students followed two training courses organised by C.L.A.S.S.: “Introduction to next-generation Fashion” and “Introduction to smart ingredients”. These courses covered the values of next-generation fashion (integrating sustainability with design and innovation) and the characteristics of innovative and sustainable materials to produce the outfits.
 
The development process of the 11 final looks was followed in person by creative director Olivia Spinelli - Coordination and Creative Direction at IED Moda Milano and member of the Artistic Committee of FGI 2022 - and by tutor Camilla Carrara - founder and zero-waste designer of ZEROBARRACENTO -, the project coordinator of C.L.A.S.S.

The partners of C.L.A.S.S. that contributed by supplying their materials are: Berto, Brunello, Iluna Group, Re.VerSo™ by A. Stelloni Collection by Mapel and Tessitura Grisotto;  IED - European Institute of Design and ZEROBARRACENTO also gave support in the implementation of the initiative.

02.11.2022

Swiss textile manufacturer Schoeller Textil AG with new branding

  • Focus on the guiding principle of "textile intelligence" and sustainability

Long before sustainability became a trend in the textile industry, Schoeller Textil AG, which has been innovating technical fabrics and smart textile finishing technologies for more than 150 years, made it its mission to develop textile innovations in harmony with nature. Now the company is undergoing an extensive rebranding, whilst unveiling its strong brand foundation in the process. The result embodies the newly defined guiding principle of “Textile Intelligence” - the development and successful implementation of innovative textiles and intelligent textile technologies.

Innovations in the textile industry must meet requirements on several levels – offering both new and optimized solutions to sociological, ecological, and economic challenges of our time. Creating this holistic added value is firmly rooted in the Schoeller brand origin and is still the top priority in textile product development today. The brand essence has thus remained the same, but it has been embodied anew.

  • Focus on the guiding principle of "textile intelligence" and sustainability

Long before sustainability became a trend in the textile industry, Schoeller Textil AG, which has been innovating technical fabrics and smart textile finishing technologies for more than 150 years, made it its mission to develop textile innovations in harmony with nature. Now the company is undergoing an extensive rebranding, whilst unveiling its strong brand foundation in the process. The result embodies the newly defined guiding principle of “Textile Intelligence” - the development and successful implementation of innovative textiles and intelligent textile technologies.

Innovations in the textile industry must meet requirements on several levels – offering both new and optimized solutions to sociological, ecological, and economic challenges of our time. Creating this holistic added value is firmly rooted in the Schoeller brand origin and is still the top priority in textile product development today. The brand essence has thus remained the same, but it has been embodied anew.

“At the beginning of the rebranding process, it was clear to us we had to root ourselves in (Swiss) tradition in order to fully realize Schoeller’s entire brand potential and successfully explore new, digital paths,” said Antonio Gatti Balsarri, Schoeller chief commercial officer.

“The goal of the rebranding is to communicate our traditional brand values in a completely new brand presence. The result was a sharpened brand profile, a clear brand strategy and tonality, as well as a clean, modern corporate design. We will specifically address our sustainability commitment through the expansion of digital touchpoints, their cross-media use, and an increased online presence. Simplified, straightforward, sustainable - in accordance with our greatest source of inspiration: nature.”

Transparency and Sustainability
Paramount to Schoeller’s corporate identity is the full disclosure of brand principles and transparency around all business divisions. A simplified logo design was established by reducing logo elements and colors for a modern look and feel that can be produced in a much more resource-efficient manner. Schoeller’s new brand mantra of “Textile Intelligence” speaks to its company mission of more than 150 years.

Schoeller has been a bluesign system partner from the very beginning and uses the Higg Facility Environmental Module (FEM) to assess sustainable performance. In addition to environmentally-friendly manufacturing processes and careful material selection, the highest quality and sustainability standards in production also mean guaranteeing fair working conditions. Schoeller follows a Code of Conduct that guarantees transparent production chains, environmental protection, and fair working conditions.

“Zero Textile Waste” becomes a targeted brand strategy. While the production of textiles and textile technologies is continuously being optimized to preserve resources, the manufacturing processes are often costly and complex. To this end, Schoeller offers new approaches to efforts around Zero Waste in the industry. Its new online shop, “Schoeller re-Fabric” sells textile remnants from production directly to designers and smaller productions to increase its overall production volume efficiency and avoid textile waste.

Source:

Schoeller Textil AG

(c) C.L.A.S.S.
31.10.2022

C.L.A.S.S.: Launch of Imagining Sustainable Fashion Award 2023

The launch of the third edition of the Imagining Sustainable Fashion Award started on October 27, 2022. The Imagining Sustainable Fashion Award (ISFA) is the international competition born out of the collaboration between Connecting Cultures, the foundation that guides the Out of Fashion platform, and C.L.A.S.S., an international eco-hub that since 2007 has been advocating for a new generation of fashion in which the union of design, innovation, communication, and responsibility shapes a conscious and competitive business, capable of playing both an economic and social role.

The Imagining Sustainable Fashion Award invites stylists, photographers, designers, illustrators and artists to create visual imagery, a project that highlights awareness, respect for people and the planet that define the values of sustainable fashion in the fashion system.

Award submissions will be examined by an international jury composed of:

The launch of the third edition of the Imagining Sustainable Fashion Award started on October 27, 2022. The Imagining Sustainable Fashion Award (ISFA) is the international competition born out of the collaboration between Connecting Cultures, the foundation that guides the Out of Fashion platform, and C.L.A.S.S., an international eco-hub that since 2007 has been advocating for a new generation of fashion in which the union of design, innovation, communication, and responsibility shapes a conscious and competitive business, capable of playing both an economic and social role.

The Imagining Sustainable Fashion Award invites stylists, photographers, designers, illustrators and artists to create visual imagery, a project that highlights awareness, respect for people and the planet that define the values of sustainable fashion in the fashion system.

Award submissions will be examined by an international jury composed of:

  • Anna Detheridge, Founder and President, Connecting Cultures
  • Giusy Bettoni, CEO and Founder, C.L.A.S.S.
  • Rita Airaghi, Steering Advisor, Gianfranco Ferré Research Center
  • Paola Arosio, Head of New Brands & Sustainability Projects, Camera Nazionale della Moda Italiana
  • Jeanine Ballone Managing Director, Fashion 4 Development
  • Evie Evangelou, Founder and President, Fashion 4 Development
  • Sara Kozlowski, Vice President of Program Strategies, Education, and Sustainability Initiatives, Council of Fashion Designers of America
  • Dio Kurazawa, Founding Partner, The Bear Scouts
  • Renata Molho, journalist, former editor-in-chief of L'Uomo Vogue and former editor-at-large of L'Uomo Vogue, Vogue Italia, Casa Vogue
  • Stefania Ricci, Director, Museo Salvatore Ferragamo
  • Jovana Vukoje, Senior New Brands Specialist, Camera Nazionale della Moda Italiana

The winning projects of past editions were Take a Walk on the Green Side by Emma Scalcon (2021 - Italy) and Fashion Affair by Vishal Tolambia (2022 - India), two very different works that highlighted how challenging sustainability issues are in the contemporary communication landscape.

The deadline for submissions is Wednesday, January 25, 2023.
The winner will be announced in March 2023 and will receive a cash prize of €3,000.00.

Photo: Officina39
27.10.2022

Dyeing for good: Officina39 part of design events in Amsterdam

The Italian company offers its dyeing technology for practical and theoretical design explorations at the Fashion For Good Museum in Amsterdam.

On Saturday October 22nd in Amsterdam, Andrea Venier, Officina39 Managing Director, took part in the Denim & Dyeing seminar to talk about Recycrom™, the patented revolutionary and sustainable dyestuffs range obtained through an innovative upcycling process that involves textile fibers from used clothing and manufacturing waste for dyeing and printing applications.

The seminar was organized inside the Fashion For Good Museum by the Stichting Textielcommissie Nederland, together with a Design Challenge to which took part a selection of young designers who have explored Recycrom™’s colorful potential in their creations. The winning designs are exposed in a 2-week pop-up show at Fashion For Good Museum.

The Museum is also hosting the “Knowing Cotton Otherwise” exhibition, that highlights the relationship between cotton and the fashion industry, the role of cotton in an increasingly intertwined web of global cultures, and the sustainable innovations driving its circular transformation.

The Italian company offers its dyeing technology for practical and theoretical design explorations at the Fashion For Good Museum in Amsterdam.

On Saturday October 22nd in Amsterdam, Andrea Venier, Officina39 Managing Director, took part in the Denim & Dyeing seminar to talk about Recycrom™, the patented revolutionary and sustainable dyestuffs range obtained through an innovative upcycling process that involves textile fibers from used clothing and manufacturing waste for dyeing and printing applications.

The seminar was organized inside the Fashion For Good Museum by the Stichting Textielcommissie Nederland, together with a Design Challenge to which took part a selection of young designers who have explored Recycrom™’s colorful potential in their creations. The winning designs are exposed in a 2-week pop-up show at Fashion For Good Museum.

The Museum is also hosting the “Knowing Cotton Otherwise” exhibition, that highlights the relationship between cotton and the fashion industry, the role of cotton in an increasingly intertwined web of global cultures, and the sustainable innovations driving its circular transformation.

Innovative solutions from Fashion for Good Innovators Oritain and Officina39, which tackle some of the challenging aspects of cotton’s production such as origin and traceability, dyeing and water use, are also used by the artists in their installations. Three of them have been inspired by the ecofriendly dyeing potential of Recycrom™: the protagonist of the meeting between art and fashion, sustainability and design, past, present and future of the industry. The first artist that has challenged herself is Caithlin Courtney Chong, who has realized an artwork installation with Recycrom™ in the print room, and a suggestive installation dedicated to Officina39’s sustainable dyestuffs.

Source:

Officina39

Texaid / Texcircle
26.10.2022

Swiss Textile Recycling Project TEXCIRLCE

After two years of joint collaboration and research the Swiss Textile Recycling Project “Texcircle” comes to an end. Partners and stakeholders have worked on the vision of a textile cluster where materials flow in circular loops. The goal of the project was to develop high-quality yarns and products incorporating such a large amount of recycled textiles as possible. In the end, several product prototypes from carpets, socks, and curtains to pullovers, padding and accessories have been developed with at least 50 % recycled fiber up to 80 % recycled fibers and yarns.

Europe has a waste problem of 7.5 million waste of which only 30-35 % is collected and less than 1 % of the textile and clothing worldwide is recycled into textiles and clothing again. It is as well found that around 80 % of the impact of a textile product lies in the design.

After two years of joint collaboration and research the Swiss Textile Recycling Project “Texcircle” comes to an end. Partners and stakeholders have worked on the vision of a textile cluster where materials flow in circular loops. The goal of the project was to develop high-quality yarns and products incorporating such a large amount of recycled textiles as possible. In the end, several product prototypes from carpets, socks, and curtains to pullovers, padding and accessories have been developed with at least 50 % recycled fiber up to 80 % recycled fibers and yarns.

Europe has a waste problem of 7.5 million waste of which only 30-35 % is collected and less than 1 % of the textile and clothing worldwide is recycled into textiles and clothing again. It is as well found that around 80 % of the impact of a textile product lies in the design.

Together with the design research expertise of the Lucerne University of Applied sciences and arts, the spinning expertise of Rieter and the sorting and collection expertise of Texaid, systems should be created where products of high quality can be produced of recycled fiber. On board were the expertise of further Cluster partners of Brands, Retailers, and the public sector to see how a joint Cluster and system coukld be established.

The Project Texcircle and cluster is led by the Lucerne University of Applied Sciences and Arts – Art  & Design, and in collaboration with Coop, Rieter, Jacob Rohner AG, Ruckstuhl AG, TEXAID as well as workfashion.com ag. Furthermore, Bundesamt für Zivildienst ZIVI, NIKIN AG, and Tiger Liz Textiles are supporting the project. The project is funded by Innosuisse.

Furthermore, collaboration partners from all over Europe contributed to the project to enable these prototypes and systems.

Through joint developments from the design, the collecting, sorting trials, tearing, and spinning trials until the actual production trials and product testing. The partners were able to recycle 2.5 Tons of pre-and post-consumer textile waste into product prototypes with a promising commercial interest. From socks, west, and pullovers to non-woven felts and accessories to carpets and curtains. Through our 2 years of collaboration, the teamcame across several hurdles in the textile recycling value chain which could be tackled. This was a proof of concept that a circular system is possible and the industry now has to enable this at full scale.

Source:

Texaid / Texcircle

Photo: «the Blue suit»
20.10.2022

CIRCULAR CLOTHING: First Cradle to Cradle Certified® denim collection

The first Cradle to Cradle Certified® clothing collection is on the market one year after the collaboration platform for Swiss textile labels was launched. The Circular Clothing cooperative has succeeded, in close cooperation with European suppliers, in gaining access to circular materials and equipment and using this for the Black Denim Collection by the ethical fashion label “the Blue suit”. An important step for the cooperative, which receives funding from the Migros Pioneer Fund, is the development of an online assessment tool which can be used to help check the readiness of textile labels to operate in a circular manner.

The first Cradle to Cradle Certified® clothing collection is on the market one year after the collaboration platform for Swiss textile labels was launched. The Circular Clothing cooperative has succeeded, in close cooperation with European suppliers, in gaining access to circular materials and equipment and using this for the Black Denim Collection by the ethical fashion label “the Blue suit”. An important step for the cooperative, which receives funding from the Migros Pioneer Fund, is the development of an online assessment tool which can be used to help check the readiness of textile labels to operate in a circular manner.

The black denim was developed by a renowned manufacturer in Italy. Since no toxic chemicals are used in the production process, this denim is safe for biological cycles and Cradle to Cradle Certified® Gold. Cradle to Cradle Certified® Gold certified material by the Swiss company OceanSafe was used for the lining of the jacket. Special innovative design elements and production processes, such as the printed lining, also meet the stringent Cradle to Cradle Certified® Gold requirements. Currently, 1% of the material of the Black Denim Collection is Cradle to Cradle Certified® Bronze. In the next few months, this percent and thus also the whole garments should reach the gold level.

The Cradle to Cradle® certification is based on the following five principles: Material Health, Product Circularity, Clean Air & Climate Protection, Water & Soil Stewardship, and Social Fairness. Depending on the extent to which all of these criteria are met by the manufacturing process, there are various levels of certification from bronze to silver, gold and platinum.

Source:

CIRCULAR CLOTHING

©MarchiFildi
19.10.2022

HSLU: Alttextilien werden zu neuen Kleidern

Die Hochschule Luzern HSLU hat zusammen mit Wirtschaftspartnern Methoden entwickelt, wie sich Alttextilien wieder zu hochwertigen Pullis, Arbeitskleidern oder Teppichen verarbeiten lassen.

Einem Bericht von WWF und PWC zur Folge sind in einem durchschnittlichen Schweizer Schrank 118 Kleidungsstücke, wobei ein Outfit – bestehend aus Pulli, Hose und T-Shirt – mit 1.5 Kilo zu Buche schlägt. Pro Tag landen 70’000 dieser Outfits oder 100 Tonnen in der Altkleidersammlung. Tendenz steigend.

Etwa die Hälfte der Altkleider wird weiterverkauft und exportiert. "Wie groß der Anteil an tatsächlich weitergenutzten Kleidungsstücken ist, ist nicht einfach zu beziffern", sagt Designforscherin Tina Tomovic von der Hochschule Luzern. Sicher ist laut der Expertin für textile Nachhaltigkeit, dass ein immer größerer Teil zu minderwertigen Produkten wie Putzlappen verarbeitet oder direkt verbrannt wird. Das Material dieser Textilien verschwindet damit unwiederbringlich aus dem Wertstoff-Kreislauf.

Die Hochschule Luzern HSLU hat zusammen mit Wirtschaftspartnern Methoden entwickelt, wie sich Alttextilien wieder zu hochwertigen Pullis, Arbeitskleidern oder Teppichen verarbeiten lassen.

Einem Bericht von WWF und PWC zur Folge sind in einem durchschnittlichen Schweizer Schrank 118 Kleidungsstücke, wobei ein Outfit – bestehend aus Pulli, Hose und T-Shirt – mit 1.5 Kilo zu Buche schlägt. Pro Tag landen 70’000 dieser Outfits oder 100 Tonnen in der Altkleidersammlung. Tendenz steigend.

Etwa die Hälfte der Altkleider wird weiterverkauft und exportiert. "Wie groß der Anteil an tatsächlich weitergenutzten Kleidungsstücken ist, ist nicht einfach zu beziffern", sagt Designforscherin Tina Tomovic von der Hochschule Luzern. Sicher ist laut der Expertin für textile Nachhaltigkeit, dass ein immer größerer Teil zu minderwertigen Produkten wie Putzlappen verarbeitet oder direkt verbrannt wird. Das Material dieser Textilien verschwindet damit unwiederbringlich aus dem Wertstoff-Kreislauf.

Dabei gilt die Textilindustrie als äusserst ressourcenintensiv. Textilien stehen gemäß eines Nachhaltigkeits-Aktionsplans der EU beim Verbrauch von Rohstoffen und Wasser an vierter Stelle, nach der Lebensmittelherstellung, dem Wohnungsbau und dem Verkehr. Baumwolle beispielsweise benötigt nicht nur viel Land zum Wachsen, sondern auch sehr viel Wasser. Die Alternative, synthetische Textilien, ist nicht besser, wie Tina Tomovic ergänzt. Sie basieren meistens auf Erdöl – einer endlichen Ressource.

Auf der Suche nach dem reinen Stoff
Für die HSLU-Forscherin ist klar: "Wir müssen unsere alten Kleider viel besser wiederverwerten als bisher und so den textilen Kreislauf schließen." Ein geschlossener Kreislauf bedeutet, dass alte Pullis oder T-Shirts nicht verbrannt oder zu Lappen verarbeitet werden, sondern zu neuer Kleidung – die dann wieder im Laden landet. Wie dieses Recycling funktionieren könnte, erforschten Tomovic und ihr Team gemeinsam mit Unternehmen aus der Textilindustrie im Projekt «Texcircle».

Oft bestehen Textilien aus verschiedenen Materialien, beispielsweise Baumwolle vermischt mit Polyester. Das macht das Recycling aufwändig. Denn das Material muss möglichst rein sein, um zu einem vielseitig verwendbaren Garn weiterverarbeitet werden zu können; «wild durcheinander gewürfelte Textilien», so Tomovic, nützten gar nichts.

Zweieinhalb Tonnen Material verarbeitet
Das Projektteam nahm daher die gesamte Recycling-Prozesskette unter die Lupe, vom Sammeln der Alttextilien übers Sortieren und dem anschließenden maschinellen Zerkleinern bis hin zum Spinnen des so gewonnenen Rohstoffs zu neuen Garnen und Vliesen. Die verwendeten Alttextilien – insgesamt 2.5 Tonnen Material – stammten größtenteils aus den Sammlungen des Textilverwerters Texaid. Eine zentrale Rolle im Projekt spielten nationale und internationale Wirtschaftspartner, welche die Fasern, Garne und Vliese zu Produkten verarbeiteten.

Namhafte Partner im In- und Ausland
Ein einzelnes Unternehmen wird den Herausforderungen einer funktionierenden Kreislaufwirtschaft nicht begegnen können – dies war eine der Schlussfolgerung aus dem Vorgängerprojekt «Texcycle», in welchem die Forschenden auf das Sammeln und Sortieren von Alttextilien fokussierten. Daher wurde für das Nachfolgeprojekt der "Texcircle-Cluster", bestehend aus Schweizer und internationalen Unternehmen im Bereich Textilfertigung und -recycling, gegründet. Die Projektpartner steuerten Know-how, Eigenleistung, finanzielle Beiträge und Materialspenden bei.

Die Partner aus der Industrie waren Coop, Rieter, Rohner Socks, Ruckstuhl, Texaid und Workfashion.
Texcircle wurde von der schweizerischen Agentur für Innovationsförderung Innosuisse unterstützt.


Die Tests in den Fabrikhallen der einzelnen Partnerunternehmen bezeichnet Tina Tomovic als «Reality Checks». Mehr als einmal musste das Team beim Bearbeiten des Materials feststellen, dass die Theorie in der Praxis nicht immer umsetzbar ist, wie sie erzählt: "Alte Kissen und Bettdecken sind aus einer Materialperspektive zwar sehr interessant für das Recycling. Eine effiziente und kostengünstige Verarbeitung der Waren ist heute aber noch nicht möglich."

Höhepunkt des zweijährigen Projektes war die Produktion mehrerer Prototypen auf der Basis von Alttextilien. Beispielsweise produzierte die Winterthurer Firma Rieter aus alten Jeanshosen Garn für einen Pullover. Der Zuger Arbeitsbekleidungsproduzent Workfashion wiederum verarbeitete alte Kissen und Bettdeckenfüllungen zu Isolationsfutter für Arbeitswesten – die Produktqualität musste im Rahmen des Projektes stets gleich hoch sein wie bei vergleichbaren Textilien im Laden.

Die Firma Ruckstuhl im bernischen Langenthal entwickelte einen Recycling-Teppich für den Wohnbereich. Das Garn dafür stammt zur Hälfte von getragenen Wollmänteln. «Wir haben schon länger nach Mitteln gesucht, wie wir im Betrieb einen weiteren Schritt in Richtung Nachhaltigkeit gehen können», sagt Ruckstuhls Geschäftsführer Adrian Berchtold. Das Projekt sei somit genau zur richtigen Zeit gekommen. Er erläutert: "Die Projektresultate zwangen uns, zu hinterfragen, welche Produktionsschritte für diesen neuen Teppich nachhaltig sind und welche nicht."

Berchtold überraschte insbesondere die Erkenntnis, dass das Waschen von alten Mänteln mit Wasser umweltschädlicher ist als mit Chemikalien: "Der Wasserverbrauch war einfach zu hoch. Paradoxerweise ist es in diesem Fall ressourcenschonender, die Textilien mit Ozon zu reinigen." Ruckstuhl plant, den Recycling-Teppich ab Mitte 2023 in kleiner Serie herzustellen.

Source:

Hochschule Luzern – Design & Kunst

19.10.2022

Kornit Digital issues Second-Annual Impact Report

Kornit Digital Ltd. unveiled its Impact Report for 2021 highlighting progress made against goals and further expanding its commitment to a long-term strategy designed to transform the world of fashion and textiles into one that is more sustainable. The comprehensive analysis details Kornit’s performance related to climate action, waste management, green chemistry, and diversity in the workplace, as well as other areas of the Company’s Environmental, Social, and corporate Governance (ESG) framework.

Key Accomplishments Against Baseline (2021)  
Kornit’s ongoing dedication to improving ESG practices within its own operations has resulted in Company-wide achievements in the areas of:

Climate Action and Waste Management*

  • ~16% reduction in GHG emissions intensity from x 9.11-e to 7.68 MTCO2-e
  • 39% reduction in hazardous waste intensity from 1.7 tons to 1.04 tons
  • 57% reduction in non-hazardous waste intensity from 33 tons to 14 tons

Green Chemistry

Kornit Digital Ltd. unveiled its Impact Report for 2021 highlighting progress made against goals and further expanding its commitment to a long-term strategy designed to transform the world of fashion and textiles into one that is more sustainable. The comprehensive analysis details Kornit’s performance related to climate action, waste management, green chemistry, and diversity in the workplace, as well as other areas of the Company’s Environmental, Social, and corporate Governance (ESG) framework.

Key Accomplishments Against Baseline (2021)  
Kornit’s ongoing dedication to improving ESG practices within its own operations has resulted in Company-wide achievements in the areas of:

Climate Action and Waste Management*

  • ~16% reduction in GHG emissions intensity from x 9.11-e to 7.68 MTCO2-e
  • 39% reduction in hazardous waste intensity from 1.7 tons to 1.04 tons
  • 57% reduction in non-hazardous waste intensity from 33 tons to 14 tons

Green Chemistry

  • Complete elimination of Acute Toxic Amines (CLP category 1, 2, 3) CMR
  • 20% reduction of VOC level in Robusto Inkset and 30% of VOC in Eco Ink/Green

DEI and Community Engagement

  • An increase in women in management, from 30% to 35%
  • Reporting 88% of employees feeling respected and free to be authentic at work - *Intensity measures are per $1 million of revenue.

Kornit Digital’s Impact Strategy
Propelled by an ambition to make a positive impact across all areas of its business and throughout the fashion and textile industries, Kornit further adjusted its Impact Strategy this year towards more expansive, longer-term goals and objectives. Kornit’s refined strategy reflects the Company's dual role as a change agent in the industry—both as a leader empowering the fashion industry to be more sustainable, and as an accountable participant responsible for embracing social and environmental change to make the world a better place.  
The holistic strategy accounts for both roles, across two fundamental pillars—"Enable the Change” and “Be the Change”—and incorporates both social and environmental KPIs designed to meet the Company’s goals and respond to stakeholders’ input, as well as industry and ecosystem needs

Kornit is officially unveiling the report during a press event at PRINTING United Expo 2022.

*Intensity measures are per $1 million of revenue.

Source:

Kornit Digital

(c) EURATEX
11.10.2022

EURATEX and ATP: 10th European Textile & Apparel Convention in Porto

On 13-14 October, EURATEX in partnership with ATP is organising the 10th European Textile & Apparel Convention in Porto, Portugal; the convention marks also the 24th Textile Industry Forum for Portugal.

The Porto Convention – titled Sustainability meets Competitiveness: How to Square the Circle? – will look at how companies can anticipate the new European regulatory framework, embrace innovation, and develop a business model where sustainability becomes a source of competitiveness and growth. In the current economic, social and political environment, Europe is facing many challenges: increased energy prices, unforeseen inflation and climate change, which add to the day-to-day challenges of running a business. Embracing the European Union’s commitment to a green and digital transformation, the textile industry needs to also move towards a new circular economy where recycling is at the core of the design process supported by digitalisation, innovation and new skills, and creativity. The conference will address explore solutions to turn quality and sustainability into a source of competitiveness.

On 13-14 October, EURATEX in partnership with ATP is organising the 10th European Textile & Apparel Convention in Porto, Portugal; the convention marks also the 24th Textile Industry Forum for Portugal.

The Porto Convention – titled Sustainability meets Competitiveness: How to Square the Circle? – will look at how companies can anticipate the new European regulatory framework, embrace innovation, and develop a business model where sustainability becomes a source of competitiveness and growth. In the current economic, social and political environment, Europe is facing many challenges: increased energy prices, unforeseen inflation and climate change, which add to the day-to-day challenges of running a business. Embracing the European Union’s commitment to a green and digital transformation, the textile industry needs to also move towards a new circular economy where recycling is at the core of the design process supported by digitalisation, innovation and new skills, and creativity. The conference will address explore solutions to turn quality and sustainability into a source of competitiveness.

The Porto Convention will see representatives of national and European institutions, experts from the industry and like-minded entrepreneurs come together to discuss ideas, share experiences and find solutions to face common challenges.

Source:

EURATEX

10.10.2022

OETI: 55 years of testing, certifying, accreditation and notification

As an accredited testing and certification body, the “OETI - Institut fuer Oekologie, Technik und Innovation GmbH“ (OETI for short) has been successfully responding to prevailing market requirements for 55 years and, in the process, has made a name for itself worldwide. To mark its anniversary, this international centre of excellence with its origins in Austria is taking a look back at the most important milestones in its history as well as providing interesting insights into future developments.

As renowned flooring manufacturers founded the Austrian Carpet Institute on 25th of September 1967, no one could have imagined how successful the company would become. But even back then, one thing was clear to the experts: the need to establish a carpet research and testing centre in the form of an association. Today, over five decades later, OETI is a testing and certification services provider for OEKO-TEX® certificates and labels, textiles, leather, due diligence along the textile and leather supply chain as well as for personal protective equipment (PPE), flooring technology, furnishings and indoor air quality.

As an accredited testing and certification body, the “OETI - Institut fuer Oekologie, Technik und Innovation GmbH“ (OETI for short) has been successfully responding to prevailing market requirements for 55 years and, in the process, has made a name for itself worldwide. To mark its anniversary, this international centre of excellence with its origins in Austria is taking a look back at the most important milestones in its history as well as providing interesting insights into future developments.

As renowned flooring manufacturers founded the Austrian Carpet Institute on 25th of September 1967, no one could have imagined how successful the company would become. But even back then, one thing was clear to the experts: the need to establish a carpet research and testing centre in the form of an association. Today, over five decades later, OETI is a testing and certification services provider for OEKO-TEX® certificates and labels, textiles, leather, due diligence along the textile and leather supply chain as well as for personal protective equipment (PPE), flooring technology, furnishings and indoor air quality.

In 1992, OETI was a founding member of the ‘International OEKO-TEX® Association for Research and Testing in the Field of Textile and Leather Ecology’ with independent certifications and product labels. Ever since, OEKO-TEX® has enabled companies along the textile and leather supply chain and every consumer to make responsible decisions for safe, environmentally friendly and fairly manufactured products.

In line with its focus on sustainability, OETI and its Swiss parent company, TESTEX AG, wanted to build the new OETI headquarters using low energy construction techniques and ensure its carbon-neutral operation. To achieve these goals, the highest possible thermal insulation and energy optimisation standards were applied, while the carbon-neutral power supply is generated by its in-house photovoltaics system as well as domestic renewable energy.

The new headquarters, which the company moved into in 2021, provides space for 75 employees over 2,500m2 and boasts bright and perfectly equipped office areas. The laboratory areas, the analytical/chemical laboratory and the physical / fire laboratory were also designed based on the latest methods and technologies. This makes OETI, alongside its Swiss parent company TESTEX, the second fully fledged laboratory site in the entire, global TESTEX Group.

More information:
OETI Testex
Source:

OETI

(c) CSR Europe
07.10.2022

Epson at EUROPEAN SDG ROUNDTABLE about Sustainable Fashion

The fashion industry currently produces 20% of global wastewater and 10% of global carbon emissions. Improvements can be made for example localizing fashion, using more on-demand digital printing (it can save up to 4kg of CO2 per item) and digital textile printers (they reduce water use by up to 90% and energy use by up to 30%). Increasing the use of sustainable materials is vital and extending the lifecycle of use would make a serious difference.

Together with designers, producers, retailers, and customers, Paolo Crespi, Sales & Marketing Director Printing Technologies at Epson, will discuss how each stage of the fashion production can be made more sustainable, and how circularity and longevity can be build into the lifecycle of fashion.

The panel will take place on Tuesday, 11 October 2022 at 09:30-11:00 am CET.

Click here for more information.

The fashion industry currently produces 20% of global wastewater and 10% of global carbon emissions. Improvements can be made for example localizing fashion, using more on-demand digital printing (it can save up to 4kg of CO2 per item) and digital textile printers (they reduce water use by up to 90% and energy use by up to 30%). Increasing the use of sustainable materials is vital and extending the lifecycle of use would make a serious difference.

Together with designers, producers, retailers, and customers, Paolo Crespi, Sales & Marketing Director Printing Technologies at Epson, will discuss how each stage of the fashion production can be made more sustainable, and how circularity and longevity can be build into the lifecycle of fashion.

The panel will take place on Tuesday, 11 October 2022 at 09:30-11:00 am CET.

Click here for more information.

Source:

Epson and CSR Europe

29.09.2022

CISUTAC: New European innovation project on circular & sustainable textiles

Launched this September, the new Horizon Europe project CISUTAC will support the transition to a circular and sustainable textile sector. As part of a consortium of 27 partners working on the project, TEXAID will among others support the project with sorting, disassembly and repair trials.

The production and consumption of textile products continue to grow, together with their impact on the environment, due to a lack of reuse, repair and recycling of materials. Quality, durability, and recyclability are often not being set as priorities in the design and manufacturing of clothing (EU Strategy for Sustainable and Circular Textiles, March 2022).  

CISUTAC aims to remove current bottlenecks in order to increase textile circularity in Europe. The objective is to minimise the sector’s total environmental impact by developing sustainable, novel, and inclusive large-scale European value chains.  

Launched this September, the new Horizon Europe project CISUTAC will support the transition to a circular and sustainable textile sector. As part of a consortium of 27 partners working on the project, TEXAID will among others support the project with sorting, disassembly and repair trials.

The production and consumption of textile products continue to grow, together with their impact on the environment, due to a lack of reuse, repair and recycling of materials. Quality, durability, and recyclability are often not being set as priorities in the design and manufacturing of clothing (EU Strategy for Sustainable and Circular Textiles, March 2022).  

CISUTAC aims to remove current bottlenecks in order to increase textile circularity in Europe. The objective is to minimise the sector’s total environmental impact by developing sustainable, novel, and inclusive large-scale European value chains.  

The project will cover most parts of the textile sector by working on two material groups representing almost 90% of all textile fibre materials (polyester, and cotton/cellulosic fibres), and focusing on products from three sub-sectors experiencing varying circularity bottlenecks (fashion garments, sports and outdoor goods, and workwear).  

CISUTAC will follow a holistic approach covering the technical, sectoral and socio-economic aspects, and will perform three pilots to demonstrate the feasibility and value of:

  • Repair and disassembly
  • Sorting (for reuse and recycling)
  • Circular garments through fibre-to-fibre recycling and design for circularity

To realise these pilots, the consortium partners will:

  • Develop semi-automated workstations
  • Analyse the infrastructure and material flows
  • Digitally enhance sorting operations (for reuse and recycling)
  • Raise awareness among the consumers and the textile industry

As part of the CISUTAC consortium, TEXAID, will conduct different trials of sorting, repair, and disassembly, and be active in the LCA and Standardisation work packages.

Source:

TEXAID Textilverwertungs-AG