From the Sector

Carbios announces its membership of the Ellen MacArthur Foundation’s Network. Carbios shares the Foundation’s commitment to accelerate the transition to a circular economy, especially in the areas of plastics and fashion. By joining the Ellen MacArthur Foundation’s Network, Carbios will connect with other leaders within the Foundation’s leading circular economy network of businesses, policymakers, academia, innovators, and thought leaders worldwide.

Carbios fully adheres to Ellen MacArthur Foundation’s vision for a circular economy for plastic. Its biorecycling and biodegradation technologies already match the actions defined by the Foundation:

• Eliminate all problematic and unnecessary plastic items
• Innovate to ensure that the plastics we do need are reusable, recyclable, or compostable
• Circulate all the plastic items we use to keep them in the economy and out of the environment

Through ambitious collaborative projects, plastics and fashion are two topic areas for the Foundation and are also at the heart of Carbios’ activities. Providing actionable solutions to support brands’ ambitious commitments for sustainable packaging and textile industries, Carbios has founded two consortiums: one in the packaging industry established with L’Oréal in 2019, which has since been joined by Nestlé Waters, PepsiCo and Suntory Beverage & Food Europe; another created in 2022 in the textile industry with apparel and fashion brands On, Patagonia, PUMA, PVH Corp. and Salomon. Together, the consortium members develop solutions promoting the recyclability and circularity of their products.

Joining the Ellen MacArthur Foundation’s Network takes Carbios’ circular economy actions one step further. Carbios recently underscored its commitment to circularity and environmental responsibilities by publishing its first Sustainability Report at the end of 2022^[1]. In 2019, Carbios’ biorecycling and biodegradable solutions were among the first innovations to be labelled “Efficient Solution” by the Solar Impulse Foundation^[2].

^[1] Cf. press release dated 15 December 2022
^[2] The Solar Impulse Foundation has identified over a thousand clean and profitable solutions that are economically viable and can be implemented on a large scale.

The second edition of The Modern Artisan initiative has been supported by C.L.A.S.S. with its strategic sourcing, mentoring and presence during the official launch happened at the beginning of November at the Dumfries House, part of The Prince's Foundation. Two days to introduce a capsule that reflects the initiative’s commitment to advance sustainability in luxury fashion, preserve heritage textile skills and creates a new culture where respect, beauty and innovation are blended together. They also demonstrate the shared ambition of YOOX NET-A-PORTER and The Prince’s Foundation to preserve the planet for future generations. The Modern Artisan aims to position artisanship as a viable and attractive career path for upcoming generations, equipping them with the skills to help shape a more circular industry.

The 10-month paid programme supports eight British and Italian graduates through the end-to-end process of designing, handcrafting, and bringing a more sustainable luxury collection to a global market. During the programme, they were given the opportunity to showcase their work to His Majesty, then The Prince of Wales, at Dumfries House.

The 13-piece capsule marks the culmination of the second edition of The Modern Artisan, YOOX NET-A-PORTER’s and The Prince’s Foundation’s pioneering flagship training programme, which commenced in 2019. Building on the success of 2020’s first collection launch, this year’s YOOX NET-A-PORTER for The Prince’s Foundation capsule achieves a number of new milestones in YOOX NET-A-PORTER’s Infinity sustainability journey. It is the first collection to align 100% with the Infinity Product Guide, its sustainability and circularity design guidelines, and its first ever carbon neutral collection.

The design is inspired by Highgrove Gardens, run by The Prince's Foundation and renowned for sustainable and organic approaches to agriculture and horticulture. The Artisans were supported by industry experts from YOOX NET-A-PORTER, The Prince’s Foundation, and several mentoring designer brands, including Gabriela Hearst, Nanushka and Stella Jean among others.

Launched this September, the new Horizon Europe project CISUTAC will support the transition to a circular and sustainable textile sector. As part of a consortium of 27 partners working on the project, TEXAID will among others support the project with sorting, disassembly and repair trials.

The production and consumption of textile products continue to grow, together with their impact on the environment, due to a lack of reuse, repair and recycling of materials. Quality, durability, and recyclability are often not being set as priorities in the design and manufacturing of clothing (EU Strategy for Sustainable and Circular Textiles, March 2022).  

CISUTAC aims to remove current bottlenecks in order to increase textile circularity in Europe. The objective is to minimise the sector’s total environmental impact by developing sustainable, novel, and inclusive large-scale European value chains.  

The project will cover most parts of the textile sector by working on two material groups representing almost 90% of all textile fibre materials (polyester, and cotton/cellulosic fibres), and focusing on products from three sub-sectors experiencing varying circularity bottlenecks (fashion garments, sports and outdoor goods, and workwear).  

CISUTAC will follow a holistic approach covering the technical, sectoral and socio-economic aspects, and will perform three pilots to demonstrate the feasibility and value of:

• Repair and disassembly
• Sorting (for reuse and recycling)
• Circular garments through fibre-to-fibre recycling and design for circularity

To realise these pilots, the consortium partners will:

• Develop semi-automated workstations
• Analyse the infrastructure and material flows
• Digitally enhance sorting operations (for reuse and recycling)
• Raise awareness among the consumers and the textile industry

As part of the CISUTAC consortium, TEXAID, will conduct different trials of sorting, repair, and disassembly, and be active in the LCA and Standardisation work packages.

IFFAC (Impact Fund for African Creatives) has revealed plans which will revolutionise West African textile and garment production at one stroke. The fund is converting a partially disused textile mill in the region into a hi-tech centre for processing local cotton and recycling waste fabric, to produce both fabric for further processing and new clothes. The mill will be equipped with modern equipment, all sustainably powered by hydroelectricity from the nearby Volta Dam.

West Africa grows about 6% of the world’s cotton but only a tiny fraction of that crop is processed on the continent, the vast majority being shipped thousands of miles to Asia before being shipped back again as finished or part-finished fabrics. The mill project will end the continent’s reliance on such an unsustainable practice with all the obvious financial and environmental benefits.

As well as producing fabric from sustainably grown virgin cotton, a joint venture with Shandong-based WOL Textiles Ltd., a privately owned plant that has long supplied the African market, the mill will be home to a state-of-the-art shredding and recycling facility, a joint venture between IFFAC and the Dutch Circularity B.V. CEO Han Hamers of Circularity B.V. in The Netherlands, has been involved in the production of 100% circular knit and woven articles.

The mill project is expected to create over a thousand jobs. The surrounding area already boasts a significant number of experienced textile workers ready to be retrained on the new equipment. While the majority of the products created will be sold within the region, all processes will confirm to new EU Supply Chain Law to allow for the possibility of export.  

Output is forecast at six million pieces of finished clothing and twenty-five million metres of spun and woven cloth per year. In total, thirty million US$ of investment will be made in the site with operations ready to begin next year (2023).

TEXAID as a professional collector and sorter with roots in Switzerland contributes to this ecosystem to enable the textile-to-textile recycling.  The creation of Swiss Textile Recycling Ecosystem marks a key milestone in the upscaling of Worn Again Technologies’ recycling process technology with technology scale-up partner Sulzer Chemtech in Winterthur. It also supports its ambition to create a circular economy where non-reusable, hard-to-recycle textiles can be reintroduced into supply chains to become new fibers.

To cause a paradigm shift in the fashion industry and realize true circularity requires all members of the value chain to be on the same page and working towards the same goals. The Swiss Textile Recycling Ecosystem is a network comprising fabric and textile manufacturers, waste collectors and sorters, as well as retailers, brand owners and technology providers – all coordinated by Swiss Textiles. All these parties will cooperate to make their shared vision of a more sustainable fashion industry a reality, where used textiles can be recycled into new textiles.

TEXAID as a stakeholder in the Swiss Textile Recycling Ecosystem and as leading textile recycling company with over 40 years of experience will support the initiative through collecting, sorting, pre-processing and providing pre- and post-consumer feedstock to the Demonstration Plant. At its headquarters in Schattdorf (CH), TEXAID will investigate possibilities to automate the sorting and pre-processing of textile feedstock for recycling. Currently, TEXAID processes more than 80,000 tons of end-of-use textiles and footwear every year all over Europe and the US.

SOEX, der größte Textilabfallsammler in Deutschland, schließt sich mit dem niederländischen Unternehmen Circularity B.V. zusammen, um 100% kreislauffähige Produkte herzustellen. Ge-meinsam wollen die Unternehmen ein Return-after-use-System anbieten, das sowohl für Mode als auch für industrielle Arbeitskleidung geeignet ist.

Ziel ist es, ein auf mechanischem Recycling basierendes Produktionssystem einzuführen, das keine Zugabe von neuen Rohstoffen erfordert. Das Endprodukt werden 100% zirkuläre T-, Polo- und Sweatshirts sein, die aus Abfällen und Lagerbeständen hergestellt werden. Während des gesamten Prozesses verfolgt das Projekt einen ganzheitlichen Ansatz, der von Textilien aus Post-Consumer-Abfällen über recycelte Garne bis hin zum fertigen T-Shirt reicht.

In einem ersten Schritt wird SOEX das Ausgangsmaterial für die niederländische Anlage bereit-stellen, die Sekundärrohstoffe werden in einem Rundstrickverfahren zu neuen Kleidungsstücken verarbeitet. Nachdem das System in den Niederlanden in Betrieb ist, will SOEX einen Versuch mit einem Duplikat in seinem deutschen Werk in Wolfen-Bitterfeld starten. Bis Ende des Jahres will das Duo die ersten Schritte seiner neuen Zusammenarbeit umgesetzt haben.

SOEX und Circularity B.V. haben die gemeinsame Mission, eine nachhaltige Lösung für einen zirkulären Textilmarkt aktiv zu gestalten, indem sie große Mengen von Baumwolle und Wasser einsparen. Die Zusammenarbeit hat das Potenzial, Unternehmen darin zu unterstützen, ihrer erweiterten Herstellerverantwortung gerecht zu werden, insbesondere im Hinblick auf die kommenden strengeren EU-Gesetzgebungen, die ab 2025 und in den Niederlanden schon eher eine stärkere Beteiligung von Herstellern und Marken verlangen.

This collaborative and educational project showcases the use of waste as a resource and prolonging the life of the garment through color. It came to life thanks to key brands who donated items that were then transformed by Officina39’s Recycrom™ applications into a renewed head-to-toe look that was then displayed as an art installation.

What’s the Recipe for change? For Officina39 and Adriana Galijasevic’s Cocircular Lab, this question gives shape to the collaborative and educational project Circular Explorations, specially presented at Amsterdam Denim Days Festival on April 22-23.

Sharing ground values and a common view on the fashion of tomorrow, Officina39, Italian based Chemistry plus Creativity company for the textile sector, joined hands with Adriana Galijasevic’s Cocircular Lab and influential brands to celebrate the importance of an ongoing commitment towards circularity.

Several donated items – overstock, second-grade production or damaged, unsold pieces – were updated with newly developed applications made with Officina39’s Recycrom™, the one-of-a-kind, patented dyestuffs range made from textile waste. This Circular Explorations capsule is displayed at Denim Days Festival as an art installation, not only to dress people but also to get them acquainted with circularity because they are an important player in closing the loop.

The Recipe for change that emerges from this color research is based on important values and keywords:

• Consciousness – awareness of oneself and one's surroundings
• Courage – the mental or moral strength to venture, persevere, and withstand danger, fear, or difficulty.
• Creativity – the power to imagine and produce new possibilities.
• Connection – a relationship in which a person or thing is linked or associated with something else, the act or state of connecting.
• Collaboration – the act of working together for a common goal.

Combined together, they produce CHANGE, which is a driving force for a better tomorrow.

This collaborative and innovative project that addresses circularity is also in direct support of United Nations Sustainable Development Goals, in particular number 12-Responsible Consumption and Production, number 9-Industry innovation & Infrastructure and number 17-Partnership for the Goals.

Two Italian companies committed to the transition to an ecological industry and presented the results of their collaboration at the Blue of a Kind shop in Milan. A union of intent that has led to a partnership initially born remotely, in the middle of the difficulties of recent years, finally set off through the live painting performance by Erik Varusio. The artist from Vicenza, well-known in the world of fashion and illustration, has customized a selection of Blue of a kind’s t-shirts using the sustainable Officina+39's Recycrom™ dyestuff.

Revolution of existing
Blue of a kind is meant to be not just a fashion company, rather a community built around an idea: to combine uncompromised style, contemporary fit and products with a valuable heritage, and a sustainable production process. The products are made exclusively from vintage products handcrafted with the use of scrap fabrics and surplus, thanks to a network of suppliers all over Europe, which makes it possible to find the best vintage garments and stock, ultimately becoming the raw material to lead a luxury revolution, chic yet sustainable.

Fashion and sustainable chemicals
The mission of Blue of a kind perfectly matches with the technologies of Officina+39, a Biella-based company for which the word “waste” becomes synonymous with opportunity, a source for creating something new, encouraging circularity and reducing environmental impact. From this vision comes to be Recycrom™, a revolutionary and sustainable dyestuffs range, patented, which employs recycled used clothing, fibrous material, and textile scraps: its full range of pigment powders is obtained through a cutting-edge upcycling process that involves textile fibers from used clothing and manufacturing waste for dyeing and printing on cotton, wool, nylon or any cellulosic and natural fiber or blend.

Shared goals
Both companies firmly believe that the present and future of the fashion industry lies in circularity and upcycling without compromise. The sector has been hit hard in recent years by the pandemic and the difficulty in finding raw materials, but opportunities have been generated to think about new partnerships and initiatives, to focus on available resources and real needs, and to invest in sustainable technologies for change.
Being part of this change is the goal shared by Blue of a kind and Officina+39, starting with concrete contributions and more transparent, sustainable, durable and quality products.

Frankfurt plant den Laufsteg: Die Frankfurt Fashion Week wird trotz massiver Einschränkungen durch die Corona-Pandemie erstmals ausgewählte Veranstaltungen physisch durchführen – unter Berücksichtigung der aktuellen Hygiene- und Sicherheitsbestimmungen (2G+). Zu den Event-Highlights zählen auch physische Showcases und Installationen vor Ort. Vom 17. bis 21. Januar 2022 wird eine vielfältige Auswahl an Marken und Formaten ihre Kollektionen präsentieren, die auf den strategischen Säulen der Nachhaltigkeit und Digitalisierung basieren.

Als globale Business-Plattform für Mode, Nachhaltigkeit und Innovation startet die NEONYT, mit einer Multi-Brand-Installation. Die NEONYT INSTALLATION präsentiert am 18. Januar, in der Off-Site Location Danzig am Platz im Frankfurter Ostend, einen kuratierten Mix aus nationalen und internationalen nachhaltigen Modemarken. Sie gilt als Synonym für den grundlegenden Transformationsprozess der Textil- und Modeindustrie. Daher werden die teilnehmenden Marken vier Schlüsselthemen aufzeigen: Während „Luft“ die CO2e-Emissionen widerspiegelt, konzentriert sich das zweite Thema auf Wasser und das dritte auf das Thema "Zirkularität", einschließlich Re- und Upcycling sowie Cradle2Cradle. Das vierte Thema basiert auf unseren sich ständig weiterentwickelnden „sozialen Themen“ entlang der textilen Wertschöpfungsketten – unter Einbeziehung der Themen (traditionelles) Handwerk, Fairtrade, soziale Projekte und deren soziale Auswirkungen.

Im Anschluss an die NEONYT INSTALLATION veranstaltet der Fashion Council Germany, zusammen mit der Frankfurt Fashion Week, am selben Tag die FRANKFURT STAGE mit einer gemeinsamen Modenschau. Die Show ist das Ergebnis eines Wettbewerbs, bei dem sich die Mitglieder des Fashion Council Germany für ein ganzes Showformat bewerben konnten, das die Marken des Gewinnerkonzepts vereint. Der Preis beinhaltet eine komplette Produktion, einschließlich der Kosten für Location, Aufbau, Technik, Models, Haare & Make-up und mehr. Die Konzepte werden von den Juroren Christiane Arp (Fashion Council Germany), Claudia Franz (Messe Frankfurt), Herbert Hofmann (Highsnobiety), Magdalena Schaffrin (studio MM04), Scott Lipinski (Fashion Council Germany) und W Springorum (Alhambra Berlin) nach ihrem Fokus auf Nachhaltigkeit, Inklusion und Innovation bewertet.

Zu den Präsentationen sind ausschließlich Mitglieder des Fashion Council Germany sowie Gäste eingeladen, die nur über eine Einladung verfügen (Teilnahmebedingungen: 2G+).

Weitere deutsche und internationale Marken werden an der Frankfurt Fashion Week teilnehmen und ihre neuesten Kollektionen präsentieren. BALDESSARINI wird seine aktuelle Herrenkollektion präsentieren, die in Deutschland entworfen wurde, vom Lebensgefühl Hollywoods inspiriert ist und sich durch den internationalen Erfolg etabliert hat. BALDESSARINI wird ein außergewöhnliches Offsite-Show-Format in einem der renommiertesten und preisgekrönten Frankfurter Nacht- und Musikclubs, The Gibson, veranstalten. Unter dem Motto „L.A. Nights on Sunset Strips" wird die Modemarke zeitlose Luxusartikel präsentieren, die den aktuellen Zeitgeist mit traditioneller Handwerkskunst verbinden und höchsten Ansprüchen an Qualität, Passform und Innovation gerecht werden.

Die Frankfurt Fashion Week versteht sich als Initiatorin einer nachhaltigen Bewegung mit dem Ziel, die Fashionwelt zu verändern. Die teilnehmenden Marken werden ihre Visionen und Ambitionen widerspiegeln, um ein Zeichen des Umdenkens in der deutschen Modeindustrie zu setzen und die Modeindustrie als Impulsgeber für eine nachhaltigere, zukunftsorientierte Transformation ihres Geschäfts zu ermutigen.

In 2021, Berto Industria Tessile embarked on a series of journeys through the denim supply chain, touching both B2B and B2C worlds.

The first journey of this adventure, aimed at discovering and publicizing the world of indigo and, began by talking about the collaboration with the turkish garment maker blue matters creating a green collection to be proposed to the world's top brands, continuing with “su mirura project” in the second chapter.
This project has its objective in supports, with a ready on stock fabrics, (which at this time of difficult availability of product becomes extremely relevant), young emerging talents in the world of fashion that, in our industry, both for problems related to  minimum order quantities and for problems related to financial commitments of startups, would having difficulty in the raw materials research.

In this third chapter of the personal voyage into the world of denim, Berto Industria Tessile talks about two realities that are not only made in Italy, but also made in veneto, for a zero km circularity supports.

Two brands that are part of two different segments of the indigo world of b2c, one operating in the world of clothing and one in the creation of fashion accessories, but who have a common denominator between them, the use of 100% in their collections of denim fabric Berto.*

* See attached document for more information.