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The University of Plymouth will work with Circular Flow to examine the scope for developing a UK neoprene recycling facility. A plan to develop the UK’s first wetsuit recycling facility is among eight new projects funded by Future Fibres Network Plus.

Many wetsuits are made from neoprene – but the UK currently has no way of recycling them, meaning more than 380 tonnes is burned or landfilled each year. The neoprene recycling project is one of the eight mini projects newly funded by the network.

Led by the University of Plymouth and working with industry partner Circular Flow Ltd, it will examine the scope for developing a UK neoprene recycling facility to help make the surfing and diving industry more circular or sustainable. Circular Flow already has a facility in Bulgaria, but establishing one in the UK – home to some of the world’s most popular surfing locations – would be a significant development.
Dr Kayleigh Wyles, Associate Professor in Psychology: “Our project will investigate the level of interest among UK businesses for returning end-of-life wetsuits and accessories to a UK facility where they can be turned into new and useful products. We also aim to understand consumers’ willingness to purchase and wear recycled neoprene products, and explore the logistics of developing a recycling facility.”

“Many of those who buy and wear wetsuits have a genuine interest in the environment, and therefore in the sustainability of these products. However, wetsuits are one of the hardest products to recycle and the possibility of opening a recycling facility in the UK is very exciting,” stated Emma Major-Mudge,
Head of Sales and Commercial Partnerships, Circular Flow
 
Dr Katie Major-Smith, a post-doctoral researcher involved in the project, added: Ultimately, we hope to promote circularity in the water sports industry and keep hundreds of tonnes of wetsuits out of landfill.

If the findings suggest there is sufficient support for a neoprene recycling facility, the team will develop an investment pack to share with funders to help build it.

Future Fibres Network Plus – which aims to bring environmental science into the heart of the UK fashion, clothing and textile sectors – is a network led by the University of Exeter, collaborating with the universities of Leeds, Huddersfield and Plymouth, University of the Arts London, and the UK Fashion and Textile Association (UKFT).

Through its flexible fund, Future Fibres Network Plus is investing a total of £1 million in the eight projects.

Those projects include another initiative being led by the University, in partnership with Plan B Recycling Technologies Ltd, centred around the fibre-to-fibre recycling potential of polyester.
Recycled polyester pellets are often of low quality due to contamination by other materials, and the new project will develop a pre-recycling treatment process to improve recycled polyester quality.
It will address barriers to fibre recycling, examine the levels of microfibre release during laundry, and create a knowledge repository to optimise recycling processes.

Future Fibres Network Plus sits within the Network Plus in Circular Fashion and Textiles, a collaboration of three sub-networks that seeks to understand and drive the fashion and textile industry towards sustainable and responsible practices. The Network Plus is part of the UKRI £15million Circular Fashion and Textile Programme.

For many years researchers from Nordic countries have worked for making textile industry more sustainable. Now there are prototypes of cotton which can clean itself and of textiles which are created of invasive lupines.  

How could future clothes and textiles become more ecofriendly, smart and sustainable? A research group from Nordic countries has tried to figure out this for many years and in October the prototypes they have made were presented in an exhibition in Turku.

A doctoral researcher Alicja Lawrynowicz from Faculty of Technology at the University of Turku has been developing two different smart textiles. In one of the projects researchers have created a cotton fabric which can clean itself without water.

This is possible because the fabric has been treated with mineral called zinc oxide.
 
The mineral forms a self-cleaning layer and stains on the fabric disappear when they are exposed to the daylight, in other words ultraviolet light. If stains disappear by themselves, it reduces the need of washing and garment burdens nature less.

Here you can see how the stains gradually disappear on the white cotton fabric that has been treated with zinc oxide.

In the other textile project, researchers have managed to develop non-toxic textile print which changes its colour when it is subjected to sunlight. Mineral hackmanite, which reacts to ultraviolet radiation, is used here. The mineral does not originate from mines but is created in a laboratory in Turku.

For first time ever, hackmanite is now used in textile prints. The mineral works as an ultraviolet censor and changes its colour when you have been too long time in the sun and must protect yourself. It can reduce the risk for the damage of the sun, says Alicja Lawrynowicz.

Material out to the market
Prototypes which now have been retrieved are not yet available in larger scale. So, what is going to happen with all discoveries?
The idea is that they are not going to stay in the laboratory. We hope that in the future our innovations will be used in industry, says Lawrynowicz.

The research is multidisciplinary, which means that there has been cooperation between different research groups. Research goes on also in other Nordic countries.  

Lupine can become textiles
In Denmark one research group has invested in ecofriendly colouring and created dyes out of big amounts of waste from local restaurants, among others avocado and onion peels. Avocado peels give textiles a beautiful yellow colour and onion creates brown nuances. In future these colours could replace traditional, toxic dyes.

At the same time researchers in Aalto University have produced textiles out of lupine, which is an invasive species in Finland.

Until now we have been removing lupines out of ditches and seeing it as a problem, but here researchers have created fibers and been able to weave a cloth out of it, says research coordinator Helen Salminen from the field of material science at the University of Turku.

Within the framework of the project researchers in Sweden have in turn worked on developing alternatives to plastic fibers (elastane) which are often used in jeans fabric for making fabric more elastic.

Cotton which contains a few percent of plastic fibers is difficult to recycle. This makes it difficult to use the fabric as a raw material for further processes. For that reason, it is important to find new ways to weave fabric so that fabric can be recycled and can be elastic without plastic fibers, says Alicja Lawrynowicz.

Textile Exchange launched the first Materials Market Report in 2013 as a comprehensive, annual publication that provides unique data and insights into global fiber and raw materials production.

The Materials Market Report shares best available data on global fibre and material production volumes alongside program-specific volumes and other insights such as the number of certified sites. For the purpose of this report, leather, rubber, and down are considered non-fibre raw materials and are therefore included separately from the section and charts on ‘global fibre’.

It helps inform the textile industry’s efforts to reduce emissions associated with raw material production in line with a 1.5-degree temperature rise pathway. The report highlights the urgency to accelerate the transition to fibres from preferred sources, intensify efforts to significantly reduce reliance on virgin fossil-based materials, and invest in strategies that separate value creation from the need for extracting new materials.

It’s important to note that the compilation of global market data for fibres and raw materials is challenging and the quality of available data is often limited. The collection of primary data from suppliers is beyond the scope of this report so Textile Exchange relies on secondary data from industry associations, international organizations, governmental organizations, standard setters, and research institutes.

While Textile Exchange has collected, analysed, and compiled this information in all good conscience and has cross-checked it wherever possible, the report is intended for general guidance and information purposes only. Data gaps and inconsistencies are common in global market data, so modelling has often had to be applied.

Global fibre production reached an all-time high of 124 million tonnes in 2023, according to the latest Materials Market Report– which looks at total volumes used for apparel, home textiles, footwear, or any other application.

The data shows that the market share of virgin fossil-based synthetics continued to increase in 2023, with a decline in that of cotton and recycled fibres. Other key takeaways from the report’s data include:

• Record fibre production: Despite industry efforts, global fibre production has more than doubled since 2000. The last year’s 124 million tonnes represents a 7% increase from 116 million tonnes in 2022, and is expected to rise to 160 million tonnes in 2030 if current trends continue.
• Synthetics continue to dominate: The production of virgin fossil-based synthetic fibres increased from 67 million tonnes in 2022 to 75 million tonnes in 2023. Polyester remained the most produced fibre globally, accounting for 57% of total fibre production.
• Recycled synthetics face challenges: Although recycled polyester fibre production slightly increased in 2023, the overall market share of recycled polyester decreased from 13.6% to 12.5%. For polyamide (nylon), the second most used synthetic fibre, recycled fibres constituted only 2% of the total market share. These trends are attributed to the lower prices and continued production of virgin synthetics, as well as current limitations in recycling technologies. Less than 1% of the global fibre market came from pre- and post-consumer recycled textiles.
  
  The combined share of all recycled fibres slightly decreased in 2023, from around 7.9% to 7.7%, mainly due to an increase in the production of fossil-based polyester, which had lower prices than recycled polyester. Fossil based synthetics production increased from 67 million tonnes in 2022 to 75 million tonnes in 2023. Meanwhile, less than 1% of the global fibre market came from pre- and post-consumer recycled textiles.
• Cotton production saw a slight decline: Total global cotton volumes fell slightly from 25.1 million tonnes in 2022 to 24.4 million tonnes in 2023. However, the share of cotton produced under sustainability programs remained stable, accounting for 29% of all cotton produced.
• Certified wool climbs: Data showed positive trends for wool produced under standards such as the Responsible Wool Standard (RWS), ZQ, SustainaWOOL (GREEN and GOLD), Sustainable Cape Wool Standard (SCWS) and Climate Beneficial programs. This increased from 4.2% in 2022 to 4.8% in 2023. Recycled wool continued to account for around 6% of the global wool market.
• Certified mohair and cashmere reached almost half of market share: Certified fibres such as mohair and cashmere saw notable growth, both with market shares of 47%.
• Manmade cellulosic fibres production increased: Overall MMCF production increased from 7.4 million tonnes in 2022 to 7.9 million tonnes in 2023, representing 6% of the global fibre market.

The report highlights a continued reliance on new virgin fossil-based synthetic materials, threatening to undermine the industry’s commitments to its climate goals. It also shows the current limitations of textile-to-textile recycling and an urgent need for innovative solutions, with most recycled polyester still coming from PET bottles.

Amid these concerns, one positive trend that stands out is the increased industry demand for responsible animal fibres through programs like the Responsible Mohair Standard (RMS) and Responsible Alpaca Standard (RAS), both contributing to better animal welfare and environmental management. This indicates the potential of farm-level standards of this kind to increase market recognition of more sustainable practices on the ground.

“We hope this data serves as a clear call to action for the industry, highlighting both the successes and the critical areas where we must intensify our focus to meet climate targets,” said Claire Bergkamp, CEO of Textile Exchange.

“Unlocking textile-to-textile recycling pathways will be essential to reducing reliance on virgin synthetics. Equally important is continuing to support those on the ground who are driving the transition from conventional systems to preferred materials. It is more urgent than ever to support those who have already invested in preferred systems, while also enabling the transition away from conventional at scale.”

Download of the Materials Market Report 2024.

The rise of fast-fashion, marked by rapid turnover of collections, has led to a sevenfold increase in the global trade of used clothing in the last 4 decades. With more than 80% of all purchased clothing items globally (62% in the EU) being disposed of as general garbage, which is incinerated or landfilled, this represents a massive waste of resources, causing severe environmental and health impacts. A report recently published by UNECE and the United Nations Economic Commission for Latin America and the Caribbean (ECLAC) contains an in-depth analysis of second-hand clothing trade between Europe and Chile, offers policy recommendations to the industry, exporting and importing countries to remedy this situation.

According to UN Comtrade data, in 2021 the European Union (30%), China (16%), and the United States (15%) were the leading exporters of discarded clothes, while Asia (28%, predominantly Pakistan), Africa (19%, especially Ghana and Kenya), and Latin America (16%, mainly Chile and Guatemala) were the leading importers.  

This has been facilitated by the advent of low-cost synthetic fibres and by trade liberalization that allowed the offshoring of production to countries with low-wage labour. Large proportions of clothing are made from difficult-to-separate blended fibres, making opportunities for economic reuse and recycling rare, particularly in developed countries.

“When did we normalize throwing clothes away?”, questions Lily Cole, Climate Activist and Advisor to UNECE. “As the world, mostly the Global North, has produced and consumed fashion at an unrelenting rate, a handful of countries, mainly in the Global South, have become cemeteries for the world’s unloved clothes. While visiting the Atacama Desert, my attention was brought to the textile mountains and the shifting cultural, economic, and political landscapes that birthed them. Consumer awareness is very helpful, yet, ultimately, we need policies to curb systemic trends, which is why this report and its recommendations are so necessary.”

Europe: sorting and recycling capacities lag behind  
In Europe only 15-20% of disposed textiles are collected, usually through containers, door-to-door collection and donations. About half of the collected textiles are downcycled to be used as, for example, insulation, filling, and single-use industrial wipes. Only 1% is recycled into higher value outputs such as new clothing, while the remainder is exported to developing countries.  

Of the 55% of collected clothes that are reusable, only 5 percentage points have a value on second-hand markets in the EU, while 50 percentage points have a value on export markets.  

The European Union has thus tripled its exports of used clothes over the past 2 decades, from 550,000 to 1.7 million tons. Europe, including the United Kingdom, accounts now for more than a third of global used clothing exports, and this share could continue to grow as collection rates are expected to rise.  

A design-led circular economy approach to clothing is still in its infancy. The EU Circular Economy Action Plan (CEAP) was adopted in 2020, the EU Strategy for Sustainable and Circular Textiles was adopted in 2022, and the EU Ecodesign for Sustainable Products Regulation was adopted in 2023. However, these policies are still to bear fruit in the form of large-scale upstream solutions to the problems of textile waste. 

“The used clothes global market is constantly growing, and with it, its negative impacts. The textile industry has a key responsibility to adopt more sustainable practices, exporters and importers to adopt relevant policy decisions to foster traceability, circularity and sustainability. UN/CEFACT policy recommendations and standards will support this transition. And of course, we all have a role to play, as consumers, to make sustainable choices,” stressed UNECE Executive Secretary Tatiana Molcean.

The case of Chile: mountains of used clothes visible from the moon  
Most countries in Latin America (including Argentina, Brazil, Colombia, Mexico, and Peru) have introduced clothing import bans to protect their national textile and fashion industries and avoid the threats posed by clothing dumps.

By contrast, Chile levies zero tariffs, and applies no quantity restrictions in imports, only requiring shipments to be sanitised (by fumigation). It has thus become one of the top 10 importers in the world, and the first in Latin America, receiving 126,000 tons of textiles in 2021. 40% of these entered the country through the northern port of Iquique, where they are manually sorted, primarily by women, and separated into first, second, and third quality.

75% of all imported used clothes were deemed non-reusable, 30,000 tons of which are covering today 30 hectares of the Atacama desert, generating pollution and creating hazard to local communities’ health. At the same time, trade in second-hand garments also provides employment and formal and informal income for national and migrant populations in established stores and open-air markets across the country, and this must be factored in when redefining public policies.

“To address the environmental and social issues of used textile trade, the EU and Chile must work together on creating robust regulatory frameworks. A partnership between the European Union and Chile could pioneer innovative approaches to regulate and reduce the impact of second-hand textile trade, including by setting global standards for the trade of used textiles, focusing on sustainability and social responsibility." Highlights UNECLAC Executive Secretary, Mr. José Manuel Salazar-Xirinachs.  

Multifold recommendations
The report contains a series of recommendations to the textile industry, exporters and importers.   

To exporting countries

• Make circular economy considerations central to the design of clothing, with mandatory targets for fibre composition that improve quality, durability, repairability, and recyclability  
• Introduce an Extended Producer Responsibility (EPR) system holding producers responsible for the products they manufacture  
• Develop more sorting and recycling plants, through financial incentives  
• Develop minimum EU criteria for second-hand clothing exports through the use of digital product passports (DPPs)  
• Run awareness-raising campaigns to encourage consumers to make more informed choices about their clothes

To importing countries – the example of Chile

• Improve customs procedures & administrative measures at the port of Iquique to ensure digital traceability of flows of used clothing and textile based on the UN/CEFACT traceability standard   
• Establish a Circular Economy Strategy for Textiles  
• Set-up public-private alliances for recycling projects through tax extension schemes and funds to support entrepreneurship, innovation, and job creation for vulnerable groups, particularly in the Tarapacá region  
• Improve the legal framework for waste management   
• Implement a Regional Solid Waste Control Plan, involving inspections of sanitary landfills, clean points, and dumps to increase the enforcement capacity of regional health authorities  
• Accelerate the adoption of the Chilean draft law on environmental quality of soils.

The report also recommends making changes to international trade agreements, such as the2023 Interim Trade Agreement between the EU and Chile, which includes a chapter on Trade and Sustainable Development, to step up bilateral cooperation, and using it as a template for other bilateral trade agreements between the EU and other countries.   

Download the Executive Summary

From risottos to sauces, mushrooms have long been a staple in the kitchen. Now fungi are showing the potential to serve up more than just flavor—as a sustainable, bendy material for the fashion industry.

Researchers are using the web-like structure of the mushroom's root system—the mycelium—as an alternative to synthetic fibers for clothing and other products such as car seats.

"It's definitely a change of mindset in the manufacturing process," said Annalisa Moro, EU project leader at Italy-based Mogu, which makes interior-design products from the mycelium. "You're really collaborating with nature to grow something rather than create it, so it's kind of futuristic."

Mogu, located 50 kilometers northwest of Milan, is managing a research initiative to develop nonwoven fabrics made of mycelium fibers for the textile industry.

Called MY-FI, the project runs for four years through October 2024 and brings together companies, research institutes, industry organizations and academic institutions from across Europe.

MY-FI highlights how the EU is pushing for more sustainable production and consumption in the textile and apparel industry, which employs around 1.3 million people in Europe and has annual turnover of €167 billion.

While getting most of its textiles from abroad, the EU produces them in countries including France, Germany, Italy and Spain. Italy accounts for more than 40% of EU apparel production.

Delicate and durable
The mycelium grows from starter spawn added to crops such as cereals. The threadlike filaments of the hyphae, the vegetative part of the fungus, create a material that grows on top. It is harvested and dried, resulting in soft, silky white sheets of nonwoven fabric that are 50 to 60 square centimeters.

The delicate material is made stronger and more durable through the addition of bio-based chemicals that bind the fibers together.

Its ecological origins contrast with those of most synthetic fibers such as nylon and polyester, which derive from fossil fuels such as coal and oil.

That means production of synthetic fibers adds to greenhouse-gas emissions that are accelerating climate change. In addition, when washed, these materials shed microplastics that often end up polluting the environment including rivers, seas and oceans.

The MY-FI mycelium needs very little soil, water or chemicals, giving it greener credentials than even natural fibers such as cotton.

Dress rehearsal
For the fashion industry, the soft, water-resistant properties of the mycelium are as appealing as its environmental credentials.

Just ask Mariagrazia Sanua, sustainability and certification manager at Dyloan Bond Factory, an Italian fashion designer and manufacturer that is part of MY-FI.

The company has used the mycelium-based material—in black and brown and with a waxed finish—to produce a prototype dress, a top-and-midi-skirt combination, bags and small leather accessories.

Laser cutting and screen printing were used to evaluate the material's behavior. The challenge was to adapt to the sheets of fabric—squares of the mycelium material rather than traditional rolls of textiles like cotton, linen and polyester—as well as properties such as tensile strength and seam tightness.

"We have had to completely change the paradigm and design processes and garments based on the material," said Sanua.

The company hopes the mycelium material will be a way of offering consumers a range of products that can be alternatives to animal leather.

Leather-unbound
Meanwhile, Germany-based Volks¬wagen, the world's No. 2 car manufacturer, is looking to mycelium technologies to reduce its environmental footprint and move away from leather for vehicle interiors.

Customers increasingly want animal-free materials for interiors from seat covers and door panels to dashboards and steering wheels, so adding a sustainable substitute for leather is an exciting prospect, according to Dr. Martina Gottschling, a researcher at Volkswagen Group Innovation.

"A fast-growing biological material that can be produced animal-free and with little effort, which also does not require petroleum-based resources, is a game-changer in interior materials," she said.

The mycelium material is also lighter than leather, another positive for reducing VW's carbon footprint.

The company's involvement in MY-FI is driving project researchers at Utrecht University in the Netherlands and I-TECH Lyon in France to enhance the durability of the mycelium fabric. To move from prototype to production line, the fabric must meet quality requirements set by VW to ensure the material lasts for the life of the vehicle.

It's a challenge that Gottschling believes will be met in the coming decade.

"We already see the material as one of the high-quality materials for interior applications that will be possible in the future," she said.

When life gives you tomatoes
Mushrooms aren't the only food with the potential to spin a sustainable-yarn revolution. Tomato stems have a hidden talent too, according to Dr. Ozgur Atalay and Dr. Alper Gurarslan of Istanbul Technical University in Turkey.

Seeing tomato vines left to wither in the fields after the crop was harvested, Atalay and Gurarslan began to investigate whether the stems could be transformed into sustainable fibers.

Tests proved that the agricultural waste could indeed be turned into yarn. But Atalay and Gurarslan were determined to go a step further. They wanted to use tomato stems to create a type of yarn for garments that monitor heart beats, respiratory rates and joint movements.

The two researchers lead a project to create this kind of electrically conductive apparel using—for the first time—sustainable materials.

Called SMARTWASTE, the project runs for four years until the end of 2026 and also involves academic and research organizations from Germany, Italy, the Netherlands and Poland.

"The beauty of the project is that we are starting from waste," said Atalay. "We are taking agricultural waste and not just creating regular textiles but something much more valuable."

While cost estimates will follow later in the project when design partners work on creating actual products, he signaled that smart clothing will be a good deal more expensive than the ordinary kind.

A smart textile shirt could cost as much as €1,000, according to Atalay.

The specialized material, limited production runs and research and development needed to create wearable technologies that are durable, washable and comfortable all contribute to the price tag.

Advancements in technology should eventually lead to lower production costs and consumer prices.

Seeds of poplar success
The Turkish countryside has also inspired a second strand to the project. Turkey's abundant poplar trees and—more specifically—their white, fluffy cotton-like seeds prompted Gurarslan to investigate whether they could be a sustainable textile source.

While their fibers have been dismissed as too short to make a yarn, the seeds have three particular properties that appeal to the textile industry: a hollow, pipe-like structure that can trap heat to provide thermal qualities, an antibacterial nature and water resistance.

The network of SMARTWASTE experts has blended the seeds with recycled polyester to make a nonwoven fabric that the team intends to turn into textile products with enhanced thermal properties.

The researchers hope this is just the start of a far-reaching transformation of textiles.

"Our goal is to train the next generation of researchers and innovators in sustainable textiles," said Atalay.

Developed by the Self-Assembly Lab, the 4D Knit Dress uses several technologies to create a custom design and a custom fit, while addressing sustainability concerns.

Until recently, bespoke tailoring — clothing made to a customer’s individual specifications — was the only way to have garments that provided the perfect fit for your physique. For most people, the cost of custom tailoring is prohibitive. But the invention of active fibers and innovative knitting processes is changing the textile industry.

“We all wear clothes and shoes,” says Sasha MicKinlay MArch ’23, a recent graduate of the MIT Department of Architecture. “It’s a human need. But there’s also the human need to express oneself. I like the idea of customizing clothes in a sustainable way. This dress promises to be more sustainable than traditional fashion to both the consumer and the producer.”

McKinlay is a textile designer and researcher at the Self-Assembly Lab who designed the 4D Knit Dress with Ministry of Supply, a fashion company specializing in high-tech apparel. The dress combines several technologies to create personalized fit and style. Heat-activated yarns, computerized knitting, and robotic activation around each garment generates the sculpted fit. A team at Ministry of Supply led the decisions on the stable yarns, color, original size, and overall design.

“Everyone’s body is different,” says Skylar Tibbits, associate professor in the Department of Architecture and founder of the Self-Assembly Lab. “Even if you wear the same size as another person, you're not actually the same.”

Active textiles
Students in the Self-Assembly Lab have been working with dynamic textiles for several years. The yarns they create can change shape, change property, change insulation, or become breathable. Previous applications to tailor garments include making sweaters and face masks. Tibbits says the 4D Knit Dress is a culmination of everything the students have learned from working with active textiles.

McKinlay helped produce the active yarns, created the concept design, developed the knitting technique, and programmed the lab’s industrial knitting machine. Once the garment design is programmed into the machine, it can quickly produce multiple dresses. Where the active yarns are placed in the design allows for the dress to take on a variety of styles such as pintucks, pleats, an empire waist, or a cinched waist.

“The styling is important,” McKinlay says. “Most people focus on the size, but I think styling is what sets clothes apart. We’re all evolving as people, and I think our style evolves as well. After fit, people focus on personal expression.”

Danny Griffin MArch ’22, a current graduate student in architectural design, doesn’t have a background in garment making or the fashion industry. Tibbits asked Griffin to join the team due to his experience with robotics projects in construction. Griffin translated the heat activation process into a programmable robotic procedure that would precisely control its application.

“When we apply heat, the fibers shorten, causing the textile to bunch up in a specific zone, effectively tightening the shape as if we’re tailoring the garment,” says Griffin. “There was a lot of trial and error to figure out how to orient the robot and the heat gun. The heat needs to be applied in precise locations to activate the fibers on each garment. Another challenge was setting the temperature and the timing for the heat to be applied.”

“We couldn’t use a commercial heat gun — which is like a handheld hair dryer — because they’re too large,” says Griffin. “We needed a more compact design. Once we figured it out, it was a lot of fun to write the script for the robot to follow.”

A dress can begin with one design — pintucks across the chest, for example — and be worn for months before having heat re-applied to alter its look. Subsequent applications of heat can tailor the dress further.

Beyond fit and fashion
Efficiently producing garments is a “big challenge” in the fashion industry, according to Gihan Amarasiriwardena ’11, the co-founder and president of Ministry of Supply.

“A lot of times you'll be guessing what a season's style is,” he says. “Sometimes the style doesn't do well, or some sizes don’t sell out. They may get discounted very heavily or eventually they end up going to a landfill.”

“Fast fashion” is a term that describes clothes that are inexpensive, trendy, and easily disposed of by the consumer. They are designed and produced quickly to keep pace with current trends. The 4D Knit Dress, says Tibbits, is the opposite of fast fashion. Unlike the traditional “cut-and-sew” process in the fashion industry, the 4D Knit Dress is made entirely in one piece, which virtually eliminates waste.

“From a global standpoint, you don’t have tons of excess inventory because the dress is customized to your size,” says Tibbits.

McKinlay says she hopes use of this new technology will reduce the amount of waste in inventory that retailers usually have at the end of each season.

“The dress could be tailored in order to adapt to these changes in styles and tastes,” she says. “It may also be able to absorb some of the size variations that retailers need to stock. Instead of extra-small, small, medium, large, and extra-large sizes, retailers may be able to have one dress for the smaller sizes and one for the larger sizes. Of course, these are the same sustainability points that would benefit the consumer.”

The Self-Assembly Lab has collaborated with Ministry of Supply on projects with active textiles for several years. Late last year, the team debuted the 4D Knit Dress at the company’s flagship store in Boston, complete with a robotic arm working its way around a dress as customers watched. For Amarasiriwardena, it was an opportunity to gauge interest and receive feedback from customers interested in trying the dress on.

“If the demand is there, this is something we can create quickly” unlike the usual design and manufacturing process, which can take years, says Amarasiriwardena.

Griffin and McKinlay were on hand for the demonstration and pleased with the results. For Griffin, with the “technical barriers” overcome, he sees many different avenues for the project.

“This experience leaves me wanting to try more,” he says.

McKinlay too would love to work on more styles.

“I hope this research project helps people rethink or reevaluate their relationship with clothes,” says McKinlay. “Right now when people purchase a piece of clothing it has only one ‘look.’ But, how exciting would it be to purchase one garment and reinvent it to change and evolve as you change or as the seasons or styles change? I'm hoping that's the takeaway that people will have.”

In a world first for the fashion industry, in October 2020 twelve pioneering players came together to break new ground by demonstrating a circular model for commercial garment production. Over more than three years, textile waste was collected and sorted, and regenerated into a new, man-made cellulosic fiber that looks and feels like cotton – a “new cotton” – using Infinited Fiber Company’s textile fiber regeneration technology.
 
The pioneering New Cotton Project launched in October 2020 with the aim of demonstrating a circular value chain for commercial garment production. Through-out the project the consortium worked to collect and sort end-of-life textiles, which using pioneering Infinited Fiber technology could be regenerated into a new man-made cellulosic fibre called Infinna™ which looks and feels just like virgin cotton. The fibres were then spun into yarns and manufactured into different types of fabric which were designed, produced, and sold by adidas and H&M, making the adidas by Stella McCartney tracksuit and a H&M printed jacket and jeans the first to be produced through a collaborative circular consortium of this scale, demonstrating a more innovative and circular way of working for the fashion industry.
 
As the project completes in March 2024, the consortium highlights eight key factors they have identified as fundamental to the successful scaling of fibre-to-fibre recycling.

The wide scale adoption of circular value chains is critical to success
Textile circularity requires new forms of collaboration and open knowledge exchange among different actors in circular ecosystems. These ecosystems must involve actors beyond traditional supply chains and previously disconnected industries and sectors, such as the textile and fashion, waste collection and sorting and recycling industries, as well as digital technology, research organisations and policymakers. For the ecosystem to function effectively, different actors need to be involved in aligning priorities, goals and working methods, and to learn about the others’ needs, requirements and techno-economic possibilities. From a broader perspective, there is also a need for a more fundamental shift in mindsets and business models concerning a systemic transition toward circularity, such as moving away from the linear fast fashion business models. As well as sharing knowledge openly within such ecosystems, it also is important to openly disseminate lessons learnt and insights in order to help and inspire other actors in the industry to transition to the Circular Economy.

Circularity starts with the design process
When creating new styles, it is important to keep an end-of-life scenario in mind right from the beginning. As this will dictate what embellishments, prints, accessories can be used. If designers make it as easy as possible for the recycling process, it has the bigger chance to actually be feedstock again. In addition to this, it is important to develop business models that enable products to be used as long as possible, including repair, rental, resale, and sharing services.

Building and scaling sorting and recycling infrastructure is critical
In order to scale up circular garment production, there is a need for technological innovation and infrastructure development in end-of-use textiles collection, sorting, and the mechanical pre-processing of feedstock. Currently, much of the textiles sorting is done manually, and the available optical sorting and identification technologies are not able to identify garment layers, complex fibre blends, or which causes deviations in feedstock quality for fibre-to-fibre recycling. Feedstock preprocessing is a critical step in textile-to-textile recycling, but it is not well understood outside of the actors who actually implement it. This requires collaboration across the value chain, and it takes in-depth knowledge and skill to do it well. This is an area that needs more attention and stronger economic incentives as textile-to-textile recycling scales up.

Improving quality and availability of data is essential
There is still a significant lack of available data to support the shift towards a circular textiles industry. This is slowing down development of system level solutions and economic incentives for textile circulation. For example, quantities of textiles put on the market are often used as a proxy for quantities of post-consumer textiles, but available data is at least two years old and often incomplete. There can also be different textile waste figures at a national level that do not align, due to different methodologies or data years. This is seen in the Dutch 2018 Mass Balance study reports and 2020 Circular Textile Policy Monitoring Report, where there is a 20% difference between put on market figures and measured quantities of post-consumer textiles collected separately and present in mixed residual waste. With the exception of a few good studies such as Sorting for Circularity Europe and ReFashion’s latest characterization study, there is almost no reliable information about fibre composition in the post-consumer textile stream either. Textile-to-textile recyclers would benefit from better availability of more reliable data. Policy monitoring for Extended Producer Responsibility schemes should focus on standardising reporting requirements across Europe from post-consumer textile collection through their ultimate end point and incentivize digitization so that reporting can be automated, and high-quality textile data becomes available in near-real time.

The need for continuous research and development across the entire value chain
Overall, the New Cotton Project’s findings suggest that fabrics incorporating Infinna™ fibre offer a more sustainable alternative to traditional cotton and viscose fabrics, while maintaining similar performance and aesthetic qualities. This could have significant implications for the textile industry in terms of sustainability and lower impact production practices. However, the project also demonstrated that the scaling of fibre-to-fibre recycling will continue to require ongoing research and development across the entire value chain. For example, the need for research and development around sorting systems is crucial. Within the chemical recycling process, it is also important to ensure the high recovery rate and circulation of chemicals used to limit the environmental impact of the process. The manufacturing processes also highlighted the benefit for ongoing innovation in the processing method, requiring technologies and brands to work closely with manufacturers to support further development in the field.

Thinking beyond lower impact fibres
The New Cotton Project value chain third party verified LCA reveals that the cellulose carbamate fibre, and in particular when produced with a renewable electricity source, shows potential to lower environmental impacts compared to conventional cotton and viscose. Although, it's important to note that this comparison was made using average global datasets from Ecoinvent for cotton and viscose fibres, and there are variations in the environmental performance of primary fibres available on the market. However, the analysis also highlights the importance of the rest of the supply chain to reduce environmental impact. The findings show that even if we reduce the environmental impacts by using recycled fibres, there is still work to do in other life cycle stages. For example; garment quality and using the garment during their full life span are crucial for mitigating the environmental impacts per garment use.
          
Citizen engagement
The EU has identified culture as one of the key barriers to the adoption of the circular economy within Europe. An adidas quantitative consumer survey conducted across three key markets during the project revealed that there is still confusion around circularity in textiles, which has highlighted the importance of effective citizen communication and engagement activities.

Cohesive legislation
Legislation is a powerful tool for driving the adoption of more sustainable and circular practices in the textiles industry. With several pieces of incoming legislation within the EU alone, the need for a cohesive and harmonised approach is essential to the successful implementation of policy within the textiles industry. Considering the link between different pieces of legislation such as Extended Producer Responsibility and the Ecodesign for Sustainable Products Regulation, along with their corresponding timeline for implementation will support stakeholders from across the value chain to prepare effectively for adoption of these new regulations.

The high, and continuously growing demand for recycled materials implies that all possible end-of-use textiles must be collected and sorted. Both mechanical and chemical recycling solutions are needed to meet the demand. We should also implement effectively both paths; closed-loop (fibre-to-fibre) and open -loop recycling (fibre to other sectors). There is a critical need to reconsider the export of low-quality reusable textiles outside the EU. It would be more advantageous to reuse them in Europe, or if they are at the end of their lifetime recycle these textiles within the European internal market rather than exporting them to countries where demand is often unverified and waste management inadequate.

Overall, the learnings spotlight the need for a holistic approach and a fundamental mindset shift in ways of working for the textiles industry. Deeper collaboration and knowledge exchange is central to developing effective circular value chains, helping to support the scaling of innovative recycling technologies and increase availability of recycled fibres on the market. The further development and scaling of collecting and sorting, along with the need to address substantial gaps in the availability of quality textile flow data should be urgently prioritised. The New Cotton Project has also demonstrated the potential of recycled fibres such as Infinna™ to offer a more sustainable option to some other traditional fibres, but at the same time highlights the importance of addressing the whole value chain holistically to make greater gains in lowering environmental impact. Ongoing research and development across the entire value chain is also essential to ensure we can deliver recycled fabrics at scale in the future.

The New Cotton Project has received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 101000559.

 

Interview with vombaur - pioneers in special textiles
Technical narrow textiles, custom solutions, medium-sized textile producer and development partner for filtration textiles, composite textiles and industrial textiles: vombaur. Digitalisation, sustainability, energy prices, pioneering work and unbroken enthusiasm – Textination spoke to two passionate textile professionals: Carl Mrusek, Chief Sales Officer (CSO), and Johannes Kauschinger, Sales Manager for Composites and Industrial Textiles, at vombaur GmbH, which, as well as JUMBO-Textil, belongs to the Textation Group.
 
If you look back at your history and thus to the beginnings of the 19th century, you will see a ribbon manufactory and, from 1855, a production of silk and hat bands. Today you produce filtration textiles, industrial textiles and composites textiles. Although you still produce narrow textiles today, the motto "Transformation as an opportunity" seems to be a lived reality at vombaur.
 
Carl Mrusek, Chief Sales Officer: Yes, vombaur has changed a few times in its almost 220-year history.  Yet the company has always remained true to itself as a narrow textiles manufacturer. This testifies to the willingness of the people in the company to change and to their curiosity. Successful transformation is a joint development, there is an opportunity in change. vombaur has proven this many times over the past almost 220 years: We have adapted our product portfolio to new times, we have built new factory buildings and new machinery, we have introduced new materials and developed new technologies, we have entered into new partnerships – as most recently as part of the Textation Group. We are currently planning our new headquarters. We are not reinventing ourselves, but we will go through a kind of transformation process with the move into the brand new, climate-friendly high-tech space.

 

Could you describe the challenges of this transformation process?
 
Johannes Kauschinger, Sales Manager for Composites and Industrial Textiles: A transformation usually takes place technically, professionally, organisationally and not least – perhaps even first and foremost – culturally. The technical challenges are obvious. Secondly, in order to manage and use the new technologies, appropriate expertise is needed in the company. Thirdly, every transformation entails new processes, teams and procedures have to be adapted. And finally, fourthly, the corporate culture also changes. Technology can be procured, expertise acquired, the organisation adapted. Time, on the other hand, cannot be bought. I therefore consider the greatest challenge to be the supply of human resources: In order to actively shape the transformation and not be driven by development, we need sufficient skilled workers.

 

Visiting your website, the claim "pioneering tech tex" immediately catches the eye. Why do you see your company as a pioneer, and what are vombaur's groundbreaking or pioneering innovations?

Carl Mrusek: With our unique machine park, we are pioneers for seamless circular woven textiles. And as a development partner, we break new ground with every order. We are always implementing new project-specific changes: to the end products, to the product properties, to the machines. It happens regularly that we adapt a weaving machine for a special seamless woven shaped textile, sometimes even develop a completely new one.
 
With our young, first-class and growing team for Development and Innovation led by Dr. Sven Schöfer, we repeatedly live up to our promise of "pioneering tech tex" by developing special textile high-tech solutions with and for our customers. At the same time, we actively explore new potentials. Most recently with sustainable materials for lightweight construction and research into novel special filtration solutions, for example for the filtration of microplastics. A state-of-the-art textile technology laboratory is planned for this team in the new building.

 

The development of technical textiles in Germany is a success story. From a global perspective, we manage to succeed with mass-produced goods only in exceptional cases. How do you assess the importance of technical textiles made in Germany for the success of other, especially highly technological industries?

Carl Mrusek: We see the future of industry in Europe in individually developed high-tech products. vombaur stands for high-quality, reliable and durable products and made-to-order products. And it is precisely this – custom-fit products, instead of surplus and throwaway goods – that is the future for sustainable business in general.

 

What proportion of your production is generated by being project-based as opposed to a standard range, and to what extent do you still feel comfortable with the term "textile producer"?

Johannes Kauschinger: Our share of special solutions amounts to almost 90 percent. We develop technical textile solutions for our customers' current projects. For this purpose, we are in close contact with the colleagues from our customers' product development departments. Especially in the field of composite textiles, special solutions are in demand. This can be a component for space travel – after all, a spaceship is not manufactured off the peg. We also offer high-quality mass-produced articles, for example in the area of industrial textiles, where we offer round woven tubulars for conveyor belts. In this sense, we are a textile producer, but more than that: we are also a textile developer.

 

In August, Composites Germany presented the results of its 21st market survey. The current business situation is viewed very critically, the investment climate is becoming gloomier and future expectations are turning negative. vombaur also has high-strength textile composites made of carbon, aramid, glass and hybrids in its portfolio. Do you share the assessment of the economic situation as reflected in the survey?

Carl Mrusek: We foresee a very positive development for vombaur because we develop in a very solution-oriented way and offer our customers genuine added value. This is because future technologies in particular require individual, reliable and lightweight components. This ranges from developments for the air taxi to wind turbines. Textiles are a predestined material for the future. The challenge here is also to offer sustainable and recyclable solutions with natural raw materials such as flax and recycled and recyclable plastics and effective separation technologies.

 

There is almost no company nowadays that does not use the current buzzwords such as climate neutrality, circular economy, energy efficiency and renewable energies. What is your company doing in these areas and how do you define the importance of these approaches for commercial success?

Carl Mrusek: vombaur pursues a comprehensive sustainability strategy. Based on the development of our mission statement, we are currently working on a sustainability declaration. Our responsibility for nature will be realised in a very concrete and measurable way through our new building with a green roof and solar system. In our product development, the high sustainability standards – our own and those of our customers – are already flowing into environmentally friendly and resource-saving products and into product developments for sustainable projects such as wind farms or filtration plants.

 

Keyword digitalisation: medium-sized businesses, to which vombaur belongs with its 85 employees, are often scolded for being too reluctant in this area. How would you respond to this accusation?

Johannes Kauschinger:

We often hear about the stack crisis at the present time. Based on this, we could speak of the stack transformation. We, the small and medium-sized enterprises, are transforming ourselves in a number of different dimensions at the same time: Digital transformation, climate neutrality, skilled labour market and population development, independence from the prevailing supply chains. We are capable of change and willing to change. Politics and administration could make it a bit easier for us in some aspects. Key words: transport infrastructure, approval times, energy prices. We do everything we can on our side of the field to ensure that small and medium-sized enterprises remain the driving economic force that they are.

 

 

How do you feel about the term shortage of skilled workers? Do you also take unconventional paths to find and retain talent and skilled workers in such a specialised industry? Or does the problem not arise?

Carl Mrusek: Of course, we are also experiencing a shortage of skilled workers, especially in the industrial sector. But the development was foreseeable. The topic played a major role in the decision to move together with our sister company JUMBO-Textil under the umbrella of the Textation Group. Recruiting and promoting young talent can be better mastered together – for example with cross-group campaigns and cooperations.

 

If you had to describe a central personal experience that has shaped your attitude towards the textile industry and its future, what would it be?

Johannes Kauschinger: A very good friend of my family pointed out to me that we live in an area with a very active textile industry, which at the same time has problems finding young talents. I visited two companies for an interview and already on the tour of each company, the interaction of people, machines and textiles up to the wearable end product was truly impressive. In addition, I was able to learn a profession with a very strong connection to everyday life. To this day, I am fascinated by the wide range of possible uses for textiles, especially in technical applications, and I have no regrets whatsoever about the decision I made back then.

Carl Mrusek: I came into contact with the world of textiles and fashion at a young age. I still remember the first time I went through the fully integrated textile production of a company in Nordhorn with my father Rolf Mrusek. Since then, the subject has never left me. Even before I started my studies, I had made a conscious decision to pursue a career in this industry and to this day I have never regretted it, on the contrary. The diversity of the special solutions developed in the Textation Group fascinates me again and again.

 

vombaur is a specialist for seamless round and shaped woven narrow textiles and is known throughout the industry as a development partner for filtration textiles, composite textiles and industrial textiles made of high-performance fibres. Technical narrow textiles from vombaur are used for filtration – in the food and chemical industries, among others. As high-performance composite materials, they are used, for example, in aircraft construction or medical technology. For technical applications, vombaur develops specially coated industrial textiles for insulation, reinforcement or transport in a wide range of industrial processes – from precision mechanics to the construction industry. The Wuppertal-based company was founded in 1805. The company currently employs 85 people.

Sectors

• Aviation & Automotive
• Sports & Outdoor   
• Construction & Water Management
• Safety & Protection   
• Chemistry & Food
• Plant construction & electronics   
• Medicine & Orthopaedics

 

The search for better, planet-friendly footwear material reveals a solution in one unlikely ingredient: pineapple leaves. This unique textile ingredient is the recent focus of the latest footwear design collaboration between Ananas Anam, TENCEL™ and Calvin Klein, launching Calvin Klein’s first-ever trainer featuring a knitted upper made of PIÑAYARN® blended with TENCEL™ Lyocell fibers.

Known as “The Sustainable Knit Trainer”, the trainers are a timeless closet staple, available in classic colors such as black and off-white and etched with the signature Calvin Klein logo. The PIÑAYARN® knit upper, made of 70% TENCEL™ Lyocell and 30% Anam PALF™ pineapple leaf fiber, is both from botanic origin and bio-based.

As the fashion sector has begun to realize the negative environmental effects of synthetic materials, a lot of brands have turned towards plant-based materials such as PIÑAYARN®. Using a low-impact manufacturing process, PIÑAYARN® is derived from pineapple leaf waste and involves a water-free spinning process. The addition of TENCEL™ Lyocell, a fiber made from wood pulp obtained from responsibly managed forests and produced using a solvent spinning process that recycles both the solvent and water at a recovery rate of more than 99%, offers full traceability of the TENCEL™ fiber in the final blended yarn.

Melissa Braithwaite, PIÑAYARN® Product Development Manager at Ananas Anam said “The inspiration for PIÑAYARN® came from the need to provide the textile industry with an alternative to overused, often polluting, conventional fibers, such as cotton or polyester. We have an abundance of available raw material within our business, and broadening our product offering means we can valorize more waste, increasing our positive impact on the environment and society.”

Indeed, as the consumer demand for more eco-responsible textile products and footwear grows, so too has the popularity of wood-based fibers as a material alternative. Ananas Anam and TENCEL™’s collaboration with Calvin Klein has been a success in that the physical characteristics and planet-conscious benefits of both PIÑAYARN® and TENCEL™ fibers complement each other perfectly, creating a blended material that is soft and usable for various woven and knitted applications.

For material developers like Ananas Anam seeking the ideal fiber blend partner to create PIÑAYARN®, TENCEL™ Lyocellfibers are celebrated for their versatility and ability to be blended with a wide range of textiles such as hemp, linen and of course Anam PALF™ pineapple leaf fiber, to enhance the aesthetics, performance and functionality of fabrics. Additionally, beyond being used in shoe uppers, TENCEL™ Lyocell fibers can be used in every part of the shoe including the upper fabric, lining, insoles, padding, laces, zipper and sewing thread. TENCEL™ Lyocell can also be used in powder form for use in the outsoles of shoes.

“We are extremely excited about this collaboration with Ananas Anam for the launch of The Sustainable Knit Trainer by Calvin Klein, an eco-responsible and planet-friendly shoe for conscious consumers. This partnership is the perfect example of our commitment to provide education and expertise to support anyone who chooses to improve the environmental and social credentials of their products by using more responsible materials,” said Nicole Schram, Global Business Development Manager at Lenzing.

Tuser Biswas conducts research that aims to develop modern medical textiles that are good for both the environment and human health. Textiles with antimicrobial properties could reduce the use of antibiotics.

His work involves research and teaching activities within the area of textile material technology. The current research involves resource-efficient inkjet printing of functional materials on various textile surfaces for advanced applications.
 
The conventional textile industry devours natural resources in the form of water, energy, and chemicals. A more resource-efficient way to produce textiles is with ink jet printing. Tuser Biswas, who recently defended his doctoral thesis in Textile Material Technology, seeks to develop methods for functional textiles. He has shown that it is possible to print enzymes on textiles. These are proteins that function as catalysts in the body, as they set chemical processes in motion without themselves changing. They could, for example, be used in medical textiles with antimicrobial properties or to measure biological or chemical reactions.

“Ever since the industrial revolution, our society has used an abundance of synthetic and harsh chemicals. Our research works to replace these chemicals with environmentally friendly and bio-based materials,” said Tuser Biswas.
 
Promising results with enzymes on textiles
Developing a good enzyme ink was not entirely easy and it took a number of attempts before he finally, to his great joy, had successful results. Tuser Biswas explained that the most important result is to show how a printed enzyme could bind another enzyme to the surface of a fabric. Although the activity of the enzymes decreased by 20-30 percent after printing, the results are still promising for future applications. At the same time, the work has provided new knowledge about many fundamental questions about printing biomaterials on fabric.

“Before starting the project, we found several related studies that focused on producing a finished product. But we wanted to study the fundamental challenges of this subject, and now we know how to make it work,” said Tuser Biswas.

He is now seeking funding to continue researching the subject and has so far received a grant from the Sjuhärad Savings Bank Foundation. During the Days of Knowledge event in April 2023, he presented his research to representatives from the City of Borås and business, the Sjuhärad Savings Bank Foundation, and the University of Borås.
     
Medical textiles instead of antibiotics
Tuser Biswas hopes that continued research in textile technology can provide alternatives to using antibiotics. With increasing antibiotic resistance, it is an important issue not only locally but worldwide.

“Instead of treating the patient with a course of antibiotics, one can act preventively and more effectively by damaging the bacteria on the surface where they start to grow. In a wound dressing, for example. Nanoparticle-based antimicrobials can reduce growth effectively. It is possible as nanoparticles can interact better with the bacterial membrane and reach the target more easily than conventional antimicrobials.”